Cool News
Tim Roth And Mr. Beaks Chat About The Second Season Of LIE TO ME!
A couple of months ago, I was asked if I'd like to host an Apple Store Q&A with Tim Roth to help promote the second season of his Fox procedural, LIE TO ME. Even though I'd only watched the pilot and maybe one other episode, I immediately accepted the offer, figuring I could quickly catch up with what had only been a half-season run. I also figured I'd be a fool to turn down the opportunity to sit up on a stage lobbing questions at one of the most boundlessly talented actors working today.
On LIE TO ME, Roth plays Dr. Cal Lightman, a "human lie detector" or sorts who can sniff out an untruth via the merest gestures, tics or stammers. For the first part of season one, the lure of the show was listening to Roth rattle off the findings of Dr. Paul Ekman, the real-life psychologist who pioneered many of the techniques Lightman employs. But this quickly grew stale, so, to avoid falling into a formulaic procedural rut, creator Samuel Baum brought on THE SHIELD mastermind Shawn Ryan to run the show. Right from the outset, Ryan (working with acclaimed television writers like Liz Craft and Sarah Fain) placed an emphasis on character, which allowed Roth to begin exploring different aspects of Lightman rather than strutting around and screaming, "Look at how brilliant I am" every episode. This approach has elevated LIE TO ME well above the CSIs and NCIS-es of the world.
As a fan of Roth's ever since I saw Robert Altman's extremely underrated VINCENT & THEO, I'm cool with the idea of being able to switch on the television once a week and watch the man perform. Do I prefer that to getting to see him in one or two interesting movies a year? I'm not sure. But according to Roth, starring in LIE TO ME is allowing him to build up some serious movie-making capital, which will pay off down the line when he finally re-starts his directing career. He's one-for-one so far with the devastating THE WAR ZONE (disclaimer: make sure you're in a very good place emotionally if you decide to give it a go), and the thought that his next film could be an adaptation of KING LEAR written for Roth by the late, great Harold Pinter makes me downright giddy.
It was fun to catch up with Roth two months after competing with the din of consumerism at the Apple Store in Santa Monica. I mistakenly thought I had more time with him, so if you're wondering why I didn't throw in more movie questions, that's why. Still, Roth shares some interesting thoughts on weathering the twenty-plus episode haul - and we do finally chat a bit about LEAR, as well as Alexandre Rockwell's upcoming PETE SMALLS IS DEAD. Hope you enjoy!
Mr. Beaks: Great to talk to you again after our Apple Store Q&A from a few months ago.
Tim Roth: (Laughs) Yeah!
Beaks: How have you been since then? I assume busy with the show.
Roth: We have not stopped. We have very long hours and days, and I don't get much sleep. I'm very, very busy, but I'm not sure that I mind being busy. We just got picked up yesterday for the back nine, so we'll probably go until April.
Beaks: I saw that. Congratulations. Now last season was just a half-order. This season, you've got a full order. You say you don't mind being busy, but can you imagine yourself doing this for a few more seasons?
Roth: I don't know, man! (Laughs) Well, they've got me! It's whether they want me or not. It's taking stamina, this one, and I'm taking it each block at a time. We're going to do twenty-two, and we just now finished episode eleven; we finished it at midnight. And then you get up in the morning and start another one. I kind of sat in the trailer yesterday and said, "You know, if we do get our pickup, I'm only at the halfway mark. Last season, I was almost finished." It's pretty extraordinary to think about. You try and pace yourself. But do I think it would be good to be around? Yeah, I do. If you can do this, you can do anything. This is a really tough business to be in, but I talked to Keifer Sutherland about it a while back. He's been at it a while, and he said, "Look, it is hard, and... your day is taken. For your family, that can be a bit tricky. But you can figure it out, and the benefits of it can be huge." I mean, the idea of examining and reexamining a character, and opening him up and playing around with him... it's like theater, really. It's long-form theater. And trying to deliver a little film once a week to the audience that they'll be engaged by... you know, you hope you do more good episodes than bad. It's a real struggle. It's a real challenge. But I really like the game; I think it's fun to play.
The thing with my character, I have to say, is that I'm very fortunate that they chose this as a device for the show. I've got a lot of different avenues I can go down. The character can be in a lot of different situations: we can do our cop show; we can do a thriller; we can do whatever. We just did one in Afghanistan. You can play around with stuff. We just did one in a courtroom, which was a lot of fun. You can really plunk him down into different situations, and that does open the character up. I also get to examine what makes him tick, too. So it may be tough, but it's definitely worth it.
