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@@@ 8th ANNUAL @$$IE AWARDS! @@@

Welcome, all, to the 8th Annual AICN COMICS @$$IE AWARDS, where comics best and brightest are recognized for stellar (and sometimes not so stellar) performances in comic bookdom. I’m Ambush Bug. There was a time when we could fit all of the @$$ies into one lengthy column, but the @$$Holes’ ranks have grown too big for that, so for the next week, @$$Holes will be presenting their picks for the best of the best in comics. Most awards are given around the turn of the year, but we think ours is special, so while those outside of the know celebrate the time of the Oscar, we here at AICN COMICS celebrate the time of the coveted @$$ie Award. So sit back, crack the knuckles in your browsing hand, and scroll down as the @$$Holes pick the @$$ies!

And the @$$ie goes to…
(Click title to go directly to the reviewers picks)
Best One-Shot/Annual/Special!
Favorite Comic Book Team!
Best Comic Book Cover Art/Cover Artist!
Best Comic Book Miniseries!


Best One-Shot/Annual/Special!

KletusCasady - WOLVERINE -DEBT OF DEATH by David Lapham, David Aja & Betty Breitweiser
Marvel Comics

I really liked this story. I wish there was a series out that just had one shot stories about different aspects and times in Wolverine’s life, and David Aja’s wonderful art should be in every damn issue. As I said in my review of this issue, this story is good without all the superhero/robo-mech/secret agency craziness, but all those things added to an already great premise for a story and resulted in the awesomeness that is this comic. Even though I’m starting to think David Lapham might be an undercover maniac (see CROSSED & CALIGULA), he’s becoming one of my favorite writers and this issue is one of the reasons why.

Fubar Press

Since I don’t keep up with DC or Marvel, I rarely come across any special or annual issues. Not sure if a graphic novel counts as a one shot, but I don’t care. FUBAR: EMPIRE OF THE RISING DEAD had to be my favorite graphic novel of the year. As I said in my review, I can’t think of many zombie period pieces, so the originality had to be one of my favorite aspects of FUBAR.

Dark Horse Comics

It’s probably a little pricier than some of the other titles listed in this category, but for my money there was no better singular story this year. Continuing the one-shot from a year prior about Hellboy befriending a pair of luchador/vampire-hunter brothers, the comic combines many of the monster movie archetypes we have all come to expect over the years like the Wolf man, the Frankenstein monster, even Dracula, and manages to vivify their tired images with some new blood. Universal monster nuts will doubtless get a kick out of this story.

Top Shelf Productions

Paul Tobin and Colleen Coover's most recent work is an examination of personal identity, a fun date, and a tour of Portland all in one. And, since the artwork is by Coover, the book looks simply ADORABLE!

Humphrey Lee - HABIBI

I had a conversation with a friend this past week concerning the quality of OGNs this past year. While we both disagreed on the overall spectrum of them (and I admit to not reading as many as I should have) we both concurred that Craig Thompson’s HABIBI was the proverbial “shiznit.” As always, Thompson’s story telling breadth is unparalleled in this book. The sweeping tale he takes his characters on in this story is unlike anything I have read in a comic before, from the events that occur to storytelling endeavors Thompson extends from his drawing arm. He really is a master of the craft and it’s both a godsend and a curse when his books come out, because the high from reading it usually means a downer of a wait until we get another.

The Writing Rambler - BATMAN: NOEL HC
DC Comics

Sure it was a Christmas book, and it was advertised ad nauseam in pretty much every New 52 launch book, but dammit BATMAN: NOEL was a really good read. Lee Bermejo gave us a modern classic in this reimagining of Dickens’ A CHRISTMAS CAROL, and it was a perfect ending to the year for me. His storytelling blended with his beautiful artwork made for one of my favorite Batman stories in recent memory.

Matt Adler - HABIBI HC

What can I say about HABIBI that hasn’t already been said? A moving story beautifully told and beautifully illustrated, with so much loving detail poured into every page there’s just no way not to share in Craig Thompson’s obvious passion for it. It’s a fable that blends antiquity with modernity so seamlessly you’ll forget this is not a true story.

DC Comics

This One-Shot acts as a wonderful send-off to the Last Son of Krypton before the New 52 re-boot, much like Alan Moore’s “Whatever Happened to the Man of Tomorrow?” was to the pre-crisis Superman. Veteran Marvel creators Tom DeFalco, Ron Frenz and Sal Buscema apply the Mighty Marvel Method of storytelling to craft a simple yet elegant tribute to the enduring spirit of the Man of Steel. It doesn’t hurt matters that the story is set in the comic book version of Bruce Timm’s DC Animated universe—possibly the best representation of Superman and Batman ever conceived. This comic isn’t epic or world-shattering, but it doesn’t need to be. Just a great Superman story, very well-told.

