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The Behind the Scenes Pic of the Day isn’t here, Mrs. Torrance…
Ahoy, squirts! Quint here with today’s Behind the Scenes Pic!
As I was hurrying to post yesterday’s BTS pic before midnight (so then I technically wouldn’t have been late, see?) I had an eye on twitter and caught a glimpse of Lee Unkrich’s stream. The Toy Story 3 director posted a link to his own personal blog all about Stanley Kubrick’s The Shining, a movie he obsesses over the same way I obsess over Jaws. That link was to a rare shot of Kubrick on the set and I immediately asked if I could use it for this column, thinking I had the perfect follow-up to yesterday’s Abbott and Costello Meet Frankenstein.
Mr. Unkrich was quick to respond that he wants to share the love and allowed the use of the picture, so there’s a few people to thank for this one. First off, thanks to Lee Unkrich for posting the picture. You can visit his Overlook Hotel blog by clicking the image below. I also have to acknowledge photographer Murray Close who took the photo. It’s a pretty amazing profile of one of our most iconic filmmakers.
Without any further ado, here’s Mr. Kubrick in the snow!
If you have a behind the scenes shot you’d like to submit to this column, you can email me at quint@aintitcool.com.
Tomorrow we will take a look at some never-before-seen shots from a very weird horror sequel. Stay tuned!
-Eric Vespe
”Quint”
quint@aintitcool.com
Follow Me On Twitter
Click here to visit the complete compilation of previous Behind the Scenes images, Page Two
Readers Talkback
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Feb. 21, 2012, 4:06 p.m. CST
and yes, I agree with your statement yesterday -- best horror movie evah!!
by ATARI
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The best part of this movie!
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Feb. 21, 2012, 4:10 p.m. CST
I fucking ADORE Stanley Kubrick's movies. "The Shining" is a shit adaptation of the novel, but it's a fucking AMAZING Stanley Kubrick film. Funnily enough I'm on a Kubrick thing lately. Over this last couple of days I've watched "Lolita", "Dr. Stangelove"
by ChickenStu
The wife hasn't been enjoying them though. "2001" actually made her angry.
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Feb. 21, 2012, 4:12 p.m. CST
Is that a person behind him to the left. Som e sort of supernatural faceless cowboy?
by HadWoodenTeethChasedMobyDick
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A picture of Kubrick I've never seen before. Very cool.
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Feb. 21, 2012, 4:20 p.m. CST
I want a poster of a naked lady like Scatman has in his house
by rev_skarekroe
I bet the chicks love that shit.
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Feb. 21, 2012, 4:21 p.m. CST
*I'm NOT singin' in the snow ... not singin' in the snow. What a glorious feelin'....I'm pondering with my umbrella, again.*
by justmyluck
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Me likey the Kubie.
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On TCM. Only ever seen the shorter UK (European?) cut. I wasn't even aware of a longer version until last year. I believe there are at least three cuts, is that correct? Weird stumbling upon the extra scenes. Cool though. Anyone hav a preferred cut? Love this movie. Love Kubrick. Sweet photo
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The helicopter shadow can't be seen when the movie is shown in it's correct aspect ratio apparently :-)
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How has nobody mentioned that the photo looks like a Frank Miller drawing?
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Greatest director to ever walk this planet. Great pic!
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I was just watching on tv a popular comedy show,and one of their political parody videos had dubbed the iconic scene where Jack is breaking the door with his axe.heh. Great pic btw.
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No one can touch him, don't even bother trying. Anyone saying he's "overrated" is very, very wrong and deserves a tolchock.
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No movie freaked me out as much as The Shining did and really happy that I first watched it when I was about 13 so was more susceptible for the movie to really get to me. Love all of the music used to heighten the insanity and dread. I agree with ungodly, my first thought is Rorschach is standing behind Kubrick.
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Even though the whole thing didn't make much sense, nevertheless.
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I know a LOT of people who absolutely hate it. But for me, it may be Kubrick's best. I flippin LOVE this movie!
