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Annette Kellerman doesn't quite FOLLOW.... from FANTASTIC FEST

This year's Fantastic Fest film fest has been a little light on the horror for me. Some years it just happens to work out this way schedule-wise, but other years I have to wonder if it is due to a lack of high caliber films in the genre. Though it seems as though another "horror" film comes out everyday, many of these simply don't meet the Fantastic Fest muster. Fortunately there have been a couple films at this year's fest that have provided my fright fix, and one of them that somewhat came through is Owen Edgerton's psychological thriller/horror FOLLOW.

Quinn and Thana are a seemingly normal couple until a few days before Christmas when Thana gives her beau an early gift . To Quinn's shock, his lady gives him a gun. In a fit of passion she insists he put the gun in his mouth and pull the trigger to test his trust in her. Before the conclusion of the dare, Quinn passes out and awakes to find his love dead from a gunshot wound. From here, our protagonist (?) must piece together the events that his booze-adled mind have blocked out while fighting for whats left of his sanity...which becomes increasingly questionable when he decides to keep Thana's beautiful corpse rather than contact the authorities.

Noah Segan's portrayal of the deeply troubled Quinn is spot-on. So much so, that when the story gives little motivation for Thana's strange behavior, Segan's perplexed performance helps ground an otherwise questionable premise. From there, I was totally on board with his character's descent into madness and really enjoyed seeing the actor so aptly harness Quinn's unwitting plummet from normal to demented.

And now here's the rub...though the rest of the film has so much of the fun stuff I love in a psychological horror film- corpses, accidental death, splatter- there just wasn't a great deal of motive to get the characters to their final destinations. When you go for it in this kind of thriller, there has to be an impetus that gets the characters to their ultimate place, and sadly the film lacked that base. Even the series of flashbacks showing the couple in their happy times gives no indication of their macabre conclusion. Their just seems to be no reason for the gun, Quinn's decision to not call 911, and an even more confusing twist in the third act. So, while I appreciate many of the creepy moments, Edgerton's ability to build suspense, as well as Segan's terrific performance, I just can't get entirely on board with FOLLOW. I think it is an admirable effort by Edgerton- a mainstay in the Austin comedy, literary, personality scene, and there's so much good here. Sadly, though, the good is overshadowed by the disconnect with the premise and the horror. 

Rebecca Elliott

aka Annette Kellerman

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