Hey everyone. Capone in Chicago here.

If you believe Hollywood these days (and why the hell wouldn't you?), then America's number one fear is not terrorists or space monsters or the living dead or any number of natural disasters. Nope, Mr. and Mrs. Average Joe's top fear is a random act of violence perpetrated against them either while they're on a road trip/vacation or in their own home. This isn't exactly news.

Films like THE HILLS HAVE EYES and even THE TEXAS CHAIN SAW MASSACRE cover the worst of what can happen while you're exploring this great land of ours. While more recent films like HIGH TENSION and FUNNY GAMES have explored more homegrown fear mongering. Last year, a truly terrifying (and largely bloodless) French film called THEM was released in this country, and it scared the wee-wee out of me. Later this summer, a movie called BAGHEAD analyzes these kinds of horror films in a fairly unique manner. The new film THE STRANGERS (said to be based on a true story) is cut from the same cloth as these works: a couple ends up in a isolated cabin in the woods, are practically scared to death by noises and lights and attempt to fight back and/or escape.

A movie about the prospect of a home invasion is hardly a new concept, but there is something darker, colder and more sinister about this new crop. These killers aren't evil monsters; they are just normal people, bored and looking for something to do. They are Class A assholes, to whom motivation means nothing. Their motivation is that they feel like it, and what could be scarier than that?

THE STRANGERS follows James (Scott Speedman) and Kristen (Liv Tyler) who have just had a terrible evening at a wedding reception and seem on the verge of breaking up. They just begin to discuss their problems when a knock comes at the door. They answer it, and a young woman whose face is obscured by the dark asks "Is Tamara there?" They tell her she has the wrong house and send her on her way. Speedman leaves to buy cigarettes, and then the knocking starts again; other sounds also come from inside and outside the house and by the time he returns, Kristen is a nervous wreck.

Soon we begin to see figures and masked faces. Since I didn't know exactly how this story would play out, it did cross my mind that these three offenders were simply trying to scare the crap out of this helpless couple, but we don't get off that easily. Speedman and Tyler are both good-looking, but more importantly, they're both decent actors who never let us doubt for a second that these two are scared and confused as to why they were picked and how this evening will play out for them. First-time feature director Bryan Bertino impressed the hell out of me with the tools he uses to build tension. Sure, sometimes the evildoers seem to know a little too well what the couple's next move is going to be, but most of the time, the story seems far too plausible and the scares are well earned.

I'm not sure THE STRANGERS qualifies as a cautionary tale, since neither of these victims could be accused of doing anything that could be called "risky behavior." If anything, the film's message could be that it doesn't matter how safely you lead your life, or how much money you have or don't have or how many resources you have at your disposal because your life is just as easy to fuck with as anybody else's. The world isn't necessarily a dangerous place; but it is a place where the worst kind of behavior is random. THE STRANGERS has its flaws, but they are small. And my only real rule when it comes to scary movies is that they must scare me. This one did, and it did it without tricks. I respect that, and recommend this very strong little thriller.

Capone