AICN COMICS REVIEWS SPECTACULAR SPIDEY CARTOON! WONDER WOMAN! SERENITY! AND MORE!
THE SPECTACULAR SPIDER-MAN CARTOON SERIES
Supervising Producer: Greg Weisman Producer/Supervising Director: Victor Cook Network: The WB Reviewer: JinxoI’ll admit it. I love my super hero cartoons. Hell, there are some hero cartoons I enjoy more than some comic books. “Justice League Unlimited”? Good stuff. Even though some people loathed it, I actually enjoyed the anime inspired take on “Teen Titans” for what it was. And “Batman: The Animated Series” goes without saying.
This month has brought a brand new hero toon to the air, a new take on Spider-Man called “The Spectacular Spider-Man”. Wow, at this point it feels like Spider-Man has had more cartoons than almost any other hero out there. You have the low budget but iconic Ralph Bakshi original that gave us that unforgettable theme song. Then there’s the version I grew up with, “Spider-Man And His Amazing Friends”. Back in the day I loved that show and would not miss an episode. Having recently caught a couple of reruns on cable I realize I must have spent the better part of my childhood drunk and/or delusional. What a crazy mess. Example: Spider-Man is at a dance but ends up riding on the outside of a plane from New York to Transylvania, fighting assorted monsters (all bad stuff) and then returning to New York BEFORE the dance has ended. Okay, it’s a cartoon, realism is not top priority but…COME ON!!! Then most recently MTV came out with its digitally animated spin on the Wall Crawler. I tried to watch it, wanted to like it, but it just left me cold. Something about the digital look making it look more 3-D only to have heavy edge lines around the characters trying to give it a more flattened comic book look, I think. Again, there were another, what, 57 other Spider-Man series as well.
So how does “Spectacular” fare? Well, it’s not going to amass the acclaim that “Batman: The Animated Series” did. On the other hand, next to “Amazing Friends” it’s a masterwork. I actually feel better knowing that 20 years from now the kids of today won’t find themselves going, “I watched THAT?!? NOOO!!!”
“Spectacular Spider-Man” sets its action shortly after Spider-Man’s origin. He got bit by that radioactive spider and has spent the summer catching criminals. As the series starts he’s heading back to school and has to adjust to going back to being the class dweeb. The writing on the show is pretty damn good. The stories are mostly self-contained, but unlike many hero shows they actually do keep an ongoing continuity in play. Things put in place in one episode move and develop in later ones. It’s nicely done so that if you do watch a single episode you’re not lost but if you watch week to week you are rewarded. And from the first episode you know Peter is in for a tough run. You look at the supporting cast as they’re introduced and go, “Doomed, doomed, probably doomed…” The show starts with Gwen Stacey (no MJ yet) and Harry Osborn as Peter’s best friends. Right away, of course, Norman Osborn is introduced. So far he’s still just human scum. Peter and Gwen also get internships working for Dr. Curt Connors. Also working for Dr. Connors? Eddie Brock. Oh, and doing electrical work for the doc is Max almost-immediately-turned-into-Electro Dillon. The cast of characters alone tips you as to what’s to come.
The writing also does a nice job of putting a new spin on some of the old Spider-Man elements. As usual he’s a kid with a curfew. Back in the day that would mean after fighting Doctor Doom to a standstill he’d get dressed down by old Aunt May for being late. Today as Peter’s sneaking up on Doctor Doom it’s almost a sure thing that Aunt may will ring his cell phone to see what’s keeping him and almost get Peter killed. This looks to be a continuing bit and I actually like it. It’s right in line with Peter’s dumb luck vibe, and it’s also fun to watch him try to battle a bad guy while talking to Aunt May like everything is good. They also find solid ways to have Peter make mistakes without making him look like an idiot. Peter lays the smackdown on Electro because he assumes he’s evil when, in fact, at that point Electro is just a confused victim of circumstances. They even spin the whole “Peter sells pictures of Spider-Man fighting a bad guy” thing in a way I’ve not seen before. So many of Spidey’s potential villains are also Peter’s friends. Lets just say it’s not so cool to make a buck exploiting your friend’s misfortune.
So the writing is good. What about the art? I’m less sold there. I don’t hate it but it is going to have to grow on me. It’s verrry cartoony. Okay, that sound silly since it IS a cartoon, but it is cartoony. It has the look of if Marvel Comics wanted to do a “Spidey” comic book aimed at really really little kids. Big geometric shapes to everything. Peter’s eyes are big brown circles inside big white circles. Head shapes can be exaggerated. Spider-Man’s odd shaped noggin still throws me. Don’t get me wrong--I’m not some kind of purist. I’ll go with different styles. Even though it wasn’t everybody’s cup o’ tea I actually enjoyed the “Teen Titans” anime-styled cartoon for what it was. I think they may be going for a bit of an anime look here too. The Vulture had a look right out of Astro Boy creator Osamu Tezuka’s sketchbook. For some reason “Spectacular”’s style is just hitting me slightly wrong. Victor Cook also worked on the “Hellboy” animated flicks and the similar style there didn’t bother me. It is distinctive and it does have a fun energy to it. But it just makes me think Spidey for toddlers. Again, hopefully the look will grow on me.
But most important: how is the theme song? Eh. It’s trying hard to rock the house but don’t expect to have it stuck in your head like the classic Spidey theme. Actually…pray this song doesn’t get stuck in your head. It could hurt.
So, bottom line, is it worth a look? I’d say yes. They clearly are laying out the groundwork in advance for what’s to come. It doesn’t feel like they’re going to go as serious as “Justice Leagu”e. I mean, hey, it is Saturday Morning and they are aiming for some of those wee little kids, but it does look like it will be fun. It does have a distinct energetic look most folks will likely dig. Don’t think I’d be waking up early on a Saturday to watch, but if you have a Tivo it’s worth giving a shot as a season pass.
Jinxo is Thom Holbrook, lifelong comic book reader, and the evil genius behind poobala.com. He may appear cute and cuddly but if encountered avoid eye contact and DO NOT attempt to feed.
WONDER WOMAN #18
Writer: Gail Simone Artist: Bernard Chang Publisher: DC Comics Reviewer: Rock-Me AmodeoWhen I’m asked for an opinion, I usually let it loose with varying degrees of tact. There are a very few writers and artists I’m quick to criticize, as they seem to make the same mistakes over and over. On the other hand, there are many that I’m slow to criticize, since they have proved themselves over and over, and deserve a one-off, or sometimes a two or three-off.
