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Quint Reviews Dreamworks Animation's latest SPIRIT: STALLION OF THE CIMARRON

Hey folks, Harry here... I sent Quint up to this junket, cuz I just don't like junkets generally and can only be persuaded to go to one, when it is a movie that I'm literally DYING to see. I mean, dying... Like SPIDER-MAN or LORD OF THE RINGS style dying, even then... I'd just rather see the movie somewhere here in Austin. So Quint is in Dallas. Now from the sound of it this seems to be a pretty damn fine animated film, though that much Bryan Adams music might be cancerous... I wonder if the FDA has approved this movie for Health Reasons? However, if you happen to really dig this movie, check out this review of THE GOLDEN STALLION and pop over to IMDB and get the film... This is my fave Horse movie... better than BLACK STALLION or NATIONAL VELVET and even PHAR LAP. Although DAY AT THE RACES is technically the best horse movie ever... Well, accept for CHARGE OF THE LIGHT BRIGADE and SANTA FE TRAIL! Ahem... and STAGECOACH and... Ah hell, there's a ton of great horse movies....

Ahoy, squirts. 'Tis I, everybody's favorite Wyld Stallyn and crusty seaman, Quint, here reporting in from Dallas on Dreamwork's Spirit: Stallion of the Cimarron. I saw Spirit a few hours ago digitally projected at Dallas's Magnolia theater.

To start out... I really haven't been looking forward to this film. The trailers don't make it out to be a very good or entertaining movie. I met Lorna Cook, one of the film's co-directors, while in LA with Harry on his book tour and she was very cool and kind, but that just made me feel bad that I wasn't looking forward to her film. So, it came to be that I saw the film tonight, a month early, introduced by Jeffrey Katzenberg, no less. The audience was filled to the brim with kids. I was a bit relieved that it wasn't just going to be a roomful of journalists... those screenings are usually dead and without anybody emitting any emotion whatsoever. When it comes to seeing a movie like Spirit that is aimed at children, the best way to see if it works or not is to see it with the target audience.

The kids loved the movie, gasping and cheering and crying and laughing at the right moments. What about me? I was pleasantly surprised. Actually, Spirit is pretty great kids flick... It follows a traditional children's film formula that has been in effect since the first flicker show and feels amazingly like what Disney films used to be, but what current Disney could never put out.

Look at Dinosaur, a movie that should have been amazing and would have been if Disney hadn't wussed out. While I liked Dinosaur, it was a safe movie, following every character convention Disney has had since the beginning. In Spirit, the horses don't talk. WHAT? The hell you say! Kids won't like an animated movie without talking animals, right? I have a roomful of kids that'll disagree with that last point. The only characters that talk in the film are the humans. Sure, there's a bit of interior narration(voiced by Matt Damon), but they use that dialogue only when needed and never use it as a crutch. Since they take away this basic convention of animal animation, the filmmakers forced themselves to create inventive character animation... showing, not telling.

Spirit isn't the best thing since Pinocchio, but it's better than anything Disney has put out in years (Pixar films excluded) and I think it's the first Dreamworks animated film to actually have shot at being a family classic. Will it become one? I have no idea. Its inventiveness in setup and beauty of the animation gives it a great chance, but only time will tell.

OK, basic story... The film's set in the old west and is about a mustang stallion, leader and protector of his herd, who gets a little too curious one night and inadvertently ends up on a long journey. He faces Cowboys (not so good guys), Indians (good guys) and even ends up eye to eye with a tough as nails Cavalry Colonel (voiced terrifically by James Cromwell) who makes it his life's mission to break the mustang.

Sure, it's pretty traditional kiddy animated fare, but there is enough uniqueness and defiance of convention that it keeps the film fresh. There are scenes that come close to cliché, but somehow overcome the cliché... For instance, there's a fantastic scene in the film when Spirit is in an Indian camp and a little Indian girl (maybe 2 years old) comes up to him and they check each other out, she being delighted to see the horse up close and he still being wary of humans. It's a scene we've seen a few dozen different versions of in films, but the scene is wonderful and even brought a laugh out of some of the stilted journalists sitting around me. The final confrontation of Spirit and the Calvary Colonel also avoids cliché and adds a great deal of class to the movie, actually giving the token bad guy some dimension.