Optimous Douche - GRODD OF WAR #1
DC Comics

I never gave two far-flung gorilla turds about GRODD pre-FLASHPOINT, but this one-shot presented a complex character as much at odds with himself as he is with the chaotic apocalyptic world around him.

Henry Higgins is My Homeboy - BATMAN: LEVIATHAN STRIKES OGN
DC Comics

To be frank, I am not a fan of the DC reboot. The missed opportunities, the forgotten characters, the inconsistent continuity, all of that. But nothing compares to my sheer disappointment that we have to wait for BATMAN INC to return. Grant Morrison knows just how to tease us, providing an exciting and enthralling series of battles between Bruce Wayne's army of heroes and the mysterious forces of Leviathan. With both players revealed, Morrison has set the stage for his Batman epic to end, and it's brilliant.

IDW Publishing

Cobra has a new leader; this annual give us an insight into his mysterious past.
Hail Cobra!

Ambush Bug - ECHOES TPBK (Joshua Hale Fialkov)
Top Cow/Minotaur Press/Image Comics

Joshua Hale Fialkov’s relentless spiral into madness tale of a man investigating the last, ominous and ambiguous words from his father on his deathbed is one of the scariest and most heartbreaking books I’ve read this year. Is this all in our hero’s head or is his life really unraveling around him? Fialkov doesn’t provide easy answers and is not above misleading you throughout the story. I chose to put this collected miniseries in this one-shot special category because the presentation in collected form is packaged in such a beautiful way. Rashan Ekedal does a fantastic job of drawing both the emotive and the monstrous. Filled with horrific imagery and terrifying tomes, ECHOES is one of the most memorable horror yarns this year.


Favorite Comic Book Team!

Ambush Bug - MYSTERY MEN
Marvel Comics

Having just seen that JMS decided to release the final issues of THE TWELVE, I’m reminded of a far superior comic released this year, MYSTERY MEN. This team of heroes was set in the same time as The Twelve, but writer David Liss and artist Patrick Zircher did what JMS failed to do—get a full series out this year. I fell in love with each of the troubled members of the ragtag team of vigilantes, especially The batshit crazy Surgeon who wraps his burned face like Hush and pulls a Dexter on any criminal who crosses his path. With The Aviatrix sexing up the skies and Achilles proving that just because you’re powerful doesn’t mean you’re confident, Liss and Zircher developed some fantastic heroes in just a few issues. Rounding out the cast are the vigilante team of the Operative and the Revenant, both complex characters themselves. This team may have shades of times lost heroes we’ve seen before, but unlike THE WATCHMEN and THE TWELVE, the creators set out to tell an exciting story, minus all of the pretentiousness. Here’s hoping the Mystery Men get another miniseries in 2012. They were definitely the best team I had the pleasure of reading about this year.

Marvel Comics

The Warren Ellis single issue bangers damn near kicked the shit out of everything else on the shelf. I love the personnel on this team and I love the one issue format on his run, mostly because it showcased what made these characters great and why each one of them was integral to the various missions. Even though I’m a big fan of Rick Remender & Gabriel Hardman (the new creative team), I was really bummed on hearing the news that Ellis was leaving. Warren Ellis helming this team was a great thing to see in action.

Vroom Socko - TAGON'S TOUGHS

What does this group have that the JLA, the Avengers, and the X-Men don't? Well, they've got a warship, an amorphous blob that eats people, and a contract to kill any lawyers they encounter. Oh, and they get paid to kick ass and take names. Top that.

Marvel Comics

Almost half a dozen AVENGERS titles out there, all with upper-tier talent on them, and AVENGERS ACADEMY is the only one I’m buying--it’s that good. This is easily my favorite batch of super-powered teenage misfits (and potential villains) since Brian K. Vaughan unleashed his RUNAWAYS on us. The personal ups and downs they face, combined with the wartime horrors they faced during FEAR ITSELF, has developed these characters that are less than two years old more than I’ve seen some characters that have been around for decades.

The Writing Rambler - GREEN LANTERN CORPS
DC Comics

Maybe I’m biased in my ignorance, but seriously, is there any better team than the fully assembled GREEN LANTERN CORPS? I mean, this is a universal collection of the greatest, most fearless warriors around. I don’t even know why this is a choice.

