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Ahoy, squirts! Quint here with today’s installment of A Movie A Day.
[For those now joining us, A Movie A Day is my attempt at filling in gaps in my film knowledge. My DVD collection is thousands strong, many of them films I haven’t seen yet, but picked up as I scoured used DVD stores. Each day I’ll pull a previously unseen film from my collection or from my DVR and discuss it here. Each movie will have some sort of connection to the one before it, be it cast or crew member.]
First thing’s first… It was an amazing night in the history of my country. I won’t celebrate here, no rubbing it in to those who don’t share my views and no preaching to the choir, but it was an amazing night.
And an incredibly troubling night to watch this film. I said it yesterday that the Movie Gods must have a twisted sense of humor to let EXECUTIVE ACTION fall on election day.

Essentially what we have with this film is a What If? movie centered around the Kennedy Assassination. The film opens with text and voice-over telling us of an interview LBJ did before he died in which he said certain things that were removed by the powers that before before it aired… but it has now been admitted that it was LBJ asserting that JFK’s assassination was a conspiracy, and not the sole work of Lee Harvey Oswald.
The scroll then goes on to make sure we know that the movie we’re about to see is a work of fiction, acting merely as a possible scenario based on the evidence of the assassination and who had motive and stood to benefit from Kennedy’s death.
Basically a collection of great ’40s and ‘50s greats gather together, led by the awesome Robert Ryan, trying to convince a big oil man, Ferguson, played by Will Greer of WINCHESTER ’73 fame, to join them in plotting Kennedy’s death.

They play on greed, racism and fear of a Kennedy dynasty, outlining their plan for a re-election for JFK, then 8 years of Bobby Kennedy, then another 8 for Teddy Kennedy. They predict Kennedy’s siding with the blacks for equal rights and Kennedy’s desire to start pulling out of Vietnam as well as his nuclear disarmament proposition.
At the end of the day, the ideals are meaningless. It’s all about power staying with power and they don’t like that they have no sway over his presidency.
So, if I’m finding it a little freaky right now, and a bit scary, looking at the possible parallels here, please forgive me. A radically progressive candidate who has cut any ties (and money which equals influence) to big corporations and big oil, trying to pull out of a war that is very profitable for many very rich men, despite being incredibly unpopular with the people of the US… not to mention the personal comparisons you can make in terms of charm and ability to inspire crowds.
Yeah, it’s eerie. Let’s just hope that secret security has been vastly improved since then, especially if the script isn’t exaggerating when the conspirators discuss the assassination… they really make it seem like the Secret Service were useless then, only a dozen or so detail, no sweeping buildings along the parade route, no real research on likely threats before travel, etc.

What’s interesting to me is just intricate the film goes into conspiracy theory detail without ever pulling the “inside job” card. The information agencies don’t know about it, but they unwittingly support it via a myriad of shadowy sources and connections that all, invariably, have ties to this small group of old, rich white dudes who are scared to death of minorities growing and of the US not being top bull anymore in terms of perceived military strength.
If the film has a failing, it is in an area I find hard to criticize. The multiple threads to the vast conspiracy are very convoluted and at times I felt like I had to play a little catch-up with the movie, which was moving so fast through pages of dialogue informing us of the plot that I sometimes lost the thread, especially where Oswald was concerned.
We get a very detailed look at Oswald’s history, his ties and loyalties to communist Russia, but also a weird ambiguous support from within our own government, but at the end of the day he’s just the patsy. The movie supposes he was telling the complete truth when he was caught and that all of the circumstantial evidence against him was carefully planned. He was set-up without ever knowing it or meeting the men pulling the strings of his destiny.
What’s really disturbing and fascinating is how director David Miller (director of yesterday’s FLYING TIGERS) intercuts the fiction storyline with real life footage of Kennedy making speeches in the weeks leading up to that fateful day in Dallas. What’s especially disturbing is the access to the footage of the events leading up to the assassination that I had never seen before, like Kennedy getting off Air Force One, getting into the convertible and shaking hands on the tarmac as they get ready to drive off, towards his death.
Will Greer and Robert Ryan are especially good as two of the conspirators, but a special nod has to be given to Burt Lancaster, who plays the most active member of the group, really keeping the wheels of the conspiracy greased and turning.

