Anime Spotlight: Fist of the North Star - The Movie
Released by Discotek Media
Fist of the North Star occupies a position in anime akin to how popular media once imagined the "Missing Link" cave man - a hulking, brutish figure of raw power, that never the less represents an ancestor of the modern, refined form. This is the ur-interminable fighting anime/manga; the chest caving, cranium cracking standard bearer for internationally popular Shonen Jump work like Bleach or Naruto; while Dragon Ball was still charmingly joking on classical Chinese literature and Universal monsters, Fist of the North Star was wondering the waste lands, looking for progressively more powerful foes to turn inside out with a punch to a pressure point.
You may only know Fist of the North Star by reputation. I find it difficult to believe that anyone who's reading this column is completely ignorant of the Gilgamesh of martial arts anime... Kenshiro, the Mad Max crossed with Bruce Lee action hero chimera with Ursa Major constellation scarred into his chest... the guy who screeches while unleashing a tornado of piston punches.
I wouldn't call the word of mouth on this material "good," and if guy melodrama and pornographic violence fits your definition of "terrible," I'm not going to dissuade you from that prejudice. On the other hand, I am also not going to say that Fist of the North Star should be watched because of its significance in the development of anime and manga. I would argue that there is pleasure to be had from this sort of unrestrained spectacle. Uniqueness is purported to be a valued quality in anime. In North America, the appeal of the medium is supposed to be that it offers what isn't found elsewhere. Kenshiro might be one of the most parodied figures in anime, but there is still a primal vitality to seeing his routine done, when it was new, unshackled by the standards of television or localization adaptors. No one is going to confuse it with anything redeeming when watching Bartertown rejects bury villagers up to their neck in sand, before handing a saw to the victim’s compatriot and forcing the shaking extra to cut through his neighbor's neck. However, watching the situation unfold as a lone martial artist walks onto the stage and turns the table on the hulking toughs is ideal mondo brain candy.
Fist of the North Star is a prominent entry in the litany of anime that are popular internationally, with America as a notable exception. Unlike say soccer anime Captain Tsubasa, which started with a topical handicap, this was pro-wrestling, staged on a dramatic dusty waste, with gladiators able to punch threw each other, stab a finger deep into the chest of their opponent or cut through limbs with a palm. Fight fans are often accused of having a prurient interest in savagery. I'd certainly debate the assertion, but I'd also say that is there magnetism to a savage beat down and that when Fist of the North Star is on course, that's exactly what it delivers. In the midst of a testosterone rush, one guy screeches, howls or flexes and another donates the blood and guts to paint the wall red. There are plenty of guys from any background who'll get a jolt from that. As such, rather than any deficit on the part of the material being mismatched with an audience, Fist of the North Star never took off in America because it was never correctly positioned for the right people at the right time.
Time and technology have not been kind to spectacle anime like Fist of the North Star. Where once anime like it or Urotsukidoji: Legend of the Overfiend gave English speaking audiences the impression that anime was crafted to fill the prurient interests of an adult male audience, pornographic violence, pornographic sex and pornographic sexual violence, both the supply and demand have largely dried up for this sort of beer drinker's thrill anime. On the production side of the equation, graphically violent direct to video OVAs and movies have los their place in a business focused on mass market TV shows and narrow cast works that are hyper-tuned to a die-hard anime fan audience. As such, you're more likely to get more Strike Witches - moe anthropomorphization of military planes than an adaptation of a Hideyuki Kikuchi (Vampire Hunter D) novel. When something from that vein of bloody mess anime is produced, it's generally with a North American audience in mind, and generally tied into a familiar intellectual property (Highlander: Search for Vengeance, Batman: Gotham Knight).
On the North American side, there isn't the same appetite for experimentation. Especially since graphics hit the fidelity of the PlayStation 2, the trend has been to seek out participatory experiences pulverizing baddies vicariously through games rather than through anime. Anecdotally, I can say that YouTube hasn't help the cause for this brand of anime either. Why spend 90 minutes on a film when the gonzo highlights can be accessed immediately on YouTube? Regardless of whether I correctly identified the audience, there is ample evidence that few new anime have crossed over to teen or adult male audiences. There is no reason why Shigurui: Death Frenzy should not have becomes as well know as Ninja Scroll.
Let me explicitly emphasize this. If you enjoy timeless, crazy guy media, Fist of the North Star is a must see.
Fist of the North Star is committed to extremes. It opens with voice of god narrator Tarô Ishida (Akira's Colonel Shikishima) expounding on yin and yang opposites "north and south, male and female, light and shadow. Hokuto Shinken and Nanto Seikyo. They cannot conflict. If the opposing forces fight, the Universe will fall into ruin." This leads into the film's super title, Seikimatsu Kyoseishu Densetsu - Legend of the Coming Century's Messiah, before cutting to the antithesis of Fist of the North Star's trademark atmosphere; idyllic shots of misty mountain tops. The scenes of natural beauty transition to flower covered fields, and bubbling streams, pastures, and harmonious communities. The movie offers a good couple of minutes before a title card reveals "In the year 199x, the world was engulfed in flames." With that, the idealized view of a world at peace gives way to images of human bodies bursting into flames as their organs rupture and their eyes fly out of their heads. Sky scrapers fall into each other. Somehow, an ocean liner manages to lodge itself in the upper floors of a particularly towering building. This global nuclear conflagration leaves dusty world of withered vegetation and storm blown ash.
A man and woman are seen walking across these wastes. Yuria, the woman in 80's-tastic pastel warmers laments the lack of life and expresses her dreams of seeing green landscapes once again. Kenshiro responds to his companions stoically. Suddenly, a pro-wrestler crossed with linebacker, decked out in purple suit and gold shoulder guards is on the scene along with a cadre of gamma irradiated bullies. These jerks proceed to take Ken's girl and kick sand in his face. Well, actually, the garishly dressed toughs hold Ken up while the guy in purple, Shin perforates Ken's chest with his fingers. Turns out that before the world underwent its nuclear redecoration, Kenshiro became the successor of Hokuto Shinken ("Divine Fist of the North Star") a martial art focused on delivering blows to pressure point to just about any effect in the recipient, from curing blindness to popping like a kernel of popcorn. Once friend Shin on the other hand is a practitioner of the rival Nanto Seiken (The Sacred Fist of the South Star), an art of causing external damage to the body, especially through piecing or slicing attacks. In this new lawless age, Shin decides to toss out the decree that Hokuto Shinken and Nanto Seiken must not fight in favor of notions that the strongest should be able to take what they want and that what he wants is Yuria.
After Shin and company leave Kenshiro in a heap, the other practitioners of Hokuto Shinken arrive to judge the fallen. There's the deranged jackal Jagi who decides to toss Ken down a cliff, and then knock down the rock face on top of his adopted brother and scavenge the title of successor to Hokuto Shinken for himself. Raoh on the other hand opts for a bit of iconoclasty, destroying the principles of Hokuto Shinken, including the absolute rule that once a successor has been named, all other practitioners must abandon the art. After smashing representations of the gods, he voices his challenge to the divinities and the world.
Capturing the spirit of the age, a group of people who look like Israelites fleeing Egypt, if they had hastily departed an 80's urban center rather than Nile valley slavery, wander the desert. A bunch of axe wielding jesters pop up from under the sand, hack up the travelers, take the victim's food and water, then seeing that the deceased were carrying money, let the paper currency drift into the wind. On another stretch of road, a motor buggy driven by a young boy, with a young girl passenger, zips down a cracked road, a gang of "Z" emblazoned motorcyclists in rapid pursuit. The chase hits a crumbling city where the buggy leaps from a brazen highway into the upper story of a skyscraper, down flights of stairs, down precipitous drops, only to bounce and keep going, before being stopped by a wall. After ransacking the youths' belongings, one of the tough begins stepping on the girl. Rather then being ground to paste, the child's aura is strong enough to summon Kenshiro out his rocky casing. Arriving with building toppling impact, 25 minutes into the film, Kenshiro begins unleashing his righteous fury.