Gail Simone is one writer I’ve come to appreciate a “give it time” mentality, and I would take her “good” efforts over many people’s best efforts. That said, I was not so thrilled with the inaugural arc of her run on this book. It felt like a warm up, like the first few episodes of “Scrubs”, where Elliot’s hair was always combed, and Dr. Cox was not nearly as ranty as he later becomes. Everyone’s kinda figuring out the synergy, and the effect is more like a warning shot.
Well, it WAS a warning shot. The gorillas, the crazy renegade Amazons, the Nazis. All done. And here comes the main salvo.
Diana is being written with equal parts of grace, power and ferocity. Like Dinah Lance, but with less giggles, more biceps and more regality. In the space of an issue, she comes a’courtin to the hospital bedside of Nemesis, gets sucked into a battle royale, has to deal with a major fangirl who totally wants to be BFF, and leaves to solve a mystery on a another planet. Bernard Chang’s art is a very good compliment to the writing, able to handle combat and subtle facial nuance equally well.
Gail also pokes some gentle fun at her predecessor, invoking the dreaded “Stygian Killer Hornets,” which incidentally, is also ancient Amazonian for “cheese-laden.” It’s true. Look up the issues if you don’t believe me.
Regarding the journey into space, I kinda wanted to see what was going to happen with Diana and Nemesis, but I trust Gail’s instincts to weave and tell a great story. If I don’t love the rest of this arc and the one after it, I would be quite surprised. As it stands, however, this issue is a wonderful place to start. The art and the writing are spot on, and the surprise intro of an old character at the end will have many fans of THIS site slavering to see what happens next.
Dante “Rock-Me” Amodeo has been reading comics for thirty-five years. His first novel, “Saban and The Ancient” (an espionage/paranormal thriller) was published 2006. He began writing for AICN Comics in 2007 and his second novel (“Saban Betrayed”) is due 2008. He’s often told he has a great face for radio.
THE LAST DEFENDERS #1
Co-written & scripted by Joe Casey & Keith Giffen Art: Jim Muniz (pencils) & Cam Smith (inks) Publisher: Marvel Comics An @$$hole Two In One review by Ambush Bug & BottleImpAmbush Bug (BUG):I get the feeling that there are very few of you out there who remember the Defenders as I do. Sure, there are those who automatically think of the Hulk, Doc Strange, Silver Surfer, and Namor as the Defenders. And they were, but to me, when I first got into comics, the Defenders were something different. Sure, there are those who swear up and down that there is no roster to the Defenders. That it's a non-team of heroes that kind of just come together whenever a crisis arises. If Any Man, Power Man, Quicksilver, and The Forbush Man happen across the same world-threatening menace, then there you go. That's the Defenders.
BottleImp (IMP): I've always been a fan of comic book teams made of lesser-known characters. The first comic I ever subscribed to was Peter David's initial run on X-FACTOR, I have every issue of DC's B-List hero-filled PRIMAL FORCE, and I'm probably the only person in the world who hated it when Grant Morrison brought back Superman, Batman, et al, on the JUSTICE LEAGUE. Though I never read it religiously, I do have a bunch of old issues of the DEFENDERS kicking around. BUG: To me, the Defenders will always consist of Nighthawk, Gargoyle, Hellcat, Son of Satan, and Valkyrie. Sure some of you guys may be shouting "Who?!?!?!" I understand that half of those characters have been in comic book limbo for ages and the other half have been highlighted with miniseries and spotlights that have ranged from lackluster to eh (shrug shoulders) to bleh. That was my Defenders, though. Hellcat and Son of Satan rarely got along and their marital strife often spilled out to involve the rest of the team. Gargoyle was the loyal and noble lapdog of the two. Valkyrie was downright weird; a she-Thor with a penchant to wear giant metal bras outside her clothes (waaaay before Madonna caught on to the trend) and a flying horse. Finally, Nighthawk, who in my mind was always kind of douchey, was the Type A personality who tried to keep the team all together. Throw in Devil Slayer's kick-assedness and Moondragon's bald psychic hotness and you have one hell of a team of heroes. I can't count the issues I read and enjoyed featuring this cadre of weirdoes. And I loved every minute of it.
IMP: I came on a little bit later--Gargoyle and Valkyrie were there, but Hellcat and her hubby had been relegated to supporting cast, and Angel, Beast and Iceman filled out the roster. Gargoyle was always my favorite, purely from a visual standpoint-- I even own Mark Badger's 4-issue GARGOYLE miniseries. But one of the things that I liked about the Defenders (and many other non "X" Marvel supergroups, now that I think about it) was that the membership was pretty loose-- it wasn't just mutants, it wasn't the big solo stars, it was just a bunch of interesting characters.
BUG: So here we have THE LAST DEFENDERS. A miniseries, of course tied to the current INITIATIVE continuity, centering on Nighthawk and his request to Iron Man to lead a new Defenders. The first few pages were comic book crack to me. Imagine the tightness of my pants to see Nighthawk battling the Brothers Grimm with Gargoyle by his side. It was something I never thought I'd see again. A few pages later there's a mention of Devil Slayer and Hellcat. A page later and we have a cut centering on Daimon Hellstrom (Son of Satan to you newbs) making waves with the Ancient One. I thought this would be the Defenders team I had been waiting for. The comic gods had smiled upon me.
Then Iron Man jumps in for the cock-block.
Yes, Stark will grant Nighthawk his own Initiative team of Defenders, but wait...and I cringe when I say this...this ain't your daddy's Defenders. Yeah, Stark intervenes with his own roster for the team. It isn't a bad one--Colossus, She-Hulk & the Blazing Skull.
IMP: I'm on the fence about this series-- 'cause while I didn't hate the first issue, I wasn't in love with it. The thing I like about this new miniseries (so far) is that Giffen's characteristic humor is an element of the story rather than the focus. I was not a fan of Giffen's previous DEFENDERS series--I enjoyed the initial interaction between Strange and Namor, two of the biggest blowhards in the Marvel universe, but after that the plot was a bit of a letdown. This time around, the story takes off immediately, and the interludes are intriguing-- the Atlantean in the lair of the High Evolutionary and the retroactive continuity of Daimon Hellstrom seeking out the Ancient One.
BUG: We definitely have some strong personalities to bang off of each other and in true Giffen fashion, the heroes spend more time fighting each other than they do the bad guys. This was fun stuff. A strong first issue where everyone acted accordingly. There are no new characters crammed in so that the creators can leave their mark on the team history, and the pacing is fast and frantic. IMP: The structure is definitely more "old-school" comic-- like you said, we get into the action immediately without excessive exposition, and I love the fact that Casey and Giffen have gone back to using thought balloons rather than the oh-so-overused narrative captions.
