Oh, I've just checked again and Dragon was option E not D. My mistake.

I think this idea could work. Any other story suggestions? Obviously, motorcycles will be involved, as will the drinking of neat liquor straight from the bottle. Also, at some point I figure one of our three heroes will set some petrol on fire with a lit cigar. Help me out here, AICN types.

P.S. for Shan - Vern's I Am Legend review is up at his site (by which I mean sight, of course) if you want to check it out.

Franklin great concept, also C Thomas Howell needs to be caught and tortured by our trio whcich would include a cigar to the back or balls or something

In the interest of research, I have now been to the Youtube and watched the I Am Omega trailer, and I would like to say that I, too, am now anxiously awaiting Vern's review of this quickie knockoff starring Mark Dacascos fighting zombies with a stick. Also, possibly nunchucks, a previously unexplored method of dealing with the undead, I think. The film will probably be shit, but Vern's review should be good.

Is it wrong for me to look forward to a review more than the film itself?

Other recent Asylum releases include Snakes On A Train and Alien Vs Hunter (starring Dedee Pfeiffer but with her name mis-spelled on the front of the box!). How cool are these guys? They can't even be bothered to spell the name of a semi-famous actress who has a much more famous sister with the exact same last name properly!

I am absolutely sending a CV to the fellows. Spandau Belly, I suggest you do the same.

and missionary man sounds fun.

Franklin thanks for the heads up Asylum, crap now I want to work for them

or maybe we could just start our own film production company surely there is some rich bored TBer out there willing to pony up for TalkBack Productions?

I say make him a grizzled former motorcycle stunt rider who now fights crime on a bike that has twin chainsaws where the headlights are supposed to be. Also, he smokes cigars and drinks neat liquor and hangs out at strip clubs. Obviously. During the course of the film we will discover that Rourke's wife was having an affair with Danny Trejo shortly before Trejo brutally murdered her. Now, Rourke is out for revenge on the guy who both fucked and killed his wife. It is a rough and conflicted road for Mickey Rourke.

P.S. Maybe I'm a little drunk without realising it, but this seems like a pretty good idead to me. I would definitely watch this film.

Obviously, the Chris Klein problem is beyond our control, but maybe we could end up with a pretty decent trashy load of nonsense with Wesley Snipes in it. That would be pretty damn cool.

Roberts=James W. Marshall

Lundgren=Oleg Kuzmin

Snipes=Larry Y. Washington

Rourke=Brad Armstrong

Trejo=Javier"El Diablo Locco"Mendez

Cain=Spec.Agent Whitemoore

I honestly think that this has some potential and am also willing to pony up some cash, not a lot as I'm poor, but am willing to pony up

as an expirement you know DTV might just be the way to go

some other thoughts. I was telling a buddy of mine, who cannot appreciate a good DTV, about this and he just shook his head then proceeds to tell me that someone needs to make a movie about the Mexian Mafia and the Triad fighting against each other, so I think we need to incorparte one or the other in there. I don't remember where Spandu set the movie but it has to be either in the SW or Cali where it unexplaininly has a large FBI building for Dir. Falco. Finally I think we need to have Cynthia Rothrock as Mickey Rourke or Wesley Snipes wife, the one that has the affair with Danny Trejo. She hasn't done a movie since 2004 (I looked) so she might work pretty cheap

Also Jeffery Falcon from Six String Samurai needs to be in this somewhere too

Movie starts with Stuntcock`s tune and a extreme Closeup to Trejos eyes.As the camera pulls back we see he`s driving down a street in Suburbia(in a 88`s Chevy,brown),then he stops in front of a house(nice family house,green grass,toys laying around...),gets out of the car,wears black boots,leatherpants and nothing else!He`s sweating(it is hot in suburbia)and looks around,reaches back in the car and comes up with a Machete!Some kids see him and run away.He starts moving towards the house.Stuntcock`s tune ends,as we are in the house and Trejo kicks in the door from the outside,as he walks in we see a BIG devilface tattooed on his back!Then we see Rothrock standing in the livingroom.She looks like she knew he was coming,they stare at each other for 3-4 seconds then start to move slowly,circling each other.Then they get in a nasty fight,the whole livingroom gets wasted(one of them falls through the glass table,one crashes the Plasma...),no music,just grunting and the sound of fists hitting flesh.Rothrock disarms Trejo with some fancy tripple legkick and roundhouse kicks him through the panorama window(in slomo)!She`s pretty confident now and jumps out too,just to see him lying flat on the face,then we hear a kid cry,Rothrock turns her head(slomo starts again),Trejo rolls around and sports a HUGE handgun(we know he had none before,DTV magic),a sixshooter and creams her(all bullets of course,huge bloodshet...)!As she starts to fall Stuntcock`s tune starts again and a Flashback beginns(we see her arguing with Snipes about the affair she has with this "mexican gangster",she yells at him for never being around,he loves his extreme sports more then her and his son and she fucks with Trejo because she likes danger too(!),Snipes is shocked,grabs the kid and leaves).When the FB ends she hits the ground.We see from her perspective Trejo`s face coming to frame,as he says:"No BITCH leaves El Diablo Locco!",then he spits blood on her face and leaves(we hear a car driving away fast),Rothrock whispers the name of Snipes and dies with blood coming out of her mouth.