Trailers for the movie list out a fight card-like itinerary of the confrontations captured in the movie. This is an abridged segment of a, when produced, ongoing story. To put a positive spin on this, the aim to adapt does seem to have encouraged novel, cleaver approaches to situations, whether its the belief defying buggy chase in the opening or a first person view of Kenshin's disfiguring pumelling of would-be rival Jagi. The flip side of this is that plotting does Fist of the North Star's reputation no favors. Ken's confrontation with Shin is laid out in the early part of the original Fist of the North Star manga and the TV anime adaptation. It is able stand alone as a story. Here, it is reworked to motivate Ken deep into the movie, but then it is subverted in favor of what became Fist of the North Star's defining rivalry - Ken versus Raoh. Except, the movie was produced before that conflict was resolved. As such, the movie had to invent its own resolution that would not undermine the manga's. Disappointment in the movie does not come from the missing players (Ken's Karate-Jesus brother Toki is missing, as is rare counter-balance to Fist of the North Star sexist notions of women as contested property, the warrior Mamiya). The problem is that regardless of familiarity with the source material, it is evident that Fist of the North Star did not fully succeed in re-orienting its story for a 110 minute anime film. In particular, the conflicts that it established as significant were capped with stilted or abrupt conclusions.
Not every anime movie is subject to the adaptation problems that Fist of the North Star faces. Yet, few are well scripted for the perimeters of a theatrical film. Apart from usual suspects like Miyazaki and Kon, maybe Oshii, in the attempt to fit the plot into the time frame of the movie, most crack and mutilate the structure like it was the victim of a highwayman from a Theseus myth. Consequently, it is best to consider a movie like Fist of the North Star piecemeal. Why is there a fat guy who seems to be embedded in a wall, waiting for Kenshiro to hatch the fight? It would be nice if there was an intelligently scripted build to that or any confrontation. But if the movie just introduces the situation, starts with the two fighters mouthing off and quickly moves into mutual assault and battery, that works for Fist too. It might not be aligned intelligently, but there's enough gory tumult in the film that, if that sort of spectacle attracts you, the film is worth your time.
Those familiar with the movie will be pleased to see it preserved in the sharp video quality presented in the Discotek release. It's also a painful treat to hear the Streamline produced dub brought back. If there is one quibble to register against the DVD package, its that the minor variant ending was not offered on the disk. That's more a curiosity than anything substantial, so its absence is not a huge loss.
Anime Spotlight Rewind: Appleseed (2004)
Re-Released by Sentai Filmworks/ADV Films
Review first presented June, 2005
Because of the budgets available, the great achievements in anime have generally been theatrical features. Because of the possibilities this allows, the format is also the source of many of the greatest disappointments. It seems as if most anime creator's aren't comfortable with the constraints of a movie. There have been many breathtaking ones, but few have been able to effectively tell a story during the allotted time. The creators of Appleseed built an innovative and eye pleasing 3D cell shaded animation style that will stand out, and doubtlessly be re-used and copied going forward. The accompanying story is passable, at times entertaining, and better than many in high profile anime movies, but lags behind the quality of the animation to the point of detracting from it. Because the story telling doesn't cripple the proceedings, it can be considered that the strength trumps that average anime movie. Appleseed is a must see for animation fans, but from a pure enjoyment standpoint, it is less dazzling.
Credited largely to the digital effects artist Fumihiko Sori (Titanic), Appleseed uses a cell shaded, technique that keeps some of the aesthetic of 2d animation, integrated with the depth of 3D. It is a distinctive look whose appeal is more than novelty. Viewers will not want every movie, anime or otherwise to look this way, but it is very forgiving of camera shifts as well as time deceleration and accelerations. The reasons the movie enthralled bullet ballet master John Woo is apparent, it fits perfectly with his trademark style. The animation technique is good for a specific type of action story, that is a bit larger than life in it's depiction of abilities, but it also proves to be great for large scale battles. For a movie with slightly sub-matrix departures from the laws of physics and set in another world of mecha assisted elite forces cyborg cops from Ghost in the Shell creator Masamune Shirow, (the trifecta Dominion Tank Police is also being revived), the animation is the perfect engine for Appleseed.
Based on a longer manga, by a creator with a habit for idea over-verbosity, the movie has a chore adapting the source. Following one of the first commando manga-chicks to gain notoriety in North America, the movie has to work in a character who was a war veteran, forcibly recruited for a Utopian society's elite force, who rediscovers lost memories while dealing with factions that are hiding their true agendas. In other words, there's too much story to deal with. The saving grace that helps the movie remain watchable in the face of the complexity may have been that there are relatively few characters vying for screen time.
The amazing look of the cell shading is perhaps too amazing. It is immersive enough that in the movie's talkier middle you forget how impressive the look is. By the time you get through the false endings and twists that fall as flat melodrama thanks to characters and concepts that didn't have time to establish themselves, the momentum of the kinetic earlier scenes had been stolen. By the time it reaches the bang up finale of Masasmune Shirow's landmate armors versus a mobile fortress the excitement has been tempered with shifting through the plot convolutions.
The movie opens with a bombed out city reminiscent of the future parts of the Terminator movies, established by the slow, freely shifting pans of video game cut scenes (a bit too much camera freedom, missing a little logic). A team of commandos, stalk and are at the same time stalked by a pride of rampaging, red eyed combat robots, backed by tanks. As the tide begins turning harshly against the humans, a small, but muscled, blonde woman fights her way out of a circle of enemies, and begins desperately trying to escape the pursuers. Before the woman meets her fate at the hands of the robots, helicopters drop in Landmates, Appleseed's humanoid mech armors, which destroy or drive off the robots and capture the woman. The engagement provides the first hints of some of the short cuts the movie will be taking in its plotting. That fact that homicidally berserking cyborgs and robot tanks stop to dramatically move in slowly when the hero is surrounded might be explainable, but only with unnecessary and unrewarding logical exercises on the part of the viewer.
The woman, Deunan Knute is taken to the Utopian city of Olympus where she is informed that she had been fighting the echoes of a war that had already ended. She is re-introduced to her former lover and partner Briareos, who now has a largely artificial cyborg body (his metal head, with five red eyes, and rabbit ear protrusions is one of Appleseed's trademark features). Briareos doesn't seem to raise much of an argument when Deunan is forcibly recruited for the city's ESWAT policing force.(A phase of the plot that isn't allowed much time for development in the movie).
Deunan is soon embroiled in new conflicts, but tangled in their source rather than as a foot soldier/cop. In this, she must contend with players that include Bioroids, artificial humans who manage the city, but are kept in check by accelerated aging that needs to be periodically reversed and the inability to breed, the city's human run military, Gaiai the city's powerful maintenance computer and the Seven Elders, a council of technologically preserved men from before the age's defining wars.
Unfolding in a manga it's interesting material. Unfolding in a 105 minute movie, there is too much on the agenda to sell the viewer on the characters' motivations. Deunan is a hard character to connect to in the movie. she's strong, but too confused and angry. She can barely keep up with unfolding events, and with all the conspiracies and counter-agendas, the viewer does not get a good sense of the characters. Consequently, the twists fall as false melodrama.
For all the plot complications, the reward is rote flagellation about the sins of humanity along with the rejoinder about giving it another chance. Too much thought makes the plot seem brittle. For all the machinations involved, it seems like one stray bullet could have easily unraveled the plan.
Blood: The Last Vampire Preview
Another early look at Blood: The Last Vampire preview, reacting to the earlier ones, has been sent in, this one from Gavirel
I was able to see a screening of Blood over a week ago while visiting Japan. I am a big fan of the original anime short film and had high hopes for the live action adaptation.
My first pangs of doubt came at the opening credits when I realized it was basically a Hong Kong film. That said, I was briefly encouraged by the near shot-for-shot remake that made up the opening scene. Unfortunately, shortly after that the film cuts most of its ties with the anime. Yes, it's set in a school on an army base in Japan but that's where most of the similarities end. The whole origin story and the eventual antagonist are entirely new creations, as far as I'm aware, and many of the other details are seemingly invented solely for the screenplay which, frankly, wasn't that good. The typical Hong Kong cinema experience kicked in early on - poor dialogue, poor digital effects, poor overall production value. The film was made mostly in English but, again typically, even the Caucasian characters come off as sounding dubbed.
I had to shake my head when the original reviewer refers to the film as being believable and faithful to the source material, as it is not even close to either of those. The acting is sub-par all the way around and the interaction between the military staff and "council" agents is only slightly less believable than the "relationship" between Saya and the general's daughter. Perhaps it's true that the film makers were attempting to make both a horror and an action movie, but they succeed in neither. It wasn't at all frightening and I didn't see any of the "awe inspiring fight sequences" to which the first reviewer refers. Apart from the opening sequence, the only other scene I really enjoyed was the final battle, primarily because it was more exciting than the rest of the film combined and it was nice to see Koyuki on screen.