Thing I didn't like: I'm not a big fan of the artwork-- it's a cartoony sort of realism that doesn't really do it for me--maybe if it was pushed a little more in one of those directions (examples that come to mind are Kevin Maguire's work on the realistic end and Cory Walker's more stylized work on INVINCIBLE). Muniz likes to draw Nighthawk from a low angle, which has the unfortunate tendency to make his face and neck look like a cinderblock. The coloring also feels very sterile--all the backgrounds, whether in forests, military bases, or Atlantic City casinos, are the same palette of blue-grey--not very exciting. Maybe the idea was to let the superheroes and their bright colors pop out from the backgrounds, but that's a pretty lame way to go about doing it.
BUG: I thought the art was phenomenal; stretching perspectives when dynamic, posing people in non-photorealistic, yet believable ways, and especially nailing the facial expressions. It was great seeing the looks of disbelief, over-confidence, anger, angst, despair…a whole rainbow of emotions adding subtext to an already solid story.
IMP: Thing I'm puzzled about: I thought Nighthawk was dead...although I guess if I don't take it for granted by now that death in comic books is, at best, a temporary nuisance, I probably should stop reading them. BUG: I'm pretty sure Nighthawk has been pittering around THE INITIATIVE for a while now. That doesn't rule out that he is a Skrull and may have died at some point. Maybe you're thinking about Nighthawk from the original Squadron Supreme. I think he's dead. IMP: Hmmm. Well, by now I suppose every Marvel character has died and been resurrected at least once. I'll probably stick around for the next issue--the story is interesting enough; it's just the art that's lacking, in my opinion. And I guess we can all be thankful that this is one team that DOESN"T have "dangerous loner" Wolverine as a member. Though, I liked the Blazing Skull's line, "This whole Initiative thing...it's getting kinda OLD, isn't it...?"-- I'm sure that phrase can be heard coming out of the mouths of countless Marvel writers.
BUG: Yeah, I'm sick of the Initiative too, but the intervention of Stark is true to form and says a lot about the Marvel Universe we read today, for better or worse. I do know that this is definitely one of my favorite miniseries debut issues so far this year. I just wish I wouldn't have been teased so with the hint of a 70's-80's Defenders reunion..
IMP: Maybe after this Giffen will do the NEXT-TO-LAST DEFENDERS, and Hellcat and Gargoyle will get some more lovin'.
SALVATION RUN #5
Writer: Matthew Sturges Penciller: Joe Bennett Publisher: DC Comics Reviewer: JinxoIS this a new trend in comics? Set up a group of characters in a book and then just start cutting through them like a hot knife through butter? Oddly enough…I like it. Nothing makes for better drama than a group that should be working together imploding. The uglier the chaos involved the better. The Thunderbolts are melting down in spectacular fashion. The Avengers Initiative are about to potentially blow Stamford to hell a second time.
And then there’s SALVATION RUN. It actually has a slightly different spin on things. I mean, those other books are about hero groups going to pot. Yes, The Thunderbolts are barely heroes, but the point is they are together as a group with the intent of trying to work together, But with SALVATION RUN we are talking about a group of scummy villains with no interest in being a cooperative group. They’re just a bunch of cutthroat individualists out to play nice only so much as it’s helpful to their own best interests. In other words, it’s the most awesome reality show EVER. SALVATION RUN is the “Survivor” of the hero books. As of issue five the contestants have divided into two tribes. Lex Luthor’s tribe is relying on mental gamesmanship to win while Tribe Joker is favoring physical power and ass-out craziness. Having watched way too much Reality TV I can say both tactics could work. This is the first time though I’ve seen both tribes try to kill Jeff Probst.
Seriously, what sets this book apart from the other books I mentioned is that sense of gameplay. It isn’t just things coming apart at the seams. It’s calculating bad guys playing a massive multiplayer chess game against each other. Watching Lex Luthor and Joker match off was already fun. They really should know that declaring yourself tribe leader is a sure way to get kicked right off the island…make that “planet”. But Catwoman’s plays in this issue put both the boys to shame. Very impressive.
Of course, none of them realize that very likely next issue everything is going to flip on its head. Have they never watched these shows? There is ALWAYS a twist. Of course, usually the twist doesn’t want to stomp you into a viscous goo.
MIGHTY AVENGERS #10
Writer: Boastful Brian Bendis Artist: Mighty Mark Bagley Inkers: Devilish Danny Miki and Amorphous Allen Martinez Publisher: Marvel Comics Reviewer: Retrospective Rock-Me AmodeoSo many aspects of this comic were extremely well done. Contrary to what some of you have come to expect, I will NOT regale the readership with tales of yore regarding comics in the 70’s. I will simply say how much I appreciated the brief trip back.
The four color separation. The advertising blurbs at the bottom of the page. The “Continued on next page.” The occasional bleedout of colors that left our four-color world in a purple hazed three-color chaos.
The only thing that might have made the trip complete would have been the inclusion of a Marvel stamp (remember the first run, numbered from 1 to 100?).
Okay, I lied about the “tales of yore” thing, quick story: back when Marvel Stamps first came out, I was very young and thought they were like coupons, worth money. When I cut out that #90, man, that was worth three comics plus tax! I had visions of getting all the rest of the comics that had 90s or at least any other comics that had stamps, and if I was lucky, I could probably buy that whole spinner. Alas, the checkout person at Eckerd’s informed me it was NOT a 90 cent coupon. Crushed, I was…
Anyway, back to the comic. I’m still very impressed with how well Bagley is drawing this comic, how mature his pencils seem to be. I’m also glad Bendis is growing more adept in his thought balloon usage, and how even his pacing was. Just excellent.
I did kinda laugh at him making up magic words. When Doom yelled “Blavatuni Mastalanata!” did anyone else think in their heads, “Do you want that on rye or whole wheat?” Maybe that’s just me, however. I was hungry when I read it.
Plot-wise, I’m more than curious as to why Doom capitulated so quickly to Stark’s interrogatories. Has anyone else ever heard Doom say, “Okay”? And how did he vanish so quickly at the end? Stinking Skrull!
Yes. Okay. This was another fine issue, and another classic Marvel title that seems to be getting it right. Another issue that was over too soon.
SERENITY: BETTER DAYS #1
Writers: Joss Whedon & Brett Matthews Art: Will Conrad Publisher: Dark Horse Comics Reviewer: Optimous DoucheDon’t ever judge a book by its cover. Especially don’t judge this book by its cover. Because under the circa 1970’s Harlequin Romance novel exterior lies a resurrection. This is not a resurrection that will save all of humanity nor give children the false impression that bunnies lay eggs, but this resurrection will satiate the hunger of rabid Firefly/Serenity zombies everywhere.