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no other Kubrick movie works for me in such an original dreamlike flow of mood that pulls you through. I do love 2001, Clockwork, Lolita, Paths, etc... but this is the strongest most original slab of cinema he delivered in my opinion. On another note, how cool is that Gene Shalit review in terms of sheer poetry... the way he speaks... I completely disagree, but he was a strong reviewer. http://www.youtube.com/watch?feature=player_embedded&v=Ht8OXIJC9g4
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Just wow.
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...awesome pic. Too bad it will spark the 8 THOUSANDTH Kubrick vs King dork-back debate.
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that would make me angry.
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Those twin little girls are the creepiest thing ever.
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also available as a poster http://bit.ly/l4n0gt
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Feb. 21, 2012, 6:55 p.m. CST
Mind Blowing. One of the best behind the scenes if not the best
by MainMan2001
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Feb. 21, 2012, 6:58 p.m. CST
I know a few people who don't rate The Shining..
by richardHarrisonsSteamedCrabs
I... corrrrrected them
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Feb. 21, 2012, 7:11 p.m. CST
Seems like there are an awful lot of Shining talkbacks on this site.
by frank
Personally, I like both the book and the movie about equally. Each has strengths that are unique to the medium used to tell the story. Also, to “rate" something doesn’t mean that you approve of it. You could rate something highly or you could rate something poorly. So, if you say that someone doesn’t rate The Shining, it doesn’t mean that they don’t like it. It means that they haven’t given their opinion of it.
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Feb. 21, 2012, 7:23 p.m. CST
@franks_television. Consider me corrrrrected!
by richardHarrisonsSteamedCrabs
I know a few people who don't rate The Shining very highly. :-)
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can ya believe it folks?
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Feb. 21, 2012, 7:48 p.m. CST
I haven't seen this movie since I was a kid when it first came out.
by Fremen
Of course, I was too young to grasp everything that was going on in this movie, but it caught my attention as hardly any other film had done until that point. I think it was a combination of the forbidden, (me and a couple of friends watched it late at night at one of their houses on a sleep-over one weekend, while his parents slept) the fact it was a scary film, and that one of my all-time favorite actors (his character, at least) got killed in a gruesome way. When Scatman got the axe to the chest, it was a surprise to both of us, and I "felt" it along with him. I think this was the first time I realized bad stuff happened to good guys, too. Thanks for the awesome pic, Quint.
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Don't get me wrong, there are things to be analyzed...but some people take it to retarded extremes. Like the guy claiming Danny riding the Big Wheel over the floor sounds like the music during the maze chase. WHAT THE FUCK? THEY SOUND NOTHING ALIKE YOU FUCKING MORON!
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Feb. 21, 2012, 8:03 p.m. CST
Here's my story about watching The Shining for the first time (about 7 years old)
by Mel
My parents used to always rent horror movies and I just HAD to see them. So I'm watching it all alone and it scares the shit out of me so I run into the bathroom and my mom is in there taking a shower and the only thing I remember is she had a giant bush. That's what I took away from my first viewing of The Shining.
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Feb. 21, 2012, 8:11 p.m. CST
First exposure to this was the drive-through tornado ATTACK!!! in "Twister" - all I could think is, "I want to see THAT movie."
by ChaunceyGardiner
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Feb. 21, 2012, 8:15 p.m. CST
I poured over that scene, watching it over and over, obsessed with those images - then finally noticed the marquee in the scene opening, paused and unpaused till I got a good shot at it. I was a horror double feature with "The Shining" and, I think, "the
by ChaunceyGardiner
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Feb. 21, 2012, 8:16 p.m. CST
Though I know that Kubrick talked about it being a joke, how easily people were scared. The film is a masterclass is psychological manipulation. On par with "Suspiria."
by ChaunceyGardiner
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Feb. 21, 2012, 8:23 p.m. CST
But "Lolita" - "Lolita" is awesome, perfect and about as straight forward as it gets. Humpert's eventual disillusionment is powerful even without film knowledge.
