A Movie A Week: PHONE CALL FROM A STRANGER (1952) You’ve heard of success stories? I’m different. I’m a no-success story
Ahoy, squirts! Quint here with the next installment of A Movie A Week.
[For those who new to the column, A Movie A Week is just that, a dedicated way for me explore vintage cinema every week. I’ll review a movie every Monday and each one will be connected to the one before it via a common thread, either an actor, director, writer, producer or some other crew member. Each film, pulled from my DVD shelf or recorded on the home DVR (I heart TCM) will be one I haven’t seen.]
Today we follow director Jean Negulesco and screenwriter Nunnally Johnson over from last Monday’s HOW TO MARRY A MILLIONAIRE.
It might be my extreme interest in genre film or that I’m a generally assuming ass, but when I saw this movie for sale I thought it was a thriller. Maybe it was the title’s resemblance to WHEN A STRANGER CALLS, maybe it was because it was packaged in a twofer release with THE NANNY, which also sounds like a horror film, and I bought it with another two Bette Davis movies bundled together including next week’s HUSH… HUSH, SWEET CHARLOTTE, which I know damn well is a thriller. Not to mention that DVD art is creepy! Maybe it’s all of those, but honestly the why isn’t important.
One of the reasons I love looking back at these older films is that often times I know nothing at all about what I’m going to watch. I’ll have impressions, naturally, from DVD covers, titles, cast, but unless they’re really huge films that I’m finally getting around to seeing I generally sit down with these films without knowing a damn thing, a clean slate.
So, what I expected to be a thriller turns out to be a drama about a troubled man running away from marital problems and the people he meets on the way.
Now, by itself that sounds dull as shit, but it isn’t. I’m going to get into some plot when I tell you guys why the movie works, but it involves a moment that I think shouldn’t be known going in to the movie. I don’t think knowing this will mean you can’t enjoy the film, but it’s the kind of moment that changes a movie drastically mid-stream. It’s the bar fight with the green blood in From Dusk Till Dawn. In short, it’s a surprise and an interesting one at that, but it’s not a gut-punching plot twist.
So, if you are on the fence about checking this out, I’d just add it the queue and stop reading. If you don’t care or want to know more, then what I discuss below won’t ruin the flick for ya’.
Basically in this flick you have Gary Merrill (ALL ABOUT EVE) playing a lawyer running away from a cheating wife, deciding to clear the air and run to the opposite coast. At the airport he randomly meets three fellow passengers.
One is an actress (Shelley Winters), one a doctor (THE DAY THE EARTHS TOOD STILL’s Michael Rennie) and one’s a traveling salesman (Keenan Wynn). They are all seated together in a café as they wait for their flight.
The first half of the movie are these guys getting to know each other, establishing their characters solidly. First at the departing airport, then on the plane and at a long layover. Winters is returning to her husband and bitchy mother-in-law, an old vaudeville star, after an unlucky attempt at making a name for herself on the stage.
Rennie has a problem with booze and we find out he killed his best friend while drunk-driving, only to say his dead friend was behind the wheel. That secret has ruined his life and caused a divide in his family and he’s on the way home to make things right, whatever penance he has to pay.
Keenan Wynn is on his way home to his pretty bride (we know this because he’ll show a picture of her in a bathing suit to anyone who will look at it). Wynn’s the comic relief, always throwing out a joke or an impression, busting out into song or throwing a pair of chattering teeth on the table.
The first half is character development, getting to know these people and see the bond they make.
And then, on the final leg of the flight, the plane crashes and our lawyer, Merrill, is the only one of the group to survive.
The second half of the movie is Merrill tracking down the family of each of his new-found friends and fixing what was broken almost as a way for him to figure out his own wrecked home-life. That’s where the title comes into play. Merrill cold-calls the mourning families.
I get the feeling that someone involved in LOST, be it Abrams, Lindeloff, Cuse or Lieber, saw this flick at some point and had it in the back of their mind when coming up with the show.
