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Elston Gunn's WEEKLY RECAP!!
Hey, everyone. "Moriarty" here with some Rumblings From The Lab.
The sun rises each morning and sets each night. The earth continues to turn. And Elston Gunn files his Weekly Recap. Yep... all is as it should be.
TAKEN FROM VARIETY AND HOLLYWOOD REPORTER
CASTING
* Ice Cube will star in BARBERSHOP, the MGM comedy about a day at a barber
shop on Chicago's South Side. Tim Story will direct the pic which begins
production early next year after Ice Cube finishes New Line's FRIDAY AFTER
NEXT for director Marcus Raboy. That film starts shooting in the fall for a
Thanksgiving 2002 release.
* Samuel L. Jackson is in talks to star opposite Jennifer Lopez in TICK-TOCK
for Columbia Pictures and director Steve Norrington. Anthony Bagarozzi and
Charles Mondry wrote the script about an amnesiac who wakes up in the
custody of the FBI and finds out that he is the prime suspect in a series of
bombings in Los Angeles. Shooting starts by the end of the year.
* Frances McDormand is in final talks to star in the family drama LAUREL
CANYON for writer/director Lisa Cholodenko (HIGH ART). Christian Bale is
also eyeing the project, which follows a strait-laced young man who, after
completing medical school, returns to his now-vacant childhood home with his
fiancee by his side. However, he discovers his pot-smoking,
record-producing mother is still living in the house. At first, he detests
her way of life, but when his bride-to-be falls for the rock 'n' roll
lifestyle, he and his mother attempt reconciliation. Production is expected
to begin Oct. 15.
* Faye Dunaway, Clifton Collins Jr. and newcomer Ian Somerhalder join James
Van Der Beek, Shannyn Sossamon, Jessica Biel, Thomas Ian Nicholas and Kip
Pardue in Lions Gate Films' THE RULES OF ATTRACTION, based on the novel by
Bret Easton Ellis, for director Roger Avary.
* Dwayne Johnson, a.k.a The Rock, may star in a couple of Universal Pictures
projects, including an untitled pitch from writer Brian Helgeland (L.A.
CONFIDENTIAL), as well as HUNTING BRONZE, an action comedy by Joseph C.
Muscat. That project centers on a bounty hunter who tries to grab a
fugitive before a vengeful rogue cop finds and kills him.
* Dustin Hoffman is attached to star in the comedy HEAD CASE, a project for
New Line to be written by David Wiger, about the relationship between a
young, highly ranked male tennis player and his sports psychologist.
Hoffman will also produce through his Punch Prods. banner.
* Christina Ricci will join Ioan Gruffudd, Kerry Fox and Stephen Dillane in
Granada Films' supernatural thriller THE GATHERING for director Brian
Gilbert and Samuelson Prods. Anthony Horowitz wrote the script about a
first century that is discovered near an English countryside town.
Meanwhile, a young American backpacker gets involved in a car accident and
accepts help from a female driver and her family only to become drawn into
their troubled world. The girl starts to hallucinate and believes she's
being followed, raising the question whether or visions are from a
concussion or a second sight related to the church. Shooting begins Sept. 3
in England.
DIRECTOR/WRITER ATTACHMENTS
* Christina Ricci will make her directorial debut on the indie dark comedy
SPEED QUEEN, written by Brian Price, about a fast-food clerk who goes on a
lethal road trip with a man and woman and then tells her story to an author
while on death row.
* Matt Johnson sold his action script TORQUE to Warner Bros. for Original
Films to produce. The plot is being kept under wraps.
* Peter Segal and Fred Wolf (TOMMY BOY) will write the romantic comedy VENUS
DOWN for Paramount as a directing vehicle for Segal (NUTTY PROFESSOR II: THE
KLUMPS). The story follows an arrogant goddess of love who takes a
challenge laid down by her father, who is convinced that she cannot win the
love of a mortal without her powers within one month.
* Phil Beauman's action buddy comedy script DA UNKNOWN SOLDIER (aka AWOL)
was purchased by New Line Cinema for Ice Cube to possibly star in and
produce. The screenplay is about two cousins -- one in the Army, the other
still living in the 'hood. The two switch places for a couple of hours so
the soldier can visit his family. However, when he returns, he finds out
that war has been declared and his cuz is headed for the battlefield.
* Universal Pictures has picked up the dramatic thriller pitch HANDS OF TIME
from writer Joanna Johnson about a man who goes back in time to look for the
person responsible for killing his wife.
