Ain't It Cool News (www.aintitcool.com)
Movie News

A Movie A Day: Quint on BARON BLOOD (1972)
Kunich, Sator, Homah. I call the body and soul of Otto von Kleist.



Ahoy, squirts! Quint here with today’s installment of A Movie A Day. [For those now joining us, A Movie A Day is my attempt at filling in gaps in my film knowledge. My DVD collection is thousands strong, many of them films I haven’t seen yet, but picked up as I scoured used DVD stores. Each day I’ll pull a previously unseen film from my collection and discuss it here. Each movie will have some sort of connection to the one before it, be it cast or crew member.] Today we cover our final Mario Bava flick of the run, Baron Blood. I found Baron Blood to be a really fun movie, but that’s not what makes it special to me right now. Unless I miscounted, Baron Blood is the 100th movie in this continuing column. Blows my mind a little bit, actually. I find I simultaneously feel like I just started the AMAD column and like I’ve been doing it for years. One hundred movies and the pile just seems to keep growing. In fact, digging into these older films has really inspired me to seek out more. I just recently purchased 33 titles off of Amazon, mostly from the MGM library, in their (still ongoing) 3 for $10 sale. That’s brand new DVDs at $3.33 each, so I pretty much bought any movie I either liked, but didn’t have in my collection or that I hadn’t seen. Since beginning this column I’ve seen my enthusiasm for film grow in leaps and bounds. I’ve always loved movies, watching them obsessively over and over again as a kid. Summer meant weekday bike rides to the mall where the 4-plex was showing current releases, then coming back home with a stack of videos from the Korean-owned mom and pop store by my house. I loved the current movie viewing, but there was something special about combing the racks of the video store, trying a few things out, finding new actors, directors, genres, writers, etc to fall in love with. In the past few years I’ve spent a lot more time keeping up with current film, be it studio, indie or foreign, but this column has made me find that childlike joy of discovery again. There are so many movies out there. I feel like I’ve only just begun and it fills me with excitement that there’s still so much more to find. And this is just what’s on DVD now (or what happens to catch my eye on TCM… thanks DVR). So, thank you for following along with me through 100 films and here’s to the next 100, may they be as interesting as the last. Let’s get to the centennial flick.

Baron Blood is more straight forward than the non TWITCH OF THE DEATH NERVE and BLACK SABBATH Bavas on the list so far, which I appreciated. There’s only so much dreamy/ethereal arty EuroHorror flicks I can take in a week. In an interesting bit of connectivity to yesterday’s LISA & THE DEVIL, the film opens on an airplane as a young American (Antonio Cantafora) named Peter arrives in Austria to visit the home of his ancestor, the great and feared Baron Otto von Kleist. The Baron was well known for his torture chambers and gruesome murders of anyone who would oppose him. Thankfully the Baron has been dead for many years. His castle is being renovated, the owners trying to play up the gory history while changing it to a hotel, hoping to pull in tourists with an interest in the macabre.

Elke Sommer is a young woman helping in the restoration and she takes to Peter right away. Of course, Peter didn’t come all the way to Austria empty handed. He has in his possession the original parchment detailing how when the Baron killed a witch a curse was put upon him. She detailed a chant that would resurrect The Baron so she can watch him suffer in the flesh from beyond the grave. Sounds like a little flawed logic on the witch’s part, but hey… she was about to burned to death and was doing the best she could. Peter and Elke (playing a character called Eva) decide to fuck around and in a scene just as absurd as the recitation of the forbidden passage from the Necronomicon in EVIL DEAD 2 the two find the room in the castle where the Baron was murdered and recite the Witch’s curse, raising the Baron from his grave. The years haven’t been too kind to him. He’s got worse skin than Freddy Krueger, but at least he’s got a pretty rocking outfit… long, black cloak and pilgrim hat. In fact, he looks a lot like the killer in Eli Roth’s THANKSGIVING trailer.

Of course people start dying horrible deaths and then the movie completely changes. About halfway through the movie morphs into a different flick, going from crazy undead torture obsessed Baron Blood knocking off people Phantom of the Opera style in his castle to a mystery. The castle is sold at auction to a crippled man, played by Joseph Cotton. He’s just creepy enough to make you wonder if he isn’t somehow the Baron in disguise. The twist of the story isn’t a hard one to see coming, but they don’t treat it as a twist. All the characters know Cotton’s true identity about 20 minutes before the finale.

