Cool News
ScoreKeeper Wants You To Know About The Mega-Fantastic Box Set of SUPERMAN Music!!
Greetings! ScoreKeeper here.
Yup, it’s been a long while since I strolled around these parts. I’ve had an extraordinarily packed schedule the last several months which regrettably has cut into my master plan for internet media domination. I’ve decided to come out of hibernation to report upon another amazing and unprecedented release from Film Score Monthly.
Last week it was announced that FSM will be releasing an 8-CD box set entitled SUPERMAN: THE MUSIC (1978-1988) featuring practically every fragment of music from all four SUPERMAN films including the SUPERMAN: THE ANIMATED SERIES
(1988).

Here is an excerpt from the blog of Screen Archives Entertainment (www.screenarchives.com) who handles all of the CD sales for Film Score Monthly.
FSM's 8-CD box set, SUPERMAN: THE MUSIC (1978-1988), encompasses a new fully remastered and complete edition of John Williams's SUPERMAN: THE MOVIE along with previously unreleased presentations of the complete scores for its three sequels: SUPERMAN II and SUPERMAN III (adapted and conducted by Ken Thorne) and SUPERMAN IV: THE QUEST FOR PEACE (adapted and conducted by Alexander Courage and featuring new themes by John Williams). The latter is spread across two full CDs of never-before-released music and songs. Also included in the set is a bonus disc of additional alternates, source music and songs, plus a full disc of Ron Jones's music for the 1988 SUPERMAN animated series, rounding out a full decade of Superman music. The 8 CDs are accompanied by an in-depth, full-color 160 page hard-bound book, all housed in an elegant blue slipcase box with the Superman "S" embossed in silver.
The set is available as a limited edition of 3,000 copies priced at $119.95 each, and may be ordered beginning at 3:00 p.m. U.S. Eastern time on Thursday, February 21, 2008 via screenarchives.com. Additional information and sound samples will be available at that time.
SUPERMAN: THE MUSIC (1978-1988) is produced by Mike Matessino and Lukas Kendall and celebrates the Man of Steel's official birthday of February 29 as well as a triple anniversary year.... The character made his debut 70 years ago when Action Comics #1 hit newsstands, and 30 years ago, on December 15, 1978, Superman: The Movie was released, introducing audiences to Christopher Reeve's indelible portrayal and John William’s classic themes. Additionally, Warner Bros., the studio behind the Superman series, celebrates its 85th anniversary in 2008. With SUPERMAN: THE MUSIC, Film Score Monthly delivers a release befitting this multi-tiered celebration.
This could very well be the release of the decade and I can’t adequately express how excited I am to own this. I don’t have my copy yet but it’s on order. An AICN reader was privy to a pre-release copy of three of the four films from the set.
Here’s his review:
Hi Scorekeeper,
I've never written to Aintitcool before, but I wanted to alert you regarding the release of a newly-remastered box set of all four original Reeve Superman movie scores available in the next week or so.
I was lucky enough to have a friend who provided me with a pre-release copy of the remastered versions of Superman 1-3 (4 was not ready at the time). Being a big fan of John Williams' score, I was extremely excited to hear his music remastered. I wasn't looking forward to hearing anything for II or III. Although I do appreciate some aspects, I was never really a big fan of Thorne's scores.
That changed yesterday. I wanted to write to you, specifically, for this reason.
Thorne has taken a lot of flack for his Superman scores in the past (some of it from me), and I feel a majority of the criticism is completely undeserved after listening to these discs. It's hard to have to follow John Williams' amazing score for I. I think John Ottman learned that lesson well in Superman Returns. But after listening to Thorne's full score for Superman II, I have to admit that I actually prefer some of his arrangements over Williams'. The remastering has really cleaned up the music and given it more power. Whatever they did, I now think Thorne did an excellent job given the fact that he had an extremely downsized orchestra in comparison to what Williams had in Superman I, and I feel he does the best with what he was given to work with. Thorne knew how to emulate the strengths of Williams' work, and in some areas, I personally feel he went above William's original themes. I just wish the man could have gotten the manpower Williams had when scoring Superman I. He didn't get that, but these discs prove that at least his intentions were sincere. He understood exactly what the film needed, and I feel he gave it that and more.
Superman III is still, well, Superman III. There's no real main theme, and I can't say the score was as fun to listen to as Superman II, but that's only because Superman III, as a film, is a pretty big disaster. But the score is very reminiscent of Henry Mancini, and maybe that's intentional. Either way, it was still a fun listen.
