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I was in the midst of writing my review of
TARZAN in my hotel room at the Universal Sheraton
when the phone rang. The red light flashed, and my
hand darted to the receiver.
It was.... Moriarty.
“Pitiful soul,” he called me, “I have decided to
bestow mercy upon your thick hide.”
Being the intelligent master of verbal dueling I
said, “Uh huh”
“Harry, there will be a driver outside your hotel
in 5 minutes. He is to take you to a place you dare
not speak of. Once there, walk through the double
doors, go into the women’s restroom. Knock 3 times
on the center mirror and then stand with your arms to
your side.”
I remember being especially spooked by this, so I
just answered with a threatening, “Uh huh.”
I did as I was told, and I found myself surrounded
by minions and underlings. Bizarre and twisted, foul
and fiendish. This was obviously the staging grounds
from whence Moriarty would set out to rule the
world. And there... in the center of it all was the
white haired rotund one. Three piece suit, monocle
and gold chained watch intact.
He whispered, “Pula Farrell,” into my right ear
and I awoke in a theater. My arms were at my side
and... a flicker of light came from behind me.
What happened next stilled my beating heart. It
was... THE IRON GIANT.
Now, we’ve seen a lot written about THE IRON
GIANT here at AICN, and I had a great deal of trust
in the man known as Moriarty.
He was speaking of this as a Great film. A
classic. A film devoid of dating. A movie made for
all times and all generations. Superlatives became his
only writing ability. And when he talked verbally of
the film with me he had a giggle... like he knew
something that he could never fully explain to me...
he’d simply have to show me.
I was not alone in this theater. Somehow
Copernicus was there. Last I had heard he was in
West Texas observing the collisions of galaxies. And
his Agent Scully was with him. And... Bless my soul
it was Orson Welles. He was there too.
Each of us had our own row, and ya know. I’m
glad. I needed that distance, I needed my bubble...
because me and my whole universe disappeared into
THE IRON GIANT.
This is the first film I have seen that has honestly
learned everything you should take from E.T.... but
then improved on every single point. You see, in
E.T. That little alien was wise, he knew what harm
was, he knew what an ‘Ouch’ meant. Here... In this
film, Elliot aka Hogarth becomes the teacher... Not
just of words, but of ideals, dreams, right and wrongs.
And it works. It really works.
The Steven Spielberg that made E.T. has been
abducted for the last 18 years. Where did he go?
What happened to him? Well... Here in Brad Bird I
see him. And, he’s improved.
Watching this film I saw something Fresh. And
that’s a bit remarkable nowadays. But then it scared
me.
Why? Well, because I have almost zero faith in
Warner Brothers as a marketing company. Watching
their trailer, then watching the film, I realized that they
completely do not understand what it is they have.
Right now the movie is being pitched as a
cartoon. It’s being pitched as something fun for the
kids. And ya know what? Kids are gonna eat this
film up... But the market for this movie is soooooooo much larger
than that.
The one thing I kept wishing while I sat in that
auditorium was that my father was there. Dad is 54
years old. And while watching this film I got the idea
that Hogarth was not only a great character, but he’s
how I imagine my father must have been as a kid.
He read Mad Magazine, Spirit and Superman.
He went off into the woods to have adventures. He
stayed up late at night to watch movies like FIEND
WITHOUT A FACE or THE BRAIN FROM
PLANET AROUS. He had a cigar box filled with
survival items he would need when the A-Bomb
inevitably hit San Antonio. He had to practice the
“duck and cover” drill in school.
He went out and captured rattlesnakes, raccoons,
squirrels, etc. Well... You know, I’ve only heard
tales about my father as a kid. Stories he used to relate
to me when I was a kid... To help me see that the
problems I was having were not unique or new... but
rather age old problems that plague each new
generation.
And you know what? This is a film that opens up
that dialogue. It made me want to talk to my dad
about growing up in this era. And ya know... I did...
It’s great.
The characters in the movie are a beatnik junk metal artist with a cool goatee,
Hogarth is the precocious kid, Chip Mansley a government man
obsessed with the RED SCARE and Nuclear War, a
reactionary general, a paranoid populace and lastly a
gun that doesn’t want to be a gun anymore... The Iron
Giant.
This movie has soul, and so does every character
that lives in this universe. The kid is smart in a very
realistic ‘kid’ way. The mother is the exasperated
single parent who is working the waittress gig, getting
very tired, and hasn’t enough energy to wrangle little
Hogarth.
This is the sort of film that you take over major
telecommunication firms and then place one gigantic
phone call to everyone in the world to alert them of
this movie.
This is a film to discover. One that you don’t go
to because it’s a ‘Must See’ movie, but one you go to
cause someone said, “You need to see IRON
GIANT.” They stare you in the eye, their voice is
sincere... and that strange ‘I have seen something you
need to see’ look is there upon their brow.
I don’t know what to do about my TARZAN
review now... it vexes me. I really enjoyed the film, I
had a blast with it... but to see a movie... and
animated film that doesn’t have characters created
strictly to pander to one group or another. To see a
film that betters it’s live action counterparts. To see
Brad Bird create a perfect story with the perfect
amount of heart and earnestness... Well... Ya know...
It makes me look at TARZAN and HERCULES and
MULAN and HUNCHBACK and POCAHONTAS...
and it makes me wonder what these films could have
been had a corporation not been involved.
They might have been as heartfelt and honest as
THE IRON GIANT. Perhaps they could have had the
cross-generational appeal that I felt with this movie. And perhaps they would
not have felt so much a part of the time in which they
were made.
IRON GIANT is timeless. It’s a film that adults
can watch and feel like they aren’t “doing time” with
their kids.
It is a film with a very strong message about harm
and violence... And in the world we exist in today...
It’s nice to see a film take a hard look at the soul of
someone behind the trigger. It’s a message that
should reach every person in this country.
Go see this movie. See it, and make your friends
go... Folks... be prepared to be disarmed by this
movie. You will find yourself enthralled and time
will disappear. This isn’t a film about the latest
‘tricks’ of the trade... Or the latest hot ‘voice’. It isn’t
about a gimmick. It’s about storytelling, and folks...
it just doesn’t get better than this.
What a wonderfully magical night. Afterwards,
Moriarty had to get his print back to those within the
NRG that had to test the film on Tuesday. We can’t
interrupt the screening process can we?
A note about the state of the film. It didn’t have
the final score, and a few parts here and there were
still pencil animation. But in this rough state it had
all the magic in the world. Oh... Kamen, write a
classic please... the material deserves your best.
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