Beaks: I know a lot of people were excited when THE SHIELD's Shawn Ryan came on as the show runner. What's your working relationship like with him? And what about writers Liz Craft and Sarah Fain?
Roth: Oh, well, I love them. The girls! I call them "the girls". I can't help myself, but they're fantastic.
Shawn brought this kind of calm, but incredibly solid and muscular presence to the show - and he brought along his writers that he likes to work with, too. And I could see the change in their first script. Liz and Sarah did the episode that I liked the most from the first season; it was called "Blinded", and it was a very fun episode to play. Suddenly, with Shawn around, you find you have more to play, and the stories are muscular and tighter. Obviously, everybody slips, but the slips get less and less. Shawn's best at character stuff. He encourages a journey down the road to what the character is feeling, and what do we want to have happening to him this week - and then we build a story around that. It's a very cool way of going about it, and I think we're delivering. We've found our feet, and found a way of telling these stories. I think, as the season progresses, that will become evident.
Really, for the actors, a lot of it was just trying to hang in there while the writers did their thing. And we were hoping that we could hang in there long enough, because we could sense that the juices were flowing and that the good stuff was coming. It would've been a shame to drop it at that stage in the game. But hopefully the stories will just continue to build and build and build.
Beaks: Has there ever been a discussion about doing a continuous narrative?
Roth: We would love to do that. That's always up for discussion, but the network or the studio - I'm not sure who makes that decision - likes standalone episodes so they can place them anywhere when the repeats happen. But I think we might get lucky. There has been talk, and I have been encouraging it, of bringing characters back. A good example of that was Lennie James, a friend of mine who came over from London and got me into all kinds of trouble [as the character Terry "Tel" Marsh]. The character was so much fun, and the actor was such a dream for everybody [to work with]. There's a thought of revisiting that world, and I'm all for that.
So it would be much more in that vein, the idea of stories that would continue on through different episodes. I don't know if we'll get to do that. Maybe next season. Maybe if we get "next season", they'll loosen the leash a little on that one.
Beaks: I hate to ask up this question, because you said you're only halfway through with this season, but have you thought about how you're going to spend your off-time from the show.
Roth: I'm going on holiday. (Laughs) Believe me, I've got it planned. I am so ready. I'm doing an early booking, and making sure the tickets, the hotel and everything are sorted out. (Laughs)
Seriously, if a film came up that was containable within the hiatus, where I could still get a vacation in, I'd do it without a doubt. If something really, really good came along, I'd probably say, "Yeah, alright. As long as I'm guaranteed a month off." Because I think we do get those two months off - if we get a third season. But for Christmas, I'm going to lay in bed. There's nothing going on there. I'm Santa's helper.
Beaks: It's just that we're very selfish, and would love for you to take on as many film roles as possible. I have to be honest: you really got me excited when you started talking about that adaptation of KING LEAR Harold Pinter wrote for you.
Roth: But think about it: if I do get to hang around and do this for a few more seasons, then you sock away some cash. Once the kid's college fund is up and running, it gives you some room to direct - and that is what I would love to do again. That is my private passion. I'll be aiming for that anyway; I would love to do that.
Beaks: So when you say "adaptation" of KING LEAR, did Pinter alter the language?
Roth: What he did was make it containable. It's difficult to explain, but it's an extraordinary job he did in taking what Shakespeare had written and cutting it back and trimming it and moving it around. On one hand, it's an editing job; and on the other hand, it's how you set it, and perceive the characters, and how you show that world to the audience. It's a complicated piece of work, but I think it's a quite brilliant script. It exists, it's there, and it's something I would love to do. I'm hoping that I can get to it. It's also a very long project; it's not something that could be done quickly. It's a very, very complicated thing to pull off.
Beaks: I wanted to ask about the Alexandre Rockwell film: PETE SMALLS IS DEAD. Alexandre is a significant figure in the indie film world; his IN THE SOUP was a hugely important film in the early '90s. I've read a little bit about it, but I was hoping you could tell me what this film is.