Now we come to the songs... Again, thankfully, the characters don't sing. It's not that I dislike animated musicals, it's just that I've seen so many great animated musicals... I haven't seen so many great straight animated films. I'd rather see the effort being put into story and character than of worrying where to put the musical number. I didn't mind the songs in the movie and often times they provided the right background music during the animation, but I can tell you this right now... If you hate Bryan Adams music, I mean truly hate the man and every note that comes out of his mouth, then avoid this movie. Nothing can save you. His mark on the film is that big.

I'm a lukewarm Bryan Adams fan. I don't own any of his albums... I like a few of his songs, but am not a big listener. I dug what he was doing in the film, but there is no doubt he has a huge part in the feel of the movie. More than Randy Newman and his Pixar work, Bryan Adams sets a tone for this film as some piece of his music is playing almost throughout the whole film. He should be credited alongside Hans Zimmer as his work acts like the score for the film, setting the mood, helping explain the situations and feelings of the characters. This is Bryan Adams working near his best, but it is still Bryan Adams... There is no escaping this, Adams-haters. He doesn't just have song over the beginning or end credits. He is a part of the movie, love him or hate him.

This is the first time I've seen a film projected digitally. It was very nice, but I have to say it's not as perfect as it has been cracked up to be. The pixelization was pretty obvious throughout most of the film, but I do admit I was sitting pretty close. It didn't look video projector bad... it actually looked very nice, but it's not the crystal clear picture people have been trying to sell on me. I think digital projection will eventually reach the state of perfect picture, but it still has a little ways to go.

All in all, Spirit is a great example of an old fashioned family entertainment movie. Your kids/little brothers/sisters/nephews/whatever will love this film and it is one that the average film lover (without a heart of stone) should enjoy right alongside them. The movie comes out Memorial Day Weekend, so if Attack of the Clones is still sold out and you've already seen Spider-Man 157 times, you have another choice for fun, family friendly fare.

Sorry the review was so short, squirts, but I've got a big day ahead of me tomorrow and I am one sleepy seaman. I'll be back very soon with tons of interviews and other goodness for ya'. 'Til that day, squirts, this is Quint bidding you all a fond farewell and adieu.

-Quint

email: If my philly is out there and wants mounting, e-me babe!







Readers Talkback
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  • April 19, 2002 4:47 AM CST

    Great Horse movies...

    by Tokyo Joe

    Stanley Kubrick's The Killing is a great horse movie too. Kind of...

  • April 19, 2002 4:49 AM CST

    another brainless movie for the kids...

    by 2vic

    C'mon Kids!let's see Miyazaki's "Spirited away" one more time ! and stop watching Disney's and Dreamworks'films.

  • April 19, 2002 6:37 AM CST

    C'mon man, a kid's movie is a kid's movie. Why do yo

    by Joe Mammary

    I hate to say it, but a lot of Disney animated films are pretty well done. But The Iron Giant was even better.Spirit sounds more in that vein, as opposed to say, Disney's poorer efforts like The Goffy Movie. I'm not saying Disney shouldn't try to improve the formula, but for the most part, they are good at what they do which is kiddie flicks.Not kiddie flicks which appeal to geeks, somehow making them of a higher quality.