Matt Adler - THE BOYS
Dynamite Entertainment

Garth Ennis has really taken this team to a new level, pushing some of the silliness to the background while making the characters, particularly Butcher and Wee Hughie, more real and more relatable by fleshing them out in their own miniseries. And it never hurts to see them go out and kick some superhero ass. The stakes have really been raised for this team, and when the end finally comes, I’ll be sad to see them go.

BottleImp - X-Factor Investigations, X-FACTOR
Marvel Comics

Superhero teams aren’t just about different powers—they’re about different personalities. As much as the heroes interact with their opponents, they need to have interesting interactions amongst themselves, or else the monthly adventures quickly turn bland and predictable. For my money, there’s no superhero team more interesting in their own interactions than Peter David’s band of mutant misfits. Here are characters more defined by their quirks and flaws than by their abilities, a team of third-string losers that somehow manage to work together to take on evil sorcerers, Asgardian deities, demonic assassins or even a picket line of demolition workers. They may not be as noble as the Avengers or as extreme as the X-Men, but X-Factor Investigations’ blue-collar vibe makes their adventures all the more enjoyable.

DC Comics

Magic and mystery are part of their history along with the secret of Gummi Berry Juice…ooops…wrong team. I really thought when the new DC was launched that my top pick would be JUSTICE LEAGUE INTERNATIONAL. Yes, I was basing this belief on nostalgia, and as we have seen this is not your Father’s (or your) JLI. JUSTICE LEAGUE DARK, even though it skirts the fringe of main DC continuity, is exactly what I wanted from JLI. The team came together for a purpose, isn’t afraid of snark and actually applies rules to magic instead of it simply being a golden parachute.

Henry Higgins is My Homeboy - UNCANNY X-FORCE
Marvel Comics

Never thought I'd be saying this about something titled X-FORCE, but, well, this is a fantastic series. The "covert squad led by Wolverine" plot has been used before, but nowhere near as engaging as it is here. Focusing on the characters within these grand events, Remender and Opena have constructed one of the most consistent and innovative series being put out right now.

DC Comics

I had no idea who these characters were before the new 52, but Lobdell and Rocafort have made me a fan. Such a fun book and one of the books I look forward most to.


Best Comic Book Miniseries!

Russ Sheath - SUPERIOR
Marvel Comics

Millar's take on Millarworld's own Superman or Captain Marvel, with the trademark Millar flair.

Ambush Bug - CRAWL TO ME by Alan Robert
IDW Publishing

I probably would have chosen Alan Robert’s miniseries about twisted reality and madness descending even before I read the absolutely kick-you-in-the-dick ending for best miniseries, but read as a whole, I can’t help but push this book to be read by as many folks as possible. Robert both wrote and illustrated this one in his own photorealistic, computer-rendered drawing style. There are panels in this book that are just bone-chilling, and the story is structured to mislead and flip expectations. The story involves a dog, a child, a crawlspace, and well…I don’t want to ruin it. Just know that this is one of the coolest miniseries of the year and leave it at that.

KletusCasady - THE STRANGE TALENT OF LUTHER STRODE by Justin Jordan & Tradd Moore
Image Comics

Even though this has a very similar feel and a slightly similar story to KICK ASS, I might even like it more. It doesn’t seem more realistic, but it is more believable in my opinion, and the art is really great. Hell, I think I even like the writing better in this story too. It seems like they took everything that didn’t work with KICK ASS and made it better. The dialog is funny, the story is cool and the art kicks ass!

Marvel Comics

I reviewed this series several times last year so I’ll spare you the endless praise. Not since RUNAWAYS has youth rallying against experience been so exciting and unpredictable. VENGEANCE by Joe Casey and Nick Dragotta is a comic rich with unique characters challenging old villains and actually holding their own. If you like your super-folks a little less traditional, this is the book for you.

Dark Horse Comics

Is there a comic that's crazier, more fun, and a grander example of imagination than AXE COP? If there is, it didn't come out this year, and the art wasn't as killer.

Humphrey Lee - SEVERED
Image Comics

Two things that Scott Snyder has shown me since he has come onto the comic book scene a couple years ago: The man knows horror and he knows Americana. AMERICAN VAMPIRE has thrived by keeping a foothold in both of these genres, and SEVERED has been well served by this balance as well. The terror that has been building since series lead Jack has met and “teamed up” with bloodthirsty sadist Alan to find his father has been absolutely palpable. Add to it the sense of American nostalgia rife in the setting – with outstanding art to compliment it – and this book has been a joy to read up to its soon to be end.