by ChaunceyGardiner
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Is that in my increase of years and with the development of my relationship with the films of Kubrick, I seem to find some very misanthropic tendencies in his films; it isn't the violence or misogyny of his characters, of which there is much - and very good evidence that these were as far away from reality as Kubrick actually felt - but the fact they he often times subverts the common view of his characters so that the most unsympathetic characters receive the most recognition. That said, Jack Torrance is likeable in only one aspect: his commonality with so many men in the audience, and the brilliant way that Nicholson plays him as boisterous and defeated, an everyman, loathsome to himself and sycophantic, a man angry at his own debasement of himself for the sake of his family, but completely unaware of his own faults to the point that he blends right in with the damned souls of the Overlook. In playing Torrance never as likeable, it is much easier to relate to him. He in a way mirrors many of us. And when he lets loose his spiel about his wife and child in the Overlook bar with Lloyd, that speech, its horribly overt sexism and belittlement, it is a jaw dropping moment, and for two reasons: one is the cruelty of it, and the other is for the precise way that Nicholson says it, almost as though he has borrowed someone else's voice so that we can almost hear that voice echoed in the world around us. His marital woes are transmuted into a sickly callowness that is instantly exchangeable. The horror of the moment is the exposure of the human inclination to seek out the worst in others, to find a mirror of equal disfigurement that will allow one
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The horror of the moment is the exposure of the human inclination to seek out the worst in others, to find a mirror of equal disfigurement that will allow one a repast, a leniancy of judgement. And yet, in the exposure itself Kubrick treads a fine line in createing exactly what he despises. I think that the best answer is to be found in his portrait of Alex. It is the hardest of Kubrick's film for me to watch, and while I sense the intelligence and theory just below the surface, I cannot condone the images on screen. Though merely images, to call them as such is in ignorance to their power. Part of the power of Kubrick's films are their unabashed exploration of ugliness. He is drawn to the nether regions of human need and desire. He accepts and from there challanges us intellectually, hopefully in a way in which we can see them anew. And that is the problem with the violence of "Clockwork Orange;" I do not see that there is any other way to see Alex's deeds. While we are subjected to them, and then are equally subjected to the depravities that are enacted upon Alex in the name and for the sake of justice and law and order, the nihilism of it, the open acceptance of defeat gives more pleasure to wrong than to right. Cruelty wins out in the picture. The victor is not human nature, but the debasement of the human individual. Merely, it gives us a choice: do we accept the cruelty of society or the cruelty of the individual. It is a hard choice, and one only few people will have the strength of courage to embark upon in their lives. The picture is too strong. It has too few options. Even discussing it I see its value, but the fact is that its value is such a difficult thing to extract that it is its much more regrettable impulses that rise most readily to the surface for many viewers. And Kubrick, sadly, had to deal with the duality of that is his moral picture's immortality, and had to do so in harshest of all circumstances: in the reality of the young men who used it as a springboard for their own violent impulses. They carried it not as a condemnation or as a piece of bread of thought on which to sup, but as a banner heralding their own desires. It is too intelligent.
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Feb. 21, 2012, 8:53 p.m. CST
Oh "One Offended by Mel Gibson," I will say this, that the sound design of "The Shining" is tremendously important.
by ChaunceyGardiner
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Feb. 21, 2012, 8:54 p.m. CST
The whole fact of the house is that it is like a psychological trap, an Escher painting, something that folds in on itself.
by ChaunceyGardiner
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Feb. 21, 2012, 8:56 p.m. CST
The isolation, the fact of hearing only one's self echoed throughout the entirety of this giant complex, of hearing only your's and two other voices, the immensity of the stimuli due to the lack thereof, they are all there in the set and sound design.
by ChaunceyGardiner
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Feb. 21, 2012, 8:57 p.m. CST
So it is important that as Danny rides around, the skips in the sound from carpeting to woodfloor form an immense aural tapestry. It is sort of a filmic recreation of cabin fever.
by ChaunceyGardiner
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Kubrick was nominated for worst director? WTF is wrong with people?
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that's what makes this horror movie so great.You dont see stuff in the movie that makes you scared,instead you experience them,you feel them. Chaunceygardiner is correct when he says that the sound (and among other things like the interior/exterior geometry of the office building in the start of the movie) is essential for this movie: you watch the movie and there are things that happen,things that you dont notice consciously but your brain does notice them and as a result you start feeling strange,awkard,you have that feeling that something is amiss,something is wrong and that feeling quickly transforms into a feeling of scare and eventually into a feeling of horror. That's the genius of Kubrick. and that's why we are never going to see again such masterpieces of the horror genre ever again.Because the new directors either are untalented or they simply dont fucking get what makes a horror movie really great.idiots.
