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Part 3 of 3 for Marvel's THE STAND adaptation! Quint interviews writer Roberto Aguirre-Sacasa plus a special surprise...
Ahoy, squirts! Quint here with our look at what Marvel’s doing with their comic book adaptation of Stephen King’s THE STAND Part 3 of 3. If you didn’t get to check out the first two parts:
Click here for Part 1 featuring a first look at finalized colored art!
Click here for Part 2 featuring pencil character designs and an interview with artist Mike Perkins!
Today we cap it off with an email interview I did with writer Roberto Aguirre-Sacasa as well as something special at the end… the first full three pages of Issue #1.
Hope you guys enjoy!
Quint: The Stand is one of my all time favorite books. It's one I genuinely believe will be taught to future generations. It's populist, but there's also some real artistry there in how King layers the characters, sets a world and makes it so damn easy to follow even though it's, like, 4,000 pages long. How are you approaching the material, what's your main goal as a writer for this series at Marvel?
Roberto Aguirre-Sacasa: Well, first of all, The Stand is one of my favorite novels, too; that’s why I signed-on for the long haul. Along with The Great Gatsby, Heart of Darkness, and Dracula, it’s one of the few novels I’ve read more than once. (And I get more out of it each time I re-read it.) And, like you, I believe its themes and its scope make it one for the ages, as they like to say. Also, it’s just a brilliant, gripping story that works beautifully as pure entertainment. Honoring that, first and foremost, is my main goal. I want this series to be a great read. I want people who have never encountered The Stand before to get a sense of how truly epic it is; and, fingers crossed, thirty issues will let us do that (hopefully). I want people who, like me, have read the novel to experience it in a new, fresh, literate—but also (obviously) visual—way. I want it to be a page-turner with surprising depth, complexity, and heart. Ambitious enough, do you think?
Quint: One of the stand-out attributes of the book is King's character economy. Since you're working in a more visual medium, does that make it harder or easier for you to tell this story?
Roberto Aguirre-Sacasa: When I re-read The Stand, what struck me most—even more than the sheer ambition and the profound horror and surprising hope of it—were the characters. How multi-layered they were. How much I liked them. How much they terrified me. How much I felt for them. And that, of course, is due to Stephen King’s inherent genius; his ability to draw and develop characters quickly and deeply. But also, frankly, of the time and room he allows for these characters to, quite simply, live, especially in the expanded edition of The Stand. The series will have great action set-pieces, no question (like Larry’s journey through the corpse-choked Lincoln Tunnel), but I also want to capture as many of the quieter “character moments” as I possibly can. Luckily, penciller Mike Perkins is not only a master of action and movement, but of emotion and nuance. His faces and gestures are worth a thousand words.
Quint: Are you taking any liberties? I don't mean that in an accusatory way. I assume you're going to be faithful, but the question is what new angle is being brought to the table for this series?
Roberto Aguirre-Sacasa: Truly, my only agenda is to be as faithful as possible; to that end, I’m taking as few liberties as I can. Of course, consciously or subconsciously, you skew a certain way; it’s inevitable. But right now, I’m trying to pack as much of the novel’s essence in the adaptation as is humanly possible. I start with what speaks to me most directly—what elements I find the most gripping as a reader and as a fan of the novel—and work outwards from there. I identify what elements/scenes/whatever are the most immediate and visual and fight to include them. If something isn’t essential to the present action, but resonates for another reason—like the scene between Frannie and her mother, in that creepy parlor—I fight to include that. Ultimately, not everything will make into the adaptation—that’s impossible—but so far, so good. Nothing compromised.
Quint: Have you gotten to work with King at all? If so, how was that process, besides mind-numbingly terrifying?
Roberto Aguirre-Sacasa: I have not yet had any direct contact with the King yet, but soon, I’m hoping. (And God knows, if I don’t get a Christmas card this December postmarked Bangor, Maine, it’s gonna get really ugly, really fast…) I do know that he’s been thrilled with what we’ve turned in so far, which helps with the mind-numbing terror, though I don’t expect that will ever go away completely—nor should it.