Roth: It's insane is what it is. (Laughs) It's really crazy. It's about a couple of... well, I don't know what you'd say - they're filmmakers, but they're not. But it's completely mad. I just saw some of it the other day; I did some ADR, and just the bits that I saw I thought were mad and very funny. It's got Alex's humor all over it. It's a very good cast indeed, and quite romantic and beautiful as well. He made it on a shoestring, which I don't think is every actor's dream to do that, but he seems to thrive in that against-all-odds world. And everyone comes to join in because he's a great guy. You've got Seymour Cassel, you've got Steve Buscemi, you've got [Mark Boone Junior], you've got Peter Dinklage, you've got Rosie Perez... it's huge. (Laughs)
Beaks: So we'll maybe see it at Sundance?
Roth: I don't know. I imagine it'll be on the festival circuit. I haven't been to Sundance for years, but it'll be on the festival tour and hopefully it'll get some distribution. It was fun working with him. I came to him just on the end of last season, so I was really burned out - but it kind of worked for the character, as you'll see.
<
Looking forward to it.
While we're waiting, the very smart and entertaining LIE TO ME keeps chugging along on Fox at 9 PM on Monday nights.
Faithfully submitted,
Mr. Beaks
Beaks: How have you been since then? I assume busy with the show.
Roth: We have not stopped. We have very long hours and days, and I don't get much sleep. I'm very, very busy, but I'm not sure that I mind being busy. We just got picked up yesterday for the back nine, so we'll probably go until April.
Beaks: I saw that. Congratulations. Now last season was just a half-order. This season, you've got a full order. You say you don't mind being busy, but can you imagine yourself doing this for a few more seasons?
Roth: I don't know, man! (Laughs) Well, they've got me! It's whether they want me or not. It's taking stamina, this one, and I'm taking it each block at a time. We're going to do twenty-two, and we just now finished episode eleven; we finished it at midnight. And then you get up in the morning and start another one. I kind of sat in the trailer yesterday and said, "You know, if we do get our pickup, I'm only at the halfway mark. Last season, I was almost finished." It's pretty extraordinary to think about. You try and pace yourself. But do I think it would be good to be around? Yeah, I do. If you can do this, you can do anything. This is a really tough business to be in, but I talked to Keifer Sutherland about it a while back. He's been at it a while, and he said, "Look, it is hard, and... your day is taken. For your family, that can be a bit tricky. But you can figure it out, and the benefits of it can be huge." I mean, the idea of examining and reexamining a character, and opening him up and playing around with him... it's like theater, really. It's long-form theater. And trying to deliver a little film once a week to the audience that they'll be engaged by... you know, you hope you do more good episodes than bad. It's a real struggle. It's a real challenge. But I really like the game; I think it's fun to play.
The thing with my character, I have to say, is that I'm very fortunate that they chose this as a device for the show. I've got a lot of different avenues I can go down. The character can be in a lot of different situations: we can do our cop show; we can do a thriller; we can do whatever. We just did one in Afghanistan. You can play around with stuff. We just did one in a courtroom, which was a lot of fun. You can really plunk him down into different situations, and that does open the character up. I also get to examine what makes him tick, too. So it may be tough, but it's definitely worth it.
Beaks: I know a lot of people were excited when THE SHIELD's Shawn Ryan came on as the show runner. What's your working relationship like with him? And what about writers Liz Craft and Sarah Fain?
Roth: Oh, well, I love them. The girls! I call them "the girls". I can't help myself, but they're fantastic.
Shawn brought this kind of calm, but incredibly solid and muscular presence to the show - and he brought along his writers that he likes to work with, too. And I could see the change in their first script. Liz and Sarah did the episode that I liked the most from the first season; it was called "Blinded", and it was a very fun episode to play. Suddenly, with Shawn around, you find you have more to play, and the stories are muscular and tighter. Obviously, everybody slips, but the slips get less and less. Shawn's best at character stuff. He encourages a journey down the road to what the character is feeling, and what do we want to have happening to him this week - and then we build a story around that. It's a very cool way of going about it, and I think we're delivering. We've found our feet, and found a way of telling these stories. I think, as the season progresses, that will become evident.
Really, for the actors, a lot of it was just trying to hang in there while the writers did their thing. And we were hoping that we could hang in there long enough, because we could sense that the juices were flowing and that the good stuff was coming. It would've been a shame to drop it at that stage in the game. But hopefully the stories will just continue to build and build and build.
Beaks: Has there ever been a discussion about doing a continuous narrative?
