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Ahoy, squirts! Quint here with today’s installment of A Movie A Day.
[For those now joining us, A Movie A Day is my attempt at filling in gaps in my film knowledge. My DVD collection is thousands strong, many of them films I haven’t seen yet, but picked up as I scoured used DVD stores. Each day I’ll pull a previously unseen film from my collection or from my DVR and discuss it here. Each movie will have some sort of connection to the one before it, be it cast or crew member.]
Thankfully I got some sleep on the flight, so I can jump right into today’s AMAD while still somewhere over the Pacific ocean. PETRIFIED FOREST is our flick today, following one Mr. Humphrey Bogart over from yesterday’s unique heartfelt gangster comedy BROTHER ORCHID.

The set-up for PETRIFIED FOREST is like some kind of thriller hour-long on TV from the ‘50s or ‘60s. It’s set in one location, a small gas station in the middle of Buttfuck Nowhere, Arizona and revolves around a hostage situation as a gang on the run from the law hold up there.
What is different from the hour-long format is that Bogart doesn’t show up with his gang until a good half an hour into the story. We spend a lot of time with an aspiring artist waitress, working at the small restaurant within the gas station/gift store/diner. Bette Davis plays this girl and I think I’m not a big Davis fan.
She’s very cute in this movie, but her acting style (at least at this age) really grates on me for some reason. It’s the typical breathy, high-pitched rapid fire technique as every young cute thing of this era. Her famous eyes make a bit of a difference, aiding us in getting a look at what’s going on in her head a bit more than the typical ‘30s actress.
That’s not to say I dislike Davis as an actress, but this is the second film of this era I’ve seen in which I don’t really take to her. I like her as she got older, more of a character actress. ALL ABOUT EVE, A POCKETFUL OF MIRACLES, etc are examples of her performances that I’m a fan of. Subtle, full of personality.

And I won’t say she’s without personality in this movie. She is cute and relatable, it’s just some of the line delivery that irked me.
Leslie Howard is a wandering writer whose journey takes him to this small gas station via a ride he hitches with a rich couple. He takes to Davis immediately, and she with him, much to the chagrin of the gas-pumping Romeo, a local who was a football star in high school and seems like a decent, corn-fed guy, but doesn’t have the drive or aspirations of Davis.
Howard plays the role with a lot of charm, but his Alan Squier is a very protected character. He comes off as an open book at the beginning, but the more we find out about him, the more he feels for Davis and the more she opens up to him, the more guarded he gets. It’s a very interesting romance that develops, not the typical boy meets girl story to say the least.
Grandpa is awesome. Bette Davis’ grandfather is played by Charley Grapewin and this dude injected great life into the picture. He essentially hero worships Bogart and is like a kid at Christmas being held hostage by him. He’s surprisingly blood-thirsty, practically begging Bogart to pop someone. Really fun work by Grapewin.

Bogie and his crew fall into the category of criminals with heart. They’re in a hard-luck spot and don’t have any qualms about killing to protect themselves, but they’re not evil people. The longer they keep this group hostage, the more they’re pulled into these character’s lives, especially Bogart. He takes an interest in the untraditional romance developing, even if I wouldn’t call it a vested interest. He’s a little amused by it and maybe by the end even touched in a slight way. Picture him a little like Dennis Leary in THE REF, but without the F-bombs.
Bogart and Leslie Howard are actually reprising their roles from the original stage version of this story. Bogie wasn’t a name yet and the studio didn’t want him, instead wanted to squeeze Edward G. Robinson in there, but Howard insisted and Robinson was happy to avoid yet another gangster role. Interesting story, yeah? This film was one of the big calling cards for Bogart.
Final Thoughts: It’s a good, tight little movie, but one that I didn’t particulary cream over. It’s a fine, entertaining film and one that I find little fault with, but the overall story isn’t one that sticks with me much after giving it a spin. I wouldn’t have a hard time recommending THE PETRIFIED FOREST. I just wouldn’t talk it up as being an amazing piece of vintage filmmaking. What it is is an entertaining showcase for some big talents in a story that is different enough to not come off as repetitive and dull, but far from world-changing.

Here’s what we have lined up for the next week:
Monday, December 22nd: MOONTIDE (1942)

Tuesday, December 23rd: NOTORIOUS (1946)

Wednesday, December 24th: THE INN OF THE SIXTH HAPPINESS (1958)

Thursday, December 25th: THE HIGH COMMISSIONER (1968)

Friday, December 26th: THE SILENT PARTNER (1979)

Saturday, December 27th: PAYDAY (1972)

Sunday, December 28th: A STRANGER IS WATCHING (1982)

Sorry that one was a quickie, but I’m back home now and after a good… 20 hours of sleep or so, I should be ready and rarin’ to go on noir MOONTIDE, directed by THE PETRIFIED FOREST’s Archie Mayo! See you folks tomorrow for that one!
-Quint
quint@aintitcool.com