In closing, Blood is NOT a Japanese film. It is NOT like Kill Bill and it is NOT faithful to the source material. Expect nothing more than a lack-luster attempt that actually feels like most video-game movie adaptations.
Evangelion's Reconquest
Evangelion: 2.0 You Can (Not) Advance, the second part of the Rebuild of Evangelion theatrical anime series hit Japanese theatres. The film took in $5.37m (Y512m) - for comparsion, Transformers: Revenge of the Fallen opened at $5.88m (Y560.7m) - Evangelion 1.0, You Are (Not) Alone, earned about 280 million yen in its opening weekend.
The movie? Pardon my Japanese, but absolutely fucking awesome. From the very opening, which features a bespectacled schoolgirl in a prototype Evangelion unit pummeling the living shit out of some insane-looking creature (and with a nigh-incomprehensible English running commentary, no less), the action barely lets up for the next hour and forty five minutes. This is "post-anime." It feels like a culmination of every trick, every technique, every mind-bending spin Japanese animators have been perfecting for the last half century. We all know that most anime flicks start with a literal bang, often an atomic-style mushroom cloud. Evangelion 2.0 drops bombs (and worse) on the hapless citizens of Tokyo-III every ten to fifteen minutes, bouncing the characters like pinballs from one potential holocaust to the next. Alternately breathtaking in scope and claustrophobically intimate, high-tech and rustic, epic and personal, one emerges from the experience dazed, confused, and strangely satisfied.
First, this is an absolute visual feast. Truly, Studio Khara and directors Tsurumaki Kazuya and Anno Hideaki have done an amazing job. Every individual frame is a work of art, a complete composition full of symbolism, and the dense frames work together to create breathtakingly fluid motion. The action is blistering, the carnage visceral and the scenes of destruction epic and terrifying. Some standout examples are the opening scene where Mari chases and battles an Angel at high speed inside the corridors of her base, the showdown between Unit 01 and 03 and the climatic confrontation with the fourteenth Angel, Zeruel. With these visuals, the music is a real let down.
The third Rebuild of Evangelion film will be named Evangelion Shin Gekijoban: Q quickening
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FUNimation announced EVA 1.0 is in theatres this summer and is what we are screening this evening at 5:30 pm in LP 1. EVA 1.01 will be released on DVD this Fall while re-edited EVA 1.11 will be released on DVD and Blu-ray in Spring 2010.
Reminder: Hayao Miyazaki's Ponzo hits Japanese DVD on July 3rd and American theaters on Agust 14th.
The LA Time confirmed Miyazaki will be appearing at Comic-Con in San Diego in July showing clips from Ponyo. The Academy of Motion Picture Arts and Sciences will also be showing "Spirited Away" on July 17; Pixar's John Lasseter, who has executive produced the American-language version of the last three Miyazaki films, will be interviewing the master animator at the academy on July 28.
Speaking of Ponyo on the international front, Nausicaa.net reports Walt Disney Home Entertainment announced that the Japanese release of "How Ponyo was Born" (DVD and BD) and "Ponyo Special DVD BOX" are postponed until December.
Ghibli World reports that a new short ,a href="http://www.ghibli.jp/15diary/005802.html">is being produced for the Ghibli Museam. The douga work of the new short finished on June 25 and the people at the studio play its rush film every week.
ADV
ADV Nation reports ADV Films to distribute Sentai Filmworks' new license acquisition, Satelight (Aquarion, Noein, Basquash) animation studio's 13 episode Hokuto no Ken Raoh Gaiden: Ten no Haoh under the title Legends of the Dark Kings: A Fist of the North Star Story.
Legends of the Dark Kings: A Fist of the North Star Story will be released on September 15, 2009 in a complete English-subtitle box set containing all 13 episodes and will retail for $39.98.
009-1 Complete Collection DVD Boxed Set (Re-Price)
Black Lagoon Series 1 & 2 Complete Collection DVD Boxed Set (Eps #1-24) (Both Seasons!)
Case Closed Season #2 DVD Box Set (Eps #27-52) (Uncut & Unedited) (Viridian Collection)
Dragonball Z: Feature #1 Bardock The Father of Goku DVD
Dragonball Z: Feature #2 The History of Trunks DVD
Ergo Proxy Complete Collection DVD Boxed Set (Re-Price)
Fate/Stay Night Complete Collection DVD Boxed Set (Re-Price)
Ghost Hunt Complete Collection DVD Boxed Set (Eps #1-26)
Heat Guy J Complete Collection DVD Boxed Set
Hell Girl Complete Collection DVD Boxed Set (Viridian Collection)
Jinki Extend Complete Collection DVD Boxed Set (Re-Release)
Jyu-Oh-Sei (Planet of the Beast King) Complete Collection DVD Boxed Set (Viridian Collection)
Magikano Complete Collection DVD Boxed Set (Eps #1-12)
Negima Complete Collection DVD Boxed Set (Thin-Pak) (Viridian Collection) (Re-Price)
Origin: Spirits of the Past the Movie DVD
Red Garden Complete Collection DVD Boxed Set
School Rumble Season 1 + OVA Complete Collection DVD Boxed Set (Eps #1-26) (Viridian Collection)
School Rumble Season 2 Complete Collection DVD Boxed Set (Eps #1-26)
Shana (Shakugan no Shana) Complete Collection DVD Boxed Set (Thin-Pak) (Re-Price)
Wallflower Complete Collection DVD Boxed Set (Eps #1-26)
Re-Releases: BluRay
Burst Angel (Bakuretsu Tenshi) Complete TV Series + OVA Boxed Set [BluRay]
New Releases / New Content
Big Windup! Season 1 Part 2 DVD Boxed Set (Thin-Pak)
Dragon Ball Season 1 DVD Boxed Set (Uncut)
Kaze no Stigma Season #1 Part #2 DVD Boxed Set (Eps #13-24)
Nabari no Ou DVD Season 1 Part 1 DVD Boxed Set (Eps #1-12)
One Piece Season 2 Part 3 DVD Boxed Set (Eps #79-91) (Uncut)
Sgt Frog (Keroro Gunso) Season 1 Part 1 DVD Boxed Set (Eps #1-12)
Sonic X The Egg Moon, Emerl & Homebound Sagas DVD
Yu-Gi-Oh GX, Vol #6 DVD
FUNimation Entertainment announced that it has acquired home entertainment, broadcast, digital, and merchandise rights to the first season (13 episodes) of the fantasy adventure series “Sands of Destruction” from SEGA of America Inc.
“Sands of Destruction” is based on the game of the same name from SEGA. The series is to be launched in tandem with SEGA’s new RPG adventure game, Sands of Destruction™. It will be SEGA’s first anime launched in partnership with Production IG.
This fantasy adventure series is directed by Shunsuke Tada and produced by Production IG (Ghost in the Shell). In Japan, the series is known as World Destruction: Sekai Bokumetsu no Rokuni™ and is critically acclaimed.
FUNimation Entertainment will release the first season of the series in spring 2010.
FUNimation Entertainment announced the cast and crew for the 26 episode supernatural adventure anime series El Cazador De La Bruja.
Ellis – Maxey Whitehead
Nadie – Trina Nishimura
Blue-Eyes (AKA Jody Hayward) – Clarine Harp
Douglas Rosenberg – Ian Sinclair
Ricardo – Bob Carter
Lirio – Monica Rial
L.A. – Jamie McGonnigal
Dr. Heinz Schneider – Christopher Bevins
Additionally, the first release will feature episodic character performances by Jamie Marchi, R Bruce Elliott, Pam Dougherty, Julie Mayfield, Chris Ayres, Mike McFarland, Antimere Robinson, Laura Bailey, Carrie Savage, Linda Young, Eric Vale and more!
Line Producer/ADR Director: Christopher Bevins
ADR Scripts: Andrew Rye & Christopher Bevins
About El Cazador De La Bruja
Ellis is a young girl on the run suffering from amnesia and wanted for murder. She is being hunted down in Mexico by a bounty hunter named Nadie who eventually becomes sympathetic to Ellis and the two embark on a journey to find clues to Ellis’ past.
This original series is directed by Koichi Masimo (Hack// Sign, Avenger, Kagaku Ninja-Tai Gatchaman) and produced by Bee Train.
FUNimation Entertainment will release the series in two complete season sets beginning later this year.
