While I sat there watching', I gave some thought to stealin' a kiss, though you are very young, and sick, and unattractive to boot. But now I have a mind to give you five or six good licks with my belt.
AICN-DOWNUNDER
I'd like to kick off the first AICN-Downunder of 2011 with positive news, but things haven't been good here in Australia. Two years after my home state of Victoria was devastated by the infamous Black Saturday bushfires, it's now water that's the threat. My once-home state of Queensland is now aquatic, with three quarters of it declared a disaster zone due to severe flooding.
If you haven't heard the statistics, the area underwater was larger than France and Germany put together. Hundreds of thousands of people have been displaced. Between twenty and thirty thousand homes have been estimated to be severely damaged or destroyed. Water snakes, mosquitos and even sharks have been setting up residence on what was once dry land. I've seen different stats comparing it to Hurricane Katrina, but the one that keeps cropping up is that this is four times the size of Katrina.
So things haven't been good here. Flooding has also affected New South Wales and Victoria, and though the worst of it seems to be behind us, the clean-up will be a long, difficult and costly process. If you're able to, please contribute to any of the charities you can. There are a lot to choose from, but this is the best one to go with. Anyone based in Melbourne will want to come along to a charity event on Australia Day run by an outlet I write for, Onya Magazine. OnyaAid will feature live music, lots of donated swag, and much to eat and drink, with 100% of proceeds going to the QLD Flood Appeal. Details to be found here.
NEWS
When Joseph McCarthy was on the rampage for communists and blacklisting was the order of the day, those in the film industry reacted in markedly different ways. Director Elia Kazan famously named names, earning him scorn from many, including his former friend and playwright Arthur Miller. Kazan responded by making ON THE WATERFRONT (which Miller wrote an early draft of), in which Marlon Brando's Malloy names names and is shown in a sympathetic light for doing so. Miller's response was a play called A VIEW FROM THE BRIDGE, also centering around longshoremen, which takes the opposite view: to rat people out is never acceptable, says Miller. It has been filmed before, as ROCCO AND HIS BROTHERS (directed by Luchino Visconti) and as VU DU PONT (directed by Sidney Lumet). Now a new production is in the works, to be directed by BALIBO's Robert Connolly. The film will star Anthony LaPaglia (who worked with Connolly on BALIBO and THE BANK, and was attached to the film in 2005 when Barry Levinson was directing), as well as Vera Farmiga, Mia Wasikowska, Sam Neill, and Sebastian Stan (BLACK SWAN). One of the world's best editors (in my opinion) Jill Bilcock will cut, and the screenplay comes from Andrew Bovell (LANTANA, EDGE OF DARKNESS). The production begins filming in both Melbourne and New York from June 2011.
Stephan Elliott (PRISCILLA: QUEEN OF THE DESERT, EASY VIRTUE) has begun filming his new comedy A FEW BEST MEN in New South Wales this month. The cast includes Xavier Samuel (THE LOVED ONES), Kris Marshall (EASY VIRTUE), Kevin Bishop, and Olivia Newton-John in her first Australian film since 1965's FUNNY THINGS HAPPEN DOWN UNDER.
I'm often wary of films that include an exclamation mark in the title, but will reserve judgement on SAVE YOUR LEGS!, a new Australian film that will begin production at the end of the year. The film will be directed by Boyd Hicklin, who made a documentary by the same name in 2005. Hicklin co-wrote the film with actor Brendan Cowell, which follows an amateur Australian cricket team during a disastrous tour of India.
Actually, forget exclamation marks: I'm getting increasingly sceptical of the way high concept movies are being made these days, with the failures of DEAD SNOW and HUMAN CENTIPEDE leaving a pretty cynical taste in my mouth. Despite that, I must admit I'm very curious about IRON SKY, a film currently shooting in Queensland. This science fiction film is about Nazis returning from the Dark Side of the Moon, where they escaped to at the tail end of World War Two. The film is written by Johanna Sinisalo and Michael Kalesniko, and is directed by Timo Vuorensola. The production is offering viewers the chance to watch the first five minutes of the film after giving a donation of their choice (starting from one Euro), which you can do on the website here. Additionally (or alternately), you could watch behind-the-scenes footage for free here on their YouTube channel.