Cut to

The Funeral!The Main guys are all there(except Rourke,he comes in later).The narration from Roberts starts,as the camera slowly pans across the faces of them,he says:"Back then we all believed in our justice system,but that is long gone...". As he speaks we see a montage of the three standing in front of a Courtroom and Trejo walks by with a big grin on his face talking to his lawyer(getting away with the kill,because somebody messed up some paperwork and the system does not work in DTV).The narration continues:"That day we started doing JUSTICE our way"!As they walk away from the funeral the ROCK music starts for the main titles,they start the Harleys and drive off in formation(they allways drive in fomation on DTV)!

That all should take place in the first 10 minutes before the main titles.After the main titles we learn that 2 years passed since the kill and we are right in the middle of the parachuting action with C.Thomas Howell!

That is my take on the start,I would like to see some more parts of you fellas,for the rest of the movie.

Stuntcock:great tunes,but do one with heavy guitar riffs.

caruso:Snipes outline is gold!And the Rourke thing can be worked out(It is DTV!everything goes)

Spandau:Oleg rules(and for the man VERN,without him none of this madness would have happend!)Give us the fletched out parachute action scene.

including a trip to the moon, by melies.

and cary hiroyuki takanawa.

someone was carving "GOTTA EAT!" and "I JUST GOT OFF THE PHONE WITH.." into the bodies of talkbackers, and harry, quint and vern were all dead, quint fed to sharks, harry tied to a chair and forced to watch american godzilla till his eyes bled etc.

all the talkbackers are suspects, and the survivour are not going to cooperate, because they disagree about how bad the movie transformers designs are.

after a while at the alamo, survivors are rounded up by a showing big trouble in little china on the big screen, with kurt russell doing a Q+A after, then the trouble begins as a duststorm rages outside and the nerds from aicn are stuck in a room, waiting out the storm and the killer..

john carpenter is first choice director, mcweeny would provide the script, harry would give praise to the script, etcetera.

maybe if TLBT makes cash, this could be our second film!

if, y'know there are any good scenes for the president in the movie i.e. vietnam flashback of steven and danny being given purple harts for saving an entire village of hot naked babes, and maybe afterwards, steven throws his medal into a lake in alaska, where he went to live as a medicine man after 'nam.

also, cary hiroyuki takanawa would play a serial killer who speaks only in sound bytes ["lucy, you got sum splainin ta do!"] called mister prophet.

nothin special, will get to work on TLBT.

or maybe not. http://tinyurl.com/3dcbk8

That one has enough cooks in the kitchen as is. I'm comfortable pitching the occasional idea, but there are far more capable people here to tackle that beast. Right now BLOOD BROTHERS has me by the balls and I have three other imaginary projects gnawing away at me.

Also, I dug your opening of TLBT. Danny Trejo driving around in a Chevy without shirt. Classic.

upon waking he has one thought, "MUST KILL PRESIDENT!"

basically, less of a movie, more of an exercise in showing this mad russian's pain threshold.

key scene: three quarters into the movie, he stops at a convenience store, and uses concrete, superglue and staplers to plug various gunshots, not to mention he has a backpack full of blood from a hospital, with I.Vs in his veins replacing the 7 pints hes lost.

Blood brothers and the Colder war © and ™ Ironic_name and caruso_stalker217

(alternate title: OEDIPUS WRECKS)

That's right. It's a modern re-telling of the Greek tragedy of Oedipus. Mickey Rourke plays Rex Edwards, a man destined to murder his father and marry his mother (as told to him by a blind fortune teller). His father Wick is a wealthy corporate tycoon who made his fortune in polyester. When Rex was born, Wick saw to it that the child was put up for adoption, as he was notorious for an irrational hatred for children. His wife (Oscar winner Cher) was told that the child died in birth.