Kino
The Astonishing Work of Tezuka Osamu will be released July 28, 2009 for $29.95
The DVD features
1. Tales of the Street Corner / 1962 / 16:9 / 39:04 / English Subtitles
2. Male / 1962 / 4:3 / 03:09 / English Subtitles
3. Memory / 1964 / 4:3 / 05:40 / English Subtitles
4. Mermaid / 1964 / 4:3 / 08:17 / No Dialog
5. The Drop / 1965 / 4:3 / 04:18 / No Dialog
6. Pictures at an Exhibition / 1966 / 16:9 / 32:56 / No dialog
7. The Genesis / 1968 / 4:3 / 04:02 / English Subtitles / B&W
8. Jumping / 1984 / 4:3 / 06:22 / No Dialog
9. Broken Down Film / 1985 / 4:3 / 05:42 / No Dialog / B&W
10. Push / 1987 / 4:3 / 04:16 / English Subtitles
11. Muramasa / 1987 / 16:9 / 08:42 / No Dialog
12. Legend of the Forest / 1987 / 16:9 / 29:25 / No Dialog
13. Self Portrait / 1988 / 0.13 / No Dialog
Also includes: Interview with Tezuka / 1986 / 4:3 / 18:19 / English Subtitles
Known as the god of manga and the father of anime, Tezuka Osamu (1928 1989) has created hundreds of comics, dozens of films, and even some television series (including such internationally beloved shows as ASTRO BOY and KIMBA THE WHITE LION.) His pioneering, unparalleled career is without rival for its extraordinary range of visual styles. Included in this set are some of Osamu s most legendary works, including Pictures at an Exhibition and Legend of the Forest. The former combines 10 individual short vignettes to create stunning visual riffs on classic fine art. But the 30-minute Legend of the Forest is the animator s masterpiece. An epic of forest faeries, sprites, wizards, and animals defending themselves against greedy industrialists bent on destroying nature, the film stylistically traces the evolution of animation from 19th-century etchings, to Disney and Fleischer cartoons, to contemporary anime. The animation in Legend of the Forest is as ravishing and inventive as anything seen in Disney s Fantasia. Kimstim and Kino are proud to release this astonishingly imaginative collection of Osamu s 13 most innovative pieces, many of which are the master s own personal favorites.
Media Blasters
The first five episode of the 13 episode Bee Train adaptation of Hiroaki Samura's violent samurai manga Blade of the Immortal will be released on September 29th.
ASTRO BOY DVD MINI SET 1
Street Date: 10/06/2009
Runtime: Approximately 550 minutes, Mono, Black and White
Genre: Adventure / Sci Fi / Retro Television
Suggested Rating: All Ages
ASTRO BOY DVD MINI SET 2
Street Date: 10/06/2009
Runtime: Approximately 594 minutes, Mono, Black and White
Genre: Adventure / Sci Fi / Retro Television
Suggested Rating: All Ages
KIMBA: THE WHITE LION DVD MINI SET 1
Street Date: 10/06/2009
Runtime: Approximately 550 minutes, Mono, Color
Genre: Adventure / Retro Television
Suggested Rating: All Ages
Anime producer and distributor Right Stuf, Inc. and its Nozomi Entertainment division kicked off Anime Expo 2009 by making several announcements during its July 2nd panel. Right Stuf President and C.E.O. Shawne Kleckner revealed the acquisitions of the anime adaptations of JUNJO ROMANTICA and ANTIQUE BAKERY, plans for the release of the third season and OVA of the ARIA series, and additional details about the future releases for several previously announced projects including RENTAL MAGICA and the fourth season of MARIA WATCHES OVER US.
Right Stuf, Nozomi Entertainment and Kadokawa Pictures USA announced the license for the first and second seasons of JUNJO ROMANTICA, as well as plans to release the series on DVD in two “season box sets” – with Japanese audio and English-language subtitles – during 2010.
The romantic comedy is a 24-episode anime adaptation of Shungiku Nakamura’s ongoing boys’ love manga and features direction by Chiaki Kon (When They Cry - Higurashi, Nodame Cantabile: Paris) and animation by Studio DEEN (Gravitation, Kyo Kara Maoh!). The Junjo Romantica manga is published in North America by TOKYOPOP.
Right Stuf and Nozomi announced its license for the anime adaptation of ANTIQUE BAKERY, also known as “Seiyo Kotto Yogashi Ten -Antique - ” or simply “Antique.” The 12-episode series is currently scheduled for release in 2010, as a single DVD box set with Japanese audio and English-language subtitles.
Based on the manga by Fumi Yoshinaga, the series aired as part of Fuji TV’s popular noitaminA animation block – home to series including Honey and Clover, Paradise Kiss, Moyashimon (Tales of Agriculture) and Nodame Cantabile. It features animation by Nippon Animation (The Wallflower, Fantastic Children, Library War) and Shirogumi, Inc. (Moyashimon) and opening and closing music by the band Chemistry.
The original manga received the Kodansha Manga Award for shoujo manga in 2002 and also served as the inspiration for a live-action Japanese television drama and a recent live-action Korean film adaptation that drew approximately 1 million moviegoers during the first 15 days of its release in 2008. The Antique Bakery manga is published in North America by Digital Manga Publishing and was nominated for an Eisner Award in 2007.
Kleckner also confirmed Right Stuf and Nozomi’s license for ARIA The ORIGINATION. This third and final season of the ARIA anime series will be released in a DVD box set, along with The OVA ~ARIETTA~, in 2010.
For the 2009 holiday season, the anime publisher also has plans to release lithographs featuring artwork from ARIA The ANIMATION and ARIA The NATURAL. Each limited-edition and numbered print will be priced at $49.99 and include a certificate of authenticity. The release schedule for the prints will be determined by a “fan vote” that is scheduled to take place in July 2009.
Additional Release Dates and Info for
RENTAL MAGICA – Part 1, MARIA WATCHES OVER US and More
Finally, Kleckner revealed release dates and additional details for several ongoing and upcoming series:
- The Irresponsible Captain Tylor OVA Series Remastered DVD Collection is scheduled for July 28, 2009, and the value-priced His and Her Circumstances (Kare Kano) DVD Collection is scheduled for August 25, 2009. A trio of releases helmed by legendary anime creator Osamu Tezuka – Astro Boy DVD Mini Set 1, Astro Boy DVD Mini Set 2, and Kimba: The White Lion DVD Mini Set 1 – will be available on October 6, 2009. And a value-priced DVD set featuring the Boogiepop Phantom animated TV series and its live-action prequel film Boogiepop and Others will arrive just in time for Halloween on October 27, 2009.
- RENTAL MAGICA DVD Collection 1, the first of two planned box sets for the 24-episode series, is scheduled for November 2009. As previously announced, the set will offer fans the option of viewing the show in both “broadcast order,” as it aired on Japanese TV (and appeared on the Japanese DVD release), or “chronological order,” according to the timeline presented in the novels that served as the anime series’ inspiration. Additionally, each box set will include a book that features well over 100 pages of background information about the series and its mythology.
- The MARIA WATCHES OVER US (Maria-sama ga Miteru) – Season 4 DVD Collection is currently scheduled for 2010.
- And in addition to producing shirts and apparel with art from licensed properties, Nozomi has plans to continue its line of original designs (Sounds of the Samurai, Ninja Crossing and Crane Inspiration).
Viz
Several artist documentaries will be coming from Viz's New People label, tied to the San Francisco cultural center
Traveling with Yoshitomo Nara - NEW PEOPLE Artist Series Vol. 1 on September 15
This film is about the journey that the artist Yoshitomo Nara took along with Hideki Toyoshima and graf AtoZ team, and the others who contributed to the creation of his exhibit AtoZ in Nara's hometown of Hirosaki, Japan. This personal documentary allows one to get a glimpse of the artist's nature, creation process, where Nara came from and where he stands now, plus valuable images of the never-to-be-seen-again fictitious town AtoZ and allows one to relive it once again.
Yayoi Kusama: I Love ME - NEW PEOPLE Artist Series Vol. 2 on September 22
As the second volume of the New People Artist Series, this documentary features the avant-garde artist Yayoi Kusama, a polka dot loving artist recognized throughout the international art world. This film captures Kusama's creative process as she diligently works to complete her new series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love; sometimes quietly and sometimes just the opposite. Her firm self-confidence and dignified spirit combined with a year and a half worth of invaluable footage allows viewers to enter Kusama's world with never a dull moment.