Previous Movies:
June 2nd: Harper June 3rd: The Drowning Pool June 4th: Papillon June 5th: Gun Crazy June 6th: Never So Few June 7th: A Hole In The Head June 8th: Some Came Running June 9th: Rio Bravo June 10th: Point Blank June 11th: Pocket Money June 12th: Cool Hand Luke June 13th: The Asphalt Jungle June 14th: Clash By Night June 15th: Scarlet Street June 16th: Killer Bait (aka Too Late For Tears) June 17th: Robinson Crusoe On Mars June 18th: City For Conquest June 19th: San Quentin June 20th: 42nd Street June 21st: Dames June 22nd: Gold Diggers of 1935 June 23rd: Murder, My Sweet June 24th: Born To Kill June 25th: The Sound of Music June 26th: Torn Curtain June 27th: The Left Handed Gun June 28th: Caligula June 29th: The Elephant Man June 30th: The Good Father July 1st: Shock Treatment July 2nd: Flashback July 3rd: Klute July 4th: On Golden Pond July 5th: The Cowboys July 6th: The Alamo July 7th: Sands of Iwo Jima July 8th: Wake of the Red Witch July 9th: D.O.A. July 10th: Shadow of A Doubt July 11th: The Matchmaker July 12th: The Black Hole July 13th: Vengeance Is Mine July 14th: Strange Invaders July 15th: Sleuth July 16th: Frenzy July 17th: Kingdom of Heaven: The Director’s Cut July 18th: Cadillac Man July 19th: The Sure Thing July 20th: Moving Violations July 21st: Meatballs July 22nd: Cast a Giant Shadow July 23rd: Out of the Past July 24th: The Big Steal July 25th: Where Danger Lives July 26th: Crossfire July 27th: Ricco, The Mean Machine July 28th: In Harm’s Way July 29th: Firecreek July 30th: The Cheyenne Social Club July 31st: The Man Who Knew Too Much August 1st: The Spirit of St. Louis August 2nd: Von Ryan’s Express August 3rd: Can-Can August 4th: Desperate Characters August 5th: The Possession of Joel Delaney August 6th: Quackser Fortune Has A Cousin In The Bronx August 7th: Start the Revolution Without Me August 8th: Hell Is A City August 9th: The Pied Piper August 10th: Partners August 11th: Barry Lyndon August 12th: The Skull August 13th: The Hellfire Club August 14th: Blood of the Vampire August 15th: Terror of the Tongs August 16th: Pirates of Blood River August 17th: The Devil-Ship Pirates August 18th: Jess Franco’s Count Dracula August 19th: Dracula A.D. 1972 August 20th: The Stranglers of Bombay August 21st: Man, Woman & Child August 22nd: The Little Girl Who Lives Down The Lane August 23rd: The Young Philadelphians August 24th: The Rack August 25th: Until They Sail August 26th: Somebody Up There Likes Me August 27th: The Set-Up August 28th: The Devil & Daniel Webster August 29th: Cat People August 30th: The Curse of the Cat People August 31st: The 7th Victim September 1st: The Ghost Ship September 2nd: Isle of the Dead September 3rd: Bedlam September 4th: Black Sabbath September 5th: Black Sunday September 6th: Twitch of the Death Nerve September 7th: Tragic Ceremony September 8th: Lisa & The Devil September 9th: Baron Blood September 10th: A Shot In The Dark September 11th: The Pink Panther September 12th: The Return of the Pink Panther September 13th: The Pink Panther Strikes Again September 14th: Revenge of the Pink Panther September 15th: Trail of the Pink Panther September 16th: The Real Glory September 17th: The Winning of Barbara Worth September 18th: The Cowboy and the Lady September 19th: Dakota September 20th: Red River September 21st: Terminal Station September 22nd: The Search September 23rd: Act of Violence September 24th: Houdini September 25th: Money From Home September 26th: Papa’s Delicate Condition September 27th: Dillinger September 28th: Battle of the Bulge September 29th: Daisy Kenyon September 30th: Laura October 1st: The Dunwich Horror October 2nd: Experiment In Terror October 3rd: The Devil’s Rain October 4th: Race With The Devil October 5th: Salo, Or The 120 Days of Sodom October 6th: Bad Dreams October 7th: The House Where Evil Dwells October 8th: Memories of Murder October 9th: The Hunger October 10th: I Saw What You Did October 11th: I Spit On Your Grave October 12th: Naked You Die October 13th: The Wraith October 14th: Silent Night, Bloody Night October 15th: I Bury The Living October 16th: The Beast Must Die October 17th: Hellgate October 18th: He Knows You’re Alone October 19th: The Thing From Another World October 20th: The Fall of the House of Usher October 21st: Audrey Rose October 22nd: Who Slew Auntie Roo? October 23rd: Wait Until Dark October 24th: Dead & Buried October 25th: A Bucket of Blood October 26th: The Bloodstained Shadow October 27th: I, Madman October 28th: Return to Horror High October 29th: Die, Monster, Die October 30th: Epidemic October 31st: Student Bodies November 1st: Black Widow November 2nd: The Ghost & Mrs. Muir November 3rd: Flying Tigers November 4th: Executive Action November 5th: The Busy Body November 6th: It’s A Mad Mad Mad Mad World November 7th: Libeled Lady November 8th: Up The River November 9th: Doctor Bull November 10th: Judge Priest November 11th: Ten Little Indians November 12th: Murder On The Orient Express November 13th: Daniel November 14th: El Dorado November 15th: The Gambler November 16th: Once Upon A Time In America November 17th: Salvador November 18th: Best Seller November 19th: The Holcroft Covenant November 20th: Birdman of Alcatraz November 21st: The Train November 22nd: Gunfight At The O.K. Corral November 23rd: Mystery Street November 24th: Border Incident November 25th: The Tin Star November 26th: On The Beach November 27th: Twelve O’Clock High November 28th: Gentleman’s Agreement November 29th: Panic In The Streets November 30th: The Hot Rock December 1st: Who’s Afraid of Virginia Woolf? December 2nd: The Day of the Dolphin December 3rd: Carnal Knowledge December 4th: The Cincinnati Kid December 5th: Pocketful of Miracles December 6th: Mikey & Nicky December 7th: Two-Minute Warning December 8th: The Sentinel December 9th: How To Steal A Million December 10th: What’s New Pussycat? December 11th: Being There December 17th: The Party December 18th: Casino Royale December 19th: The Stranger December 20th: Brother Orchid
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