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Ahoy, squirts! Quint here with today’s installment of A Movie A Day.
[For those now joining us, A Movie A Day is my attempt at filling in gaps in my film knowledge. My DVD collection is thousands strong, many of them films I haven’t seen yet, but picked up as I scoured used DVD stores. Each day I’ll pull a previously unseen film from my collection or from my DVR and discuss it here. Each movie will have some sort of connection to the one before it, be it cast or crew member.]
To illustrate just how much Albert Finney disappears into the role of Hercule Poirot let me just say that the movie was halfway through before the nagging “I know that guy from somewhere…” locked into place and I realized who the fuck it was playing the famous Belgian crime-solver.
The cast, on the surface, is the star of the film, but Sidney Lumet’s direction creeps up on you when you least expect it, like his awesome long, long, long train shot that tracks along the side of the Orient Express before it departs, passing by the windows on the platform side until we get a nice, epic shot of the front of the train. But the shot doesn’t end there. It holds, then slowely moves in on the front lamp, which sparks to life at just the right moment, accompanied by a little razzle-dazzle on the soundtrack, compliments of composer Richard Rodney Bennett.
If the train had been a spaceship, it would have been worthy of STAR WARS.
Let’s go over some of the huge cast of this movie. You have Finney as Poirot trying to solve the mystery of a murdered man (played by Richard Widmark) while on a headed across South-Eastern Europe towards Paris. The other occupants of the first class cabins include Lauren Bacall, Ingrid Bergman, Jacqueline Bisset, Sean Connery, John Gielgud, Martin Balsam, Jean-Pierre Cassel, Vanessa Redgrave, Michael York and Anthony Perkins.
What’s really impressive about this film is how they develop all these characters and don’t seem to really short-change any of them (with the possible exception of Sean Connery’s Col. Arbuthnot, who is surprisingly absent for most of the movie). And even more impressive is just how entertaining everybody is.
But Albert Finney is the hands-down MVP of the movie, his Poirot walking the fine line between cartoon character and believable person. He definitely leans closer to cartoon character as I can’t believe a character as smart, smarmy and hilarious can exist on this Earth, but he fits right into this world, which is both elegant and almost fantasy-like in execution.

Lumet films the whole thing very foggy, giving an otherworldy look to the film, which is essentially a bunch of people talking for 2 plus hours. It’s a great idea to keep it from feeling locked down, play-like on a stage.
I won’t go into great detail on the plot because there really isn’t much that isn’t a big spoiler outside of what I already told you, but I will say that I love the set-up.
I love that the murderer/murderers/murderess had this planned and just by a stroke of bad luck Poirot ended up on the train, along side his good friend, the owner of the railroad, played by Martin Balsam. Hell, Poirot doesn’t even want to try to solve the murder when it happens, but Balsam eggs him on.
Balsam is hilarious in this, sitting in as Poirot interviews everybody on the train one by one and after every interrogation Balsam proclaims “He did it!” or “She did it!” just as sure he’s right after every bit of back story we uncover.
It’s funny because that’s just how these things work. Red herrings and misleading characters always have you guessing and re-guessing with every bit of new info.
The more we come to find out about the dead man, the more it sounds like he got what he deserved, which leads to a genuinely awesome ending and revelation from Poirot. It’s a great twist on the conventional formula and one that feels wholly earned.

Jacqueline Bisset is amazingly hot in the movie as a Countess, Anthony Perkins is at his stammering best as Widmark’s assistant, Gielgud is his Gielgudy self as Widmark’s butler, Ingrid Berman is old, but still gorgeous (I must admit harboring a huge crush on her from her CASABLANCA and GASLIGHT days – She won the Oscar for Supporting Actress for this role, by the way), Bacall is cold and upper-crust (a perfect combination for her), Connery is mean and loud and Widmark is dickish, as to be expected.
Final Thoughts: I found MURDER ON THE ORIENT EXPRESS to a be a great showcase for superb actors, a fun playground to see a myriad of different personalities clash, creating often times fantastic sparks. Even with the stellar supporting cast filled with huge personalities, there are still none that can topple Albert Finney’s Oscar Nominated turn as Hercule Poirot. He seems to be having so much fun he’s essentially daring the audience not to enjoy themselves. Add on top of that some truly interesting visual filmmaking tricks by the great Sidney Lumet and you get an all-around winner. Also keep an eye out for the great hat-box trick (notice I added in the “box” to keep that from sounding dirty) that Poirot pulls off to pull a clue out of a burnt piece of paper… fucking awesome.

Here’s what we have lined up for the next week:
Thursday, November 13th: DANIEL (1983)

Friday, November 14th: EL DORADO (1967)

Saturday, November 15th: THE GAMBLER (1974)

Sunday, November 16th: ONCE UPON A TIME IN AMERICA (1984)

Monday, November 17th: SALVADOR (1986)

Tuesday, November 18th: BEST SELLER (1987)

Wednesday, November 19th: THE HOLCROT COVENANT (1985)

Looks like we’re swinging into the ‘80s for a little bit in the coming week. Some good lookin’ stuff in there. Can’t wait to dive into these upcoming titles! See you tomorrow for DANIEL, following director Sidney Lumet over to the 1983 drama starring Timothy Hutton, Ed Asner and Mandy Patinkin!
-Quint
quint@aintitcool.com