So that's my opinion on the whole matter. After listening to the scores, I went back and watched the Donner cut of Superman II. My one wish (aside for a better ending) was that they could have used Thorne's music more, or brought him back to re-score that cut. I'd rather have Ken Thorne's score than John Williams, and I hope more people have respect for the man now after listening to these discs. I sure do.
This is the only link I could find to when the discs will be available.
Thanks. If you use this, please call me "Admiral Calavicci".
Next I’m going to post a rather extensive interview between Mike Matessino and Lukas Kendall who produced the SUPERMAN box set. Mike and Lukas cover a dynamic range of topics from the birth of the SUPERMAN box set to “Who did what?” explanations on the SUPERMAN sequels. They also talk about the pressures and demands of releasing film music in our modern times. It’s a fascinating read that I hope you’ll enjoy.
I’m going to try hard in the next several months to not be as much of a stranger as I had been the last several months. There’s so much great film music out there to cover and interviews to conduct. As the film music chronicles of 2008 unfold, I’ll be around for the discussion.
Up, up and away!
ScoreKeeper!!!
Other Articles By ScoreKeeper:
Interviews
Klaus Badelt (05.25.06)
Bear McCreary (06.07.06)
Lalo Schifrin (06.18.06)
John Ottman (06.27.06)
Joseph LoDuca (08.21.06)
Alex Wurman (08.23.06)
Jeff Beal (09.08.06)
Chris Lennertz (09.29.06)
John Debney (10.15.06)
Howard Shore (11.15.06)
Clint Mansell (11.27.06)
David Julyan (12.19.06)
John Powell (12.30.06)
Craig Armstrong (01.02.07)
Tyler Bates (02.22.07)
John Debney (2nd Interview/03.06.07)
Christopher Young (06.07.07)
Aaron Zigman (06.19.07)
Jeff Dana (07.04.07)
Reviews
THE DAVINCI CODE (2006) by Hans Zimmer (05.06.06)
THE PROMISE (2005) by Klaus Badelt (05.25.06)
NACHO LIBRE (2006) by Danny Elfman (06.10.06)
MONSTER HOUSE (2006) by Douglas Pipes (07.12.06)
PETITES PEUR PARTAGÉS by Mark Snow (08.29.06)
ScoreKeeper Reviews The Super Fantabulous ELMER BERNSTEIN'S FILM MUSIC COLLECTION!!
(10.15.06)
ScoreKeeper Reviews Danny Elfman's CHARLOTTE'S WEB Score!! (11.30.06)
ScoreKeeper Contemplates Christopher Young's SPIDER-MAN 3 Score!! (05.03.07)
ScoreKeeper Reviews FINDING KRAFTLAND!! (05.10.07)
ScoreKeeper Reviews Bear McCreary's REST STOP Score(05.08.07)
Miscellaneous
Who is Composing Which Scores This Summer (and Beyond)?? (05.09.06)
Elfman Removes his Credit from NACHO LIBRE? (06.12.06)
ScoreKeeper on John Williams’ New NBC Sunday Night Football Theme (09.01.06)
ScoreKeeper on Danny Elfman’s CHARLOTTE’S WEB Interview (09.05.06)
ScoreKeeper Considers the Film Music of Fantastic Fest (10.03.06)
ScoreKeeper’s Smolderin’ Potpourri of Cool Film Music News and Bits and Things!! (10.09.06)
ScoreKeeper Re: Marilyn Manson's Cover of NIGHTMARE BEFORE CHRISTMAS Tunes!! (10.26.06)
Basil Poledouris Is Gone (11.08.06)
Shirley Walker Is Gone (11.30.06)
SCOREKEEPER’S BEST SCORES OF 2006 LIST-O-RAMA!! (01.17.07)
American Composer Mark Snow Nominated For French Ceasar!! (02.07.07)
The Debut Film Music Weekly!! (02.11.07)
ScoreKeeper Wax Off On The New KARATE KID 4-CD Set!! (03.12.07)
Herman Stein is Gone (03.28.07)
Upcoming Soundtracky Events!! (04.16.07)
AICN EXCLUSIVE: The Never Before Released Score For THE ENFORCER Is Coming Soon!! (04.24.07)
Who's Scoring HELLBOY 2?? (06.09.07)
John Williams' Future Projects (08.24.07)
Fantastic Fest 2007 Round Up (10.04.07)

The set is available as a limited edition of 3,000 copies priced at $119.95 each, and may be ordered beginning at 3:00 p.m. U.S. Eastern time on Thursday, February 21, 2008 via screenarchives.com. Additional information and sound samples will be available at that time.
