Aug. 11, 2010, 7 p.m. CST
i've always wanted to do that.
Aug. 11, 2010, 7:09 p.m. CST
Aug. 11, 2010, 7:10 p.m. CST
Aug. 11, 2010, 7:28 p.m. CST
...since you've been on Ron Howard's set. Why don't you let us know what's going on with the AD movie?
Aug. 11, 2010, 8:19 p.m. CST
Aug. 11, 2010, 8:20 p.m. CST
The other 50% is all the other junk and shit.
Aug. 11, 2010, 8:46 p.m. CST
by The Dark Shite
Tweeting is for sparkly vampires.
Aug. 11, 2010, 8:48 p.m. CST
Nicest name in Hollywood, without a doubt. I hope fame never goes to his head, and he keeps his feet on the ground. Edgar, you deserve to be a major success and hopefully this movie will make that happen. Huzzah!
Aug. 11, 2010, 9:27 p.m. CST
Every obnoxious, pretentious asshole who drinks PBR and wears ironic t-shirts and converse loves Scott Pilgrim. It is simply a glorification of the hipster lifestyle, which is to try to be cool by being "different" - which ironically means being the same as every other hipster.
Aug. 11, 2010, 9:51 p.m. CST
Edgar Wright's feet are on the ground... But he keeps reaching for the stars.
Aug. 11, 2010, 9:52 p.m. CST
Have you guys seen the clip on Huffington Post of Cera and Schwartzman doing the weather report in Atlanta?
Aug. 11, 2010, 10:16 p.m. CST
by Sailor Rip
Seriously, I was there, everyone was laughing. True story.
Aug. 11, 2010, 10:53 p.m. CST
Aug. 11, 2010, 11:03 p.m. CST
Scott Pilgrim does nothing but poke fun at that lifestyle, have you read it? Also, I think M. Cera seems awesome. I don't understand the hate for him, he's nice and funny and has chosen only one really bad project that I'm aware of (year one).
Aug. 11, 2010, 11:52 p.m. CST
Since you say you know the status...
Aug. 12, 2010, 12:36 a.m. CST
by Nerd Rage
from the internet. Does he think the movie is only for hipsters? Is the backlash warranted or just hot air?
Aug. 12, 2010, 2:52 a.m. CST
If so, why isn't Scott Pilgrim punching him out of his wheelchair?
Aug. 12, 2010, 8:16 a.m. CST
I'm 38 and got my first Atari 2600 when I was 9 years old. Then graduated to the NES when I was 14 right when it came out (got the gun, robot combo). From there got the Sega Genesis (which later upgraded to the CD and 32x), then moved on to Nintendo 64. I traded to the 64 for a Playstation, then Saturn, Playtstation2, and so on and so on... So what I'm saying is I don't think the under 30 crowd can really say they were a part of the "NES" generation, because what were they, like 4 years old then? <sigh>
Aug. 12, 2010, 8:19 a.m. CST
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Aug. 12, 2010, 12:21 p.m. CST
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Aug. 12, 2010, 1:33 p.m. CST
before I see this. Just need an old fashioned tv. You guys play Arkham Asylum in 3D yet? On a 200 inch screen I couldn't give a shit about slightly muted colors-
Aug. 12, 2010, 1:45 p.m. CST
you guys are talking about when you say that. In LA we got rock-a-billies. We got people that somehow have time to get fucked up enough before 2am to tattoo their eyelids. We got goth-kids, Lakers' fans, bananna republic gangsters and even some hillbilly metal heads that look like they're from anywhere USA. Give me stoned white kids anyday. Nothing wrong with stoned white kids playing games. They grow up to invent digital hair and make worlds. Pretty hip
Aug. 12, 2010, 1:55 p.m. CST
and a few others have had at least 1 game that makes them timeless. Intellivision has Tron Deadly Disks. Saturn has burning rangers and virtua cop 2 twin gun action(best guns ever). Dreamcast has best and only good 3D sonic game, etc
Aug. 12, 2010, 2:43 p.m. CST
You sure wouldn't know that watching the trailer.
Aug. 12, 2010, 4:07 p.m. CST
by Gungan Slayer
playing the same character 20 years from now? anyone?
Aug. 12, 2010, 5:37 p.m. CST
Like McG only Rygar. That's all I got
Aug. 12, 2010, 5:45 p.m. CST
seems to be biopicing that perhaps we should do an alternate 80s anchorman-like arcade epic about drugged out atari employees(led by ferral playing a bushnell like character hammering out machines on an assembly line with insane bald Steve jobs Dali lammanin round the place(Steve Carrel).Galafanakis plays the woz-like guy. It's called Arcade.