* Ed Spielman will script the Warner Bros. pic AMERICAN SAMURAI, a feature
adaptation of his long-running television creation "Kung-Fu" for Warner
Bros. Spielman will also serve as executive producer while Adam Schroeder
Prods. will develop and produce the film.
* David Goyer will write BLADE 3, as part of two-picture deal with New Line
Cinema, as well as an original script that he'll also direct for his
Ghostlight banner. Goyer is also adapting and expected to direct MURDER
MYSTERIES, based on the Neil Gaiman short story, for Miramax Films -- where
he also has an option to write/direct a pic based on the Marvel Comic series
DR. STRANGE. On top of all that, Goyer has also scripted GHOST RIDER for
Dimension/Crystal Sky. That pic was supposed to begin production soon, but
director Steve Norrington chose to helm TICK-TOCK instead. Goyer claims a
new director is being sought with hopes that Nicolas Cage is still attached
to star.
* Donald Martin (upcoming THE DAY I WENT MISSING for Wes Craven) and Anna
Chi (KILLING ME SOFTLY assoc. prod.) will write the period epic WOMEN
WARRIORS OF THE YANG FAMILY for Miramax Films and producer Janet Yang. The
project is inspired by the 9th-century A.D. legend, centering on the Yang
family women and their conflicts between love and duty as they try to
recover the body of a son lost in battle, while also defending their nation
from invasion.
* Antoine Fuqua (BAIT, upcoming TRAINING DAY) will direct Bruce Willis and
Monica Bellucci in the Revolution Studios pic MAN OF WAR about a special
military unit leader sent to an African jungle on a rescue mission.
Shooting begins in February.
* Steven Spielberg is in final talks to direct Leonardo DiCaprio in the true
crime pic CATCH ME IF YOU CAN, based on the autobiography of Frank Abagnale
Jr., for DreamWorks. Abagnale Jr. had kited $6 million worth of bad checks
in all 50 states and in 26 foreign countries before he turned 18.
Production may begin in January. No word on whether or not actor James
Gandolfini is still attached.
* Renny Harlin is in talks to direct the action/thriller MINDHUNTERS for
Intermedia Films. The story centers on new recruits of the FBI's
psychological profiling division training on a remote island to track serial
killers. The trainees go through a trial by fire when they discover a
killer is among them. Wayne Kramer penned the original script with
subsequen rewrites by Kevin Brodbin, Kario Salem, Cary Bickley and Yuri
Zeltzer. Production begins in November
* Will Smith and James Lassiter's Overbrook Entertainment are joining forces
with Absolute Entertainment to develop a remake of the 1980 comedy flick
NINE TO FIVE for Fox Searchlight Pictures. Rob Edwards is writing the
script, which will feature three black women at a workplace, with Jada
Pinkett Smith possibly taking a role.
* Writer/director Michael Hoffman (RESTORATION) will direct the comedy
DOMESTIC PARTNERS for Imagemovers and DreamWorks Pictures. Production is
expected to begin early 2002. The story focuses on a marketing executive
who claims that his straight roommate is his gay partner in order to scam
health benefits from the company where he works. When his gay boss takes him
under his wing, the roommates try to keep the truth hidden. Paul Cohen
wrote the script with a rewrite by Don Roos (BOUNCE).
* Ice Cube and John Witherspoon will write FROM THE OLD SCHOOL for New Line
Cinema as a starring vehicle for Witherspoon. It's about four elderly black
men who try to keep a local thug's from replacing their longtime corner
store with a strip club. Ice Cube will also produce the project with Matt
Alvarez.
* Philip Kaufman will direct and playwright John Guare will script a remake
of Alfred Hitchcock's 1941 pic SUSPICION for Dimension Films and RKO
Pictures. The new script will take place in San Francisco. Kaufman is also
set to direct PRISON FISH and hopes to get started on SUSPICION within a
year.
* Absolute Entertainment picked up the pitch COUSINS from scribe Luce Gordon
and hip-hop emcee Nas Escobar. It's about a young inner-city man who
inherits an enormous ancestral home in the Deep South, only to find out it's
haunted by scheming ghosts.
* Barry Sonnenfeld is near a deal to produce and direct MOIST, based on the
upcoming novel by Mark Haskell Smith, for DreamWorks Pictures. The story
centers on a morgue attendant whose grisly task of delivering a severed limb
to the Los Angeles County Coroner takes a crazy turn when the head of L.A.'s
Mexican Mafia, to whom it belongs, comes looking for it.
* Icon Prods. grabbed the script DON WAYNE WYOMING with Will Ferrell
attached to star. Jerry Collins and Boyd Hale wrote the screenplay about
two guys who follow their dream of driving an 18-wheel truck.