Set somewhere after the close of the TV show Firefly and the chill inducing events of the movie “Serenity”, SERENITY: BETTER DAYS finds our favorite spaghetti western sci-fi Dust Devils still trying to survive on the outer planets as best they can. Holdups and whoring are the centerpieces of the first issue, while Kaylee still dreams of getting to that shiny place with the Doc. I should also mention, the Hero of Canton Strikes Back.
BETTER DAYS has everything Firefly fans would expect from the House of Whedon. Hold ups, shake downs, quirky ancillary characters, witty dialogue, and a return to a cast of characters that defective marketing numbers and simian program directors ripped away from Whedonites far too soon.
Joss did a masterful job of making me feel right at home from the very first panel, and I think any other fan will be hard pressed to disagree. However, and I can’t stress this enough, this title is not a jumping off point. It’s an inside secret, a brief sliver of time, a small part of a much larger whole. This is not a criticism; it’s merely a statement of fact when a story is forced to cross mediums.
Basically, if this review lost you at spaghetti western sci-fi, this book is not for you. The brief paragraph synopsis on the flip-side of the cover is nowhere near enough information to properly immerse you in Whedon’s original take on traversing the cosmos or the beautiful cast of characters that live aboard Serenity. Like most of Joss’s work, true enjoyment comes from knowing the characters that drive the action, rather than the action itself.
Sorry, but I know Ambush Bug will make me appear in the “I’m Fucking Corey Feldman” video if I use this space to explain all the details of the show “Firefly”. Plus, a half-assed synopsis would be an affront to the dedication given to this universe by Joss, the original actors in the show and the fans. The best advice I can offer any comic reader that is a fan of Joss’s writing style is to take the money you would have spent on the three issues of SERENITY: BETTER DAYS and instead rent the original TV series and the movie “Serenity”. If you like what you see over in those parts, I can guarantee that you’ll be right happier when you come back to read SERENITY: BETTER DAYS (you’ll also understand why I decided to talk like Yosemite Sam’s retarded brother Everglade Earl in that last sentence).
When Optimous Douche isn’t reading comics and misspelling the names of 80’s icons, he “transforms” into a corporate communications guru. He just finished the first issue and story arc of his comic AVERAGE JOE. Check out his MySpace page to see some preview pages and leave comments.
Writer: Warren Ellis Artist: Mike Deodato, Jr. Publisher: Marvel Comics Reviewer: Rock-Me AmodeoI genuinely did not want to have to review this book again.
First, I really loved Djurdjevic’s cover. It took me a second to appreciate the vantage and impact, but once I did, I was creeped out. Nifty.
Then I opened it up, and while I won’t give you a play by play, lets just say that Norm Osborn is bringing his special brand of house-crazy, and we may yet see him on a patented Goblin glider. He’s probably reaching the zenith of bat-guano crazy, but who knows if his particular psychosis will take that crucial left turn at Albuquerque? Not me.
Then we have some large-scale mayhem with no-name soldiers, and after it’s over, several of them will be singing “Yesterday.” They’re not half the men they used to be.
In a deft scene with Robbie and Doc Samson, Ellis does something I didn’t really think was possible. He made Samson cool. No, really—I’m not kidding. In fact, if memory serves, it’s like the second time this year.
And finally, in a fight between Swordsman and Venom, no matter who loses, I win.
Throughout all of this, Deodato makes excellent usage of panels, backgrounds, creative shading. He’s not an illustrator. He’s an artist, and no, he hasn’t sent me any swag (uhn, I do take PayPal, however.) I’m really impressed with just how much actual ART he squeezes into this book.
So you see, I didn’t want to review this book. They made me. But I will tell you the real reason I didn’t want to review this book for a long time, in truth.
For several years, I longed for the THUNDERBOLTS to recapture the magic of those first four golden years. After issue 50, I waited (and waded) through some alternately offbeat and mediocre stuff. There were, in fact, a handful of great issues, but most of them were simply good. Now we have Ellis and Deodato, and they have not recaptured that early magic I loved so much, either.
But they have made some formidable juju of their own. It’s not the book it used to be, but man, it’s a seriously good book. It’s pulp lightning. And until they start to suck, I suppose I’ll have to keep reviewing their work, because each issue has me shaking my head and going, “Wow. Didn’t see THAT coming.”
AVENGERS THE INITIATIVE #10
Writer: Dan Slott Artist: Stefano Caselli Publisher: Marvel Comics Reviewer: JinxoIn classic comic book fashion, the cover of THE INITIATIVE lays out a grid of characters and declares, “One will die!” But don’t let that cover fool you. There is so much more to this book. It really isn’t just about the killing. It’s also about the dismemberments, the brutal guttings and, maybe…just a little bit about love. The twisted love of a mad scientist for his unholy creations but, hey, in a story like this you take the good where you can find it.
Things are going nutty. The hero known as MVP was killed due in part to failures on the part of Initiative trainers but has now come back as a clone, and come back as a clone, and come back as…let’s just say there has been some cloneage. They hooked one of the clones up with a dangerous weapon – because hooking up the clone of a guy whose death you had a hand in with a crazy dangerous weapon is always a good idea – and, oops, his cheese slid off his cracker. MVP becomes KIA and the Initiative is SOL.
The action really is brutal. Obviously all comics have action and violence but this book does a good job of really making it feel like there will be real consequences to the violence. On top of that, Slott does a great job of balancing the violence with quick human moments like Cloud 9 discovering she should really knock before entering a room. Ant Man and Taskmaster’s three panel scene together might be on my top ten list of scenes for the year. Just so odd and silly.
Stefano Caselli’s art really makes this book. He steps up to the plate and delivers on the action. But he also delivers on the emotions tied into that violence. The anger and madness fueling KIA are palpable. There are also a number of moments where characters do huge psychological turns and you can see it right there on their faces. And when someone is horribly injured, the impact isn’t just in seeing it happen but in the reactions to it. I mean, characters get injured in books all the time but usually we’re given the big epic, “Argh!” pain reaction. Here we get the more human look of in the moment shock. That half second of shock where a character can’t even process the horrible thing that is happening. That’s a powerful moment to capture that really makes things feel more real.
I do have to say, someone does need to reinvent the whole, “One of these people will die!!” cover. I mean, come on. You wanna show some guts, somebody needs to put out a cover with a ton of people on it with the caption, “One will live! Maybe!”