Aug. 12, 2010, 7:46 p.m. CST
In twenty years, Michael Cera will be the answer to a challenge-round trivia question. As will this movie.
Aug. 12, 2010, 8:19 p.m. CST
Aug. 12, 2010, 8:33 p.m. CST
before Playstation. The CD-i, The Saturn, and Sega CD add on was joke. I owned every damn system that ever came to America minus a 360 and a PS3. I am tired of films dipping their cocks into that "remember this past stuff" winky bullshit. I am ready to seek tomorrow instead of living in the past. So films like this that honor all of this "remember this" shit annoy the hell out of me. It's like the remakes that have to reuse the same scenes from the original, as well as the big catch phrases. Fuck off! Use your noddle make something new. Stop living in the past stop stroking it to nostalgia. Oh your wearing a Boo Berry cereal shirt that you bought at Hot Topic. You're so cool Brewster. Grow the fuck up. If you want to be nostalgic about something think about your wifes tighter pussy before she spit out all those kids, remember when that belly was flat and smooth and stretch mark free and she used to suck your dick all the time, and she used to maintain the shaved pussy more often, so it didn't have face sanding growth on it. Yeah those were the days.
Aug. 12, 2010, 9:37 p.m. CST
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Aug. 13, 2010, 8:22 a.m. CST
by Darth Busey
Looks pretty (insert slur here) to me. I'm sick of seeing Michael Cera in stuff, too. Dude simply isn't that talented.
Aug. 13, 2010, 9:56 a.m. CST
Couldn't give a fuck....otherwise if you're giving a fuck...it means you're expelling your semen for Scott Pilgrim.
Aug. 13, 2010, 9:58 a.m. CST
And I disagree on Michael Cera. Age has nothing to do with it ;) As someone mentioned earlier I think the worst thing he's done is Year One. Loved every other movie he's in. I don't get why people hate the guy.
Aug. 13, 2010, 10:09 a.m. CST
Hot Fuzz is a comedy masterpiece! And Shaun of the Dead aint bad either.
Aug. 13, 2010, 11:39 a.m. CST
What do you say to people who are sick of seeing your simpering little twatface on screen and are using that as a justifiable reason to boycott Edgar Wright's otherwise interesting cinematic experiment?
Aug. 13, 2010, 2:01 p.m. CST
what it was like to kiss an icky girl
Aug. 13, 2010, 3:11 p.m. CST
by Samuel Fulmer
It was released costing way too much (I think it was 700 dollars), and like many CD based systems at the time, had way too many full motion video "interactive" games. Still the EA stuff was good and they got the only home port of Super Street Fighter II Turbo during that era.
Aug. 13, 2010, 3:33 p.m. CST
My ass wins!
Aug. 13, 2010, 8:40 p.m. CST
SCOTTPILGRIMFAN IS THE KING OF AICN! HE IS YOUR MASTER!
Aug. 13, 2010, 10:55 p.m. CST
What a goddamn mess this movie was. It’s Spider-man 3 all over again when there was the potential to make another Spider-man 2.You know, just because a movie is based on a comic book, that revolves around 8-bit videogame references, it doesn’t mean that it has to move at such a pace that people with ADD would start saying “WOAH, slow down there buddy!”. I’ve been looking forward to Scott Pilgrim since I first heard that this was Edgar Wright’s next project and discovered that the graphic novels were excellent, with the exception of Volume 6, which sucked as I have explained why in my review that was posted here.<br> <br>Wright SHOULD have been the perfect man for this job as Spaced, series one, is an absolute masterpiece and I had hoped that Scott Pilgrim could have been the Canadian equivalent. How wrong I was to have hoped. I’ve been saying all along that SP should have came across as a mix of Clerks 2 and Kung Fu Hustle. SPVSTW fails to come even close to either of those moves. The thing that they had, that SPVSTW doesn’t, was a level of pathos and emotional development that came off as genuine and sincere in between all the donkey show and sfight scene’s. <br> <br>There is nothing genuine or sincere about any of the so-called- character development in this movie. I’ve said this before but the thing that made the comic’s great wasn’t the fight scene’s, it was the recognizable moments of human emotion that were on display between all the craziness. You could see Scott Pilgrim grow and develop over the novels. In this movie, SP has to tell us that he’s grown and changed because we sure as fuck wouldn’t be able to tell without him explaining it to us. <br> <br>Amazing fight scene’s and visuals mean fuck all if I don’t care about the characters and I couldn’t give a shit about anyone in this movie. What we are watching aren’t characters but caricatures. Wright was in such a rush to get from one fight scene to the next that the movie didn’t have time to breath and let these people become real. This is a really piss poor