Not only is there a plane crash, but the movie’s full of flashbacks. Almost every character has a flashback to their life. We get Rennie’s before the crash and then we discover the others as Merrill pays a visit to each family.
And interestingly enough, the flashbacks aren’t always factual, especially when it comes to Winters’ husband and mother-in-law, who hated Winters, thinking she’s an opportunist just trying to steal the family name to further herself and her career. We see Winters through her eyes and then we see an alternate Winters via a story Merrill tells her. Neither are true, but Merrill’s is closer to the memory of her as she was and just what the mother in law needs to hear.
There are two supporting characters of note I want to bring up before wrapping out this review. One is Rennie’s wife in the film, played by Beatrice Straight. As she was introduced something about her voice and face struck a chord with me. I’ve seen her before. Then it hit me. She’s the lady who brings Tangina in to help the Freelings in POLTERGEIST, the one with that great, whispered speech to Robbie about the other side.
I always wondered if she had done anything of note before POLTERGEIST and her work in this film is fantastic, solidifying my impression of her as a great actress. She sells the pain of her character, the guilt she feels for helping him cover up the accident and exhaustion from the resulting fracture of their family. All this is shown on her face not so much explained to us beat by beat.
The other is a marvelously understated performance from Bette Davis as Wynn’s wife, the one from the picture he was showing around. The beauty of her character is entwined in the characterization of her husband. He’s always the clown, never serious, loud and obnoxious.
Davis, on the other hand, is bed-ridden, a cripple and the reasons for her accident are horrible, easily painting Davis as a bad woman not worthy of anyone’s love. But Wynn loved her and stood by her when no one else would, even in the face of the circumstances of her condition.
It’s a quiet, understated and tragic performance from Davis, easily one of the best of her work that I’ve been exposed to. Her early stuff hasn’t impressed me, but it seems later in life she really found nuance in her work.
Final Thoughts: PHONE CALL FROM A STRANGER is a great little character study. I love the fantasy flashbacks, especially coming from the mother-in-law, in which Winters (who we know is a good, down to earth person) is portrayed as a loudmouth drunkard and the mother-in-law (who we know is a bit of a c-word) is draped in angelic robes and makes Mother Teresa look like a gangster. The flick was filled with surprises and a lot of heart. A great find.
Upcoming A Movie A Week Titles:
Monday, May 11th: HUSH… HUSH, SWEET CHARLOTTE (1964)
Monday, May 18th: TOO LATE THE HERO (1970)
Monday, May 25th: THE BEST MAN (1964)
Monday, June 1st: THE CATERED AFFAIR (1956)
Tomorrow we follow Bette Davis over to HUSH… HUSH, SWEET CHARLOTTE, a flick I’ve been meaning to see for a long while. See you folks next week!
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Previous AMAWs: April 27th: How To Marry a Millionaire Click here for the full 215 movie run of A Movie A Day!
Readers Talkbackcomments powered by Disqus
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May 4, 2009, 6:18 p.m. CST
to Peter Weir's Fearless. Maybe these Negelusco and Nunnally characters ripped them off???
May 4, 2009, 6:22 p.m. CST
"Don't knock double anal until you've tried it....doll."
May 4, 2009, 6:48 p.m. CST
May 4, 2009, 7:04 p.m. CST
Beatrice Straight did do something else of note before POLTERGEIST. She won a best supporting actress Oscar for NETWORK.
May 4, 2009, 8:31 p.m. CST
May 4, 2009, 9:10 p.m. CST
I enjoyed this much more than How to marry a millionaire. Winters was brilliant in her drunken flashback. The mother in law was priceless in the veil. Bette Davis was married to Gary Merril, and she got into this film, despite the small role, because she felt it was an excellent part. How many actors/Actresses would do that today or in any day? Great movie that would be a great piece to bring back as a theater project. If you have netflix, just add them a week or so beforehand and you can follow along.
May 4, 2009, 9:46 p.m. CST
by Nasty In The Pasty
It's just...BLAH. Nothing distinguished about it at all, despite the fine cast.
