Hey folks, Harry here... I don't know about you, but I loved D.J. Caruso's last outing with THE SALTON SEA, but... following that film up with Ethan Hawke and Angelina Jolie... well, it's like getting laid with a tattoo saying EAT SHIT on your forehead... It could happen, just ain't easy. The films that Clayton Bigsby describes below are fairly awful sounding. TAKING LIVES is coming from Warner Brothers in late February... which again... isn't a good sign. And ALONG CAME POLLY is from the writer of the atrocious ZOOLANDER and is due out in January. Let's see how future reports go, but for now... BEWARE!!!
Clayton Bigsby here, back from a screening at the
Sherman Oaks Galleria. The film: TAKING LIVES.
The NRG guy let's us all know that we're the 'first
audience, anywhere' to see 'TAKING LIVES and that
they're going to be looking for people with audio and
video recording devices. They were searching bags at
the door and using detectors and there was even a
disclaimer on screen warning of prosecution for
recording the movie. People are pissed about this!!
Saw Mark Canton there too. He looked less than
impressed at the end.
Angelina Jolie is a FBI Profiler, who is hunting a
serial killer in Canada. Ethan Hawke is a witness, or
so we think at first, to a murder, that fits the
description of numerous unsolved murders in the area.
Keifer Sutherland is a character? Olivier Martinez is a french cop working
with Jolie. And the always awesome Tchecky
Karyo,though completely wasted, is another french cop.
Anyways, the plot is ludicrous. Nothing really makes
sense, and the script constantly thinks its clever
when its really not. The begining and the end feel
terribly disjointed.
There were two good things in this movie. First, and
foremost, ANGELINA JOLIE UNABASHEDLY SHOWS HER TITS IN
THIS MOVIE!!! She has a steamy sex scene with a fully
clothed Hawke (of course, men always keep their
clothes on in movie sex scenes!) and her amazing
ta-ta's are lovingly captured on screen NUMEROUS
times. She really is a hot as hell, though when was
she ever good in anything, honestly? GIA maybe.
The second strong point was Ethan Hawke, who despite a
floundering script, clearly had fun playing the
villian for the first time. He did a good job with
his character, and really impressed me with his
ability to be creepy. Its just too bad that he didn't
have a smarter script. After TRAINING DAY and this
movie, he has done some strong work of late.
The music we heard was all temp music, and it was just
atrocious. They kept on using the score for REQUIEM
FOR A DREAM and it just was terrible. In fact, the
song from REQUIEM that is used in the LOTR previews
was used during the sex scene, and produced some
howling from the audience. However, interestingly
enough, the NRG announcer stated at the beginning of
the movie that PHILIP GLASS would be doing the
original score to the film! I don't have any clue why
someone like Glass would want to score such a shit
burger like this, but whatever, he is a genius, and
maybe he can compose some creepy tunes to accompany
this train-wreck.
The ending is a mess, clearly not planned well at all.
The twist at the very end wants to be cool and smart
but just felt so stupid and obvious to me. But of
course, the audience loved it and rewarded the movie
with applause at the end. People are so stupid.
The movie was stylish at times. I credit director
D.J. Caruso (THE SALTON SEA) for at least trying to
spice the proceedings up a bit with some beautiful
extreme close ups and some generally arresting
visuals. But he fails misreably with the car chase at
the mid point of the movie, and everything that
happens plot wise feels so predetermined and routine
that it was all kind of boring. Jolie was average, as
was Mr. Hunk of the moment Martinez.
All in all, a bad movie. It won't do as bad as BEYOND
BORDERS, but its not gonna do much better I don't
think. BUT AGAIN, I REPEAT, ANGELINA JOLIE GRACIOUSLY
EXPOSES HER GORGEOUS MELONS MORE THAN ONCE in this
pile of shit.
ALONG CAME POLLY
Clayton Bigsby here, back from a rally, with a review
for you. I caught a sneak in Sherman Oaks of ALONG
CAME POLLY last week but havent been compelled to
write anything because it sucked. But I was bored so
I thought I would give you a few words on it.
Yet another example of a bullshit, studio romantic
"comedy," ALONG CAME POLLY should be retitiled ALONG
CAME MY ASS CRACK.