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Feb. 21, 2012, 9:41 p.m. CST
that should read "his moral picture's immorality." Not "immortality," as it did not kill a Highlander.
by ChaunceyGardiner
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Feb. 21, 2012, 9:48 p.m. CST
And on my next viewing I'll be sure to pay attention to the office complex during Jack's interview. (It is one of my favourite scenes to watch and savour, so uncomfortable and revelatory in what it doesn't say, the awkward pauses, Jack's shit-eating grin
by ChaunceyGardiner
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Feb. 21, 2012, 9:53 p.m. CST
Oh - reminded by looking at that blog. Part of the ironic theme practiced by Kubrick through his subversions of how a film's focus denotes good and evil is how he shoots Shelley Duvall.
by ChaunceyGardiner
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Feb. 21, 2012, 9:53 p.m. CST
Oh - reminded by looking at that blog. Part of the ironic theme practiced by Kubrick through his subversions of how a film's focus denotes good and evil is how he shoots Shelley Duvall.
by ChaunceyGardiner
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Feb. 21, 2012, 9:54 p.m. CST
She is one of the most despised elements of the film, despite the fact that her heroism is the key to Danny's survival.
by ChaunceyGardiner
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Feb. 21, 2012, 9:55 p.m. CST
Kubrick exploits her weakness so that it is difficult to revere her. She becomes a projection of all that is wrong with the American housewife, despite being a good and decent character.
by ChaunceyGardiner
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Feb. 21, 2012, 9:55 p.m. CST
Kubrick exploits her weakness so that it is difficult to revere her. She becomes a projection of all that is wrong with the American housewife, despite being a good and decent character.
by ChaunceyGardiner
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Feb. 21, 2012, 9:59 p.m. CST
It is as though he was makeing it hard to like her because of his devotion to exposeing some fault in the audience's perception of Jack.
by ChaunceyGardiner
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Feb. 21, 2012, 10 p.m. CST
It is though he is giving us every reason to love the insane, child-murdering Jack. As though he wants us to take the bait.
by ChaunceyGardiner
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Feb. 21, 2012, 10:01 p.m. CST
It is one of the difficult things about Kubrick. And one that rightly puts people on edge. Its a very precarious place from which his films take place.
by ChaunceyGardiner
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Feb. 21, 2012, 10:06 p.m. CST
(I am by no means trying to dominate this talkback. Actually, I was hopeing for folks to jump in the water. Swim a little. FOR EVER AND FOREVER!!!... Guess not.)
by ChaunceyGardiner
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Duvall was actually one of the most enjoyable parts, her quirkiness and odd facial expressions were really funny. The crowd reacted to her constantly. That film is completely different on the big screen. Just like how the music in "Psycho" takes on a personality of it's own on the big screen. I personally don't think there's a weak link to this film. Can't wait to see it again in a theater.
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Feb. 21, 2012, 10:08 p.m. CST
And by the way, Choppah, you are quite the funny guy. Enjoy your posts.
by ChaunceyGardiner
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Feb. 21, 2012, 10:09 p.m. CST
I agree Notcher. I think it is a breathtakeing performance.
by ChaunceyGardiner
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Feb. 21, 2012, 10:10 p.m. CST
She's the most human character in the film. (Sorry I didn't make my regard for her tight-rope-wire-act better known.)
by ChaunceyGardiner
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Feb. 21, 2012, 10:15 p.m. CST
I think she gave that film every cent of effort she had in her. (In the documentary she is exhausted, incapable of sleeping, and it is difficult to imagine that the fact that she had lines and cues to remember.) I think Kubrick had a great respect for h
by ChaunceyGardiner
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Feb. 21, 2012, 10:17 p.m. CST
Its that brilliant mechanical thinking of Kubrick's that both sets him apart, but also can make him a troublesome subject.
by ChaunceyGardiner
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Feb. 21, 2012, 10:18 p.m. CST
No disrespect to Kubrick, but I prefer the original novel and the tv mini
by cookepuss
I don't necessarily feel that Kubrick's version was exactly the same product King envisioned. Then again, some changes were for the positive. King's books tend to have 3rd act problems where things kinda fizzle out.