SUPERMAN: THE MUSIC (1978-1988) is produced by Mike Matessino and Lukas Kendall and celebrates the Man of Steel's official birthday of February 29 as well as a triple anniversary year.... The character made his debut 70 years ago when Action Comics #1 hit newsstands, and 30 years ago, on December 15, 1978, Superman: The Movie was released, introducing audiences to Christopher Reeve's indelible portrayal and John William’s classic themes. Additionally, Warner Bros., the studio behind the Superman series, celebrates its 85th anniversary in 2008. With SUPERMAN: THE MUSIC, Film Score Monthly delivers a release befitting this multi-tiered celebration.
I've never written to Aintitcool before, but I wanted to alert you regarding the release of a newly-remastered box set of all four original Reeve Superman movie scores available in the next week or so.
I was lucky enough to have a friend who provided me with a pre-release copy of the remastered versions of Superman 1-3 (4 was not ready at the time). Being a big fan of John Williams' score, I was extremely excited to hear his music remastered. I wasn't looking forward to hearing anything for II or III. Although I do appreciate some aspects, I was never really a big fan of Thorne's scores.
That changed yesterday. I wanted to write to you, specifically, for this reason.
Thorne has taken a lot of flack for his Superman scores in the past (some of it from me), and I feel a majority of the criticism is completely undeserved after listening to these discs. It's hard to have to follow John Williams' amazing score for I. I think John Ottman learned that lesson well in Superman Returns. But after listening to Thorne's full score for Superman II, I have to admit that I actually prefer some of his arrangements over Williams'. The remastering has really cleaned up the music and given it more power. Whatever they did, I now think Thorne did an excellent job given the fact that he had an extremely downsized orchestra in comparison to what Williams had in Superman I, and I feel he does the best with what he was given to work with. Thorne knew how to emulate the strengths of Williams' work, and in some areas, I personally feel he went above William's original themes. I just wish the man could have gotten the manpower Williams had when scoring Superman I. He didn't get that, but these discs prove that at least his intentions were sincere. He understood exactly what the film needed, and I feel he gave it that and more.
Superman III is still, well, Superman III. There's no real main theme, and I can't say the score was as fun to listen to as Superman II, but that's only because Superman III, as a film, is a pretty big disaster. But the score is very reminiscent of Henry Mancini, and maybe that's intentional. Either way, it was still a fun listen.
So that's my opinion on the whole matter. After listening to the scores, I went back and watched the Donner cut of Superman II. My one wish (aside for a better ending) was that they could have used Thorne's music more, or brought him back to re-score that cut. I'd rather have Ken Thorne's score than John Williams, and I hope more people have respect for the man now after listening to these discs. I sure do.
This is the only link I could find to when the discs will be available.
Thanks. If you use this, please call me "Admiral Calavicci".
ScoreKeeper!!!
Klaus Badelt (05.25.06)
Bear McCreary (06.07.06)
Lalo Schifrin (06.18.06)
John Ottman (06.27.06)
Joseph LoDuca (08.21.06)
Alex Wurman (08.23.06)
Jeff Beal (09.08.06)
Chris Lennertz (09.29.06)
John Debney (10.15.06)
Howard Shore (11.15.06)
Clint Mansell (11.27.06)
David Julyan (12.19.06)
John Powell (12.30.06)
Craig Armstrong (01.02.07)
Tyler Bates (02.22.07)
John Debney (2nd Interview/03.06.07)
Christopher Young (06.07.07)
Aaron Zigman (06.19.07)
Jeff Dana (07.04.07)
Reviews
THE DAVINCI CODE (2006) by Hans Zimmer (05.06.06)
THE PROMISE (2005) by Klaus Badelt (05.25.06)
NACHO LIBRE (2006) by Danny Elfman (06.10.06)
MONSTER HOUSE (2006) by Douglas Pipes (07.12.06)
PETITES PEUR PARTAGÉS by Mark Snow (08.29.06)
ScoreKeeper Reviews The Super Fantabulous ELMER BERNSTEIN'S FILM MUSIC COLLECTION!!