DC Comics

It was the best part of the entire FLASHPOINT event and probably my favorite book of last summer. This simple 3 part story about a world where Bruce had died in Crime Alley that fateful night instead of Thomas and Martha Wayne was better than both of Marvel & DC’s big events combined. Masterfully handled by the team of Brian Azzarello and Eduardo Risso, this book had everything and was just about as perfect as a BATMAN story could get.

Image Comics

I was a latecomer to this series, and it hasn’t quite finished yet, but it started in 2011, so gosh darnit, it’s eligible. And I’m glad, because I was really surprised by how much I enjoyed this. It starts off a little gory, but the core of the series is an exciting and suspenseful exploration of the classic maxim: be careful what you wish for.

Image Comics

What do you get when you cross the acerbic wit and medical techno-jargon of television’s “House M.D.” with a supernatural world of demonic possessions, Lovecraftian monsters and the legend of King Arthur? You get the brilliantly executed WITCH DOCTOR, a genre-mashing four issues of blood, guts and, most importantly, a wonderful sense of FUN. Brandon Seifert writes the exploits of Dr. Vincent Morrow and his two assistants (the human Eric Gast and the less than/more than human Penny Dreadful) with a palpable glee, finding the humor in situations ranging from Fish People from the Deep to demonic changeling children. Artist Lukas Ketner brings an almost retro sensibility to the visuals, his loose brushwork evoking the classic horror artwork of CREEPY, EERIE, and the early work of Bernie Wrightson. Together, the words and pictures make WITCH DOCTOR one of the brightest and most entertaining comics to hit the stands in 2011.

DC Comics

Scott Snyder remembers one fundamental tenet in all of his writing: the setting is just as much a character as the meatbags who talk and walk. With GATES, Snyder ret-conned a little Gotham family history and breathed whole lot of new life into the City Never at Peace.

Henry Higgins is My Homeboy - HELLBOY: THE FURY
Dark Horse Comics

Mike Mignola has, with one short story, crafted one of the best departures in comic history. It's not just that it's a good conclusion to a great Hellboy story, or that's it's a great final bow for one of the most memorable characters introduced in the last twenty years; It's that it's a damn good story on it's own. A testament to Mignola's grasp on his universe, THE FURY manages to grab the attention of anyone, even those who aren't the biggest Hellboy fanboys.


Best Comic Book Cover/Cover Artist!

Henry Higgins is My Homeboy - Joao Ruas (FABLES #111)
DC Vertigo

Joao Raus had one of the most undesirable follow ups in recent memory. No one wanted to be the person who followed James Jean on FABLES, and why would they? Whatever achievements they accomplished would be overshadowed by his past work on the title. But Ruas has somehow managed to give even the best of James Jean's portfolio a run. It's stunning, well crafted and, I realize that this might be an odd sentence, very comic book-y. It's well done art, framed as a funny book.

Russ Sheath - Bryan Hitch on the PUNISHER covers.
Marvel Comics

Check out PUNISHER Issues 1 to 8. Hitch has proven whether a one man vengeance-fuelled vigilante or a super team with a cast of hundreds, he can draw anything.

Ambush Bug - Lukas Ketner (WITCH DOCTOR)
Image Comics

Iconic and original, while lauding back to some of horror’s most memorable cinematic moments of terror, Lukas Ketner collaborated with writer Brandon Seifert to bring horror and procedural medicine together in unholy matrimony. But in order for folks to pick up the book, the miniseries had to have an iconic cover. Ketner delivered in spades, especially with this first issue cover of the good doctor taking the vitals on a possessed person doing Linda Blair’s famous crab walk from THE EXORCIST. It’s wacky and horrific all at once and my favorite comic book cover of the year!

KletusCasady - Raulo Caceres (CROSSED: PSYCHOPATH)
Avatar Press

The covers for CROSSED: PSYCHOPATH have been fucked up, ridiculous, deplorable, offensive, bloody, disgusting, shocking, appalling, and definitely not something I feel comfortable with displaying at the comic shop--is that why I love them so much?!?! These covers are really great because of how awesomely repulsive they are, and each issue seems to want to take that repulsiveness a step further, and you know what makes it even better…the art is really good…hauntingly…good. The gore and the wrap covers are awesome (see the wrap or torture cover for issue 5) but the cover for the HC (shown here) is my personal fave…as fucked up as this comic is, the art and covers are great!