adaptation. Yeah, yeah, yeah, the comic’s deal with subspace (why did they even bother mentioning it when it played no part), robots, kung-fu battles and vegan superpowers but that doesn’t mean that some quality drama couldn’t have put into it as Christopher Nolan showed us that you CAN make great drama out of a man dressed as a bat fighting a psychotic clown. <br> <br>SPVSTW fails because Wright has made it into a rapid fire miss-mash of pop culture/video game references in place of any real dramatic content. But then maybe the problem is with the original content itself as O’Malley himself failed to give any proper closure to these characters. At the end, of both the books and the movie, you have no sense that Pilgrim has moved forward apart from gaining a new sword and defeating the ex’s. Oh, both try to leave a question mark about Scott and Ramona’s future, but they still deliver the prerequisite “happy ending” which comes off as a cop out. <br> <br>If I may make a comparison between the Scott Pilgrim movie/books and the Spider-man movies; Scott Pilgrim 1 & 2 feel like Spider-man 1, really good but not truly great. They hit the right notes more then they miss and, although very enjoyable, you get the feeling that it could be soo much more. <br> <br>And then comes Spider-man 2/Scott Pilgrim Vol 3, 4 and 5. Superior in every way. Characters and story are better defined because the creators learned from their mistakes and crafted a much more mature and thoughtful piece of work while still being massively entertaining. Emphasis is placed on fulfilling the traditional structure of “good triumphs over evil” while also adding more emotional depth and moments of quiet introspection that make the characters feel more “real” which grounds them despite all the craziness going on elsewhere in the story. You also get a sense that everyone in the story learns from their own mistakes and grow as people rather than caricatures. <br> <br>Scott Pilgrim’s Finest Hour is the Spider-man 3 of the series. There is little or no character development beyond the superficialities of fighting the bad guy while trying to save a failing relationship. Scott/Ramona=Peter Parker/Mary Jane Watson don’t feel like they have grown or developed by the end of the story nor have they moved onto another level beyond managing just to stay together. In both cases, I felt that their stories had came to the point where they would have been better off without each other and should have moved on. <br> <br>Scott/Peter becomes (is) a self centered twat who is certain that he must be with the woman they claim to love which, in both cases, was based heavily on infatuation/lust, not on whether they had anything in common beyond physical attraction. Meanwhile, Ramona/M.J. both come off as aloof and, despite showing some affection and claiming to love Scott/Peter, they both seem perfectly willing to drop they’re boyfriends depending on which way the wind is blowing because neither feel like they had any real love for their men beyond what they were getting out of them, be it fighting evil exes or supervillians. Both Scott/Peter seem to be breaking their backs to prove their love for these women while both of the ladies seem to hitch their wagons to them simply due to convenience and nothing more, while being ready to bug out at a moments notice if things don’t suit them which isn’t surprising as they both seem self absorbed, never mind that neither seem to have a problem hooking up with other men. <br> <br>Meanwhile, the villains come off as one note and their defeat feels less like a triumph over adversity then a necessary end to the story. The secondary characters have no development at all. Essentially, both Scott Pilgrim’s Finest Hour/Spider-man 3 feel like nothing more then action scene’s punctuated by substandard plot devices and generic character moments designed to give the illusion that we are seeing these people progress as human beings when, by the end of the story, there has been no real change from where they were at the beginning of the comic/movie. <br> <br>In both cases, the easy way out has been taken by providing generic “happy ending’s” because the comic/movie’s creator(s) didn’t have the nerve to buck tradition and provide a resolution that, although may come off as downbeat, would have felt more “real” and “true”, thus giving their stories greater depth and meaning while elevating them beyond being a simple comic book/movie which is exactly what had been achieved in Scott Pilgrim Vol’s 3/4/5 and Spider-man 2.
Aug. 13, 2010, 11:06 p.m. CST
the zero body hair crowd has won<p> beardless boys, glittery vampires, and shirtless werewolves with no body hair represent men now<p> Fabulous
Aug. 14, 2010, 12:27 a.m. CST
I need to see a Cap vs GiantMan Ultimates style beatdown on the big screen!