May 4, 2009, 9:49 p.m. CST
May 4, 2009, 9:49 p.m. CST
May 4, 2009, 9:52 p.m. CST
I Ran across this movie on TCM, I think, last month. I had no intention of watching it but it really sucked me in. Betty Davis is mesmorizing in it. And yes, it was driving me crazy trying to figure out who that lady was. Suddenly I just yelled, "Oh my God! Its the whispering chick from Poltergeist!" I'm glad you liked as much as I did.
May 4, 2009, 10:01 p.m. CST
I don't even know what this article is about.
May 4, 2009, 10:25 p.m. CST
The avg. visitor to AICN would not in a gazillion years look for this film or give it a second glance if it came on. A number still won't. But you are at least putting it out there that, yes, there was a movie industry before the mid-seventies and it's got a lot of cool films to watch. I have never even heard of this movie and now I want to see it. Thanks Quint.
May 4, 2009, 10:31 p.m. CST
I mean jesus Quint..you're sitting here writing reviews on films most anyone has already seen...you're like that asshole in a bar who is telling this story they think is new to them but everyone actually wants to just shut up cause they've heard it a thousand times..maybe try reviewing some blockbuster video 90's softcore porn or something..see that would be interesting
May 5, 2009, 1:01 a.m. CST
Probably not. In fact, I doubt I even heard of this movie before Quint reviewed it, and I am willing to bet money I have probably seen more movies than you, just like I am sure there are people here who have seen more a movies than me. <p> Yeah, Quint has gaps in his film library, which is the entire point of AMAD and AMAW - to fill those gaps. And many of us like going on that journey with him, even if it is a movie we have seen before. But for some reasons certain guys out there have to constantly remind him how he hasn't nearly as many films as they have. <p> I guess that makes you the asshole at the bar who is jealous that someone else is getting all the attention and you are not.
May 5, 2009, 1:10 a.m. CST
If you wanna bitch about AICN, there is far more deserving shit to bitch about. Please haunt something like the Script Girl TB next time.<p> I realize you're trying to make a name for yourself, but please find a worthwhile place to do it next time. When you post that shit in here you come off as desperate and dare I say.....dull? <p>P.S. gag on my urine you dumb motherfuck.
May 5, 2009, 1:32 a.m. CST
when did talkbacks become a popularity contest? Oh... riiiiiiight.
May 5, 2009, 2:17 a.m. CST
Wow, I wish I would have stopped reading when suggested. This does indeed sound like an interesting drama. Thankfully the list is long(many AMADs to still make it through), so I'll probably forget the "twist" when I get around to this one.
May 5, 2009, 4:30 a.m. CST
It's not so much a twist, which almost makes it more shocking. It just happens. When you get to it you'll understand why I had to talk about it in the review. The heart of the movie is revealed after the crash. But knowing it is coming shouldn't be a big deal. The whole movie isn't predicated on that one plot point catching you by surprise.
May 5, 2009, 7:25 a.m. CST
I really love this column. Never would have found this title on my own, but it's definitely on the list now. I hope you continue to spotlight movies from the 30s thru the 70s; turn us on to titles we may not heard of otherwise.
May 5, 2009, 11:01 a.m. CST
by Coma Baby
This feature is one of the best things on the site. Weekly sounds about right to me. I'm baffled why anyone would pick AMAW of all things to hate on. There are a lot of old hollywood flicks that are great, but I might never normally come across or seek out - me being hypnotized by Eurotrash Horror as soon as I enter the video store. This is a great way to find some gems (with you as the guinea pig). I somehow managed to stop myself from reading on and spoiling it, so when I rent it, I'm going in fresh.
May 12, 2009, 4:24 a.m. CST
I just added this to my NetFlix queue. My advice to you and anyone else who doesn't want the film spoiled: don't read the NetFlix description. As usual, NetFlix reveals the movie's details within the first line of its summary. I really hate that.
June 17, 2009, 8:08 a.m. CST
-- for the cast alone.
Feb. 15, 2010, 1:46 a.m. CST
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Feb. 15, 2010, 1:47 a.m. CST
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