  • April 19, 2002 7:32 AM CST

    Disney debate

    by AuntieMeat

    Alright. Seems that this is to be the topic of the talkback. I can ride with that. Me? I've been a die-hard animation fan my whole life. Wanted to grow up to be a Disney animator till I was about 10 and found out how horribly they're treated. Nevertheless, I still *love* animated films. And, Disney has always been the monarch. I was all of 13 the summer that The Lion King came out, and boy, did I spend every dime of my babysitting money going to see that as often as I could. The harder part was to convince my mom to drive me 25 minutes away to the movie theater and then pick me up again afterward. ;) Now, since that summer, Disney has been under their game. Don't take that wrong, though. Some of their movies were almost unwatchable even for me (Pocmyhontas) and some of them were highly enjoyable (Hercules, Mulan), yet still not at that level that the more recent greats had been (Little Mermaid, Beauty/Beast, Aladdin & LK). The past couple years have been torture. I want them to make something memorable. Pixar's been the thing keeping Disney afloat at the box office for the past 5 years. But now... now... it seems they may have something on their hands. With pressure to make better quality pictures from other studios entering the market (and their looming end of contract with Pixar), they're learning the hard lesson that even if you are the King, the public has other Dukes to look to now, and they might just have the power to pull a coup if you don't work yourself back into shape. I am hoping, hoping like you wouldn't believe, that Lilo & Stitch is a new direction for Disney that they will stay on. Variety and creativity. I heard that this film was a creative free-for-all at the animation studio. That corporate was doing what they should do with this upcoming film - kept their noses out of it and let the people who knew what they were doing run the show. Good job. After all, that's how I hear Pixar does it. Maybe the Mouse has learned a little something from their partner. No upper input from the guys that run the company, just ideas thrown about and reworked by guys that are giddy about these sorts of things. As it should be. I really hope this isn't a blip on the map. That this is Disney's one refibulator-induced heartbeat before they go flatline again. I really hope this film is as good as it seems and makes the money it would deserve. Maybe that would finally get the message to corporate, since all they understand or want to see is the money flowing in anyway. We're tired of cookie-cutter. We're tired of mediocre. We want a little womanizing destructive, yet cute and cuddly alien that only has a couple words we can understand as our central focus. Character. Humor. Fun. And a good romp at the same time. I sure hope they have changed their song. Because, if not, then it sounds like Dreamworks (whose animation has always been gorgous, right from the time they came busting out of the gates with The Ten Commandments-- I mean, Prince of Egypt) is poised to have the crown handed over to them. I love Disney and they have a fantastic history, but when the shit starts coming and doesn't let up, I do have to say it: May the best man win.

  • April 19, 2002 9:22 AM CST

    I was there

    by stuart_bannerman

    I was actually present at the scoring of this movie. And although i only saw a fraction of footage. I can say that the soundtrack is amazing. Hans Zimmer once again proving that he is without a doubt, the best !!!!

  • April 19, 2002 9:42 AM CST

    I was there

    by BurlIvesLeftNut

    In the old west, I mean, and cowboys WERE good. Those cowboys with their colorful hats and magic lassos. Indians were okay, but they were always getting high and robbing the 'Package Store' for more bread to get high again. But there was this one guy, who wore a mask... he was REAL good.

  • April 19, 2002 9:49 AM CST

    The greatest horse movie also happens to be a gambling movie...

    by lostoptimist

    Oh yes....I am talking about Richard Dreyfus' last worthwhile opus: LET IT RIDE. A movie so amusing and didactic that it has become a cult phenom and mandatory watching at Gamblers Anonymous meetings around the worldr. It has everything a day at the race track could possibly allow: A riotous Robbie Coltrane, Dreyfus doing physical slapsticky comedy, Teri Gar as a shrew, David friggin Johansen as a gambling bum who gives blood to earn 'blood money' and an ending that foolishly leads one to believe that above all else gambling is good! Nothing quite like it the annals of film. But I digress...NATIONAL VELVET is nice, too.

  • April 19, 2002 9:52 AM CST

    The most important thing about this review...

    by Jobriga3

    ...is that Quint's old image is finally back, replacing that godawful new image by some hack artist. (A close second to Massawyrm's "cartoon" of Jesus, which looks like it was doodled on a napkin.) Now if they could only change the Chicken Run Harry in the upper left, life would be complete.

  • April 19, 2002 10:17 AM CST

    Uh...

    by twindaggerturkey

    Actually, all the young kids I know who've seen MONONOKE liked it a lot. (I took my little brother to see it when he was 8 and it's one of his favorite movies.) It's flashy and violent, it's got monsters and talking animals...I agree though, that there's not much point in making distinctions between mediocre kiddy movies and good kiddy movies if neither of them are going to appeal to adults. (It's more important that kids see GOOD movies.)

  • April 19, 2002 10:32 AM CST

    Family classic?

    by acaana

    Waddayamean "I think it's the first Dreamworks animated film to actually have shot at being a family classic" Quint? What about 'Prince of Egypt' and 'Chicken Run'?

