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AICN HORROR looks at TIFF2012's perverse possession masterpiece HERE COMES THE DEVIL!!!

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What the &#$% is ZOMBIES & SHARKS?

Greetings, all. Ambush Bug here with a special AICN HORROR: ZOMBIES & SHARKS column. I had a chance to check out HERE COMES THE DEVIL which played at TIFF2012 this weekend and can be seen next at FANTASTIC FEST 2012. Below is my review of the film from the director of COLD SWEAT (reviewed here) and PENUMBRA (reviewed here). It’s a goodie…the movie, that is.


Advance Review: Touring fests—soon to be playing at FANTASTIC FEST 2012!

HERE COMES THE DEVIL (2012)

Directed by Adrián García Bogliano
Written by Adrián García Bogliano
Starring Francisco Barreiro, Laura Caro, Alan Martinez, Michele Garcia, Giancarlo Ruiz
Reviewed by Ambush Bug


Adrián García Bogliano, the filmmaker behind last year’s feast for the eyes and ears, COLD SWEAT is at it again with a much calmer and mature take on horror in HERE COMES THE DEVIL. This time around he tackles subject matter that feels much more personal in tapping into the fear that anyone with loved ones can identify with. When Felix (WE ARE WHAT WE ARE’s Francisco Barriero) and Sol (popular Mexican singer Laura Caro) let their children play by a hill while they fool around in their car, their children go missing. A day later, the children are found…or are they?

As with COLD SWEAT, Bogliano once again makes a sexy horror film by playing around with the sex and death motif with an opening sex scene between two women, followed by the aforementioned incendiary scene between two parents in a car while their children are off playing, both scenes end badly with Bodliano playing around with guilt associated with sex. The fact that these parents are showing love for one another makes the disappearance all the more weighty in that they are guilt ridden at neglecting to look after their kids, tearing into one another afterwards by blaming each other. The relationship between the parents is a complex one, as are most real life relationships, and feels so much more real than what we are used to seeing in American films in that these are not perfect parents by a long shot. As Sol begins to suspect that her children aren’t telling her the whole truth as to what went on the night they went missing, Felix refuses to believe her causing a rift between them even more.

The film definitely is dark and is going to turn off some folks in the perverse areas it goes involving what went on that night in the cave. As this family begins to fall deeper and deeper into the abyss, it’s the patience Bogliano shows in the very slow moving first half hour that makes your heart ache at every wrong turn the parents take. This is very much a horror film, but also serves as a pretty fantastic family drama. It is evident later in the film (and by the film’s title) that demonic possession factors in; both in a literal sense and in a poetic sense as Felix identifies himself as the devil when he confronts someone he suspects of assaulting his children that night. The layers are deep in this film, serving as a cautionary tale to watch over your children and a morality tale dealing with taking law into ones own hands.

Bogliano sets a dire mood with some fantastically timed shocks as well as doling out information with a tentative measure. What impressed me the most is the leap in maturity and sophistication from COLD SWEAT which was a very “in your face” style film, to HERE COMES THE DEVIL which crawls beneath your skin meticulously. Much like ROSEMARY’S BABY, it’s the mood set and the amplification of emotion that causes the real shocks in HERE COMES THE DEVIL. I have to admit, I kind of saw the ending coming midway through, but that doesn’t make the ride there any less thrilling and impactful.

Though possession stories have been told time and time again, usually they turn out to be knockoffs of THE EXORCIST. HERE COMES THE DEVIL stands out by delving into the possession subgenre in such a multi-leveled manner, involving all shades of horror and perversion. I’ll be keeping you all in the loop as to when and where you’re going to be able to see HERE COMES THE DEVIL. It’s definitely not a Hollywood film in that it has the balls to take you to uncomfortable places both psychologically and emotionally.

See ya tomorrow with an interview with a Down Under director with teeth!

Ambush Bug is Mark L. Miller, original @$$Hole/wordslinger/reviewer/co-editor of AICN Comics for over ten years. He has written comics such as MUSCLES & FIGHTS, MUSCLES & FRIGHTS, VINCENT PRICE PRESENTS TINGLERS & WITCHFINDER GENERAL, THE DEATHSPORT GAMES, WONDERLAND ANNUAL 2010 & NANNY & HANK (soon to be made into a feature film from Uptown 6 Films). He is also a regular writer for FAMOUS MONSTERS OF FILMLAND & has co-written their first ever comic book LUNA: ORDER OF THE WEREWOLF (to be released in late 2012 as an 100-pg original graphic novel). Mark has just announced his new comic book miniseries GRIMM FAIRY TALES PRESENTS THE JUNGLE BOOK from Zenescope Entertainment to be released March-August 2012. Also look for Mark's exciting arc on GRIMM FAIRY TALES #76-80 which begins in August 2012.


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Readers Talkback
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  • Sept. 17, 2012, 11:41 a.m. CST

    Bummed I missed this at TIFF

    by Garbageman33

    I've heard good things. Then again, I heard good things about Berberian Sound Studio. And that sucked ass.

  • Sept. 17, 2012, 12:06 p.m. CST

    It was a good one, g-man

    by Ambush Bug

    I'm checking out BEBERIAN later this week. I read your review, but still I can't help but love everything Toby Jones does. I'm interested to see how it plays out.

  • Sept. 17, 2012, 7:08 p.m. CST

    Ok, I'm hooked. Sounds good.

    by Clio

  • Sept. 17, 2012, 9:34 p.m. CST

    To call it a masterpiece...

    by Kabukiman

    ...is to devalue true masterpieces. That said, it is a very solid movie though I felt that the overused zooms and some slightly hammy acting cause it to veer into camp territory a bit. Still, a very solid and effective thriller that left some things unsaid when they could've overexplained everything. I do also have to wonder about how puritanical Ambush Bug is because I didn't find the movie particularly perverse.

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