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Feb. 21, 2012, 10:20 p.m. CST
Oops, cut off my line - and it's a good one. "I think Kubrick had a great respect for her - despite the condescenion implied by his manipulation of her."
by ChaunceyGardiner
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Psycho and Frankenstein. Once the horror genre turns slasher, I think that it's a toss up between the original Halloween and the original Nightmare on Elm Street. Modern horror? Much harder to pick since we've been getting remakes like Zombie's Halloween, genre deconstructions like Scream, and torture porn like Hostel. Personally, I think the best modern horror comes from the horror comedy sub-genre where films like Shaun of the Dead and Zombieland rock. Again, no offense to Kubrick, but I thought that Cujo was far scarier than Shining.
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'The Shining' and 'Ringu' are my definition of what good horror films should be, oppressive atmosphere, a feeling of dread throughout and the need for a cushion to hide because you are that absorbed by the direction, characters and storyline you lose all sense of masculinity and dignity and the girlfriend spends the rest of the night asking if ‘her little princess’ is ok. (Next time there is a spider in the bath she can get the fucker out herself!).
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http://www.dailyraider.com/index.php?id=3232
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Watch this: http://www.imdb.com/title/tt1992167/ Although I don't believe the moon landings were faked, I do believe NASA (or some other government agency) approached Kubrick to make a faked moon landing film incase the real moon landing should be a failure (as everyone knows how intense the race to the moon was at that time this isn't really all that hard to believe). This documentary interestingly and in very minor detail shows how Kubrick might have inserted hidden messages in The Shining. Even if everything in this docu (Kubrick's Odyssey: Secrets Hidden in the Films of Stanley Kubrick; Part One: Kubrick and Apollo) is completely bullshit (I believe some of it is it and some might not be) it's still a very interesting documentary to watch for any Kubrick fan.
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I named my cat Kubrick.
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Feb. 22, 2012, 5:14 a.m. CST
The Master!! Great picture, really conveys the isolation of his personality - 'The true Renagade walks alone'
by cameron
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Great pic, these should all be collected for a coffee table book.
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Amazing.
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Feb. 22, 2012, 8:21 a.m. CST
Is anyone reminded of a young Peter Jackson by that photo?
by openthepodbaydoorshal
And it may not be the best horror film of the late 20th century, but it is certainly one of the most parodied and referenced horror film of the last 50 years.
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Feb. 22, 2012, 9 a.m. CST
I would say Psycho and Peeping Tom would be the most influencial horror films, followed by
by openthepodbaydoorshal
the trio of Night Of The Living Dead, Texas Chainsaw Massacre and Halloween. Those films form the template of almost every horror film that followed.
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She said it would have been an OK film but all the stuff with the monoliths, the apes at the start and the stargate sequence didn't make sense. She got angry cause she though she "wasted two hours of her like" on it. I countered this with "why does everything have to be so neatly explained all the time? Why can't a film make us think and draw our own conclusions for a change?" She didn't really like that...
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Feb. 22, 2012, 9:43 a.m. CST
I read an aintitcool talkback, and a discussion of film broke out.
by Nocturnaloner
Wow.
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Feb. 22, 2012, 11:29 a.m. CST
Even the poster for this movie scares the shit out of me just thinking about it.
by UltraTron
That poster comes from hell. It was printed in the same hell poster factory that printed Scanners' poster
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The Russians had the ability to track Apollo. If the moon landing mission had been a failure in any way, the Russians could easily expose any U.S. coverup.
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Feb. 22, 2012, 12:22 p.m. CST
That Gene Shalit review on The Shining blog actually pissed me off
by SithMenace
What a moron, and it would be interesting to know what he thinks today.
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CINEMA DIED IN 1999.