(10.15.06)
ScoreKeeper Reviews Danny Elfman's CHARLOTTE'S WEB Score!! (11.30.06)
ScoreKeeper Contemplates Christopher Young's SPIDER-MAN 3 Score!! (05.03.07)
ScoreKeeper Reviews FINDING KRAFTLAND!! (05.10.07)
ScoreKeeper Reviews Bear McCreary's REST STOP Score(05.08.07)
Miscellaneous
Who is Composing Which Scores This Summer (and Beyond)?? (05.09.06)
Elfman Removes his Credit from NACHO LIBRE? (06.12.06)
ScoreKeeper on John Williams’ New NBC Sunday Night Football Theme (09.01.06)
ScoreKeeper on Danny Elfman’s CHARLOTTE’S WEB Interview (09.05.06)
ScoreKeeper Considers the Film Music of Fantastic Fest (10.03.06)
ScoreKeeper’s Smolderin’ Potpourri of Cool Film Music News and Bits and Things!! (10.09.06)
ScoreKeeper Re: Marilyn Manson's Cover of NIGHTMARE BEFORE CHRISTMAS Tunes!! (10.26.06)
Basil Poledouris Is Gone (11.08.06)
Shirley Walker Is Gone (11.30.06)
SCOREKEEPER’S BEST SCORES OF 2006 LIST-O-RAMA!! (01.17.07)
American Composer Mark Snow Nominated For French Ceasar!! (02.07.07)
The Debut Film Music Weekly!! (02.11.07)
ScoreKeeper Wax Off On The New KARATE KID 4-CD Set!! (03.12.07)
Herman Stein is Gone (03.28.07)
Upcoming Soundtracky Events!! (04.16.07)
AICN EXCLUSIVE: The Never Before Released Score For THE ENFORCER Is Coming Soon!! (04.24.07)
Who's Scoring HELLBOY 2?? (06.09.07)
John Williams' Future Projects (08.24.07)
Fantastic Fest 2007 Round Up (10.04.07)
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+ Expand All
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And you only really need the good two-disc Superman I soundtrack. Genius.
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what does FSM mean?
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John Williams at his best.
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Or if anything has been recorded for Kingdom of the Crystal Skull yet?
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...agree with you, and let me include to the list "the love theme" such an amazing track, so beautiful.
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the awesome drunken Brad/Gus scene and the Chaka Khan / Giorgio Moroder hit "No See, No Cry"?
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Check on Amazon (or wherever) for SUPERMAN: The Ultimate Collection. These are NOT the original recordings, and make up your own mind about how well the originals are captured. But it's got more bredth, if not depth, than this eight-disc gargantua. Contents are:
1. Superman-The TV Series: The Adventures Of Superman - Leon Klatzkin
2. Superman-The Movie: Main Title
3. Superman-The Movie: The Trip To Earth
4. Superman-The Movie: Leaving Home
5. Superman-The Movie: Superfeats 6. Superman-The Movie: Love Theme 7. Superman: The Columbia Serial -Mischa Bakaleinakoff
8. It's A Bird, It's A Plane, It's Superman!: It's Superman - Charles Strouse, Lee Adams
9. Superman II: Fanfare And Clark Kent Screws Up
10. Superman II: Love Theme And Flying
11. It's A Bird, It's A Plane, It's Superman!: Phantasmagoria - Charles Strouse, Lee Adams
12. Superman II: Honeymoon Hotel - Ken Thorne
13. Superman-The Movie: March Of The Villains
14. Supergirl-Main Title - Jerry Goldsmith
15. Superman II: Main Title (The Streets Of Metropolis) - Ken Thorne/ John Williams
16. Superman: The Max Fleischer Cartoon - Sammy Timberg
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Did this article bore you perchance? If so, why bother to post here? Hoping to score a sweet little 'First!' perhaps? Anyway, back to the matter at hand. Can't get enough of the classic Superman theme although I really haven't given enough of my time to Ken Thorne's work on Superman II. I'll have to purchase this set and rectify that post haste...
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Feb 26, 2008 12:52:57 PM CST
Yes, I agree with Samuel and LordPorkington..and heres why.
by iamjack'suserid
The complete Raiders of the Lost Ark score CD is GREAT, but still leaves out music, notably the music when Indy is in the Well of the Souls. And Temple and Last Crusade haven't had worthy soundtrack releases, reason being (from what I heard) because the masters were LOST which I don't want to believe. I would SO buy a complete Indiana Jones soundtrack set in a heartbeat, although I already own 2 Raiders scores, a Temple on tape AND CD, and a Last Crusade on CD as well as a more complete booleg on my PC. And why Friendo would waste his time posting a bunch of zzzz's does reflect his obvious low intelligence. What an inbred dumbfuck!
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Unless there's another series in 1988 I didn't hear about.
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badly needs a full score CD release - it's a masterpiece of film music.
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I say we erect a statue of this great man! He is the greatest film music composer of all time!
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Ruby-Spears made a Superman cartoon show in the late 80s, and it used the John Williams theme music.
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Second is the Raiders March, followed by the Star Wars theme.
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What I really would like to be released are scores from the 90's animated series' BATMAN and SUPERMAN. Specially BATMAN had some great music. BATGIRL and NIGHTWING had their own musical themes. At least, there is the MASK OF THE PHANTASM score.