10/20
Bleach volume 21
10/27
Death Note Re-Light #2: L's Successors
Naruto Shippuden volume 2
Pokemon: Diamond and Pearl Battle Dimension Box 3
VIZ Media announced debut later this month of the first two prose titles from its new Haikasoru imprint. ALL YOU NEED IS KILL and THE LORD OF THE SANDS OF TIME will both be released nationwide on July 21st.
ALL YOU NEED IS KILL by Hiroshi Sakurazaka
Cover illustration by Yoshitoshi Abe
Price: $13.99 U.S. / CAN $16.00
When the alien Gitai invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he finally sees something different, something out of place—a female soldier known as the Full Metal Bitch. Is she the key to Keiji’s escape or his final death?
The Lord of the Sands of Time by Issui Ogawa
Cover illustration by Bukichi Nadeara
Price: $13.99 U.S. / CAN $16.00
Sixty-two years after human life on earth was annihilated by rampaging aliens, the enigmatic cyborg Messenger O is sent back in time with the mission to unite the humanity of past eras—during World War II and in ancient Japan, even back at the dawn of humanity—in order to defeat the alien invasion before it begins. But amidst a future shredded by war, love also waits for O. Will O save humanity only to doom himself? THE LORD OF THE SANDS OF TIME was nominated for the prestigious Seiun Award, the leading award for Japanese science fiction, the winners of which are selected each year by members of the Japanese National Science Fiction Convention.
VIZ Media under its VIZ Signature imprint, OISHINBO: FISH, SUSHI AND SASHIMI is rated ‘T’ for Teens and will become available on July 21st with an MSRP of $12.99 U.S. / $15.00 CAN.
OISHINBO (or "The Gourmet") depicts the culinary journey of journalist Shiro Yamaoka, who is tasked by fictional newspaper Tozai News to create the ultimate menu.
Previous OISHINBO editions have focused on other popular Japanese cuisine items such as ramen, gyoza, and sake.
CHILDREN OF THE SEA is the first title to be published under IKKI from VIZ Media, a sub-imprint of the VIZ Signature imprint. In addition to offering the print version of Volume 1 (releasing on July 21st), VIZ Media and IKKI magazine in Japan have collaborated on an online destination to present free chapters of some of IKKI Magazine's most-loved stories to English readers – beginning with CHILDREN OF THE SEA. The website also features an interview with the creator.
If you would like to check out a few chapters of the manga, please visit here
Reuters reports that the Steven Spielberg and Will Smith remake of Old Boy is moving forward despite the legal battle between the Japanese publishers of the original manga and the Korean producers of Park Chan-Wook's 2003 cult hit. Futabasha, publisher of the manga by Nobuaki Minegishi and Garon Tsuchiya, has filed a case against Show East in Seoul, alleging the Korean company never had the right to negotiate a remake. Show East and Big Egg, who produced the Korean film are now out of business, but South Korean sales company Cineclick Asia, which represented Show East's "Oldboy" in international territories, actually negotiated the remake deal with Universal.
From a Futabasha press release
As a separate matter, Futabasha, along with Garon Tsuchiya and Nobuaki Minegishi, the original author and illustrator of the manga work, fully support plans for an upcoming film adaptation of the original “Old Boy” material currently planned by Steven Spielberg and Will Smith in conjunction with Dreamworks Studio.
“We are very excited about this latest “Old Boy” project,” said Futabasha Board Member Kenji Honda. “Currently, the option rights are held by Universal Pictures. The legal action should not affect Universal's rights or the Dreamworks project in any way. The suit was commenced to protect the rights of Garon Tsuchiya and Nobuaki Minegishi, as well as to enforce and protect the rights of Futabasha under the contract with Show East.”
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The rumored death of the Hollywood live action Akira might be exaggerated. That assertion might also be an exaggeration. MTV Splashpage quotes rumored cast member Joseph Gordon-Levitt as saying “you never know” when asked about the project's fate.
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Anime News Network reports Joshua Long, the production supervisor of 20th Century Fox's proposed live-action Cowboy Bebop film, has revealed on Thursday that live-action film projects based on the Kakurenbo supernatural horror anime and a Kazuo Koike work are being pursued. Long revealed the projects at the Anime Expo convention's keynote speech on "Making Anime and Manga into Hollywood Features."
Anime
A-1 Pictures and Satelight will be adapting Hiro Mashima’s fantasy adventure Fairy Tail into an anime series. The manga is released in North America by Del Rey.
A unique version of Evangelion: 1.0 You Are (Not) Alone will air on Japanese TV this week
Following November's Macross Frontier the Movie: The False Songstress, hich will present a compillation of the story chronicled in the Macross F TV series, a second, newly announced Macross F will tell an original story.
A forth Gag Manga Biyori anime adaptation is the works.
Manga
Ai Yazawa's Nana has gone on hiatus due to illness
Bokurano, the painful approach to sci-fi adventure tropes by Shadow Star's Mohiro Kitoh has come to an end. A one-shot spin-off Yet Another Bokurano will be in the next issue of Japan's Ikki. The manga will be running in Viz's English, only edition of the magazine.
Masato Natsumoto's Mobile Suit Gundam Battlefield Record U.C. 0081: Tears of the Seas and Skies and Tsukasa Kotobuki'sMobile Suit Gundam: Day after Tomorrow: From Kai Shiden's Memories have launched in the latest issue of Gundam Ace
Macross Ace has also launched a new Macross F manga.
Live Action Ultraman movie Mega Monster Battle: Ultra Galaxy Legends The Movie (Daikaiju Batoru Urutora Ginga Densetsu) is Japanese theatre bound
Kamen Rider Double (W) will premiere in September
Digital Distribution
A new (non-animated) IRrelevant Astromony short has been posted. Make sure to check out the archives if you've missed movies dedicated to NASA's Spitzer Space Telescope.
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Banndai Visual Co., Ltd. has teamed up with Lantis Co., Ltd., a music production company concentrating on anime and game songs to announce that they are working on a new project to deliver downloadable J-pop and anime songs on iTunes Store.
This service is scheduled to start this summer on iTunes Store and the first major songs to be available include Meikyu no Prisoner, VOYAGER and No Border by JAM Project. Meikyu no Prisoner is an opening song for the renowned anime “Super Robot Wars: Original Generation—The Animation” that was released in North America in 2007. A MySpace page at www.myspace.com/J_anisong will introduce the service.
The new FUNimational video portal introduces many new backend features, including greater bandwidth, and we are continuing to develop and implement new features and functionality.
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Via ANN
Kunio Kato's Oscar-winning short, La Maison en Petits Cubes ("Tsumiki no Ie" or House of Blocks) is on CrunchyRoll
The Academy (Episodes 17-32)
The Return Of The Condor Heroes (Episodes 26-50)
Kung Fu Emperor
The Invincible Killer
The Young Bruce Lee
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Anime Network formally launched its new online player at www.theanimenetwork.com. The site features over 40 hours of free content as well as a premium package that gives users unlimited access to more than 300 hours of anime, live action films, and J-rock videos. Content refreshed weekly includes new anime series such as Clannad and Princess Resurrection, as well as ADV catalog titles like Azumanga Daioh and Elfen Lied. High Def format content in a 720p H.264 encode includes Applseed and Promised In Our Early Days.
HD content is just one of the benefits of Premium Membership with Anime Network Online, which costs just $6.95 per month. Three month packages are available for just $18.95, and an annual subscription costs just $69.95.
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Joost has announced a change to its leadership and model. It will focus on providing white label online video platforms for media companies, including cable and satellite providers, broadcasters and video aggregators. This technology and service offering will support content owners’ efforts to build comprehensive branded environments online.
As a part of this new direction, Joost will reorganize and restructure its business. A core team in New York and London will work on providing these solutions, as well as operating and supporting Joost.com and its associated video applications. Joost also will wind down operations in its Leiden development center.
Matt Zelesko, currently SVP of Engineering at Joost, will take over as CEO while continuing to lead the engineering organization. Stacey Seltzer, currently SVP of international business development and content acquisition at Joost, will run the business operations. Mike Volpi has stepped down as CEO of Joost but will remain actively involved as Chairman of the Board.
Joost plans to make its white label video platform commercially available to media companies around the world. This offering will provide a solution for companies looking to build a branded experience for their content on their own site as well as other sites and platforms in their distribution networks.