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Feb. 22, 2012, 6:15 p.m. CST
Killik, the blog I mentioned is the one which the Behind the Scenes Picture came from, Director Lee Unkrich's Overlook Hotel blog.
by ChaunceyGardiner
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Feb. 22, 2012, 6:16 p.m. CST
There was a picture of Duvall and I realized that I had spoken any at all about audience perceptions of her.
by ChaunceyGardiner
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Feb. 22, 2012, 6:17 p.m. CST
And she is easily one of the most important pawns in the game. Forever will her tortured jabs at Jack's hand through the battered down door been studied and unstudied. Phallic imagery? Why not.
by ChaunceyGardiner
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I know it is all well and good to love films as much as we do, but found it apparent in life that most don't look as deeply as film geeks do (and as mentioned above in this thread, sometimes we look too hard). Films just aren't important to many people. And the best that film geeks can do is to keep espouseing our love to the joy, enchantment, and mind expansion that film has brought us. The reason why one might like a film might be quite a different reason for another, and that in itself is proof of the importance of shareing our favourite films. And even if she doesn't like the film, maybe in some small way she can understand you better through it (or maybe not). I think for me what categorizes my love for "2001: A Space Odyssey" are these few things: - the collaborative effort of it, how its ideas and images are culled from many various great minds in many different departments. Even to details as small as the fact that those in the early human costumes were trained in mimicking primate behaviour. In a way, those sequences are almost like performance art. - the fact that Kubrick stretches us so much. It took me probably ten viewings to start noticeing patterns that Kubrick had built narratively into the stargate sequence. Instead of it just being a trippy scene, he is actually detailing Dave's learning process, how he decodes the journey he is on. - the sheer wonder of space travel set to "the Blue Danbue" in the early 21st century scenes. - the audacity of the film. - the rhythms of it, how if you get caught up and attune yourself to the beats that the film sets forth, it is actually a very intense, very powerful film - instead of the sedative many modern film goers take it as. - I love the patience that this film requires. - I love the fact that Kubrick worked in theories of relativity into scenes as simple as the difference between two perspectives during a space flight (the revolving landing dock standing still as seen from inside with the entry vehicle locked in, or the Jupiter scenes where the interior view shows the moon slowly passing under them while the exterior shot shows the intensity of their velocity as they shoot over the moon surface). - I love that the film explores what it means to be human, from so many vantage points. These are just a few things. But in a way, they describe aspects about me. My love of science, my fascination with a highly visual style of storytelling. I would like also to think that what I gain from the film shows my willingness to challange myself intellectually, to grow, to try to understand what someone is saying to me. So I would rather say, don't judge her. Maybe in a way she'll be able to, if not understand the film itself, understand your love for it. *People who know and love me think it fascinateing that I love Kubrick (which comes as a surprise to me, as it is sometimes something I take for granted, that an appreciation of Kubrick's film is not a given). In their eyes, that gives me a specificity. It helps to define me. I'm one of "those people" - and they value me for this eccentricity, this willingness to delve deep to find pearls. And maybe with your knowledge and gifts of film perception, maybe you can introduce her one day to a new favourite - or to help her see a film once discounted with new eyes. I don't take love of film as a given in a relationship. But hopefully she understands how important it is to you and it somehow gives her a grasp on who you are. As film lovers, we must try hard not to alienate those who may not share our fervency.
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Feb. 22, 2012, 8:24 p.m. CST
But you're right, films that don't hold our hand, that allow us to investigate, to form our own opinions, they often...
by ChaunceyGardiner
place much more value on the intelligence and indepence of their audience than the films that so blatantly manipulate us. It is like the dad who isn't always holding onto the back of the bike - the one who knows when to let go.
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Feb. 22, 2012, 8:30 p.m. CST
And one more thought: life is wasted much faster in other capacities than in watching a movie one doesn't like.
by ChaunceyGardiner
If anything, good movie watching help us BE AWARE. And I love it when I disagree with a filmmaker, only to find myself thinking about what they had said in their film and how they had said it. To come back and be mystified that we'd misunderstood them, judged them too quickly, it is much like the realities of face-to-face life.
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Wow dude, good response! Thing is though. even though she hated it - it did generate a discussion and I think if Kubrick was alive he'd be flattered, lol. I just hope I can get her to change her mind about the other films of his I've got...
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