Quint: So far who is your favorite character to write for?
Roberto Aguirre-Sacasa: Larry Underwood and Frannie Goldsmith. Larry, ‘cause he’s such a train wreck; he’s so wonderfully, fallibly human. (There’s a little bit of Larry in each of us, I think.) And Frannie ‘cause she’s so darn pretty and spunky. And they’re both so relatable.
Quint: Mike Perkins' work looks pretty great so far. How is that collaboration? Have you been happy with the art so far?
Roberto Aguirre-Sacasa: Mike’s a complete professional, and The Stand—and I think he’ll agree with me on this point—is the work of his career. His storytelling is impeccable; he’s great with action as well as with the subtler character moments; truly, there isn’t an emotion he can’t capture. So, yeah, basically…he’s the perfect man for this job.
Quint: Has there been a sequence that has visually turned out better than you thought?
Roberto Aguirre-Sacasa: I have to say, I think our first issue really hits it out of the park. For instance, Mike did a superb job with the sequence in which Charlie Campion crashes his car in front of the Texaco station where Stu’s gabbing with his friends. (It sounds simple—a car, in the distance, getting closer—but believe me, it’s hard to capture that in a dynamic or lyrical way, that Mike does.) Which reminds me: Also in that sequence, Mike really pushed for an extra page because he wanted a true moment of horror, a splash that would’ve made even Graham “Ghastly” Ingles (the infamous EC comic horror artist) avert his eyes. We got the page—thank you, Powers That Be at Marvel—and it makes the issue. (You’ll know what I’m talking about when you see it…) The proverbial “water cooler” panel…
Quint: Have you written out the entire run at this point or are you still hard at work?
Roberto Aguirre-Sacasa: I’m still very much at work, burning the candle at both ends while finishing up my first (but hopefully not last) tour of duty on the HBO show Big Love. I started by beating out a detailed outline of each issue, which helps, and which is making things go a little faster at this point, but I truly feel like our journey is still only beginning. (And, you know, things change as you go along. You realize you’re emphasizing one character over another, for instance, and you adjust, etc.)
Quint: If you have finished writing are you still involved on a creative level as the pages come in or are you off to the next thing?
Roberto Aguirre-Sacasa: Like I said, I’m still very much in the thick of writing, so that’s my primary focus, but on any given day, I help spitball ideas for covers, I hone dialogue every step of the way, I basically…help out wherever I can. I want this—and every member of the creative team wants this to be—a homerun. Nothing less is acceptable.
Quint: What's up next for you?
Roberto Aguirre-Sacasa: As soon as The Stand is up and running in earnest, I’ve got two quirky miniseries already plotted that I’m burning to script. And Angel: Revelations, my series with Adam Polina, is coming out right now, as well.
And that’s the interview.
As promised here is the first three pages from Issue #1, available as PDF.
Updated with JPGs thanks to clan:rewind, "Spike's Brain", Angelo, Anders, Jason, John and Andreas for sending them in! You can still download the PDF above if you want and now you can look at each individual page below (click for the bigger version).
Thanks for reading along and thanks to Jim McCann at Marvel for setting this all in motion. I don’t know about you, but this is looking like a really fine series from the fantastic source material.
-Quint
quint@aintitcool.com
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The Dark Tower was badass, reaffirming Marvel for me a bit, so I'm really looking forward to checking this out.
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.....therefore it will be great.
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I can't wait for this, and as usual from Quint, this was an interesting little interview. But I've gotta say, if this guy has a relationship with HBO, writing on Big Love, then I'd love to see him try and get up a season long adaptation of The Stand going over there, or at another quality cabler like Showtime. I mean in a 12 or 13 episode season on cable you should be able to do justice to the story and characters of The Stand, without having to make the compromises that the Network TV miniseries did ay back when. And in an age of remakes, this would actually be one worth doing. A man can dream anyway...Regardless, looking forward to seeing how this turns out. Hopefully it'll be worthy of the source material. We'll see soon enough I guess.M-O-O-N. That spells bum-de-bum.