Trailers galore for the new year! Check out the trailer for Jon Hewitt's highly-anticipated film about prostitution, X. Here's a better quality version of the very promising SNOWTOWN trailer. A nicely understated teaser for WASTED ON THE YOUNG. A very, very endearing and fun-looking trailer for A HEARTBEAT AWAY. Brian Trenchard-Smith's Hobart Gets Frozen film ARCTIC BLAST looks like schlocky, silly fun. And finally, Australian superhero film GRIFF THE INVISIBLE gets a very short teaser trailer.
"Henry and Aaron's Perfectly Adequate Christmas Special" is pitched by the filmmakers as HOSTEL meets Santa Claus. Although the basic concept of the film has been done before, this version has a great style and is worth checking out. It's directed by Antony Webb, shot by Ben Berkhout, and features Wersel Montague and James Helm. It's shot on the Canon 5D mark 2, and it looks fantastic. Check it out.
Just how difficult is it for arthouse cinemas at the moment? With so many closing their doors, one place in Melbourne is attempting to open up, but red tape and bureaucracy is getting in the way. Read the extraordinary story here.
BREAKING: Just as I was putting the finishing touches on this column, some news has come through regarding an issue we've discussed on here many times. You may remember my editorial from November about the banning of LA ZOMBIE, the illegal screening, and the subsequent fallout. Now word has come in that Melbourne Underground Film Festival director Richard Wolstencroft has today been officially charged by police for screening the unclassified film. There's not a lot of information about the charges yet, but we'll be following this closely.
My colleague, contemporary and bon-vivant, Glenn Dunks of Stale Popcorn, has published what looks to be a fairly comprehensive look at the upcoming Australian films of 2011. There are some fascinating titles in there, and a couple that have a big question mark over them. And although Glenn and I often chide one another for the usually-complete incompatibility of our opinions, one thing we both agreed on was the brilliance of Ivan Sen's DREAMLAND that premiered at MIFF last year. Lots to look forward to!
AICN-Downunder's Follow Friday: (Drop me a line if there are any upcoming Australian or New Zealand films not mentioned here.) Read about the fascinating journeys Anti-podean films take from production through post-production and into release! Click to follow controversial Uighur documentary 10 CONDITIONS OF LOVE, crime epic ANIMAL KINGDOM, brilliant experimental soundscape DREAMLAND, reality television/terrorism satire ELIMINATED, the self-explanatory GHOST SHARK 2: URBAN JAWS, superhero movie GRIFF THE INVISIBLE, self-described "womantic comedy" JUCY, the based-on-an-old-Australian-joke LITTLE JOHNNY, brilliant Aussie horror film THE LOVED ONES, self-described "graphic novel-style bushranger adventure film" MOONLITE, giant shark movie THE REEF, the dramatic thriller SAY NOTHING, the extraordinary Aussie doco STRANGE BIRDS IN PARADISE, star-studded romantic drama SUMMER CODA, giant squid movie $QUID, the award-winning box office hit TOMORROW, WHEN THE WAR BEGAN, Cannes's closing night film THE TREE, crowdsourcing horror film THE TUNNEL, and genre-defying web series WHERE WERE YOU. And for those still reading, this here is me.
AWARDS, FESTIVALS AND SCREENINGS
61st Berlin International Film Festival
RED DOG, the Australian made film directed by Kriv Stenders and starring Josh Lucas (HULK, GLORY ROAD), Keisha Castle-Hughes (WHALE RIDER), Rachael Taylor (SUMMER CODA) and Luke Ford (ANIMAL KINGDOM) will premiere next month in the Berlin Film Festival's the Generation 14 plus category, competing with twelve other films. The film will be released in Australia on April 21.