You’ll also see some very familiar faces, including one of my favorites Dick Miller as one of the riflemen. The conspirators have two teams of three training, completely unaware of the other team, training at moving targets with a crappy Italian sniper rifle, which was apparently dubbed “The rifle that never hurt anyone on purpose” by the Italians before it stopped being produced.
Controlling both of these teams is another familiar face, Ed Lauter, whose famous chrome dome can be seen in everything from THE ROCKETEER to BORN ON THE FOURTH OF JULY to REAL GENIUS to MAGIC to Hitchcock’s FAMILY PLOT to the ’76 KING KONG remake. He’s not a particularly likable character in this movie, but he’s not a cartoon villain, either. He’s a mercenary, seeing his retirement offered and he doesn’t give a damn who ends up in the crosshairs.
So, you have a fascinating script by blacklisted writer Dalton Trumbo, a heavily cynical early ‘70s filmmaking vibe and some mediocre cinematography (but mediocre ‘70s cinematography is still better than just “good” cinematography today) and very thought-provoking theory on the events behind the assassination, which I’m absolutely convinced we still don’t know the full story behind. It all just doesn’t add up, but I don’t know if I’d go so far as to suggest a conspiracy to it all… but there is for sure shit we don’t know and will probably never know about it.
Final Thoughts: EXECUTIVE ACTION isn’t the best movie in the world, but I’d rank it a solid 7/10… however keep in mind one of my favorite comic books growing up was Marvel’s What If? I love these kinds of stories and if they even get a little bit of it right, I hope to God that we’ve either evolved as a people or at least won’t be forced to live through a recreation of the horrid events from 1963.

Here’s what we have lined up for the next week:
Wednesday, November 5th: THE BUSY BODY (1967)

Thursday, November 6th: IT’S A MAD, MAD, MAD, MAD WORLD (1963)

Friday, November 7th: LIBELED LADY (1936)

Saturday, November 8th: UP THE RIVER (1930)

Sunday, November 9th: DOCTOR BULL (1933)

Monday, November 10th: JUDGE PRIEST (1930)

Tuesday, November 11th: TEN LITTLE INDIANS (1965)

Thank the Movie Gods, we move on to a comedy next, following Robert Ryan back a few years to a movie that has nothing (I hope) to do with knocking off political figures! See you folks tomorrow for THE BUSY BODY!
-Quint
quint@aintitcool.com

