A Movie A Day: A STRANGER IS WATCHING (1982) The book that described it is now the movie that shows it.
Published at: Dec. 29, 2008, 8:03 a.m. CST by quint
Ahoy, squirts! Quint here with today’s installment of A Movie A Day.
[For those now joining us, A Movie A Day is my attempt at filling in gaps in my film knowledge. My DVD collection is thousands strong, many of them films I haven’t seen yet, but picked up as I scoured used DVD stores. Each day I’ll pull a previously unseen film from my collection or from my DVR and discuss it here. Each movie will have some sort of connection to the one before it, be it cast or crew member.]
Finally, I’m able to catch up on my AMADs with today’s A STRANGER IS WATCHING, directed by FRIDAY THE 13TH’s Sean S. Cunningham. We follow the great Rip Torn over from previous AMAD Payday.
This film isn’t exactly better, per se, but it is certainly far more up my alley than yesterday’s tale about 3 days in the life of a shady country singer.
Cunningham followed up FRIDAY THE 13TH with this flick, more of a thriller from a novel by Mary Higgins Clark. It certainly does have dark horror elements… hell, it opens with a little girl waking up, hearing a struggle downstairs. She goes down to investigate and sees her mother raped and bludgeoned to death by a hammer. It’s not as ‘70s graphic as something like JACKSON COUNTY JAIL or I SPIT ON YOUR GRAVE, but it’s not exactly tame either.
We cut forward 2 years and the girl and her father are trying to get over the death of the mother. A delivery boy is sentenced to death for the rape and murder, thanks to testimony from the girl, who is still haunted by that night. But if you’ve seen the DVD cover you know this poor kid didn’t have anything to do with it and that Rip Torn is the evil sumbitch in his Fievel hat.
Torn shows up, stalking this girl.
A STRANGER IS WATCHING then turns into a kidnapping movie, which I didn’t expect. From the cover, director and cast, I expected it to be a typical stalk and slash, but less than half an hour in Torn nabs the girl and her dad’s new girlfriend, Captain Janeway (Kate Mulgrew), tosses them in his white, window-less kid-toucher van, bags them and carries them through Grand Central Station, down into the subway and into his underground lair where he holds them until he can make his ransom demands.
Young Shawn von Schreiber plays little Julie Peterson, the kidnapped girl. As far as I can tell Schreiber didn’t act in anything else, which is a pity because she’s one of the better child actors I’ve seen in films recently (both AMADs and current theatrical releases). She’s able to be both childlike and adult, but not in the creepy Dakota Fanning way. Adult more in that she’s not screaming her lines and can deliver them with some subtlty.
Mulgrew is fine here as well, looking incredibly young… not used to seeing her in her younger, sexier days. Not that I was a big Voyager fan, either. I kind of stopped watching Trek after TNG ended, but Captain Janeway is a figure I recognize and that’s how I mostly know Mulgrew as a personality.
Rip Torn is fantastic, as expected. They make him out to be a monster, and he is, at the beginning, but the more we hear from him the more humanity he gains. It’s not that he’s more sympathetic, but when he’s not kidnapping innocent young girls and raping and murdering women he almost has a Michael Douglas FALLING DOWN-ish quality. He’s a grumpy old bastard and that’s endearing to me, especially when it’s Rip Torn being said grumpy dick.
Also of note is William Hickey in a small damn near cameo-sized role as a gay homeless man. I love, love, love William Hickey. His voice, demeanor and line delivery always takes me back. And hearing him demanding to see Rip Torn’s pecker is worth the 90 some minutes of this movie alone.
FRIDAY THE 13TH cinematographer Barry Abrams returns to shoot this film, giving a real grit to the visual design of the movie. Harry Manfredini is left scoring the Voorheeses while Cunningham moved on to classic composer Lalo Schifrin. I love Schifrin’s work, but I can’t say his score for this film caught my ear.
Final Thoughts: It’s hard to find a lot of steam to write up a longer review. I liked this movie, but didn’t love it. It’s not bad enough to rant and rave, but not good enough to gush. I will say it’s far better than mediocre, but not to a degree that I want to shout my love of this flick to the heavens. Rip Torn is the reason to watch this movie… well, that and gay hobo William Hickey cameo. But seriously, if Rip Torn hadn’t delivered such a creepy and threatening performance the movie would have just been dull. He elevates the film to an enjoyable level.
Here are the final run of A Movie A Day titles:
Monday, December 29th: THE NEW KIDS (1985)
Tuesday, December 30th: SERIAL (1980)
Wednesday, December 31st: THE PRIVATE LIFE OF SHERLOCK HOLMES (1970)
Thursday, January 1st: IRMA LA DOUCE (1963)
Friday, January 2nd: THE PRISONER OF SECOND AVENUE (1974)
Saturday, January 3rd: THE GOODBYE GIRL (1977)
Sunday, January 4th: LOST IN YONKERS (1993)
Monday, January 5th: THE SUNSHINE BOYS (1975)
Tuesday, January 6th: CALIFORNIA SUITE (1978)
Wednesday, January 7th: A BRIDGE TOO FAR (1977)
And there’s the last of the AMAD line-up in total. We march steadily on to the end, continuing tomorrow with another Sean S. Cunningham ‘80s thriller: THE NEW KIDS. See you folks tomorrow for that one!
-Quint
quint@aintitcool.com