Fubar Press

Though it may be redundant at this point, FUBAR had the best cover of the year for me. This was a hard choice, because there were many covers that tied in well to the stories. However, Danilo Beyruth’s cover for FUBAR: EMPIRE OF THE RISING DEAD had the most dynamic design. It caught my eye immediately, so I guess you can sometimes judge a book based on its cover.

MajinFu - SECRET AVENGERS #18 by David Aja
Marvel Comics

Is that cover by David Aja in 3D? It’s like a kung-fu movie is bursting through my comic book and exploding my face! As an unabashed Bruce Lee nut, this was a shoe-in.

Vroom Socko - SCARLET #4 by Alex Maleev
Marvel Comics

With one cover, Alex Maleev encapsulated not only this book, but the entire sociopolitical year. That, and it looks killer, too.

Humphrey Lee - DETECTIVE COMICS #880 by Jock
DC Comics

Not to add a qualifier to this, but my usual go to guy in this category is Dave Johnson, as I feel he is pretty much the premiere “career” cover guy in the business (basically the man who “gets it” when it comes to cover design). But this Jock cover absolutely kills it, so much to the point where Mr. Johnson himself, via his blog, says it should win awards, and he is absolutely correct. The design and detail of it alone are staggering, and it is the best example of a body of work on DETECTIVE COMICS this past year that are among some of the finest cover work I’ve seen in a long while. Oh, and he’s still killing it on his SCALPED cover jaunts as well. The only downside to this Jock explosion is that any time we see copious amounts of the man we usually see a recession following as he recoups and prepares to unleash his talents on the comic world once again. Might as well accolade the hell out of it while it’s here.

The Writing Rambler - DETECTIVE COMICS #880 by Jock
DC Comics

This is definitely my favorite cover of this past year (mostly because I’m afraid if I don’t vote for it, it will kill me when I’m sleeping). Artist Jock created one of the most simple, yet haunting images of the Joker I have ever seen, period. I dare anyone to stare at it for a minute straight without getting even the slightest bit creeped out.

Matt Adler - AMAZING SPIDER-MAN #665 by Paolo Rivera
Marvel Comics

Confession time: I don’t read ASM regularly. But even so, this cover just jumps off the stands. Paola Rivera is great on just about anything he does, and this is no exception. The concept, the design, and execution are all flawless—it takes apart the logo in a way that is innovative and clever, and yet leaves you no doubt about whose comic this is.

BottleImp - Cliff Chiang & Jared Fletcher, DEADMAN AND THE FLYING GRAYSONS #1-3
DC Comics

I’m judging this category by how well a cover convinced me to buy the comic to find out what was inside. For the Flashpoint miniseries of DEADMAN AND THE FLYING GRAYSONS, Cliff Chiang and Jared Fletcher created three retro, poster-like covers that nearly jumped off the stands and into my hands. How was the series itself? Not important—those covers did their job, and they did it well.

Optimous Douche - Chrissie Zullo on CINDERELLA
DC Vertigo

Zullo is one of the few cover artists that realizes style should never supersede purpose. While she portrays a cupie-doll almost child visage of characters, it was done with purpose on this series to juxtapose the expectation of CINDERELLA being a child’s heroine versus the very mature portrayal within the pages of the book. Oh, and they are damn pretty to look at.

Now it's time for the Talkbackers to pick their @$$ies!
Look for more @$$ie Awards Picks all week from the @$$holes at AICN COMICS!

Editing, compiling, imaging, coding, logos & cat-wrangling by Ambush Bug
Proofs, co-edits & common sense provided by Sleazy G
Readers Talkback
comments powered by Disqus
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  • Feb. 6, 2012, 9:29 a.m. CST

    wrong picture for favorite cover artist...


    this is the one for the HC ...guess i sent the wrong pic...

  • Feb. 6, 2012, 9:35 a.m. CST


    by 3774

    The team came together for a purpose, isn’t afraid of snark and actually applies rules to magic instead of it simply being a golden parachute.

  • Feb. 6, 2012, 9:36 a.m. CST

    Wow. The site ate everything I typed but the quote.

    by 3774

    I give up.

  • Feb. 6, 2012, 9:55 a.m. CST

    Retype Retype Retype

    by optimous_douche

  • Only sells via shock factor!

  • Feb. 6, 2012, 10:26 a.m. CST



    so DO like CROSSED? : ) seriously though, what do you think of the art?

  • Feb. 6, 2012, 11:07 a.m. CST

    Good choice's except...

    by Neil

    Red Hood & The Outlaws. That's just baiting. Shame on you!