Previous Movies:
June 2nd: Harper June 3rd: The Drowning Pool June 4th: Papillon June 5th: Gun Crazy June 6th: Never So Few June 7th: A Hole In The Head June 8th: Some Came Running June 9th: Rio Bravo June 10th: Point Blank June 11th: Pocket Money June 12th: Cool Hand Luke June 13th: The Asphalt Jungle June 14th: Clash By Night June 15th: Scarlet Street June 16th: Killer Bait (aka Too Late For Tears) June 17th: Robinson Crusoe On Mars June 18th: City For Conquest June 19th: San Quentin June 20th: 42nd Street June 21st: Dames June 22nd: Gold Diggers of 1935 June 23rd: Murder, My Sweet June 24th: Born To Kill June 25th: The Sound of Music June 26th: Torn Curtain June 27th: The Left Handed Gun June 28th: Caligula June 29th: The Elephant Man June 30th: The Good Father July 1st: Shock Treatment July 2nd: Flashback July 3rd: Klute July 4th: On Golden Pond July 5th: The Cowboys July 6th: The Alamo July 7th: Sands of Iwo Jima July 8th: Wake of the Red Witch July 9th: D.O.A. July 10th: Shadow of A Doubt July 11th: The Matchmaker July 12th: The Black Hole July 13th: Vengeance Is Mine July 14th: Strange Invaders July 15th: Sleuth July 16th: Frenzy July 17th: Kingdom of Heaven: The Director’s Cut July 18th: Cadillac Man July 19th: The Sure Thing July 20th: Moving Violations July 21st: Meatballs July 22nd: Cast a Giant Shadow July 23rd: Out of the Past July 24th: The Big Steal July 25th: Where Danger Lives July 26th: Crossfire July 27th: Ricco, The Mean Machine July 28th: In Harm’s Way July 29th: Firecreek July 30th: The Cheyenne Social Club July 31st: The Man Who Knew Too Much August 1st: The Spirit of St. Louis August 2nd: Von Ryan’s Express August 3rd: Can-Can August 4th: Desperate Characters August 5th: The Possession of Joel Delaney August 6th: Quackser Fortune Has A Cousin In The Bronx August 7th: Start the Revolution Without Me August 8th: Hell Is A City August 9th: The Pied Piper August 10th: Partners August 11th: Barry Lyndon August 12th: The Skull August 13th: The Hellfire Club August 14th: Blood of the Vampire August 15th: Terror of the Tongs August 16th: Pirates of Blood River August 17th: The Devil-Ship Pirates August 18th: Jess Franco’s Count Dracula August 19th: Dracula A.D. 1972 August 20th: The Stranglers of Bombay August 21st: Man, Woman & Child August 22nd: The Little Girl Who Lives Down The Lane August 23rd: The Young Philadelphians August 24th: The Rack August 25th: Until They Sail August 26th: Somebody Up There Likes Me August 27th: The Set-Up August 28th: The Devil & Daniel Webster August 29th: Cat People August 30th: The Curse of the Cat People August 31st: The 7th Victim September 1st: The Ghost Ship September 2nd: Isle of the Dead September 3rd: Bedlam September 4th: Black Sabbath September 5th: Black Sunday September 6th: Twitch of the Death Nerve September 7th: Tragic Ceremony September 8th: Lisa & The Devil September 9th: Baron Blood September 10th: A Shot In The Dark September 11th: The Pink Panther September 12th: The Return of the Pink Panther September 13th: The Pink Panther Strikes Again September 14th: Revenge of the Pink Panther September 15th: Trail of the Pink Panther September 16th: The Real Glory September 17th: The Winning of Barbara Worth September 18th: The Cowboy and the Lady September 19th: Dakota September 20th: Red River September 21st: Terminal Station September 22nd: The Search September 23rd: Act of Violence September 24th: Houdini September 25th: Money From Home September 26th: Papa’s Delicate Condition September 27th: Dillinger September 28th: Battle of the Bulge September 29th: Daisy Kenyon September 30th: Laura October 1st: The Dunwich Horror October 2nd: Experiment In Terror October 3rd: The Devil’s Rain October 4th: Race With The Devil October 5th: Salo, Or The 120 Days of Sodom October 6th: Bad Dreams October 7th: The House Where Evil Dwells October 8th: Memories of Murder October 9th: The Hunger October 10th: I Saw What You Did October 11th: I Spit On Your Grave October 12th: Naked You Die October 13th: The Wraith October 14th: Silent Night, Bloody Night October 15th: I Bury The Living October 16th: The Beast Must Die October 17th: Hellgate October 18th: He Knows You’re Alone October 19th: The Thing From Another World October 20th: The Fall of the House of Usher October 21st: Audrey Rose October 22nd: Who Slew Auntie Roo? October 23rd: Wait Until Dark October 24th: Dead & Buried October 25th: A Bucket of Blood October 26th: The Bloodstained Shadow October 27th: I, Madman October 28th: Return to Horror High October 29th: Die, Monster, Die October 30th: Epidemic October 31st: Student Bodies November 1st: Black Widow November 2nd: The Ghost & Mrs. Muir November 3rd: Flying Tigers
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