  • April 19, 2002 10:50 AM CST

    I like Bryan Adams.

    by Shrevie

    I'll say it. Oh, and Let It Ride is a fucking classic to me. Kudos to Dreamworks for not having the animals talk.

  • April 19, 2002 10:51 AM CST

    Oh, and Quint...

    by Shrevie

    ...This review wasn't too short. It's the perfect length. It should be your model for all future reports. Less is more.

  • April 19, 2002 11:33 AM CST

    The only thing I disliked about the trailer was that noxious "In

    by Osmosis Jones

    Otherwise, count me in. This NEEDS to be a big blockbuster if we are ever to see more traditionally animated cartoon features in the future. Plus, Dreamworks has yet to let me down (even The Road To El Dorado, which was HIGHLY underrated). James Cromwell is doing a voice? Cool!

  • April 19, 2002 11:36 AM CST

    I was there too

    by Drjkyll

    Hey Quint, Time like this I wish I knew some of you guys by sight. I was there at the screening reviewing for the paper I write for. I have to agree with you about the movie. I'm hoping it does become a classic. I was thinking the same thing about how great it was that the animals didn't talk, and Dinosaur had immediately come to mind. Spent some time talking to Bryan Adams and J. Katzenberg and was impressed at how nice they were and very open to talk to. We sat on the row just behind and to the right of them and it was interesting to watch their reactions to the audiences reactions. Hope to get a chance to meet you next time.

  • April 19, 2002 12:16 PM CST

    Sounds interesting, but why must Dreamworks try and wreck every

    by minderbinder

  • April 19, 2002 12:32 PM CST

    No marketable characters?

    by Micmac

    You've got to be kidding. Girls will buy the toy version of any horse that appears in that movie...even if they all look pretty much the same. And that huge 3D horse statue they have sitting in theater lobbies is what I would call marketing.

  • April 19, 2002 2:04 PM CST

    I've seen it; it may be the most beautiful animated movie ev

    by Carson Dyle

    The sound and music were still incomplete in the version I saw, but the images were astounding; truly epic in scope. Technically, "The Prince of Egypt" was just a warmup for "Spirit." The train wreck sequence in particular ranks as one of the most breathtaking I've ever seen. Forget whatever preconcieved notions you have about "horse movies." "Spirit" may not do "Shrek"-sized business, but it's sure to break 200 million domestic and win Dreamworks their second Oscar for Best Animated Film. More importantly, it is destined to become an animated classic.

  • April 19, 2002 4:03 PM CST

    And this comes out the week after AOTC?? Better pray hard, Dream

    by togmeister

    Get thee to video by September, this movie will be just perfect for those who like to watch their movies in empty theaters.

  • April 19, 2002 5:48 PM CST

    I think Goofy Movie is the best Disney movie since Lion King. Y

    by Lenny Nero

    It's one of the best father-son portrayals I've ever seen. The honesty is stunning, even when they are dogs (or whatever Goofy is, cuz Pluto is definitely a dog, so Goofy is...some kind of man-dog). Disney does need to change some shit, though. Their Renaissance (starting with Little Mermaid) was some great stuff. What happened.

  • April 19, 2002 5:53 PM CST

    And yes, it is very true that Iron Giant failed because of shitt

    by Lenny Nero

    Iron Giant can be watched by kids, but it is by no means a warm kids movie. That's such a tragic movie. As far as Mononoke, it did what a Japanimation can do in the states. They can't expect too much. But yeah, their marketing sucked too.

  • April 19, 2002 6:03 PM CST

    If you're sitting so close you see pixels....

    by LiquidNitrate

    ...you're sitting too damn close to the screen! DLP *is* awesome, but if you sit too close to the screen with a traditional film, you're going to see grains in the celluloid surface the same way. If you apply the same ratio of how far back you have to sit to avoid seen film grain in a non-digital theater image, DLP will seem sharp as a razor.

  • April 19, 2002 6:04 PM CST

    The greatest horse movie of all time?

    by Billy Talent

    'The Godfather', obviously! And 'Trainspotting' was pretty good to.