Previous Movies:
June 2nd: Harper June 3rd: The Drowning Pool June 4th: Papillon June 5th: Gun Crazy June 6th: Never So Few June 7th: A Hole In The Head June 8th: Some Came Running June 9th: Rio Bravo June 10th: Point Blank June 11th: Pocket Money June 12th: Cool Hand Luke June 13th: The Asphalt Jungle June 14th: Clash By Night June 15th: Scarlet Street June 16th: Killer Bait (aka Too Late For Tears) June 17th: Robinson Crusoe On Mars June 18th: City For Conquest June 19th: San Quentin June 20th: 42nd Street June 21st: Dames June 22nd: Gold Diggers of 1935 June 23rd: Murder, My Sweet June 24th: Born To Kill June 25th: The Sound of Music June 26th: Torn Curtain June 27th: The Left Handed Gun June 28th: Caligula June 29th: The Elephant Man June 30th: The Good Father July 1st: Shock Treatment July 2nd: Flashback July 3rd: Klute July 4th: On Golden Pond July 5th: The Cowboys July 6th: The Alamo July 7th: Sands of Iwo Jima July 8th: Wake of the Red Witch July 9th: D.O.A. July 10th: Shadow of A Doubt July 11th: The Matchmaker July 12th: The Black Hole July 13th: Vengeance Is Mine July 14th: Strange Invaders July 15th: Sleuth July 16th: Frenzy July 17th: Kingdom of Heaven: The Director’s Cut July 18th: Cadillac Man July 19th: The Sure Thing July 20th: Moving Violations July 21st: Meatballs July 22nd: Cast a Giant Shadow July 23rd: Out of the Past July 24th: The Big Steal July 25th: Where Danger Lives July 26th: Crossfire July 27th: Ricco, The Mean Machine July 28th: In Harm’s Way July 29th: Firecreek July 30th: The Cheyenne Social Club July 31st: The Man Who Knew Too Much August 1st: The Spirit of St. Louis August 2nd: Von Ryan’s Express August 3rd: Can-Can August 4th: Desperate Characters August 5th: The Possession of Joel Delaney August 6th: Quackser Fortune Has A Cousin In The Bronx August 7th: Start the Revolution Without Me August 8th: Hell Is A City August 9th: The Pied Piper August 10th: Partners August 11th: Barry Lyndon August 12th: The Skull August 13th: The Hellfire Club August 14th: Blood of the Vampire August 15th: Terror of the Tongs August 16th: Pirates of Blood River August 17th: The Devil-Ship Pirates August 18th: Jess Franco’s Count Dracula August 19th: Dracula A.D. 1972 August 20th: The Stranglers of Bombay August 21st: Man, Woman & Child August 22nd: The Little Girl Who Lives Down The Lane August 23rd: The Young Philadelphians August 24th: The Rack August 25th: Until They Sail August 26th: Somebody Up There Likes Me August 27th: The Set-Up August 28th: The Devil & Daniel Webster August 29th: Cat People August 30th: The Curse of the Cat People August 31st: The 7th Victim September 1st: The Ghost Ship September 2nd: Isle of the Dead September 3rd: Bedlam September 4th: Black Sabbath September 5th: Black Sunday September 6th: Twitch of the Death Nerve September 7th: Tragic Ceremony September 8th: Lisa & The Devil September 9th: Baron Blood September 10th: A Shot In The Dark September 11th: The Pink Panther September 12th: The Return of the Pink Panther September 13th: The Pink Panther Strikes Again September 14th: Revenge of the Pink Panther September 15th: Trail of the Pink Panther September 16th: The Real Glory September 17th: The Winning of Barbara Worth September 18th: The Cowboy and the Lady September 19th: Dakota September 20th: Red River September 21st: Terminal Station September 22nd: The Search September 23rd: Act of Violence September 24th: Houdini September 25th: Money From Home September 26th: Papa’s Delicate Condition September 27th: Dillinger September 28th: Battle of the Bulge September 29th: Daisy Kenyon September 30th: Laura October 1st: The Dunwich Horror October 2nd: Experiment In Terror October 3rd: The Devil’s Rain October 4th: Race With The Devil October 5th: Salo, Or The 120 Days of Sodom October 6th: Bad Dreams October 7th: The House Where Evil Dwells October 8th: Memories of Murder October 9th: The Hunger October 10th: I Saw What You Did October 11th: I Spit On Your Grave October 12th: Naked You Die October 13th: The Wraith October 14th: Silent Night, Bloody Night October 15th: I Bury The Living October 16th: The Beast Must Die October 17th: Hellgate October 18th: He Knows You’re Alone October 19th: The Thing From Another World October 20th: The Fall of the House of Usher October 21st: Audrey Rose October 22nd: Who Slew Auntie Roo? October 23rd: Wait Until Dark October 24th: Dead & Buried October 25th: A Bucket of Blood October 26th: The Bloodstained Shadow October 27th: I, Madman October 28th: Return to Horror High October 29th: Die, Monster, Die October 30th: Epidemic October 31st: Student Bodies November 1st: Black Widow November 2nd: The Ghost & Mrs. Muir November 3rd: Flying Tigers November 4th: Executive Action November 5th: The Busy Body November 6th: It’s A Mad Mad Mad Mad World November 7th: Libeled Lady November 8th: Up The River November 9th: Doctor Bull November 10th: Judge Priest November 11th: Ten Little Indians
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