The rest of the movie is Peter and Eva trying to make-up for summoning the Baron. The parchment burned, so they can’t send him back, but instead they find a medium to speak with the long-dead witch who originally put the curse on the Baron and find a way to stop him… a pretty cool way, truth be told. Cotton is pretty good here, taking the role more seriously than I expected, but still managing to have fun with it. Sommers is fine, but hasn’t blown me away in either this or Lisa & The Devil. I did like her more in this one, though. She is a beautiful woman and even though she doesn’t shed as many clothes as she did in LISA & THE DEVIL she’s much more attractive in this one. It’s all in her character, she’s more likable here. Final Thoughts: The flick is a lot of fun, which makes up for some faulty logic. You either let it work for ya’ and enjoy the rollercoaster aspect, the horror adventure aspect, and have a good time or you don’t. Either way’s fine, but I fell on the “had fun with it” side.

The schedule for the next 7 days is: Wednesday, September 10th: A SHOT IN THE DARK (1964) Thursday, September 11th: THE PINK PANTHER (1963) Friday, September 12th: THE RETURN OF THE PINK PANTHER (1975) Saturday, September 13th: THE PINK PANTHER STRIKES AGAIN (1976) Sunday, September 14th: REVENGE OF THE PINK PANTHER (1978) Monday, September 15th: THE TRAIL OF THE PINK PANTHER (1982) Tuesday, September 16th: THE REAL GLORY (1939) -Quint quint@aintitcool.com



Previous Movies: June 2nd: Harper
June 3rd: The Drowning Pool
June 4th: Papillon
June 5th: Gun Crazy
June 6th: Never So Few
June 7th: A Hole In The Head
June 8th: Some Came Running
June 9th: Rio Bravo
June 10th: Point Blank
June 11th: Pocket Money
June 12th: Cool Hand Luke
June 13th: The Asphalt Jungle
June 14th: Clash By Night
June 15th: Scarlet Street
June 16th: Killer Bait (aka Too Late For Tears)
June 17th: Robinson Crusoe On Mars
June 18th: City For Conquest
June 19th: San Quentin
June 20th: 42nd Street
June 21st: Dames
June 22nd: Gold Diggers of 1935
June 23rd: Murder, My Sweet
June 24th: Born To Kill
June 25th: The Sound of Music
June 26th: Torn Curtain
June 27th: The Left Handed Gun
June 28th: Caligula
June 29th: The Elephant Man
June 30th: The Good Father
July 1st: Shock Treatment
July 2nd: Flashback
July 3rd: Klute
July 4th: On Golden Pond
July 5th: The Cowboys
July 6th: The Alamo
July 7th: Sands of Iwo Jima
July 8th: Wake of the Red Witch
July 9th: D.O.A.
July 10th: Shadow of A Doubt
July 11th: The Matchmaker
July 12th: The Black Hole
July 13th: Vengeance Is Mine
July 14th: Strange Invaders
July 15th: Sleuth
July 16th: Frenzy
July 17th: Kingdom of Heaven: The Director’s Cut
July 18th: Cadillac Man
July 19th: The Sure Thing
July 20th: Moving Violations
July 21st: Meatballs
July 22nd: Cast a Giant Shadow
July 23rd: Out of the Past
July 24th: The Big Steal
July 25th: Where Danger Lives
July 26th: Crossfire
July 27th: Ricco, The Mean Machine
July 28th: In Harm’s Way
July 29th: Firecreek
July 30th: The Cheyenne Social Club
July 31st: The Man Who Knew Too Much
August 1st: The Spirit of St. Louis
August 2nd: Von Ryan’s Express
August 3rd: Can-Can
August 4th: Desperate Characters
August 5th: The Possession of Joel Delaney
August 6th: Quackser Fortune Has A Cousin In The Bronx
August 7th: Start the Revolution Without Me
August 8th: Hell Is A City
August 9th: The Pied Piper
August 10th: Partners
August 11th: Barry Lyndon
August 12th: The Skull
August 13th: The Hellfire Club
August 14th: Blood of the Vampire
August 15th: Terror of the Tongs
August 16th: Pirates of Blood River
August 17th: The Devil-Ship Pirates
August 18th: Jess Franco’s Count Dracula
August 19th: Dracula A.D. 1972
August 20th: The Stranglers of Bombay
August 21st: Man, Woman & Child
August 22nd: The Little Girl Who Lives Down The Lane
August 23rd: The Young Philadelphians
August 24th: The Rack
August 25th: Until They Sail
August 26th: Somebody Up There Likes Me
August 27th: The Set-Up
August 28th: The Devil & Daniel Webster
August 29th: Cat People
August 30th: The Curse of the Cat People
August 31st: The 7th Victim
September 1st: The Ghost Ship
September 2nd: Isle of the Dead
September 3rd: Bedlam
September 4th: Black Sabbath
September 5th: Black Sunday
September 6th: Twitch of the Death Nerve
September 7th: Tragic Ceremony
September 8th: Lisa & The Devil

Readers Talkback
comments powered by Disqus