* Simon Kinberg will write AIR SHOW for Wonderland/Columbia Pictures about
the world's largest air show being attacked by terrorists, and it's up to a
Navy pilot and female rookie Blue Angel to resolve the crisis.
* David Fincher is attached to direct Nicolas Cage in an adaptation of the
1992 comic book HARD BOILED by Frank Miller and Geoff Darrow for Warner
Bros. Pictures. The studio is currently in talks to pick up the rights to
the sci-fi comic about a killer robot that believes he's a tax collector.
The book was published by Dark Horse Comics.
* Rod Lurie (THE CONTENDER, THE LAST CASTLE) will direct KNOWING for
Columbia Pictures. Ryne Pearson wrote the story about a time capsule buried
behind a grade school is discovered early due to a water-main break,
revealing the chilling predictions of a child clairvoyant from forty years
earlier. The chairman of the town's historical society finds out that one
child accurately foretold some of the greatest tragedies in recent history
and sets out to prevent a terrible event that has yet to happen.
* Pete Sollett (FIVE FEET HIGH AND RISING short) is shooting a feature in
New York, starring Victor Rasuk and Judy Marte, about a self-styled Romeo
bent on seducing a woman who appears to be well beyond his reach.
* Art director/production designer Perry Andelin Blake will direct
Revolution Studio's MASTER OF DISGUISE, co-written and starring Dana Carvey,
about the last remaining survivor of a family of masters of disguise.
Shooting begins Sept. 24.
* Disney acquired the comedy pitch WHITEBREAD from writer/director Peter M.
Cohen (WHIPPED). John Herzfeld will produce. The pic is a
fish-out-of-water comedy set in black fraternities.
* Producer Joel Silver has nabbed the action/thriller spec TRACE EVIDENCE by
Jeanne Lusignan about a down-and-out female cop who becomes obsessed with
determining the identity of a man who was tortured and left for dead.
Ultimately, she becomes embroiled in a struggle against a corrupt Drug
Enforcement Agency.
MISCELLANEOUS PRODUCTION TIDBITS
* Producer David Permut and filmmaker Terry Benedict have secured the life
rights of Private First Class Desmond T. Doss, who was a Congressional Medal
of Honor winner despite refusing to bear arms on religious grounds. Doss
was drafted and subsequently shunned by fellow soldiers for his pacifist
stance. He refused an easy exit and served with conscientious objector
status. He won his Medal of Honor after saving 75 men in the Battle of
Okinawa, without firing a single shot. Benedict will write the screenplay.
* London-based Film Four has optioned for Killer Films writer Randall
Sullivan's Rolling Stone magazine article "The Murder of the Notorious
B.I.G." The article is now being expanded to a book by Sullivan titled
"LAbyrinth," which also was optioned by the company. The article and book
center on detective Russell Poole's investigation into the murders of Tupac
Shakur and Notorious B.I.G. as well as the implication of Death Row Records'
Suge Knight and the origins of the L.A.P.D.'s Rampart scandal.
* Hyde Park Entertainment has optioned W.L. Ripley's thrilling novel
SPRINGER'S GAMBIT, with Kurt Russell attached to star. It's about a Mob
accountant who turns to a former Secret Service agent for protection from
the gangster who wants him terminated and the cops who want him as a
witness.
* Miramax has dropped Spike Lee's film version of the popular Broadway
musical RENT. Lee is now focusing on a feature about Joe Louis and his
famous fight with Max Schmeling in 1936.
* The new Bond film will feature a V12 Vanquish from Britain's Aston Martin
carmaker. Germany's BMW AG has been Bond's car of choice in the last three
films. Production on the new film begins in January. The Aston Martin was
featured in the early Bond films beginning with GOLDFINGER in 1964.
GUNN SHOTS
* Visit http://www.cinemachine.net for info on a documentary about legendary
fantasy artist Frank Frazetta--currently in postproduction. Composer Basil
Poledouris is providing the score.
* Interested in film trailers shown in BIGstream? Check out FILMSPEED at
http://www.filmspeed.com/topten. The site also has "classic" trailers.
This week wasn't without it's interesting news: Christina Ricci takes the
director's chair (yet will topline THE GATHERING). *** Spielberg takes the
reins of CATCH ME... *** Ice Cube is busy as hell. *** BLADE 3 begins
already? *** Dana Carvey to come back. *** Philip Kaufman to remake
Hitchcock. *** David Fincher to develop HARD BOILED. *** James Bond gets his
Aston Martin back. *** Lots o' news scripts & pitches. It's all good,
right? RIGHT?!? Shut up and Talk Back.
Until next week...