JEFF HAWKE: OVERLORD HC GN
Art by Sydney Jordan (with Colin Andrew) Scripts by Willie Patterson Published by Titan Books Reviewed by Stones ThrowBarring a few notable exceptions, British comics as an indigenous art form are all but extinct by now, but from the 1950s though to the late ‘70s they were a force to be reckoned with. THE EAGLE magazine had the space adventurer Dan Dare, recently revived by Garth Ennis at Virgin, LOOK AND LEARN had the STAR WARS-like RISE AND FALL OF THE TRIGAN EMPIRE, while a range of sports, adventure and war comics appeared across multiple other kids’ magazines. Those years were also a time when home grown newspaper strips thrived.
Lots of these strips were produced by DC Thompson, a Scottish publisher that cranks out kids’ anthologies like THE BEANO and THE DANDY to this day. JEFF HAWKE, a sci-fi hero in the mould of Dan Dare, was among these, first serialized in the Daily Express newspaper. HAWKE and DAN DARE share a lot of common ground. Both are set in the far-off future of the 1990s, both star stiff upper-lipped English gentlemen as the action hero, both predict a future of space exploration and colonialism in which the United Kingdom is the dominant force. Warren Ellis dealt with the late ‘50s comic book themes of discovery and British imperialism spreading to space in his underrated MINISTRY OF SPACE miniseries at Image.
Jeff Hawke is all but unknown in English-speaking countries today, but it turns out he has a surprisingly enthusiastic following in Europe, particularly Italy and Sweden, where he was presumably syndicated in translated version. Make of that what you will. I certainly had little idea what to expect when I cracked open the handsome Brian Bolland cover of what they’re calling the peak years of JEFF HAWKE.
Well, I was expecting the art to be impressive, and co-creator Sydney Jordan (with ghost artist Colin Andrew) doesn’t disappoint. It’s amazing what these men can do in such a limited space. You’ll truly believe in the vast outer space panoramas, or Jeff Hawke’s London, or the lair of the Overlord. And looking at the second chapter in this hardcover, “Survival”, with its space suits and stations and tale of stranded, paranoid astronauts and impassive aliens, I’d be willing to bet Stanley Kubrick glanced over the comic pages of the Express on occasion.
I can’t say I’ve read a lot of DAN DARE either, but JEFF HAWKE won me over with its slightly weirder, more out-there feel. Case in point: visually, the villain in “Overlord”, Chalcedon, is straight out of FORBIDDEN PLANET or THE DAY THE EARTH STOOD STILL, but he hangs around in a dark cave with a floating brain with one large eyeball, a giant reptile and a dog-headed mutant. It almost feels like something from WALT DISNEY’S FANTASIA. Then in chapter three, Jordan and Patterson pull a hilarious screw-you to the audience when an invading race are only revealed to be gnats compared to humans when one of them gets trodden on after touching down at Heathrow airport. A similar idea was used by Alan Moore in a VEGA story he did for DC in the 1980s.
Something about the way JEFF HAWKE shifts between different genres strikes me as truly alternative. The stories open with two completely unrelated characters, Mephisto and the Troll, discussing philosophical points which lead into the main plot. After such a bizarre prologue, “Overlord”, the first chapter, kicks off WAR OF THE WORLDS-style with a rocket containing giant beetles heralding destruction for Earth. Jeff Hawke and his team are on hand, but only the token female can understand the telepathic signals the alien is transmitting. Then, when they head to Jupiter, it turns out the whole story was a trick by Chalcedon. You can tell he’s an @$$ because he says stuff like “render the primitives amenable to manipulation!”.
It’s hard to tell how humorous this stuff is intended to be. For example, Chalcedon tells his floating-brained lackey “Had you a fundament, I would kick it!”. But when you see how well Patterson and Jordan handle a more straight-up comedic tone in part three, “Wondrous Lamp” (Aladdin’s Lamp, actually an extraterrestrial artifact, is discovered by a kid and his grandpa. The kid asks his skeptical gramps to make a wish, gramps says “I wish the genie would spirit away a certain little boy!”, and ABRACADABRA, the kid disappears to another planet. Punk’d!) it seems like you can enjoy the book on its own terms and not in an ironic way.
As always, look at the subtext: Jeff Hawke is the blonde-haired, blue-eyed English leading man fighting off all variety of freakish interlopers into his traditional world, often dividing comrades against each other. Politicians and bureaucrats are portrayed as bumbling and ineffective. But the overall tone is optimistic, suggesting confidence and hope.
Stones Throw says: Enjoy Jeff Hawke as a historical artifact, an example of a lost tradition of graphic literature (British sci-fi strips), a simple pleasure, or just plain old exciting, well-drawn comics.
BIZARRE NEW WORLD: POPULATION EXPLOSION OGN
Written by: Skipper Martin Pencilled by: Christopher Provencher Published by: Ape Entertainment Reviewed by: superheroWhen BIZARRE NEW WORLD premiered last year I was wildly enthusiastic about the book. I called it the best new book I had read so far in 2007. As a matter of fact, if I had been able to participate in the @$$ies this year I probably would have chosen BIZARRE NEW WORLD as my pick for Best Newcomer. Almost a year later I feel that BNW exemplified everything that a good indie book could be. It had a heartfelt, human based story with a touch of the fantastic to it. Not only that, but it was fun. Everything a good comic book should be.
So how does the sequel, BIZARRE NEW WORLD: POPULATION EXPLOSION, hold up to the original? I mean, as we all know sequels generally suck. Not only that but when a first chapter raises the bar so high could a second chapter ever hope to capture the magic of the original? Is POPULATION EXPLOSION the EMPIRE STRIKES BACK or the GODFATHER 2 of the BIZARRE NEW WORLD universe?
Well, I wouldn't go quite so far as to say it lived up to the greatness of those sequels but it does contain a greatness of its own, that's for sure. In POPULATION EXPLOSION we are treated to the tale of what happens in the first twenty four hours after all of humanity gains the ability to fly, and it's not a pretty picture. The fit actually hits the shan pretty hard in this installment as a human populace that has no experience in taking to the air suddenly finds itself zooming into the sky like everyone's favorite Kryptonian visitor from another planet. And not everyone's able to handle it as gracefully as Kal-El has all these years.
Writer Skipper Martin treats us to a world gone apeshit (no pun intended toward the publishers) and brings a very creepy, almost “Night of the Living Dead” feel to humanity's first day in the skies. Martin takes a very unexpected turn with POPULATION EXPLOSION as a moment that you would think would be humanity's greatest triumph becomes one of its most ridiculous tragedies. Everyone thinks that it'd be a great gift to fly, but did anyone ever really think what might happen if everyone were suddenly to take off at the same time? This is where the genius of POPULATION EXPLOSION's tale really lies and it's pulled off really, really well by Martin and co.