40th Rotterdam Film Festival
Two great Australian films have been selected to play in Rotterdam. A year after it debuted at Sundance, word has come in that ANIMAL KINGDOM will play, alongside Mark Hartley's MACHETE MAIDENS UNLEASHED!.
33rd Clermont-Ferrand International Short Film Festival
Over in France, Aussie shorts THE KISS (directed by Ashlee Page) and LAST BEAUTIFUL FRIEND (directed by Mischa Baka) will play in the International Competition Category. Meanwhlie, the children's programme will see Aussie shorts MINNIE LOVES JUNIOR (directed by Andy and Matt Mullins) and THE LOST THING (directed by Shaun Tan and Andrew Ruhemann).
2011 BigPond Adelaide Film Festival
Robert Connolly can't be kept down, which is good news for us. The man hasn't paused for breath, as evidenced by his feature documentary MRS CAREY'S CONCERT, which he co-directed with Sophie Raymond, opening this year's AFF on February 24. Meanwhile, the film festival will close out with Brendan Fletcher's MAD BASTARDS, which premiered in Sydney and will soon screen at Sundance. The full programme comes out on January 28, and will no doubt make me wish once again that I was in Adelaide for it.
GRANT MORRISON: TALKING WITH GODS
Melbourne comic book fans, this may be your only chance to see this doco on Grant Morrison. The Australian premiere (and, so far, its only booked screening) will take place at Federation Square's ACMI Cinemas on Friday January 28 at 6:45pm. The film is presented by Noncanonical Comic Podcast, and features interviews with the likes of Morrison, Geoff Johns and Warren Ellis.
BOX OFFICE
I've been talking a lot lately about how great the recent spate of films have been, but you wouldn't really know it to look at this list. A few gems aside, the worst holiday fare nonsense is what's appealing to people, which does answer the question of why these films get made in the first place.
Australia
1. YOGI BEAR
2. TANGLED
3. BURLESQUE
4. THE KING'S SPEECH
5. THE DILEMMA
6. UNSTOPPABLE
7. MEET THE PARENTS: LITTLE FOCKERS
8. GULLIVER'S TRAVELS
9. MORNING GLORY
10. THE TOURIST
New Zealand
1. YOGI BEAR
2. TANGLED
3. BURLESQUE
4. UNSTOPPABLE
5. GULLIVER'S TRAVELS
6. THE TOURIST
7. LOVE AND OTHER DRUGS
8. THE DILEMMA
9. TRON: LEGACY
10. MEET THE PARENTS: LITTLE FOCKERS
RELEASED THESE PAST THREE WEEKS
Why do all the best black parts go to white actors?, my low tolerance for camp keeps me from this film, Sam Worthington appears in a non-CGI heavy film, one of the best scores of 2010 also has a film to accompany it, I had no dilemma trying to decide whether to see this or not, David O Russell bounces back, airport novels are classy if they're in another language, this film defines "best intentions", the captivating story of Mrs Simpson is discarded in favour of an even more captivating story, my invitation to this v1agra-themed film must have got filtered to my spam folder, this film confounds expectations by not sucking, Disney rediscovers greatness, Tony Scott rediscovers "meh", and I'm just happy that Tom Cavanagh is working.
BLACK SWAN (AUS)
BURLESQUE (AUS/NZ)
THE DEBT (NZ)
DESERT FLOWER (NZ)
THE DILEMMA (AUS)
THE FIGHTER (AUS/NZ)
THE GIRL WHO KICKED THE HORNET'S NEST (NZ)
THE GREEN HORNET (AUS/NZ)
THE KING'S SPEECH (NZ)
LOVE AND OTHER DRUGS (NZ)
MORNING GLORY (AUS/NZ)
TANGLED (AUS/NZ)
UNSTOPPABLE (AUS/NZ)
YOGI BEAR (AUS/NZ)