Roth: We would love to do that. That's always up for discussion, but the network or the studio - I'm not sure who makes that decision - likes standalone episodes so they can place them anywhere when the repeats happen. But I think we might get lucky. There has been talk, and I have been encouraging it, of bringing characters back. A good example of that was Lennie James, a friend of mine who came over from London and got me into all kinds of trouble [as the character Terry "Tel" Marsh]. The character was so much fun, and the actor was such a dream for everybody [to work with]. There's a thought of revisiting that world, and I'm all for that.
So it would be much more in that vein, the idea of stories that would continue on through different episodes. I don't know if we'll get to do that. Maybe next season. Maybe if we get "next season", they'll loosen the leash a little on that one.
Beaks: I hate to ask up this question, because you said you're only halfway through with this season, but have you thought about how you're going to spend your off-time from the show.
Roth: I'm going on holiday. (Laughs) Believe me, I've got it planned. I am so ready. I'm doing an early booking, and making sure the tickets, the hotel and everything are sorted out. (Laughs)
Seriously, if a film came up that was containable within the hiatus, where I could still get a vacation in, I'd do it without a doubt. If something really, really good came along, I'd probably say, "Yeah, alright. As long as I'm guaranteed a month off." Because I think we do get those two months off - if we get a third season. But for Christmas, I'm going to lay in bed. There's nothing going on there. I'm Santa's helper.
Beaks: It's just that we're very selfish, and would love for you to take on as many film roles as possible. I have to be honest: you really got me excited when you started talking about that adaptation of KING LEAR Harold Pinter wrote for you.
Roth: But think about it: if I do get to hang around and do this for a few more seasons, then you sock away some cash. Once the kid's college fund is up and running, it gives you some room to direct - and that is what I would love to do again. That is my private passion. I'll be aiming for that anyway; I would love to do that.
Beaks: So when you say "adaptation" of KING LEAR, did Pinter alter the language?
Roth: What he did was make it containable. It's difficult to explain, but it's an extraordinary job he did in taking what Shakespeare had written and cutting it back and trimming it and moving it around. On one hand, it's an editing job; and on the other hand, it's how you set it, and perceive the characters, and how you show that world to the audience. It's a complicated piece of work, but I think it's a quite brilliant script. It exists, it's there, and it's something I would love to do. I'm hoping that I can get to it. It's also a very long project; it's not something that could be done quickly. It's a very, very complicated thing to pull off.
Beaks: I wanted to ask about the Alexandre Rockwell film: PETE SMALLS IS DEAD. Alexandre is a significant figure in the indie film world; his IN THE SOUP was a hugely important film in the early '90s. I've read a little bit about it, but I was hoping you could tell me what this film is.
Roth: It's insane is what it is. (Laughs) It's really crazy. It's about a couple of... well, I don't know what you'd say - they're filmmakers, but they're not. But it's completely mad. I just saw some of it the other day; I did some ADR, and just the bits that I saw I thought were mad and very funny. It's got Alex's humor all over it. It's a very good cast indeed, and quite romantic and beautiful as well. He made it on a shoestring, which I don't think is every actor's dream to do that, but he seems to thrive in that against-all-odds world. And everyone comes to join in because he's a great guy. You've got Seymour Cassel, you've got Steve Buscemi, you've got [Mark Boone Junior], you've got Peter Dinklage, you've got Rosie Perez... it's huge. (Laughs)
Beaks: So we'll maybe see it at Sundance?
Roth: I don't know. I imagine it'll be on the festival circuit. I haven't been to Sundance for years, but it'll be on the festival tour and hopefully it'll get some distribution. It was fun working with him. I came to him just on the end of last season, so I was really burned out - but it kind of worked for the character, as you'll see.
<
Looking forward to it.
While we're waiting, the very smart and entertaining LIE TO ME keeps chugging along on Fox at 9 PM on Monday nights.
Faithfully submitted,
Mr. Beaks
-
+ Expand All
-
...i wish i could detect microexpressions... or macroexpresions... or whatever
-
...that natural they have, is PRETTY PRETTY PRETTY... sexiest new actress I dont know
-
...get rid of Mekhi... that guy is a terrible actor and seems more terrible wit the more hair he has on his head... bring back the baldy!
-
And I appreciated the focus on the show. It's interesting to read how Tim Roth sees his role.
-
if you like fucked up incest lovin.
-
How does this struggling show get a second season. Hell, how are House and Bones still around, too, yet better show dissapear agter one episode.