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can you guys open the PDF? It's opening blank for some people and not for others...
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When does this masterpiece hit the stands?
Also, for those who have been reading The Dark Tower comics and books....does anyone sense a gigantic cross-over brooding in the distance? -
September, I think.
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Anyone having problems needs to update Adobe Reader. M-O-O-N. That spells End Message.
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Worked fine for me, awesome little teaser for everyone who knows what comes next.
And yeah, September ?? is all I can find anywhere. -
Gone. Don't think anyone has forgotten.
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Also, it allows you to pull the raw images from the file, without the word balloons. Neat!
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Took a little while, well well worth the wait though.
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Amen.
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that's the dead baby from the preview page? lol dead babies
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not Preview or any other program. it should be fine.
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i just hope its long as hell.
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Oh yeah, I guess that's the page he said he was really pulling for them add to the book. Not much of a surprise anymore.
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They did a great job of economically laying out the first section of the book. I love the economy and style of comics, you have to say so much with so little, and it really forces the creative process. This could be great! Jeez, just thinking of Campion, and how scary the spread of Captain Tripps was, and thinking about all those people dying, the government cover up, the people locked in prison or the hospital, it just creeps me out and makes me want to re-read that novel all over again. I think King has never written anything better.
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Looking forward to seeing my favorite part of King's novel -- his depiction of the collapse of society, especially that one chapter of vignettes. Wonder how closely Marvel's gonna hew to the text, versus what they might cut out?
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Very nice.
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...in the third panel. It should read "Sally took one last look at the bungalow they'd LIVED in for the last three years."
Marvel can send me a check for my editing services. Or a free copy of the entire series would also work.
It's really looking GREAT though!!! Roll on September!!! -
All the art I've seen so far has been excellent and the writer sounds like he gives a damn. Marvel has my money come September.
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Looks like they used Aaron from Lost as a model!
The rest of it kicks ass though! -
I just wonder what all the crazy non sex between Harold and Nadine will look like
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The amazing Stephen King classic now in comicbook form for those of you too damn stupid or lazy to open an actual piece of literature! Fantastic! Now we not only get that shitfest TV movie with Gary Sinice and Dahmer from Coach, but the amazingly uninspired minds of Marvel are milking the last drop from the teet by actually DRAWING PICTURES of the story for all of the 'tards in America who don't think anything is worth checking out unless they can get it in f-ing picture form. Jesus Christ, does ANYBODY have a single original idea anymore?! This is pathetic...
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The pairing of King w/ Marvel, I was blown away to find (via Wiki but whatever) that the 1st issue of the second series (Long Road Home) outsold everything else Marvel had on the shelf by 20,000 copies.
I hope the 3rd DT series continues this trend, I hope The Stand brings in the readers as well, and finally I hope that in the future we might see a visual adaptation of IT that lives up to the source.
Now THAT would be "excelsior!". -
Get off the cross, the wood is needed.
Apparently it does NOT go without saying that many of the people purchasing these comic books (2 words), myself included, have already read the originals inside & out years ago.
Also,specifically RE: Marvel's Dark Tower series, even though I'm sure that I'm talking to the proverbial wall here, only the first installments recounted events depicted in the books. From series 2 on, they are original stories by Robin Furth & Peter David, using characters created by King, dealing with events not depicted in the original books. -
I always like to see other peoples interpretations of these characters and events to see how close they come to my own. This looks pretty right on so far. Looking forward to the first issue.
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"That scene between Frannie and her mother in the creepy parlor."
What scene is he referring to? -
Where she tells her mother she is pregnant, I dont think it is in the shorter version, but it is in the extended version.. nice scene.
Cant wait for this to be released. and I have read that book at least 10 times. -
I'd fucking love an IT comic as well, I wouldn't be surprised at all if Marvel does that next after The Stand finishes
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