Admirers of the first series will be happy to see that despite all of this chaos POPULATION EXPLOSION still remains a story with its heart very much intact. PE retains Paul Krutcher as its central protagonist and he is able to provide readers with a real everyman view of a world in chaos. Not only that, but Krutcher is provided with a crisis of his own which propels him to not-so-superheroic action. Despite the fact that in this chapter of BIZARRE NEW WORLD things take a more dramatic and crisis driven turn, Martin never loses the crux of what made the series such a great read in the first place: Paul's normalcy. It's this aspect which keeps the story unique and adds a hint of humor to a tale of a world gone suddenly topsy turvy.
The art and coloring of POPULATION EXPLOSION are still of the same high quality as the original series. Provencher's pencils (say that five times fast) remain smooth and detailed and the storytelling here is top notch. Wes Dzioba's colors pop off of the page and add dimension to the already impressive artwork. It's nice to see that POPULATION EXPLOSION retains the same high quality production value that the original series had.
As far as I'm concerned this is another home run from Skipper Martin and Ape Entertainment. From what I've heard the original series' sales numbers weren't all that great. That's too bad, because original quality comics like BIZARRE NEW WORLD and POPULATION EXPLOSION deserve more attention than another junked out crossover from DC or Marvel. Hopefully the comic book scene can become a Bizarre New World of its own and embrace the great material within the pages to this fantastic new chapter in the life of Paul Krutcher and a world where man and bird take to the sky with ease.
Great book. Can't wait for the next one.
Discovered as a babe in an abandoned comic book storage box and bitten by a radioactive comic fan when he was a teenager, superhero is actually not-so mild mannered sometime designer & cartoonist Kristian Horn of Los Angeles, California. He's been an @$$hole for three years. Some of his work can be seen at www.kristianhorn.com.
DEAD SPACE #1 Image ComicsNot sure what to make of this book. Seems to be a tie in for a video game or some such. I just saw the name Templesmith on the cover along with a monstrous looking Cthulhu-like zombie face thing and thought it might be cool to have a lookee-loo. Turns out the tentacle/zombie thing on the cover doesn’t make much of an appearance. Writer Anthony Johnston sets an ominous tone and I know this may sound like a rip on the book, but there is a palpable vibe that reminds me of the religious overtones in ALIEN 3. Personally, I didn’t hate that movie, so the similarities were not a turn off. Templesmith is always amazing and he cleans up his style for the sterile space environments. He even seems to be channeling H.R. Geiger in a few panels. All in all, this was an issue that definitely set the mood on dark, but little else happened. I’ll stick around for a second issue to see if anything comes to pass. - Bug
GOTHAM UNDERGROUND #6 (of 9) DC Comics“Kitchen Sink.” “Paging Mr. Kitchen Sink, you are wanted somewhere in the next few issues,” because you’re the only thing Tieri has yet to throw in. Other than admiring Calafiore’s outstanding art, there are two ways to look at this series. One is to say that Tieri has decided to just rip through the entire catalog of Bat-family characters and see what comes out of it. The other way to look at it is Tieri pulling from the Bat-candy store and savoring each character like an individual treat before moving to the next one. The only problem with the second viewpoint is that most of the issue is devoted to wannabe characters we have never seen before and will never see again. This makes their eventual demises fairly worthless and non-resonant. Three issues to pull a winner out of it, and Tieri can do it, I know. But this is feeling more like GAMMA CORPS, where even a big payoff may not justify sitting through several issues of buildup, non-essential character development, and action that is ancillary at best. - Rock-Me
PUNISHER #55 Marvel MAXBy now, you know the routine. Little exposition from Frank Castle. Set up a problem that usually stems from some past PUNISHER yarn. Introduce a bunch of soon-to-be-dead-mutha-honkers. Make them dastardly enough for us to root for Frank to moiderize them. Wash. Rinse. Repeat. As far as formula, Garth Ennis has his PUNISHER series down pat. I’m not dissing it. I have to say that I’ve loved each and every arc since Ennis made the change to MAX. But I’ve gotta call it like I see it. Ennis does add a nice bit of depth by inserting pages of a book that has been written by someone in the Marvel MAX Universe who has had an experience with Frank in Nam. There’s a nice scene between Frank and Nick Fury in a diner that almost had me wishing for an Ennis penned FURY MAX series (then I remembered his awful attempt at just that a few years back and kicked myself for such a thought). There’s nice gritty art from Goran Parlov throughout. Like I said, I’m not complaining. Just like you, I can’t wait for P-Shiddy to do what he does best on this new slew of baddies. It just seems a bit familiar. That’s all. - Bug
NOVA #11 Marvel ComicsDammit, I know some of you will snicker at the notion, but NOVA is Marvel’s equivalent of GREEN LANTERN and dammit, it is just as good. This issue is no exception. Not only do you get high-speed action, you get the return of the character I’ve been waiting to see since the beginning of this Phalanx business. Dammit, can’t contain myself…must fire up a SPOILER ALERT. This issue marks the return of Warlock from the 80’s NEW MUTANTS series. Sure, he may have an awful lot of similarities to Jar Jar Binks, but dammit all if I didn’t miss the spindly guy. All drawn with exquisite skill by the phenomenal Paul Pelletier, this issue written by Dan Abnett and Andy Lanning proves that I was right when I named NOVA as the Best Ongoing Series of the Year in this year’s @$$ie Awards. Not sure why I said dammit so much in this review, but dammit, I loved this issue! - Bug
Remember, if you have a comic book you’d like one of the @$$holes to take a look at, click on your favorite reviewer’s link and drop us an email.
Check out the @$$oles’ ComicSpace AICN Comics page here for an archive and more @$$y goodness.
Readers Talkbackcomments powered by Disqus
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March 19, 2008, 8:09 a.m. CST
was quite good, with the 'voices' just right. but what the flaming hell are you on about about the cover? It's a fine cover, Optimous. Sheesh, if you're going to go questing for SOMEthing to gripe about, how about the less-than-futuristic truck design on an inner world where things should be spiffier?
March 19, 2008, 8:10 a.m. CST
you are first, but since you didn't comment on anything or show any evidence of having read the column, does it matter?
March 19, 2008, 8:11 a.m. CST
by rock-me Amodeo
...should really be replaced by "Blue Blazes." <br><br>I think thats protocol.
March 19, 2008, 8:15 a.m. CST
by rock-me Amodeo
...but I'm checking the manual just to be sure, dammit.<br><br>:<(
March 19, 2008, 8:15 a.m. CST
uh, it's clearly set *before* the movie Serenity (Walsh is clearly alive). Indeed, it appears to be set before the last Serenity comics(c.f. Book and Inara are still on board).<p> Otherwise, good review. BETTER DAYS #1 is a solid start.<p>
March 19, 2008, 8:16 a.m. CST
March 19, 2008, 8:20 a.m. CST
I still think the Fox Spiderman TAS was the best. I wish they would release the whole thing on DVD.