Morning 2 editor in chief Eijiro Shimada said: "We have three more hit manga that were published in book format and sold nearly 100,000 copies per volume each. When Morning 2 was launched three years ago, the situation already was that manga could be exposed to a lot of readers through the Net without spending a fortune for advertising or circulating a magazine in great numbers."
Cool Figures (and Merch) News
Kotobukiya’s second 2009 San Diego Comic-Con Exclusive is X-FORCE: WOLVERINE FINE ART BUST.
Limited to only 500 pieces and only available at Kotobukiya’s booth #2601, this bust’s base features an individually serial numbered metal plate. To try to ensure that fans attending on different days of the convention will all have an opportunity to obtain this incredible sculpture, each day's sales will be limited as follows:
300pcs for Wednesday, July 22nd (preview night)
150pcs for Thursday, July 23rd
50pcs for Friday July 24th.
Purchases will be limited to only 2 busts per person, and is priced at only $80. With Wolverine’s popularity, striking costume design, and low edition size, this bust is sure to be a highly sought after collectible.
X-Force Wolverine joins the Shunya Yamashita designed BLACK WIDOW BISHOUJO STATUE as part of Kotobukiya’s SDCC exclusive line up.
ICV2 reports that American anime sales declined 2% in Q1 2009 versus Q1 2008, versus an 11% drop in 2008 versus 2007.Consolidation of anime companies is also continuing, according to the report, with FUNimation’s market share topping 40% in Q1 2009.
Also on ICV2 Top 25 Manga Properties Spring 2009
Rank - Title - Publisher
1 - Naruto - Viz Media
2 - Fruits Basket - Tokyopop
3 - Vampire Knight - Viz Media
4 - Bleach - Viz Media
5 - Death Note - Viz Media
6 - Rosario + Vampire - Viz Media
7 - Chibi Vampire - Tokyopop
8 - Bakugan Battle Brawlers - Del Rey
9 - Maximum Ride -Yen Press
10 - Tsubasa - Del Rey
Top 10 Shojo Properties Spring 2009
Rank - Title - Publisher
1 - Fruits Basket - Tokyopop
2 - Vampire Knight - Viz Media
3 - Gentleman's Alliance - Viz Media
4 - Shugo Chara - Del Rey
5 - Otomen - Viz Media
Top 10 Shonen Properties Spring 2009
Rank - Title - Publisher
1 - Naruto - Viz Media
2 - Bleach - Viz Media
3 - Death Note - Viz Media
4 - Rosario + Vampire - Viz Media
5 - Chibi Vampire - Tokyopop
Top 10 Anime Properties Spring 2009
Rank - Title - Publisher
1 - Afro Samurai Resurrection - Funimation
2 - Naruto - Viz Media
3 - Dragon Ball Z - Funimation
4 - Ouran High School Host Club - Funimation
5 - Cowboy Bebop Remix - Bandai
6 - Yu Yu Hakusho - Funimation
7 - Full Metal Alchemist - Funimation
8 - Pokemon - Viz Media
9 - Bleach - Viz Media
10 - Code Geass - Bandai
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Toonzone and Video Business report that Millenium Media Services, a joint manufacturing/distribution venture between First Look Studios and Sony DADC hope to streamline the process of getting DVD/Blu-ray media into Best Buy. One of the mentioned client is Bandai Entertainment, who were unable to get releases such as Code Geass Part 3 and Gurren Lagann Part 3 into Best Buy.
"The number of productions and the production budgets have plummeted in comparison to last year," says Studio Gonzo producer Junichi Tagaki. "We used to get 1.8 million yen for a thirty minute television episode. Now we get 1.3 million yen.... If there's the money to build an [anime] center, I'd rather see it spent on reorganizing the domestic anime industry."
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"Totally useless," opined no less a personage than Mobile Suit Gundam character designer Yoshikazu Yasuhiko about the proposed anime center. "Anime has the vitality of a weed. I want it to be left alone. And with government support, I worry about potential restrictions being placed on freedom of expression."
ANN reports the members of its preparatory committee to establish the tentatively named National Media Arts Center include
Media Arts in General
Yasuki Hamano, Tokyo University professor in graduate studies
Kazuo Hayashi, Pia Research Institute President
Tomoe Moriyama, Museum of Contemporary Art Tokyo Curator
Film, Video
Kohei Ando, Waseda University professor
Anime
Taku Furukawa, artistic anime creator
Sachiko Kamimura, character designer (City Hunter, The Heroic Legend of Arslan)
Yuji Nunokawa, The Association of Japanese Animations Board Chairperson
Manga
Chiho Saito, manga creator (Revolutionary Girl Utena, Anastasia Club)
Machiko Satonaka, manga creator (Lady Ann)
Media Arts
Hide Nakaya, NHK commentator
Nobumichii Tosa, Maywa Denki artist
Computer Games
Tsunekazu Ishihara, Pokémon President
Tetsuya Mizuguchi, Q Entertainment Representative Director
New York Magazine is reporting that Tadashi Yanai's Fast Retailing may be considering buying the Gap. Fast Retailing owns fashion chain Uniqlo, known to pop culture fans for their manga and video game designs.
Diamond announced in the middle of January 2009 they were raising their retail ordering minimums from $1500 to $2500 to more accurately reflect “Diamonds cost of goods,” according to Schanes. Due to these changes a book must earn $2500 when ordered by retailers wholesale, and therefore around $6250 at retail. The changes most directly influence periodical comics with lower cover prices, further diminishing the viability of the traditional comics periodical even as the popularity of the graphic novel or book format is rising quickly.
Compiled by Anime News Network, anime/manga that will not be available through Diamond due to minimums include
Bandai America
Kamen Rider Dragon Knight 4-In. Coll. Fig. Asst.
Kamen Rider Dragon Knight DLX AF Set Asst.
Kamen Rider Dragon Knight DLX Rider Set
Bandai Entertainment Inc.
Gurren Lagann DVD Set Part 03
DK Publishing Co.
Rough Guide To Anime SC
FOX Home Entertainment
Dragonball: Evolution Blu-ray
Dragonball: Evolution DVD Spec. Ed.
Dragonball: Evolution DVD WS
Jun Planning USA Inc.
Little Pullip Blue Alice Doll
Little Pullip Cheshire Cat Doll
Little Pullip Queen Of Hearts Doll
Publishers Group West
07-Ghost GN Vol. 04
Ultimate Venus GN Vol. 06
Tokyopop
Gorgeous Carat: L'Esperanza GN
Yaoi Generation
Breath GN Vol. 03
Yen Press
Angel Diary GN Vol. 09
Antique Gift Shop GN Vol. 08
Croquis Pop GN Vol. 05
Dystopia GN Vol. 01
Kieli Novel MMPB
Legend GN Vol. 05
Mr. Flower Groom GN
Sarasah GN Vol. 01
Spiral Bonds Of Reasoning TP Vol. 08
Toxic Planet GN
Very, Very Sweet GN Vol. 04
You're So Cool GN Vol. 04 3
It's pretty clear that Viz has pretty much abandoned the niche market and is only going to go forward with DVD releases that have the potential for mass appeal (and mass market sales) and that they will no longer be publishing lower sell through fetish shows (I think I's will end up being the final 'fan centric' show they release with the Nana and Honey and Clover releases being sort of hold overs from prior planning). It's also clear they will probably not resurrect Hikaru No Go into boxed sets as we originally had hoped. Someone asked me on Friday if they will be packaging Shippuden to match the original 16 Naruto Uncut boxed sets, and while we don't have specs on the release yet, I think the answer is almost certainly no. They will most likely be standard double DVD packs.
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Anime producer Gonzo will be delisted from the growth "Mother" section of the Tokyo Stock exchange on July 31.
If you're at Anime Expo this weekend, keep an eye out for a screening of charming live action indie White on Rice
NYICFF will screen The Secret of Kells, the highly anticipated new animated masterpiece from the producers of Kirikou and the Sorceress and Triplets of Belleville July 18th and 19th
THE SECRET OF KELLS
Animation, Tomm Moore, Ireland/France/Belgium, 2009, 95 min
Young Brendan lives in the Abbey of Kells, a remote medieval outpost, where he labors with the other monks to fortify the abbey walls against Viking raids. But a new life of adventure beckons when one day a celebrated master illuminator arrives from foreign lands, carrying a ancient--but unfinished--book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him for the first time beyond the abbey's walls and into the enchanted forest where mythical creatures hide. It is here that he meets the fairy Aisling, a mysterious young wolf/girl, who helps him along the way. But with the Viking hordes closing in, will Brendan's artistic vision illuminate the darkness and show that enlightenment is the best fortification against barbarians?