  • Feb. 6, 2012, 11:52 a.m. CST

    Whats wrong with Red Hood?

    by gooseud

    That book is awesome. Look past the hype and the 1st issue, and it's one of the best books if the new 52.....and personally, I thought the 1st issue was hilarious myself.

  • Feb. 6, 2012, 11:54 a.m. CST

    Luther strode love!! YES!!

    by gooseud

    ThSt book is awesome. Kletus, those guys are doing a signIng at my LCS next weekend, I'll let you know if they are real douchey lol

  • Feb. 6, 2012, 11:55 a.m. CST

    Oh, and Kickass the comic?

    by gooseud

    Vastly overrated.

  • Feb. 6, 2012, 12:09 p.m. CST



    that's awesome! i saw a picture of the dude who writes it and i'd be surprised if he was douchey...but i suppose looks can be deceiving. Kick Ass started out really good but lost a lot of steam. Seems a lot of Millar's creator owned stuff starts out with a really cool idea...a few cool scenes...then tends to fizzle out at the end...

  • Feb. 6, 2012, 12:15 p.m. CST


    by optimous_douche

    I swear to God if I hear about that first issue again... Mainstream media glommed on to a mommy blogger who was basing all of her opinions on a cartoon. First off, way to let your 8 year old read something you find inappropriate to further your own agenda and fame SUPER MOM!!!!! Second, if all the comics based their sales and direction off of Tiny Toon cartoons, you can kiss the floppy buh-bye. Middleagers are keeping this hobby alive, not the one or two trades you buy every six months for your kid. Finally, who the fuck are we to say how a alien gets their freak on? Human arrogance is so quick to apply our mores on others. We do it with our own species and now lookee loo we do it with fictional alien species as well. RED HOOD has shaped out to be a great book and I find Starfire more empowered than ever before. I went and watched some of the acrtoons the Mom Blog was basing her opinions on and I'll say now that I was offended. Not only was Starfire nothing like I remembered from her time on the Titans, i actually found her too naive and almost stupid to actually be a superhero. Should we have never had another Muppet Movie because Muppet Babies exists? Same difference...

  • Feb. 6, 2012, 12:21 p.m. CST

    Confession time: I do read Amazing Spider-man regularly

    by natecore

    Can't get enough of the web crawler.

  • Feb. 6, 2012, 12:22 p.m. CST

    Also, just bought both FUBAR graphic novels

    by natecore

    they better be good...

  • Feb. 6, 2012, 12:43 p.m. CST

    Dead on, Optimus

    by gooseud

    Plus they addressed everyones concerns over the next few issues in a really organic, believable way. Its actually kinda interesting, tbe rationale behind Starfire and tge reasons she does what she does. I seem to remember someone saying that Starfire was faking being an alien sex doll because she fears attachment due to her upbringing....who was that genius poster? Oh right it was me!!!plus, the big red handprints on Speedys chest? Comedic gold!

  • Feb. 6, 2012, 1:13 p.m. CST


    by Ambush Bug

    They are really good. Some of the best zombie comics in the past few years.

  • Feb. 6, 2012, 3:01 p.m. CST

    CROSSED:Family Values made me re-assess comics

    by Autodidact

    It made me seriously commit to being discerning and not wasting money at the comics shop just out of habit. For that I should be thankful. But if I were my local shop owner, I'd be pissed.

  • Feb. 6, 2012, 3:19 p.m. CST



    why did it make you re-asses comics? why would you be pissed if you owned a comic shop? just curious...

  • Feb. 6, 2012, 7:56 p.m. CST

    by 3774

    My day started out bad, and just kept getting worse. Like a kick-straight-in-the-tribble bad. When I got home I thought I'd try and reconstruct all the positive things I wrote that the site ate, and found the rest of the thread. I thought we agreed to let this topic be, and leave it alone. I don't have the energy to deconstruct your argument, and fend off a group of raging men with one hand, and also fend off sock-puppets of mentally-disturbed feminist-posers with the other. I'm just too tired, and concede the argument. You're right. You win. I withdraw from your clubhouse, and leave you in peace.

  • Feb. 6, 2012, 8:18 p.m. CST


    by gooseud

    What are you referring to?

  • Feb. 6, 2012, 9:29 p.m. CST

    No Batwoman covers?

    by DOGSOUP

    Seriously? I would be proud to hang any one of those on my wall

  • Feb. 6, 2012, 9:52 p.m. CST

    Hellboy: Fury, a final bow?

    by kungfuhustler84

    Not likely. Something tells me that's not the last we seen of Big Red.

