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Ahoy, squirts! Quint here with today’s installment of A Movie A Day.
[For those now joining us, A Movie A Day is my attempt at filling in gaps in my film knowledge. My DVD collection is thousands strong, many of them films I haven’t seen yet, but picked up as I scoured used DVD stores. Each day I’ll pull a previously unseen film from my collection or from my DVR and discuss it here. Each movie will have some sort of connection to the one before it, be it cast or crew member.]
We end our James Woods Marathon with today’s John Flynn movie BEST SELLER, co-starring Brian Dennehy. This movie is so thoroughly ‘80s… I loved it. Nothing like mid to late ‘80s filmmaking… overly-lit, with tons of steam during every single chase scene, but free to tell a tale without a clear-cut bad guy who drops as many F bombs as he wants.

If I had any doubt that this would be an ‘80s extravaganza they were erased when Larry Cohen’s name came up with a writing credit. I love Larry Cohen, especially ‘80s Larry Cohen. MANIAC COP, Q: THE WINGED SERPENT… THE Mother-Fuckin’ STUFF… hell yeah.
But I wasn’t aware that he wrote a straight-up dramatic thriller, let alone one directed by John ROLLING THUNDER Flynn, until stumbling upon this film used as my favorite used DVD store, Buybacks.
Predating POINT BREAK by 4 years, the flick opens with a heist of a police depot by a group wearing Nixon masks. Here we’re introduced to Dennehy, a cop in the wrong place at the right time.
As much as I liked this scene, they slipped up pretty big here. There is no doubt whatsoever that the main masked man is James Woods. His ADR is so clearly James Woods, his voice to distinct even when he tries to mask it, that there’s no doubt who he is.
Basically, Dennehy is left for dead, after getting a knife into the gunman, and ultimately survives to write a best selling book about the robbery. We move forward a decade, out of the ‘70s and into the ‘80s as Dennehy’s life is a mess. He’s a single parent raising his daughter, his wife dead, he owes a book that he’s delayed long enough that there might be legal action against him. Basically the only thing he has left is his job, still working the beat.

That’s where we meet back up with him, as he spring into action at a loading dock chasing down a dude I recognized as an ‘80s action regular, but couldn’t tell you his name. James Woods, decked out in an ‘80s brown suit, pops up out of nowhere, saves Dennehy’s life.
Woods disappears, then shows up a couple scenes later with a proposition. He wants Dennehy to write another book, this time about his former employer, a charming CEO who had a bookful of people knocked off during his rise to power.
Woods admits he’s a hitman and was involved with the robbery from the beginning of the movie, but only in that he was a driver… So there’s the problem with knowing Woods was the gunman who shoots Dennehy twice in the opening of the movie. When Dennehy buys his story and starts working with him on this book, the audience is now an easy half an hour ahead of the movie, just waiting for Dennehy to get wise.
But the real success of the movie is in the writing of Woods’ assassin, Cleve. Cohen didn’t pull any punches with his character. He’s dickish, he’s a cold-blooded killer without an iota of remorse or humanity about that aspect of his life, but as Dennehy gets to know him we find that he is very human. He wants a legacy. He’s helping to implicate his old boss for mysterious reasons, but the more we uncover the more we find out just how desperate he is to be painted as a good guy.
He can never make that change in his life, but he sure as hell can work towards how his image will look in the book. He doesn’t want to be a good man. He wants to be SEEN as a good man.
It’s a fascinating and dark character that Woods relishes playing. Unfortunately, I don’t think it’s his best performance. This is the first time in the last few Woods movies where I heard the actor reading his lines and not speaking as the character. He’s still very good in the movie, but there was that distance for me.

Dennehy is good as the straight man, but really doesn’t get much of a chance to shine. His character is simple compared to Woods’, a good guy and good cop. He has one great scene where he is met by representatives fo the corporate who subtly threaten him against writing and publishing the book.
Dennehy gets to be incredibly strong and sarcastic here, flexing nuts and not bowing to any pressure. It’s fun for us to watch and it’s the one moment where I felt his character got to be proactive.
Performance-wise, Dennehy’s strong throughout, but this one scene is where he gets to excel.
John Flynn’s direction is perfectly fine, but the movie is nowhere near his best. For that, try to find either ROLLING THUNDER or THE OUTFIT, starring Robert Duvall, Joe Don Baker and Robert Ryan. I don’t think either are out on DVD yet (why the hell not?), but they’re both incredible movies.
Final Thoughts: BEST SELLER is a fun movie, completely in the ‘80s buddy-film mold, but with characters unique enough and a tone dark enough to keep it from becoming lost in the LETHAL WEAPONS of the era. We don’t get movies like this much anymore… extremely violent thrillers with morally reprehensible leads. That alone makes this one worthy of a viewing.