  • April 19, 2002 8:37 PM CST

    the marketing challenges

    by Shiny Nickel

    I would be very much surprised if Dreamworks pulled off a successful marketing campaign for this film. The idea of every little girl in America clutching her very own plastic stallion is enough to lead the whole thing astray. Reason one: not enough actual little girls in the film. Yes, there is one little girl who appears briefly for comic relief, but does she provide a new friend for little Molly McMovieDollars? Reason two: lots of cowboys & soldiers being mean to horses are also not likely to win over the Mary Jane-wearin' set. Gearing a movie to little girls when it should be aimed at adolescent boys & animation freaks could easily be the downfall of this film. Lilo & Stitch, on the other hand, will have them tugging Mum'n'Dad's hands into theaters faster than you can say Boo. From what I hear, it's heeelarious.

  • April 19, 2002 9:23 PM CST

    Well....

    by spideyman1218

    WE ALL KNOW THAT REAL HORSES DON'T TALK!! (If you don't get this joke go to the Reign of Fire talkback and check out Messyjoe's post.....classic.)

  • April 20, 2002 12:02 AM CST

    Shiny Nickel: You're an idiot...

    by Carson Dyle

    Reason One: Little Girls don

  • April 20, 2002 2:27 AM CST

    Come on! The best horse movie is of course...

    by darth_testine

    ANIMAL HOUSE! (Queue chainsaw)

  • April 20, 2002 12:37 PM CST

    The best horse movie

    by abcdefz1

    White Mane by Albert Lamorisse, the man who directed The Red Balloon. Beautiful black and white photography; a boy and his horse which he tames with kindness. Fantastic.

  • I thought that was a joke. I can't begin to describe how horrible the movie feels to me. I seriously believe the original title of this movie was "Disney: We Don't Give a Fuck Anymore." Of course, every kids reaction will probably "Neither Do We." Stupid modern civilization. You people have ruined everyhting! EVERYTHING!

  • April 20, 2002 10:41 PM CST

    Everything I doooo...I dooo it for you.....As yes, sweet film sc

    by Critical Bill

  • April 21, 2002 1:29 PM CST

    No whining here !

    by Syd Mead

    OK...so it's Brian Adams. It cuts like a knife but it feels so right. Like it or not his song for the near gawd awful Kevin Costner Robin Hood was memorable. At least he is not doing the voice of Spirit or some shit. The thing to keep the eye on is that we are having a kick ass year. Two potentionally strong animated films from the two best animated companies out of Hollywood. (noticed I didn't say worldwide) Plus Spidey, AOTC, Matrix Re-loaded, Two Towers...and maybe a couple of hidden gems in there. I have no reason to whine.

  • April 22, 2002 1:23 PM CST

    Thank heaven for little girls...like Carson

    by Shiny Nickel

    Wow Carson, your taste in movies must have *Really* set you apart from your friends when YOU were a little girl. If little girls don't like movies with girls in them, then why did E.T. have Drew, why did National Velvet have Liz, why did Sully have Boo, and why does Stitch have Lilo? Why did the Princess Diaries make any money at all? I said the picture had challenges, I didn't say it would fail. I also never said that Lilo & Stitch would keep people from seeing Spirit, snookums. I just said that I heard it was really funny & that the kiddies would probably dig it. But thanks for twisting my words dude, that was an interesting read. Of course all animated movies have villains, but not all of the movies are filled with a bunch of men being mean to animals & fighting with guns for a big chunk of the picture, which I believe will turn off the girls & the moms who bring them. Targeting the wrong audience or marketing a film in a way that belies what actually happens in the movie can make the audience feel tricked and result in bad word-of-mouth. Which, ultimately, is the strongest form of advertising. Proof: Good WOM = Sixth Sense. Bad WOM = Vanilla Sky. (Oh, and before y'all get all up in bunches about any of my examples, keep in mind the MARKETING of a film very rarely has anything to do with the QUALITY of the film. There's always a chance Spirit could succeed on merit alone...) Of course, Dreamworks' other marketing tactic seems to be working fine--those people who have been shmoozed by Katzenberg and/or Bryan Adams prior to seeing the film seem to like it fine.