“You guys got that for Conan, too, I’m sure,” [former Letterman producer Robert Morton] said. He waited while watching [O’Brien’s agent] Rick and [O’Brien’s producer] Jeff exchange a little look. “You didn’t?” Morty asked, holding back his next thought, which was: You’ve got to be kidding me.Another excerpt suggests Leno got an “unprecedented” contract that guaranteed primetime’s “The Jay Leno Show” could not be yanked from the air. With Leno’s ratings ridiculously low and affiliates threatening to end their affiliations, Carter illustrates NBC was really in a spot. And then this, from the sudden January meeting in which top NBC execs Jeff Gaspin and Marc Graboff told O’Brien they wanted to move him to 12:05 a.m.:
“What does Jay have on you?” Conan asked, his voice still low, his tone still even. “What does this guy have on you people? What the hell is it about Jay?” Neither of the NBC executives had an answer and cast their heads down. Conan thought they were working at looking sympathetic, following some lesson that had been taught at corporate school.Another great excerpt, following Conan telling this joke: "I just want to say to the kids out there watching: you can do anything you want in life. Yeah, yeah—unless Jay Leno wants to do it, too.”:
Gaspin got a call from Jay about the joke. This one did not strike Jay as funny. He asked Gaspin, Why the fuck am I giving up a half-hour for this guy? And Gaspin asked himself: How could these guys work back-to-back if Conan hates Jay? There was no longer any question about resolving this in a fashion that might keep Conan at NBC, as far as Gaspin was concerned. It had come down to how the matter would be settled, and Conan would go on his way.There’s a lot more. Find all of Vanity Fair’s excerpts here.