-
where he figures out if someone is lying.
-
...no the episode where he finds someone tellin the truth is more compellin... that and the poker episode wit Sal from Snatch
-
I haven't had the chance to see any of the second season of LIE TO ME yet, but I'll correct that over the holidays. I'd never heard of the potential Pinter LEAR before, so that part of the discussion was very intriguing.
-
Tim Roth is awesome in everything he's in. I still maintain his role in Rob Roy is one of the top five movie villains of all time.
-
Since you're just basing your comments on the ratings rather than anything to do about the actual show, I'll take it you don't watch it and therefore have no idea if it sucks or not (it doesn't, it's quite entertaining).
-
Shame you didn't have time to play a round of Questions.
-
... was he awesome in Planet of the Apes? cuz there was nothin awesome in tha--wait, a simian Lincoln was pretty awesome...
-
Do YOU watch the show? I doubt it. I saw one episode. It's your typical show that tries to make this shit look cool, but fails. If you think this shit is entertaining, you probably love Numbers,
-
I DVR it and watch it weekly. Why the hell would I praise it if I didn't actually watch it? I actually have opinions based on something.
-
It's not a bad show...it's just pretty boring. I always get a kick out of Tim Roth's hunched over tough guy walk - especially when the camera pans out and shows him walking away all pissed off. It gives me a good laugh. Oh Mr Orange...
-
Hate procedurals. Roth could read the phone book and it would still be brilliant. He just has such an amazing presence - you believe that this guy can intimidate people twice his size and authority - and the episode he mentions with Lennie James was fantastic. And, wow. The idea of Roth doing anything by Pinter, let alone Lear, would just be amazing. Can you imagine Roth in The Caretaker or The Homecoming? (my absurdist theatre background is coming out).
-
is the one where the character or a supporting character points out just how fucking brilliant she is at least once per episode
-
highest since season premiere!
-
*SMASH*
-
Dec 04, 2009 5:04:04 PM CST
Tim Roth really elevates this show far beyond what it really is.
by liesandpicturesofalsolies
Which is pretty run of the mill TV. It is a good premise but *way* too episodic, I got tired of it in the last episode. Maybe I'll pick up the DVD one day but only if it is super discounted. I wish they're do a larger overall arc, it'd be better if Lightman had a nemesis that was the world's greatest liar or something and battle him over the season, you could have a lot of stand-alones but occasionally do a mythology episode, like X-files.
-
he's a great actor, and he elevated a mediocre series into something watchable.
-
Love Tim Roth, awesome actor, but Lie To Me is insufferable, I've tried it a few times and its just awful. Bring on King Lear!
-
I just agreed with lockesbrokencock, please kill me now
-
But while Lie To Me is better than Bones currently, the first 3 seasons of Bones are more entertaining.
Anyway, just watch The Mentalist (aka Serious Psych). Is better than both of them and has a story-arc that seems to be going somewhere. -
It feels like this show is intentionally trying to suck, because suckitude of this level can't happen accidentally, and this show is surely the suckiest bag of suck that ever sucked.
-
I have well been enjoying the character work for sure, but I do also get a fun little kick out of "you did this with your speech pattern, so this means this" stuff. I enjoy seeing the mechanics behind Lightman's awesomeness
-
I hope no one ever traces this account to my irl self, because almost everyone I know loves Bones. Thus, I have seen a lot of it and it is insufferable. The show makes NCIS looks like it was written by Raymond Chandler.
-
I'm sorry sir, but the word insufferable has already been taken in this talkback....but yeah, it really is
-
*BLOODY NECK*
-
Tim Roth is not a great actor. He was the weak link in 'Reservoir Dogs.' Even if he was playing a bad actor. I didn't care much for the arc. Though it was necessary.
-
You have know clue about anything. If your gonna try and bash Tim Roth's acting in Reservoir Dog's, then you need to come up with something better than that nonsense you just spewed out..
-
Say the goddamn worrrdsss."
-
dickface.
-
Four Rooms.
-
in Rosencrantz and Guidenstern are dead.
Would have loved to see them play the Travolta and Jackson roles in Pulp Fiction. -
in the planet of the apes remake. Yea it was shitty but I caught parts of it again last night and he was really good. I had to look up who was playing him and I'm shocked it was Roth cause I never liked him.