  • Feb. 7, 2012, 2:03 a.m. CST

    Gingerbread Girl is great, though I hate the interior coloring.

    by Dennis_Moore

    Should've went with B&W.

  • Feb. 7, 2012, 3:37 a.m. CST

    Leviathan Strikes...

    by kungfuhustler84

    such a fucking good comic. Miss you, Stephaie Brown.

  • Feb. 7, 2012, 3:53 a.m. CST

    Also Majin-Fu's favorite comic book team, in case you were wondering...

    by kungfuhustler84

    ...was Mark Waid, Marcos Martin, and Paolo Rivera for their work on Daredevil. So he misunderstood the question, so what? They killed it on every issue. ... For the record, if he was picking a real team (ha!) he would have picked the Thunderbolts.

  • Feb. 7, 2012, 6:55 a.m. CST

    Now Now Pink

    by optimous_douche

    Let's not let our civil disagreements on RED HOOD affect a rousing discourse on JUSTICE LEAGUE DARK. Comics are a boys club, but I personally like the feminine touch of intellectual drapery and accoutrement offered by the fairer sex.

  • -- hence CROSSED.

  • Feb. 7, 2012, 7:52 a.m. CST

    Also, no BEFORE WATCHMEN article?

    by MooseMalloy

    -- strange.

  • Feb. 7, 2012, 8:32 a.m. CST

    Before Watchmen is not worth talking about at this juncture

    by kungfuhustler84

    Either you'll buy it or you won't, and that decision is entirely up to you. But if you're looking for some literature on the subject, there are plenty of others weighing in all over the internet. I heartily recommend David Brothers' blog post, not necessarily about Before Watchmen, but the coverage from another site.

  • Feb. 7, 2012, 8:43 a.m. CST

    Great non-answer

    by MooseMalloy

  • Feb. 7, 2012, 9:16 a.m. CST


    by kungfuhustler84

    You are welcome.

  • The whole thing is cover-to-cover incest and rape... and it's the tone with which it's written and delivered... it just seems like an infant splashing around in its own feces. So I took a step back and looked at the rest of my comic book acquisitions over the past decade... so much of it is just infants playing with their own shit. Nothing as eggregious as CROSSED, but a lot of embarassingly bad writing and art. So much of it is complete garbage. This is true of any medium... but I don't buy as much of any other medium as I do of comics. So I made the conscious decision to stop buying so many comics... I must have spent $1000 in the past year on comics I fucking hated. For that money you can put two GTX 580 cards in your computer and play games at 2560x1600 with 60fps. Or you can almost pay the rent for a month. Or you can buy three or four months worth of Red Bull.. Or at least 50 blu-rays, etc.

  • Feb. 7, 2012, 11:23 a.m. CST



    taking a step back and reevaluating what you're buying is a good thing though right? As far as ALL of the CROSSED (i think that's what you meant by the whole thing) series being cover to cover rape and incest that just isn't true. i can understand that for some people it's just not their thing and may be a little too much but but i think it's easy to throw that comic under the bus because admittedly there's a lot of fuck up shit in it but it's really not THAT bad, the writing isn't terrible and the art is pretty good... or maybe i'm just an extremely troubled person that needs help... that's just my take on it...but i respect you having a different view on it.

  • Feb. 7, 2012, 11:40 a.m. CST

    Just Family Values, actually

    by Autodidact

    The first CROSSED series was okay. But I certainly won't be picking up any more CROSSED stuff.

  • Feb. 7, 2012, 11:47 a.m. CST

    Autodidact is right

    by Joenathan

    Crossed is shit. Absolute shit. It's the lowest of the low. The worst of the worst. It's Garth Ennis at his most terrible and his most lazy and this is a guy who, with the exception of the first third of Preacher and few war comics here or there, SPECIALIZES in putting out lazy, stupid shit. He even repeats "jokes" from issues of the Boys that had just come out a month or two before, that's how lazy iCrossed is. You remember that whole "dick and fart joke" routine that Kevin Smith put into Chasing Amy? Crossed is that book and for the same reasons times 10. There's no redemption in Crossed. It's all bad. Rob Liefeld? Beyond Watchmen? Red Hood? Forget that shit, Crossed is the worst thing ever done in comics. If fanboys actually had taste, they would have hounded Ennis out of the business for the four color crime that is Crossed. And I'm only being slightly hyperbolic.