March 19, 2008, 8:27 a.m. CST
I needed a "before" on Serenity. Good catch. I suck.
March 19, 2008, 8:32 a.m. CST
March 19, 2008, 8:52 a.m. CST
The 1990s series from FOX was great, and probably one of the most faithful comic-to-cartoon adaptations I've seen.
March 19, 2008, 9:19 a.m. CST
just wanted to say that tbolts and initiative are excellent as much as they are brutal. <p> and, oh yes, they ARE brutal...
March 19, 2008, 9:19 a.m. CST
I'd link to the original but I can't access e-mail till 7PM EST.
March 19, 2008, 9:28 a.m. CST
by rock-me Amodeo
March 19, 2008, 9:39 a.m. CST
He'd have probably done it for a comp copy and maybe a sandwich.
March 19, 2008, 9:44 a.m. CST
I can't wait for Better Days. I just read Those Left Behind again and again in anticipation. Whedon really does have that knack for storytelling that transcends all mediums. I just need Book, Wash, and Inara all to be on Serenity, and we'll be good.
March 19, 2008, 9:50 a.m. CST
Originally my review was about 1000 words, but you know what, we write these reviews so the Talkback folks will enjoy them, so I scaled back my rant trying to be cognoscente of past feedback<p> My problem is less with the actual art and more specifically with the characterization, specifically Captain Reynolds. <p> The grin on the man’s face look like it stems from blunt head trauma or a learning disability. Reynolds is the type of guy you would walk up to in a bar. He is a man hardened by a lifetime of combat. He is a man of grand gestures and extremes. He is not a man that would ever pose like a fucking Sears underwear model with a dopey shit eating grin on his face, no matter how much money he fell into. <p> Even the main artist agrees, when they open the case at the end, does he give a grin? No. He’s already thinking ahead to the repercussions of this gross amount of mad duckets they now have. <p> The art was good, although the photo-realism of the faces immediately made my mind think of the stacks and stacks of books that sat under my parent’s coffee table with Fabio’s face plastered across them.<p>
March 19, 2008, 10:12 a.m. CST
i want to see that cliche cover done with panels of Jean Grey, Vision, Capt, Ben Parker, Goliath, Banshee, Gwen Stacy, and then Deadpool in the bottom right saying "oh, sh!#!"
March 19, 2008, 10:14 a.m. CST
Better Days was PERFECT!!!! I felt like we should cut to commercial at the end of the last page...
March 19, 2008, 10:27 a.m. CST
Cheeks is the bomb...http://gotcheeks.blogspot.com/ and he's a very nice guy as well. Met him at Wizard World LA a couple of years ago. Great artist.
March 19, 2008, 10:39 a.m. CST
Where'd my first post go?<p> ps, i did read some of the stuff. I think we need to either take WW out back and end the misery or else just take a year off and let us miss her for a while.
March 19, 2008, 11 a.m. CST
Just after eeing all three episodes,. If the writing continues in its presnt vein then we might have the best animated comic book adaptation since the Batman series in the late 90's. I love how they build upon the continuity ( are you listening chief editor Joe?) and making Peter/spidey struggle with their problems. One question though , why cant the animators get a proper feel for Spideys body language and movement. If computer gmes programmers can do it, then why not the animation house?
March 19, 2008, 11:03 a.m. CST
UNLESS you happen to have a SERIOUS love of Spider-Man period. I am an animation afficionado and I check out EVERY new animated show that premieres in the US. Unless you've got some serious love of Spidey rattlin' around (I don't, he's all right but Superman will always be cooler in my book. Hell Cyclops of the X-Men is cooler in my book) this show will suck the life out of you for every SECOND you watch it. As Jinxo said the theme song is downright fucking AWFUL and honestly, the stories and dialogue aren't much better ( I actually forced my self to watch the first 3 eps in one sitting to make sure it was as bad as it first seemed. It was.) The animation style is a weird mutant love child of anime and cartoon stylings that gives NOTHING new (or even interesting) to the concept of character design. The non-Spidey portions of the episodes literally reek of a ham-handed attempt for the target audience to relate (Hey kids! Pete's JUST like you 'cept for the whole cool superpowers-n-bad-guys-to-fight stuff!!)to the main character. Don't get me started on the strangely inconsistent frame rates throughout either. All in all it's piss poor attempt to suck yet more advertising revenue out Marvel' 2nd moste over-exposed character (Wolverine taking the top spot for YEARS now) that does NOTHING but add yet another lame-ass and clunky 're-interpretation' of the Spider-Man mythos. Grade F for fucked.
March 19, 2008, 11:26 a.m. CST
by Reel American Hero
It's Wash. Or...was Wash anyway till towards the end of the movie at least.
March 19, 2008, 11:52 a.m. CST
by rock-me Amodeo
Because here comes THE opinion that you REALLY MUST LISTEN TO!<br><br>Or maybe, just maybe, people are generally smart enough to listen to everyone's opinion and then form one for themselves.
March 19, 2008, 11:55 a.m. CST
by rock-me Amodeo
I had "crickets chirping" in between the first and last sentence of that DONT LISTEN post, but I must have put them in "less than/greater than" symbols, so they got eaten.<br><br>Well, IMAGINE crickets chirping in that pause.
March 19, 2008, 12:13 p.m. CST
Greg Weisman, the genius behind the Gargoyles show and current comic book, threw in some cameos and nods. Jinxo missed this. Geek status: falling.
March 19, 2008, 12:20 p.m. CST
"The non-Spidey portions of the episodes literally reek of a ham-handed attempt for the target audience to relate (Hey kids! Pete's JUST like you 'cept for the whole cool superpowers-n-bad-guys-to-figh t stuff!!)to the main character."............ What the fuck do you think Peter has always been? That's what alter egos are for, to relate to the common reader.
March 19, 2008, 12:30 p.m. CST
Use asterisks like this: *crickets chirp* *mwah baby!*
March 19, 2008, 12:47 p.m. CST
Ok since you've decided to take the snarky tack, I'll return the favor: Maybe you ought to take a remedial english course so you can comprehend the words "literally reek of a ham-handed attempt" and what they actually mean in relation to the sentence structure as a whole. I wasn't saying JACK SHIT about alter egos and their part in superheroic stories dumbass, I was criticizing THIS SHOW'S piss-poor usage of said plot device. Next time try actually comprehending what someone is sayiing before you decide to 'school' them, buttmunch. <P>Yeah, I've sunk to name calling. Get over it ya pansy ass, this is what happens when you fuck with someone running on 3 hours of sleep from having to deal with Methed out neighbors and the cops, 'kay? 'kay.