Here’s what we have lined up for the next week:
Wednesday, November 19th: THE HOLCROFT COVENANT (1985)

Thursday, November 20th: BIRDMAN OF ALCATRAZ (1962)

Friday, November 21st: WHITE HEAT (1949)

Saturday, November 22nd: MAN OF A THOUSAND FACES (1957)

Sunday, November 23rd: EACH DAWN I DIE (1938)

Monday, November 24th: THE BRIDE CAME C.O.D. (1941)

Tuesday, November 25th: THE PETRIFIED FOREST (1936)

Tomorrow we follow Victoria Tennant, who has a small role in this film, over to John Frankenheimer's 1985 Robert Ludlum adaptation, THE HOLCROFT COVENANT, starring Michael Caine. See you folks for that one!
-Quint
quint@aintitcool.com

Previous Movies:
June 2nd: Harper June 3rd: The Drowning Pool June 4th: Papillon June 5th: Gun Crazy June 6th: Never So Few June 7th: A Hole In The Head June 8th: Some Came Running June 9th: Rio Bravo June 10th: Point Blank June 11th: Pocket Money June 12th: Cool Hand Luke June 13th: The Asphalt Jungle June 14th: Clash By Night June 15th: Scarlet Street June 16th: Killer Bait (aka Too Late For Tears) June 17th: Robinson Crusoe On Mars June 18th: City For Conquest June 19th: San Quentin June 20th: 42nd Street June 21st: Dames June 22nd: Gold Diggers of 1935 June 23rd: Murder, My Sweet June 24th: Born To Kill June 25th: The Sound of Music June 26th: Torn Curtain June 27th: The Left Handed Gun June 28th: Caligula June 29th: The Elephant Man June 30th: The Good Father July 1st: Shock Treatment July 2nd: Flashback July 3rd: Klute July 4th: On Golden Pond July 5th: The Cowboys July 6th: The Alamo July 7th: Sands of Iwo Jima July 8th: Wake of the Red Witch July 9th: D.O.A. July 10th: Shadow of A Doubt July 11th: The Matchmaker July 12th: The Black Hole July 13th: Vengeance Is Mine July 14th: Strange Invaders July 15th: Sleuth July 16th: Frenzy July 17th: Kingdom of Heaven: The Director’s Cut July 18th: Cadillac Man July 19th: The Sure Thing July 20th: Moving Violations July 21st: Meatballs July 22nd: Cast a Giant Shadow July 23rd: Out of the Past July 24th: The Big Steal July 25th: Where Danger Lives July 26th: Crossfire July 27th: Ricco, The Mean Machine July 28th: In Harm’s Way July 29th: Firecreek July 30th: The Cheyenne Social Club July 31st: The Man Who Knew Too Much August 1st: The Spirit of St. Louis August 2nd: Von Ryan’s Express August 3rd: Can-Can August 4th: Desperate Characters August 5th: The Possession of Joel Delaney August 6th: Quackser Fortune Has A Cousin In The Bronx August 7th: Start the Revolution Without Me August 8th: Hell Is A City August 9th: The Pied Piper August 10th: Partners August 11th: Barry Lyndon August 12th: The Skull August 13th: The Hellfire Club August 14th: Blood of the Vampire August 15th: Terror of the Tongs August 16th: Pirates of Blood River August 17th: The Devil-Ship Pirates August 18th: Jess Franco’s Count Dracula August 19th: Dracula A.D. 1972 August 20th: The Stranglers of Bombay August 21st: Man, Woman & Child August 22nd: The Little Girl Who Lives Down The Lane August 23rd: The Young Philadelphians August 24th: The Rack August 25th: Until They Sail August 26th: Somebody Up There Likes Me August 27th: The Set-Up August 28th: The Devil & Daniel Webster August 29th: Cat People August 30th: The Curse of the Cat People August 31st: The 7th Victim September 1st: The Ghost Ship September 2nd: Isle of the Dead September 3rd: Bedlam September 4th: Black Sabbath September 5th: Black Sunday September 6th: Twitch of the Death Nerve September 7th: Tragic Ceremony September 8th: Lisa & The Devil September 9th: Baron Blood September 10th: A Shot In The Dark September 11th: The Pink Panther September 12th: The Return of the Pink Panther September 13th: The Pink Panther Strikes Again September 14th: Revenge of the Pink Panther September 15th: Trail of the Pink Panther September 16th: The Real Glory September 17th: The Winning of Barbara Worth September 18th: The Cowboy and the Lady September 19th: Dakota September 20th: Red River September 21st: Terminal Station September 22nd: The Search September 23rd: Act of Violence September 24th: Houdini September 25th: Money From Home September 26th: Papa’s Delicate Condition September 27th: Dillinger September 28th: Battle of the Bulge September 29th: Daisy Kenyon September 30th: Laura October 1st: The Dunwich Horror October 2nd: Experiment In Terror October 3rd: The Devil’s Rain October 4th: Race With The Devil October 5th: Salo, Or The 120 Days of Sodom October 6th: Bad Dreams October 7th: The House Where Evil Dwells October 8th: Memories of Murder October 9th: The Hunger October 10th: I Saw What You Did October 11th: I Spit On Your Grave October 12th: Naked You Die October 13th: The Wraith October 14th: Silent Night, Bloody Night October 15th: I Bury The Living October 16th: The Beast Must Die October 17th: Hellgate October 18th: He Knows You’re Alone October 19th: The Thing From Another World October 20th: The Fall of the House of Usher October 21st: Audrey Rose October 22nd: Who Slew Auntie Roo? October 23rd: Wait Until Dark October 24th: Dead & Buried October 25th: A Bucket of Blood October 26th: The Bloodstained Shadow October 27th: I, Madman October 28th: Return to Horror High October 29th: Die, Monster, Die October 30th: Epidemic October 31st: Student Bodies November 1st: Black Widow November 2nd: The Ghost & Mrs. Muir November 3rd: Flying Tigers November 4th: Executive Action November 5th: The Busy Body November 6th: It’s A Mad Mad Mad Mad World November 7th: Libeled Lady November 8th: Up The River November 9th: Doctor Bull November 10th: Judge Priest November 11th: Ten Little Indians November 12th: Murder On The Orient Express November 13th: Daniel November 14th: El Dorado November 15th: The Gambler November 16th: Once Upon A Time In America November 17th: Salvador
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