-
Insufferable is one of my ten favorite words and I will use it when it is appropriate. Do you know how many Bones episodes I've seen? Enough to say that no other man, woman, or child should have to tolerate such mindless dreck more interested in immediate stupid moments than mystery, character, or plot. Intolerable. Unbearable. Balls-out terrible.
-
you compare reservoir Dogs to Four Rooms? you're fucking moron, go and watch your dvd of Twilight and stop annoying us with your unintelligent comments about Tim Roth!
-
Continue to jerk off onto your mother's fat face.
-
I've seen Reservoir Dogs about 5234535435 times. Instead of taking Tarantino's work balls deep like a faggoty fanboy you should consider criticizing it.
-
obviously you must like the film more than anyone on the planet! 5234535435 times! well then you must think this is the greatest movie ever made! But Wait... you criticized them film and said "I didn't care much for the arc". So maybe you didn't like the film that much. What kind of moron watches a film he dosen't care for over and over and over again? Like I saud, go back to watching Twilight and give up your career as a movie critic YA DOUCHE!
-
arc. That's exactly what I said. "5234535435 times!" Yea, you should give up your career as a comic, Jerkoff.
-
If he had not been a cop then the entire film would never had happened! Like I said, you have no clue about films. I think twilight is coming out on HBO this month, you better catch it while you can.
-
If he had not been a cop then the entire film would never had happened! Like I said, you have no clue about films. I think twilight is coming out on HBO this month, you better catch it while you can.
-
I bet you accidently posted twice. Must be typing realllly fast. Human contact must be really exciting for you. Yes. His arc was necessary (as I've clearly stated. I think you need to get the cum out of your ears). I think when we found out he was the rat it took too much away from what was building up. And you keep on mentioning 'Twilight.' It makes you sound like a real fucking dork. Which is what I'd be willing to bet money on. Get fucked.
-
and you took it hook, line and sinker! I knew you would attack me for that rather than stick to the subject. Ahh well, I don't expect much from you any how. By the way, are there any good extras on the Twilight 2 disk set?
-
That's some real Hannibal Lecter shit there. I bet you had a big stupid grin on your face after that comeback. What's it like being an empty sad sack of shit?
-
at this point it is like shooting fish in a barrel. I have lost interest in this debate. Maybe I will catch up with you when they release Twilight 3.
-
that up. What the fuck douchebag?
-
your fuckin mother.
-
and she hates Twilight! So you aint got a chance YA DOUCHE!
-
You hold out candy and then hook line and sinker You got a cock in your fuckin mouth.
-
http://www.youtube.com/watch?v=BYW6C44zo24
-
If I wanted to hear your opinion I would have farted!
-
wow sorry pal but that's not my mom. But you keep on fuckin here anyway ok, don't let me stop you.
-
I set that up and you took it hook line and sinker. Sir not is my brother.
-
that was just lame
Readers Talkback
User Login
Top Talkbacks
- To Commemorate The 3D Release Of STAR WARS EPISODE I: THE PHANTOM MENACE, George Lucas Wants You To Know...Greedo Shoots First!! -- 339 total posts 339 posts
- SPACE 2099!! -- 141 total posts 141 posts
- Quint travels to Barsoom and visits the John Carter set!!! -- 116 total posts 116 posts
- Crom! Grant The Behind the Scenes Pics of the Day revenge! And if you do not listen, den to Hell witchu! -- 67 total posts 67 posts
- The Sensorties Revisit The Friday Docback (And Still Smell)!! DOCTOR WHO Story #7 Again, The Coming Of Season/Series 7, And More!! -- 51 total posts 51 posts
- Friday Brings SWEEPS DAY NINE!! Gab Here About Tonight’s FRINGE!! Plus Einstein on TIM, Wiig On PORTLANDIA, MAHER, CLONE, GIFTED, GRIMM, SPARTACUS, SUPERNATURAL, GOLD RUSH And More!! -- 65 total posts 50 posts
- Rest In Peace Bethesda’s Adam Adamowicz -- 45 total posts 45 posts
- SEEKING A FRIEND FOR THE END OF THE WORLD is something I'm very anxious to see! -- 43 total posts 43 posts
- Capone found nothing mysterious or good about JOURNEY 2: THE MYSTERIOUS ISLAND!!! -- 40 total posts 40 posts
- OK. So Harrison Ford Isn't In Talks For The New BLADE RUNNER. But... -- 145 total posts 39 posts