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Otakon has announced additional quests including Masao Maruyama - founder and creative director of the award-winning Madhouse Studios.
Since Madhouse's inception, Maruyama has produced an impressive library of animation, including Barefoot Gen, Dagger of Kamui, Record of Lodoss Wars, Urusei Yatsura, Vampire Hunter D, Ninja Scroll, Cardcaptor Sakura, Trigun, Perfect Blue, X, Boogiepop Phantom, Chobits, PitaTen, Abenobashi Maho Shotengai, Ninja Scroll, Dragon Drive, Gungrave, Gunslinger Girl, Black Lagoon, Kiba, Nana, Tokyo Tribe 2, Beck, Monster, Highlander: Search for Vengeance, Devil May Cry, Death Note, and Red Line.
Otakon 2009 will once again feature an original opening animated short, created by award-winning studio Madhouse. The animation will premier at Opening Ceremonies and be shown several times throughout the convention.
This year's segment is co-directed by Takuji Endo (Paranoia Agent, Highlander: Search for Vengeance) and Yoshinori Kanemori (Death Note, X); Kanemori also serves as character designer. The short will feature Otakon's mascots, siblings Hiroko-chan and Hiroshi-kun, who were the focus of last year's opener.
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The organizers of the First Annual Asian American ComiCon (AACC) have announced the complete Featured Guest list and final Schedule of Events
AACC will take place Saturday, July 11, 2009 from 10 a.m. to 5 p.m. at the Museum of Chinese in America (215 Centre Street in New York).
Confirmed Special Guests Include:
• Larry Hama (writer, G.I. Joe)
• Bernard Chang (artist, Wonder Woman)
• Cliff Chiang (artist, Green Arrow)
• Derek Kirk Kim (artist, The Eternal Smile)
• Greg Pak (writer, Incredible Hulk)
• Khoi Pham (artist, Mighty Avengers)
• Sean Chen (artist, Iron Man)
• Christina Strain (colorist, Runaways)
• Fred Chao (writer/artist, Johnny Hiro)
• Christine Norrie (artist, Breaking Up)
• Tak Toyoshima (writer/artist, Secret Asian Man)
• Misako Rocks! (writer/artist, Biker Girl)
• Kuo-Yu Liang (VP Sales & Marketing, Diamond Book Distributors)
• Sharad Devarajan (CEO, Liquid Comics)
• William F. Wu (writer, Hong on the Range)
• The Editors of Secret Identities (www.secretidentities.org)
Other special guests of the con will include: Ben Nugent, author, American Nerd; Hua Hsu, professor, Vassar College; Ed Lin, author of Waylaid and This Is a Bust; Monica Ferrell, author, The Answer Is Always Yes; Monica Youn, author, Ignatz (forthcoming); Vyshali Manivannan, author, Invictus; Paolo Javier, author, 60 lv Bo(e)mbs; Jennifer Lee, former editor, Marvel Comics and DC Comics; Kai-Ming Cha, comics and manga reporter, Publishers Weekly; Aimee Bahng, assistant professor, English, Dartmouth College; Ken Okabayashi, founder of Piggy Back Studios; Tyler Chin-Tanner, artist/writer, American Terrorist; Daniel Ketchum, editor, Marvel Comics; Karl Taro Greenfield, author, Speed Tribes; and Arune Singh, sales coordinator, Marvel Comics.
In addition, the following creators will be participating in the AACC's Artists Alley, and will conduct signing and sketch sessions throughout the day. Each artist will also donate an original sketch for AACC's silent auction, proceeds to benefit the nonprofit Museum of Chinese in America.
• Jimmy J. Aquino (writer, "Sampler," SECRET IDENTITIES)
• Jeremy Arambulo (writer/artist, ROGUE SOUP & BUG)
• Bernard Chang (artist, WONDER WOMAN)
• Sean Chen (artist, IRON MAN)
• Tyler Chin-Tanner (writer/artist, AMERICAN TERRORIST)
• Robin Ha (writer/artist, THE MAGIC 8-BALL)
• Dongyun Lee (writer/artist, ZOOM)
• Yali Lin (writer/artist, SHAKESPEARE'S ROMEO & JULIET)
• Jerry Ma (art director, SECRET IDENTITIES)
• Allan Norico (writer/artist, THINGS I'VE SEEN AT SHOWS)
• Khoi Pham (artist, MIGHTY AVENGERS)
• Misako Rocks! (writer/artist, BIKER GIRL)
• Sarah Sapang (artist, "16 Miles," SECRET IDENTITIES)
• Christina Strain (colorist, RUNAWAYS)
• Alex Tarampi (artist, "Gaman," SECRET IDENTITIES)
• Tak Toyoshima (writer/artist, SECRET ASIAN MAN)
• Paul Wei (writer/artist, THE ADVENTURES OF MAXWELL & GRANDMA)
• Ken Wong (writer/artist, SCHRODINGER'S CAT)
h
For more information, see www.aacomicon.com
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Upcoming VAMPS appearances include
July 19th (Sun)
Venue : SHOWBOX At The Market
Location : 1426 1st Ave Seattle WA 98101
Time : 2:00pm
July 16 th (THU)
Venue : SONAR Baltimore
Location :407 E Saratoga St Baltimore MND 21202
Time : 2:00pm
VAMPS is having a special pre-show event at the SONAR.
Bring your concert ticket and join the band for a special meet and greet experience.
The Meet and Greet & Autograph session starts from 3:00 pm.
VAMPS is the new musical features of "L'Arc~en~Ciel" from man HYDE and K.A.Z of Oblivion Dust.
07/10 @ 8PM: JIM HENSON COMMERCIALS AND EXPERIMENTS
07/10 @ midnight: THE DARK CRYSTAL
07/11 @ 2PM: MUPPETS MUSIC MOMENTS
07/17 @ 8PM: MUPPET FAIRY TALES + LABYRINTH
07/18 @ 2PM: A BETTER WORLD: MUPPETS LIVING IN HARMONY
07/24 @ 8PM: DOG CITY + THE GREAT MUPPET CAPER
07/25 @ 2PM: THE ART OF PUPPETRY AND STORYTELLING
07/31 @ 8PM MUPPET HISTORY 101 W/ MUPPET MUSIC MOMENTS - Dave Goeltz (Gonzo) will be there in person
The Muppet Movie 30th anniversary will be shown at the Hollywood Forever cemetary on July 26th. Guests are being arranged.
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GHOSTS IN THE SHELL 2.0 will screen at the UK's Barbican Tuesday 21 July, 8.30pm
Barbican Film presents a special preview of the 1995 classic Ghost in the Shell in its newly remastered form, with remixed orchestration and the latest CGI technology, introduced by Helen McCarthy. The stunning visuals and soundtrack of the original movie gave a new dimension to Shirow Masamune's complex cyberpunk comic. Set in a re-imagined Hong Kong at a time when cyberspace is expanding into human reality, the story follows top cyberwarrior Major Motoko Kusanagi as she hovers on the border of total immersion in the digital world. The film has now been completely remastered, with all the original CGI shots completely re-digitised to enhance their quality. There's a new 6.1 surround soundtrack, with a new voice actor for the Puppet Master as Yoshiko Sakakibara replaces Iemasa Kayumi, and a remix of Kenji Kawai's disturbing and evocative score from Oscar-winning sound mixer/editor Randy Thom at Skywalker Sound.
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Following her performance at Otakon in Baltimore, the Japanese Visual- Kei artist Kanon Wakeshima announces two in-store appearances in California. These appearances will feature a exclusive in-store performance and a autograph session.
July 20th - San Francisco - Amoeba Music
July 21st - Los Angeles - Royal T Cafe
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The New York Anime Festival (NYAF) today announced its second 2009 Guest of Honor -- voice actress and singer Yui Makino. The 2009 New York Anime Festival, will take place September 25-27, 2009 at the Jacob K. Javits Center in Manhattan, and Ms. Makino joins Yoshiyuki Tomino -- the Director of Mobile Suit Gundam -- as a Guest of Honor. Ms. Makino will appear at the event in panels, autograph sessions, and a special concert.