Elston Gunn
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+ Expand All
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Aug 26, 2001 4:56:51 AM CDT
HARD BOILED's a fun comic, but is it possible to be made into a
by nordling
I remember it being this sort of "Where's Waldo" comic book but instead of Waldo you were looking at these wild situations of sex and violence. Fun comic, but I don't think it's got the staying power to be a whole film. I guess we'll see, but for now I'm filing this in the "David Fincher Directing Rumors" pile.
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Why do people never learn? And is Ice Cube gunning for the title of hardest working man in show business? And most importantly, why is Renny Harlin still working?
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Well, it's about flipping time. I don't know whether this is a re-assertion of taste over the financial incentives of product placement or whether BMW just failed to renew the deal but it's cheered me up no end. Of all the flipping hideous makes of car they could have chosen, why did it have to be a flipping BMW? Is there any make of car in the world whose image fits less well with the Bond ethos than Bavarian Flipping Motor Works, whose archetypal driver is a crass, vulgar, obnoxious, red brace-wearing eighties-throwback salesman? A flipping *Trabant* would be better. And I don't give a flip about how well-built or expensive they may or may not be, 'cos if the image doesn't fit it is not a flipping Bond car. It's like a Bond girl with a thick South London accent. It just is not the way things should be. Style, sophistication, *class* is what's required here. A British make (traditionally, that is - I don't know who owns Aston Martin these days but odds on they're not British) is ideal, but it's class that counts - going German would have been just fine if they'd got a Porsche or a Merc. Just don't do it again, you bunch of flippers. And yes, I do know how staggeringly trivial this all is but it's the one ray of sunshine in a Recap with an even higher than usual number of stupefyingly awful ideas - see Venus Down, Da Unknown Soldier, Mindhunters and Domestic Partners. I mean, who comes up with this stuff? Worse yet, they aren't *quite* bad enough to be laugh-out-loud funny like some Recap pitches (past classics include Juwanna Mann and American Princess - did either of those actually get anywhere or did even Hollywood get a faint whiff of reality and realise just how toe-curlingly abysmal they would be?). They're just depressing. They're also sufficiently in tune with standard Hollwood formulae almost to ensure their arrival sooner or later in a multiplex near you. Sigh.
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But in Greek/Roman mythology, Venus didn't have a father, instead springing from seafoam.
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And I'm not even talking about questionable remakes of older films (NINE TO FIVE)--I'm talking about the appropriation of already used titles for entirely different movies. Many words have been Talkbacked over the years about Woo's 1992 HARD BOILED, for example (granted that it's not the original title), and AMERICAN SAMURAI is one of those always-on-cable-somewhere classics (and this new one is a remake of KUNG FU--the old David Carradine tv show? -- to further confuse things). It's a strange trend (Russell Crowe GLADIATOR vs Brian Dennehy GLADIATOR!), and these weekly recaps never fail to have a few of 'em...
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Aug 26, 2001 7:30:22 PM CDT
You know...most of that recap I couldn't really be excited about
by rant_man
Except for the one title of: "Moist". That sounds like one of the coolest concepts ever. And the title is original. You'd think it was some kind of soft-core porn, or romance, but it makes total sense with the premise of the movie. Make more movies like that hollywood....and that Medal Of Honor one sounds pretty swift too.
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Don't get me wrong, I like his music in an MST3K way. Unintentional comedy doesn't get much better than his raps. But how many films can one guy be involved with in one sitting? Sheesh....
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As always a very informative review. Now if we could just get that Mister Maverick from backstage. Buzz, BUZZ! You're on BUZZ!
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Aug 27, 2001 1:57:39 AM CDT
Any of you people notice Bubble Boy failed to place even in the
by rogue_leader
Go check showbizdata.com if ya don't believe me. Man what a piece of shit! I mean even horrible movies can at least open in the top 10.
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Aside from the Hard Boiled and Ghost Rider flicks, it's looking like a big steaming boatload of same-old is being regurgitatd to a theatre near you. And me too, dammit.
And I'm not holding out much hope for Ghost Rider, either. -
"Preacher" by Ennis is probably one of the greatest comics to come out in the last 20 years! Please someone make a great movie out of this. Like Fincher or Gilliam.
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umm... not to fault Christina Ricci (cuz she does fucking rock) but the plot of Speed Queen sounds suspiciously like the Doom Generation... in which Rose Macgowan plays the 'speed queen' character Amy
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I'd love to see it without Cage, and it's a fascinating notion having Fincher direct--I just don't think the book can be translated to the screen. Now, "That Yellow Bastard" from the Sin City series, that'd be tight and I'm positive it'd work. . . .
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