Now, years later, Rex has returned to the town of his birth, after learning from his parents that he was adopted. He is soon involved in a traffic collision with Wick. An argument ensues and Rex, having battled rage all his life, kills him with a baseball bat. Guilt-ridden, he shows up at the funeral where he meets his birth mother.

It isn't long before they begin a highly taboo relationship, though neither is aware of it. Soon they are married. Throughout the film Rex will have several confrontations with the local mafia, who want to buy the polyester company he now owns. These confrontations will often be violent. Warehouses will be firebombed. Rex will be threatened at home. Eventually it will come out that Rex and Oscar winner Cher are mother and son. Cher commits suicide by OD'ing on sleeping pills and Rex puts out his eyes with a hot fire poker.

Thus begins an extremely ridiculous quest for revenge. Now blind, but having heightened other senses, Rex cuts a bloody swath through the people who have wronged him. He walks straight into mob territory, cutting down wise guys left and right with a sawed-off shotgun. "Keep your hands off my polyester," he tells the mob boss, just before blasting him in the face.

He tracks down the corrupt adoption agency that his parents got him from and learns that they are selling babies illegally all over the world. It's up to Rex to bring the agency down, using nearly every form of weaponry known to man. At some point he will have to one-up Chow Yun Fat in HARD BOILED by saving an entire hospital ward of babies, strapping them to his body, while firing two M-16s simultaneously.

To tell the truth, I only had those first two paragraphs to start with. Then it completely took on a life of its own as I was typing. Strapping babies to his body? I don't even know where that came from.

I, too, would love to see a movie with Agent Sands. He was my favorite character in OUATIM.

(generic North American title: TERMINAL VENGEANCE)

"Everyone has regrets. We've all made mistakes. My regret is that I trusted you with my family. My mistake was not killing you when I had the chance."

So says Eric Roberts' character Max Bentley, just before putting a bullet between the eyes of his old friend Bart Fontaine (David Caruso). But I'm getting ahead of myself. That's at the end of the picture. Let's jump back to the beginning.

Max is a crime kingpin. He lives in the lap of luxury surrounded by every comfort of a wealthy life. He has a beautiful wife and three ridiculously wonderful children. The FBI watches his every move, looking for any reason to bring him in. Everything changes when he enters a deal with a French drug dealer (Tchéky Karyo) and flies to Paris to negotiate. While he is away, his right-hand man Bart (who has been banging Max's wife) stages a daring takeover, killing all who are loyal to Max. He accidentally kills the wife during a struggle.

Max now finds himself a fugitive after Bart provides the FBI with all the information they need to nail his ass to the wall. Protected by France's non extradition laws, unable to return home, he spends the next twenty years building a new life for himself. But always harboring a hatred for Bart. He gets himself a beautiful French wife (Isabelle Huppert) and settles down in a quiet French town.

The film finally kicks into high gear when it is discovered that Max has a degenerative brain disease. There is no treatment or cure. The doctors give him six months to live. He decides it is time to return home. He will have to smuggle himself into the United States. From there he will begin his quest for vengeance.

Meanwhile, Bart is busy doing fucked up criminal shit. He has taken it upon himself to raise Max's kids, who do not know that he killed their mother. Though one may suspect it. This is not a blow-shit-up-drive-a-car-throu gh-a-mall kind of revenge picture. This is much more somber and depressing. There is plenty of badass moments. Max has to work his way up the food chain, since he no longer has any contacts with the underworld. At one point he visits the prostitute girlfriend of one of Bart's enforcers. He coerces some information out of her and she sends him to a bar where he gets ambushed. He survives the attack, smashing a man's head through a mirror, blasting a guy with a shotgun, and then beating a guy's head to pulp with the butt. He returns to the hooker's apartment, not intending to be courteous this time. Before she has a chance to open the door he kicks it in, hitting her in the forhead. He forces his way in and chases her into the kitchen where she has been boiling noodles. As he walks in she flings the boiling pot at him, which he sidesteps. He moves toward her, grabs her, and then holds her face above the hot stove top, telling her to give him the right information or she'll "only have half a face."

Man, I wrote way to much about th