Yui Makino is best known for the role of Princess Sakura in the Tsubasa: RESERVoir CHRoNiCLE anime and manga franchise.
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Anime Festival Orlando (Wyndham Orlando Resort July 31, August 1 and August 2) announced the conclusion of “The Swords of Orlandia”.
“Swords of Orlandia” is the story behind AFO’s Interactive Convention Experience. The talented writing staff has crafted an original story/game in which attendees can voluntarily participate all weekend long. Throughout the event there are “character cut scenes”, side quests and plenty of leveling up that even casual fans of Live Action Role-playing will enjoy. “With the popularity of role playing games such as ‘Kingdom Hearts’, ‘Final Fantasy’ and ‘World of Warcraft’ we’ve found this theme to be an overwhelming success for the past two years,” states event coordinator Karen Trudeau.
This year, Anime Festival Orlando has the privilege to announce their guests of honor: Reuben Langdon, Vic Mignogna, Aaron Dismuke, Chris Sabat, Colleen Clinkenbeard, Sonny Strait, Doug Smith, Jason David Frank and Robert Axelrod. New events for Anime Festival Orlando 10 include Whack-a-Nerd for Charity and Wasabi Anime’s Cross Play Rally Race. There will also be fan favorite events such as Happy Happy Cosplay Go Go Go and the traditional fare offered at anime conventions.
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Manga Impact will be part of Italy's International Film Festival Of Locarno
August 5-15 2009
The main idea is to ensure a broad perspective, capable of going beyond the usual subdivisions of category and genre.
As a result, you will have a chance to see on the big screen both anime classics, such as Akira and Ghost in the Shell, and virtually unknown works like Tale of Genji, as well as major premieres.
The exhibition space, on the other hand, will be reserved for Tv series episodes.
A book, comprehensive in terms of both content and illustrations, will be published to accompany the event and is certain to become a key reference work on the subject. There will also be a competition for short films, offering a chance to gain the limelight for aspiring manga-style artists.
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Due to unforseeable scheduling conflicts this summer, the GODZILLA & THE MONSTERS OF MASS DESTRUCTION event slated for the Castro Theatre in San Francisco on August 21-23, has been postponed until further notice.
Anime style digital collectable card game Alteil will be offering new EX-4 card packs through August 13. Each Ex-Pack has five cards, one entirely new with new art, one alternate EX Card with totally new abilities, plus three cards from Sets 2-4 Art includes work by Rei (Aquarian Age, Code Geass manga), Miho Midorikawa (Culdcept Saga, Duel Masters), and Yu Hijikata (Valkyrie Profile) amoung others.
The Society for the Promotion of Japanese Animation's (SPJA) 2009 SPJA Industry Awards winners were announced at Anime Expo
Category 01: Best Voice Actor (Japanese)
Kappei Yamaguchi DEATH NOTE - L
Category 02: Best Voice Actor (English)
Kyla Hebert GURREN LAGAAN - Kamina
Category 03: Best Voice Actress (Japanese)
Junko Takeuchi - NARUTO - Naruto Uzumaki
Category 04: Best Voice Actress (English)
Michelle Ruff BLEACH THE MOVIE: MEMORIES OF NOBODY - Rukia Kuchiki
Category 05: Best Casting Director
Jaime Simone - BLEACH
Category 06: Best Character Design
Masaru Kitao of Madhouse DEATH NOTE
Category 07: Best Mechanical Design
Yoh Yoshirari GURREN LAGAAN
Category 08: Best Male Character
L DEATH NOTE
Category 09: Best Female Character
Rukia Kuchiki BLEACH THE MOVIE: MEMORIES OF NOBODY
Category 10: Best Mascot Character
Mokona xxxHOLIC
Category 11: Best Backround Design
Minoru Nakamura of Studio Pierrot - BLEACH
Category 12: Best Original Video Animation
LUCKY STAR OVA - Bandai Entertainment
Category 13: Best Feature Film
THE GIRL WHO LEPT THROUGH TIME - Bandai Entertainment
Category 14: Best Television Series
GURREN LAGAAN - Bandai Entertainment
Category 15: Best Original Score
DEATH NOTE Score DEATH NOTE - Yoshihisa Hirano and Hideki Taniuchi
Category 16: Best Original Song
"Tonight, Tonight, Tonight" - Bleach - Beat Crusaders - Aniplex Inc. BEAT
CRUSADERS
Category 17: Best Director (Japanese)
Tetsuro Araki DEATH NOTE
Category 18: Best Director (American)
Karl Willems - DEATH NOTE
Category 19: Best Manga - Action
TSUBASA: RESERVOIR CHRONICLE - Del Rey Manga - Clamp
Category 20: Best Manga - Comedy
FAIRY TAIL - Del Rey Manga - Hiro Mashima
Category 21: Best Manga - Drama
MONSTER - Viz Media - Naoki Urasawa
Category 22: Best Publication
Shonen Jump - VIZ Media
Category 23: Best Full Motion Video in Video Game
FINAL FANTASY IV - Square-Enix
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American comics' Harvey Awards have announced their nominees. In the Best American Edition Of Foreign Material catagory, nominess included
GUS AND HIS GANG, First Second
POCKET FULL OF RAIN, Fantagraphics Books
RED COLORED ELEGY, Drawn and Quarterly
SOLANIN, Viz
WITCHBLADE TAKERU MANGA #'s 11 & 12, Top Cow
Animators include
ANIMATORS
J.J. Blumenkranz
Konstantin Bronzit
Kendal Cronkhite
Rodolphe Guenoden
Byron Howard
Kunio Kato
Doug Sweetland
Chris Williams
The organizers of the First Annual Asian American ComiCon (AACC), a celebration of the unique contemporary role and historical legacy of Asians and Asian Americans in the world of graphic fiction, have announced the presentation of the Henry Y. Kiyama Award to comics pioneer Larry Hama at the event, to be held on Saturday, July 11, 2009 from 10 a.m. to 5 p.m. at the Museum of Chinese in America (215 Centre Street in New York).
MTV's Splash Page reports that by Saturday Night Live's Seth Meyers and SNL-er Mike Shoemaker are developing an animated series for MTV that “follows an unassuming superhero and his cohorts as they battle evil villains, the paparazzi, and a less than desirable reputation as bumbling losers.”
The concept of Turn A is as outlandish as the craziest of the alternate universe Gundam shows: A post-Victorian, pre-World War I society finds itself under attack by long-lost ancestors from the Moon. With the invaders comes a slew of high technology thought to be a legend from olden times, including giant robots. It is only when they inadvertently find similar weapons buried deep in burial mound-esque mountains across the continent that the Earth dwellers stand a chance.
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This was the last Gundam to feature hand-drawn cel animation, in case it needed anything else to further differentiate itself. Visually, it exists strangely outside of time. If you’d told me that Turn A Gundam was produced in 1986, I would have believed you. Old Sunrise visual standards are very much in effect. The result is art and animation that never looks quite great, but never fails to get the job done either.
There's a lot of talk about which Japanese animator will take up the title of "The Next Miyazaki". Of course Makoto Shinkai and his lushly illustrated, but often saccharine films "Voices of a Distant Star" and "5 Centimeters per Second" usually get the brunt of this talk, but for my money I have to say that with the ability to evoke the kind of magic that he does in "The Diary of Tortov Roddle" that Kunio Kato will ultimately be the animator to wear this coveted crown... and this is coming from a die hard Miyazaki fan. No, Kato's style doesn't evoke the traditional Osamu Tezuka-based "anime" from which Hayao Miyazaki sprung. It's renderings are polished, but rudimentary. Unnecessary details are left out and there's nary a doe-eyed high school girl in sight, but (and I hope this doesn't sound intentionally cryptic) sometimes you have to go outside what you would normally classify as "anime" to discover "Japanese animation".
Here’s what I’ve been able to glean of the book’s plot from the remnants of my shaky college French: a newbie with Japan’s agricultural agency is sent to a rural village, Takazono, to help local farmers “reform” Japanese agriculture. The bureaucrat, Natsume, butts heads with a local farmer, Kohei, who has no use for the government’s reformation effort. Natsume is won over by Takazono’s charms and the inherent dignity of farming and dedicates himself to encouraging young people to pursue education and careers in agriculture.
A retrospective of Force Five (the syndication blog that featured Dangard Ace, The Starvengers, The Spacekeeters, Grandizer and Gaiking ) - on a related note why Shogun Warriors comics will not be re-printed