Honestly, here we have Ben Stiller (who really needs
STARSKY AND HUTCH to open in like, 15 mintues) playing
another neurotiuc, self-loathing, "your dick is bigger
than my dick," priss of a guy who gets cheated on by
his outrageoulsy hot wife (in this case played by
Debra Messing, who really needs to get topless in
something) on their honeymoon. After a somewhat
amusing interlude with a nude (from the back side
only) scuba instructor played Hank Azaria, doing a
derivative charicature of a islander, Stiller finds
his wife getting banged by Azaria on his suba-diving
boat. Naturally, he flips out and heads back to New
York.
When Stiller gets back, he hooks up with his buddy,
played by Philip Seymour Hoffman (more on his
character in a minute) They go to a party and Stiller
re-connectes with an old girlfriend from middle school
named Polly, played by the outrageosuly hot Jenniffer
Anniston, who is a waitress at the party he is at.
They flirt and start going out. They fight a little
bit, they get mad at each other, and then there is a
scene with Stiller running in slow motion at the last
minute to get to Anniston before she skips town.
Messing's slutty wife predictably appears at the
begining of the second act, somewhat complicating
matters. But its a for gone conclusion that Stiller
and Aniston are going to be together in the end. It
doenst matter that I am spoiling it in this summary,
everyone knows it.
Man, did this film suck. It completely wastes
Hoffman, who seems to be riffing his own recent work
in PUNCH DRUNK LOVE. He now needs to be careful that
he he doesnt take these type of throwaway roles in
tons of studio movies. I love Hoffman and have for
years. I saw him on Broadway when he and John C
Reiley were in TRUE WEST. He is awesome. But here,
he is the worst he's ever been. The audience was in
dead slience during scenes that must have seemed funny
to the actors and filmmakers when they were filming.
He just yells and acts disgusting. Dont get me wrong,
I love stupid humor. I am totally immature and I love
sophomorinc antics. And there is, truth be told, one
hilarious line in the movie delivered by Hoffman. But
for such a funny and awesome actor to be wasted like
this, it's a crime.
I am now officially sick of Ben Stiller I think. I
mean, Derek Zoolander is one of the best characters in
film history, and Greg Focker had his moments, but
Stiller is begining to irk me. I like him when he is
surrounded with other morns who egg him on, because
when he acts like an ass, he's fantastic. Here, he is
painfully restricted, and reduced to gags and
situational comedy that is now so played out. For
instance, Stiller's characters has a disease called
IBS, or Irritible Bowel Syndrome. After eating out
with Anniston at a nasty ethnic restaurant in the
movie, hsi character proceeds to get the shits at her
apartment and then flood the toilet and get caught
with his pants around his ankles, and so on and so
son. After DUPLEX and the shelved ENVY (I have head
DISASTROUS things about this movie), Stiller needs a
shot in the arm.
Aniston has been good once (THE GOOD GIRL) and
serviceable everything other time. She is fucking
hot though, and sports a sexy tatoo right abover her
ass and is seen in skimpy shorts in a few scenes. She
is such a piece of ass that I forgive her for not
seeming very into the film in some sequences. At
times, she seemed like she was phoning in her scenes
from her trailer.
I was moderatley entertained by this movie. There is
a one great comedic scene, in which Stiller and
Anniston have sex. It's the funniest scene I have
seen in a long time, and is worth seeking out when
ALONG CAME POLLY hits HBO. The voiceover that Stiller
gives when he is getting it on with Anniston is
PRICELESS. But beyond that, this movie was a waste of
time and talent.
ALONG CAME POLLY was directed by John Hamburg, one of
the co-writers of MEET THE PARENTS and ZOOLANDER, two
vastly better comedies. Hamburg lacks any sense of
directoral panache and imbues the film with no sort of
visual personality. His DP, Seamus McGarvey, brings
nothing to the table. McGravey has done solid studio
work for years (THE HOURS and HIGH FIDELITY) so I was
kind of surprised at how pedestrian the whole movie
seemed. Doesn't anyone watch dailies? Hamburgs script
is cliche beyond belief and relies on so many over
used bits, that it definitley begins to feel like this
was an early effort in his career and now that he got
some clout with the success of PARENTS, he got to
direct this piece of shit.
So, did I like it? ALONG CAME POLLY was like watching
shit that had been smeared on film stock and then run
through a dim-bulbed projector.
--Clayton Bigsby
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