  • Feb. 7, 2012, 11:50 a.m. CST

    Also: Red Hood

    by Joenathan

    I wasn't offended by the first issue, but I think it's stretching it a bit to say that it's well written since then. I read the next few and... Lobdell sucks. I hate to go so "Talkbacky", but that's all there is to it. Lobdell sucks. He's on my "Do not buy" list now.

  • Feb. 7, 2012, 11:53 a.m. CST

    Also: Kickass

    by Joenathan

    I dropped it after the whole gang rape thing. I don't get what goes on in some creator's minds. What the fuck is it with them and rape? I mean, I'm a fan of Millar, but shit man, it says something about you as a person when you keep trottting out something like rape for your stories. You know how Whedon says "Whore" a little too easily and a little too often? Or, fuckstick Allan Mooore and all his rape shit? There's something going on there and it's creepy and gross. Millar isn't on my "Do not buy" list yet, but after his last few titles... he's walking along the cliff's edge.

  • Feb. 7, 2012, 12:42 p.m. CST



    hahahaha...right on man. i don't think it's THAT bad but again i won't argue with anyone that read it and doesn't like it... BUT honestly though joe...did you actually read all 3 series or did you flip through one or two issues and make a finite decision? also Ennis only wrote the first 10 issue series. Lapham wrote both FAMILY VALUES & PSYCHOPATH...

  • Feb. 7, 2012, 12:53 p.m. CST

    I haven't bought any...

    by Joenathan

    But I've read most. I like to be up on the things I hate, so I can properly bitch. Here's the problem with Crossed (and to a lesser extent The Boys) is that the entire book exists to showcase some brain dead stupid fucking asshole unfunny "joke". The story doesn't matter, because it's all aimed at the stupid joke. Like the Meat Man in Preacher or the cum cookie game in... every book. Ennis can't wait for the chance to make a character like Horsecock in every single book he does, but Crossed is all of that, unleashed. He lives for a rape joke and what little restraint he usually has, is out the window. Each issue becomes an excuse to end on a "shock". And you can just hear him chortling like it's not only the funniest fucking thing ever, but as if it's brand new. It's badly written because it's an excuse to go from one stupid moment to the next. There is no story.

  • Feb. 7, 2012, 2:58 p.m. CST

    You guys do remember FAUST right?

    by MooseMalloy

    Yeah, the comicbook.

  • Feb. 7, 2012, 3:05 p.m. CST

    joe come on now...


    NO all...just a bunch of of random pictures of rape, sodomy, and dick jokes? c'mon dude...y'know that's not right...there is a story...if you don't like it fine but NO STORY is not true. Now is it Ennis completely unleashed doing what ever he wants in a comic?...sure...but it doesn't bother me. Ever watch old exploitation movies? with ridiculous gore and gore for the sake of gore? weak stories? scantily clad ladies? gallons of blood? where the major appeal is shock value? ever enjoy those movies? i love those movies and watch them frequently and i also enjoy seeing shit in comics that i'm not going to see anywhere else...even if it's kinda fuck up... if you don't like it that's cool but geez're usually the guy that's telling TBers that post like you just did to chill out... whahapon? on a side note after i read your post and unboxed the comics for this week, Garth Ennis's DICKS was in there...hahahahahah...shit is pretty much page for page what you hate about Ennis...i'd avoid it if i were you...

  • Feb. 7, 2012, 3:06 p.m. CST

    *fucked up


  • Feb. 7, 2012, 3:27 p.m. CST

    My favorite one-shot of 2011 --

    by MooseMalloy


  • Feb. 7, 2012, 3:28 p.m. CST

    Crossed is crap

    by Joenathan

    Everybody's allowed a freak out. Mine is how shit Ennis is. And if it wasn't me, I'd let it pass because Ennis doesn't come up here often. Evidence for how non-controversial and shit he is. "No story" is hyperbole, sure, it would be more accurate to say: a bare minimum of plot designed to string you from one "shocking" scene of rape to another "shocking" scene of gore. I don't hate it because it's "fucked up". I hate it because it's shallow. If it was well written, with actually defined characters, it would be a terrifying book, instead it's just one dimensional chortling idiot nonsense created by fool who believes he's edgy with the one goal of being controversial and shocking and yet it fails. He's on my "don't buy" list too. In case you couldn't guess.

  • Feb. 7, 2012, 4:03 p.m. CST

    joe...i can dig it


    ...but i still like CROSSED. maybe it just appeals to that shallow side of me that i rarely use that enjoys low brow shock value shit from time to time...but that stuff entertains me and really that's all i'm asking a comic to do... i guess you're right everyone gets a freak out now and just surprised me.