if you never bought the box set a few years ago then go for it, but if you already have that set double dip be ware

The scene where the cops think they are the ones chasing the car and find out too late that they are the ones being hunted was pretty scary. But the part of the movie that really freaked me out however was the car blowing right though a house to kill a women without even stopping or slowing down destroyed any sense of safety I had watching the movie in my living room at the time.

What IS up with the box art for Teeth? I seem to recall when it was released it was promoted as an almost-horror film. Now it looks like a remake of Chatterbox. Wonder if Juno has anything to do with the marketing...hmmmmmmm.

And let me join in the chorus of Misties who think you are way off base, Harry. That show gave new life to possibly the worst of all time, even besting Ed Wood's work, the immortal "Manos, Hand Of Fate". EW even did a lengthy write up on that, due in no small part to Mystery Science.

...that includes episodes that won't air on Nickelodeon until July.

Oh hell, she's cute. Yeah I could.

It's tough being a guy sometimes.

P.S Stay away from Bollywood movies mimicking Hollywood special FX (i.e. DHOOM, RACE, etc.) unless you want to laugh at their attempts.

Harry, you f***ing couch potato, get us an edit button, you redheaded nincompoop.

That said, I acknowledge that some lawyer jokes are pretty funny, as long as they're not too hateful. I'd encourage Harry to acknowledge the same about some of the MST3K commentary jokes. Also, just as some lawyers probably deserve scorn, so some films are deserving of ridicule.

I actually enjoy the MST3K jokes AND I enjoy some of the films they rip on as standalone films. You CAN have it both ways, Harry. It is possible.

Lastly, this is my first ever attempt at paragraph breaks. Hope it worked...

Never heard of the Car, but I doubt it was better than JC's Christine.Teeth sounds like fun, hopefully it's not as bad as that other indie chick horror film called May.

Speaking of which...anyone know who did the work on the Car? It looks like they started with a lincoln continental and then totally modded the body. Those headlights are still the kewlest and creepiest I've ever seen on a car. And yes...HONK HONK HONK HONK HONK HONK HONK!! HHOOOONNKKK!! I've always wanted that exact horn too...scare the living shit out of aimless pedestrians (gotta be careful tho...dust a geezer and you could be up for involuntary manslaughter! ouch!)

Seriously, does anybody think the AICN crowd is the target demographic for Bollywood? I hope I never see a Bollywood film, ever. If you can't sell me on premise or a kickass trailer I'm not gonna be interested. Besides, I always think of that Fandango commercial with the paperbag puppets when someone says "Bollywood".

What a great little movie! It scared the crap out of me as a kid. So weird, so unrelenting. I consider The Car to be the perfect example as to why virtually no horror movies made today actually work, while almost any premise, no matter how outrageous, could be made to work in an old school horror movie. The Car plays everything completely straight, and there isn't one second during the film that you don't buy it hook, line and fucking sinker.

HONKHONKHONK - HOOOOOOONNNKK!!!!

HOOOOOOOOOOOOOOOOOOOOOOOOOOOOO OOOOOOOOOOOOOOOOOOOOOOOOOOOOOO OOOOOOOOOOOOOOOOOOOOOOOOOOOOOO OOOOOOOOOOOOOOOOOOOOOOOOOOONNN NNNNNNNNNNNNNNNNNNNNNNNNNNNNNN NNNNNNNNNNNNNNNNNNNNNKKKKKKKKK KKKKKKKKKKKKKKKKK!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

This Island Earth is credability-destroyingly-awful .

Actually, come to think of it, Eli Roth should do a Bollywood film, with Uwe Boll doing second unit work. That just might work.

I'm wondering if there's some kind of collective group or a place where people can go to send emails out that say, YES, WE WANT MORE OF THESE OLDER RELEASES AND WE KNOW WHERE TO DRAW THE LINE WHEN NITPICKING OVER THE IMAGE BECAUSE WE MAY HAVE ACTUALLY CARED ENOUGH TO SEE THEM IN THE FUCKING THEATER!!! And again, the whole nitpicking over the color REALLY galls me. Um, unless you were the color timer on the goddamn film, how the hell do you know where the colors are supposed to be? I work as an assistant editor in the business, and I love these job postings looking for people with like 10 years of color correction experience. Unless you were bathed in chemicals during the late 90's, there's no fucking way you have that much experience color correcting on a computer because D.I.'s and digital grading have only really existed on a large scale for the last few years. Then you'll see ads for someone with a 'great eye for color correction.' What the fuck does that mean? Color is completely subjective. And unless they've color corrected for Kubrick or Kieslowski (which, again is actually impossible), how would they know what good color is? I think everyone in post now thinks good color is everything either appearing exactly how it would in real life with no stylistic color choices making it from the lighting on the set to the actual print or DVD or every scene has a garrish 'cast' to it like in the LOTR films, which I think was WAY overdone. The technical side of this business is overrunning the creative side and there's no accounting for taste and discretion anymore. Just one person trying to seem smarter or more experienced than the next because they've had more time on the dials. The issues that I'm talking about with regards to color correction (and what happened to getting it right on the set?) are very close to the same issues with the nitpicking over indie minded HD cameras and then down to blu-ray. And NO, I am NOT bitter! Lol... ahh... ranting in the dark is fun.