March 19, 2008, 1:27 p.m. CST
You named three specific things that you didn't like about the new show. 1 - The art. 2 - The non-Spidey portions. 3 - Framerates. And you didn't go into any detail about WHY the non-Spidey portions were bad. Therefore, it's implied that the mere existence of these is what you didn't like. This has nothing to do with my reading comprehension. It has everything to do with your writing skills. They need improvement. Here's a tip, a television show can't "literally reek."
March 19, 2008, 1:29 p.m. CST
by rock-me Amodeo
Yer a prince among men!
March 19, 2008, 1:36 p.m. CST
...if they're filmed in Smell-O-Vision. Which is the TV version o of the movies' Smell-O-Rama. And which is an actual real thing, having been used at least a few times in the past (didn't "The Simpsons" do a scratch-n-sniff card for a episode a year or two ago?).<p> Just sayin'.
March 19, 2008, 1:40 p.m. CST
my turn to apologise, truly my insertion of the letter 'l' means that i suck. hard.
March 19, 2008, 1:50 p.m. CST
Apparently you need some vocabulary work as well because it's quite apparent that the 'euphemism' isn't part of YOURS. Also, you 2nd post directed to me only reinforces my point about you needing some actual reading comprehension skills because the very sentence where I address the non-spidey portions is also where I say exactly what annoys me about them. Now that I think about it, what grade are you in again? 5th? 6th?
March 19, 2008, 1:57 p.m. CST
And then get some sleep. I think you really need it.
March 19, 2008, 2:02 p.m. CST
Eeuphemism. N.<p>1. the substitution of a mild, indirect, or vague expression for one thought to be offensive, harsh, or blunt.<p> In this instance, the euphemism "literally reeked" was substituted in place of "Sucked shit-covered donkey balls" if you will.<p>Open an actual dictionary sometime dipshit.
March 19, 2008, 2:04 p.m. CST
Two Reasons Why It's So Hard To Solve A Redneck Murder<p> 1. All the DNA is the same. 2. There are no dental records.
March 19, 2008, 2:06 p.m. CST
I'm tired so suck it. (but I'm apparently more alert than Sir Ballyhoo here who seems to think he comprehends his native (is it?) language which I doubt sincerely)
March 19, 2008, 2:57 p.m. CST
D'oh! There were cameos? Sadly I am lacking in Gargoyle geek knowledge. And crossover stuff is supposed to be my thing. the shame, the shame...<br><br> But what is with the bashing? I mean, I didn't come out and throw love alll over the show. I was osrt of middle of the road. I DO like the writing. Again, compared to the Spidey I grew up with they are putting an impressive amount of advanced thought into what they're doing. But it isn't Batman The Animated Series by any stretch. The art isn't a crime butI'm not sure the style is a match for the material and that's a problem.<br><br> And actually glad you brought up weird video. Something I forgot about that WAS incredibly strange. The second episode in? I swear they accidentally gave the video an animorphic format. Everything was just stretched and thin. I adjusted my TV to stretch it to wide screen andsuddenly it looked perfect. I thought maybe it was just a quirk of the animation, like maybe it actually could look okay either way. But then I tried it with other episodes and, nope, just that one episode hit the air screwy. Very odd.
March 19, 2008, 3:17 p.m. CST
One of the greatest comics series of all time if you ask me. Especially if consistency is important to you. I love Garth Ennis with his balls to the wall depravity and ability to write the same book for many years.
March 19, 2008, 3:24 p.m. CST
I mean, (FOR ME) the show was flatter than it's color pallette (and what was up with that anyway? so many technical aspects of the show just seemed so half-assed y'know?). I think the spirit of my frustration is fueled by how much I WAS looking forward to the show (Like many I LOVED the 90's Fox Kids show and loathed everything they'd done since ESPECIALLY that MTV atrocity) and was severely let down by what I watched in those 3 episodes. And like I said, Spider-man is somewhere in the mid-range for coolness so unless either the story (to cite the 90's show for example) OR the animation (which, let's face it has pretty much sucked for damn near every american super-hero show) draws me in, then it's a major 'meh' for me. (well, and I may be channeling some rage at the 'mis-fired for much of season 1 and cancelled with season 2' mess that is the LoSH 'toon)
March 19, 2008, 4:57 p.m. CST
The animation on pretty much ALL of the DC shows HASN'T sucked. Should've clarified THAT comment better.
March 19, 2008, 4:58 p.m. CST
with a degree in animation who has actually animated before both in 2D, 3D and mixed medias...i can safely say that this new spidey cartoon is not on its way to surpassing the joys of the justice league or btas...that is just daft thinking.
March 19, 2008, 5:05 p.m. CST
In making your point, I believe you overstated it. Alter-egos are not there for us to identify with generally, although Parker probably was. I mean how many comic book readers are independently wealthy, heads of corporations, metropolitan reporters, doctors, lawyers, etc.
March 19, 2008, 8:34 p.m. CST
... Donald Trump is reading that last post with a little tear running down his cheek, feeling all excluded.
March 20, 2008, 6:37 a.m. CST
It took me a few episodes, but I'm warming up to it. The back to basics approach works for me.
March 20, 2008, 9:01 a.m. CST
Watching him on TV I could swear every bit of juice inside dried up years ago.
March 20, 2008, 9:41 a.m. CST
To cry, one needs to be able to process an emotion other than irate. Trump can not cry.
March 20, 2008, 10:36 a.m. CST
(Pronounced in this instance: too-shay doo-shay) I think my life may now be complete as I never thought I'd have the opportunity to utter such a phrase.
March 21, 2008, 1:57 a.m. CST
by Calico Pete
Saw the 1st 2 eps, decided it was too kiddy. Read the comments here. Decided to give it another shot. I must saw, ep 3 was very very cool. Great fight scenes. Smart character development. <br><br>Anyone else feel the opening titles are a throwback to the old 60s show, a retro homage?<br><br>And am I the only one who thinks Aunt May is sorta hot? I hope we see her in swimwear soon.
March 21, 2008, 1:59 a.m. CST
by Calico Pete
Not that that really required clarification, but some of you may have scored too low on your SATs to figure it out from context alone. I keed I keed.
March 21, 2008, 6:39 p.m. CST
by Buzz Maverik
...any combination of Dr. Stange, Namor, the Hulk and/or the Silver Surfer with whichever Marvel Universe characters happen to be around at the time to get the immediate job done, then it's adios mama.
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