But I would love to hear some of Shirley Walker's (r.i.p.)score from the tv episodes. -
WOW! The music sounds great judging by the sound-clips on FSM
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...as well as the Batman animated series. That would be a hell of a set! Hopefully if this Superman set sells well, FSM can tackle both of these animated series next, which had fantastic scores.
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are the best scores.
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I think. Better than Returns.
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I second your call for a statue of John Williams! I'll be gutted the day he leaves this earth. Don't forget to add the Imperial March to your list of his amazing themes. May I also suggest you check out Buckbeat's Flight from his Harry Potter & The Prisoner Of Azkaban soundtrack, it's a corker...
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Let me take the time to welcome you with a big "fuck off".
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An extensive, re-mastered and high-end box set including Indy 4 would be a nice prelude to the upcoming film. Hell, I'd settle with the original trilogy.
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He created the Jaws, Star Wars, Superman, and Indian Jones themes all within a few years of each other. Most composers would love to have just ONE score as memorable as those in their career.
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Not Indian. Hey Howarya? hey Howarya?
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released a dozen years ago. It's great.
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Scorekeeper! Please get John Williams on here to talk about Indiana Jones 4!
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I'd like a complete release of Hook (yeah the movie sucked, but the score was one of Williams' best), and an actual release of his 70's works Family Plot and Black Sunday. An of course there's always the hope that an actual complete score of Phantom Menace will see the light of day, as well as Attack of the Clones and Revenge of the Sith. Who am I addressing this too. I have no idea. Maybe the soundtrack fairy?
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wait to hear the "Destroy Superman" theme from No. 4. Nuclear Man, worst....character.....ever...
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Ask him how he feels about the hack job done by Lucas on his prequel scores.
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and over? Eight discs of that?
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There are a few posting regarding the Dini animated series with the great Shirley Walker music. You DO know that there are CDs out for both Mask of the Phantasm and also for Batman Beyond--right?
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Can't believe that score wasn't nominated.
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Hook, on the other hand, is an absolutely PHENOMENAL score.
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the main theme comes close, but no cigar.
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Have you actually heard these scores? Listen to the sound-clips: http://www.screenarchives.com/title_detail.cfm?ID=8874
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The Main theme is very good.
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Don't forget Close Encounters of the Third Kind!
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..does get the accolades it deserves, Shirly Walkers contribution gets downplayed i think. I mean, every episode had it's own score. There was no stock music used. That was unheard of back then.
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Who send in scoops about musical scores?
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been waiting for just the right moment to spring this one:
http://tinyurl.com/ywth9q
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Check it out if you get the chance.
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Not to detract from his subsequent works, but much like Goldsmith the 70's and early 80's scoring of Mr Williams is consistently superb. No one could touch J.W for such dazzlingly complex and sonorius orchestrations, his deft use of Bitonality, quasi-serialism melded with supreme Jazz chops and a trad Hollywood romantic sensibility has enshrined his work in perpetuity! Stack Star Wars up against the primitive COD sampled dreck of todays de-riguer Mac Jockeys and anyone witha rudimentary appreciation of music will agree they aint a bead of sweat on the mighty balls of JW. Do not debate this, I can prove it with a slide rule and an etch-a-sketch.
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I love that theme too. Every time some idiot says Williams isn't as good as he used to be, the man comes right back with yet another score that dazzles. The man is true genius...the best scorer in film history...and the work of Williams is the underlying score running through all geeks' lives.I was actually lucky myself. As a diehard STAR WARS fan, I got to geek out another way as well -- Williams was the comencement speaker at my college graduation.
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'Nuff said.
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...a plant. It seems this tag is used all the time. Seems like plant stuff to me.
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I love the march, krypton theme, fortress of solitude(though Smallville's Fortress of Solitude theme is EPIC) and the space/lecture.
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I saw all the Superman films in the theater, and not a single fan ever dissed this man's scores in their original release. This guy deserves some fucking kudos. After listening to John O's score for Returns, we're lucky we got Thorne for a good Superman film, and not some hack. Can't wait to to get this set. Then get started on releasing Indy, fuckers!
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Feb 26, 2008 10:41:36 PM CST
I'd love to have a better-sounding Superman The Movie...
by osmosis jones
...but I'm not burning $130 just for that. The Thorne music DID suck, and if they were going to release Cartoon Supes music, why not the excellent Shirley Walker stuff from the '96 series?
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Never had a problem with Thorne's scores. The opening recap and main theme of 2 is still my favorite arrangement.
But I ain't buyin' this for 3. That movie can burn with Pryor.
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Its certainly my favorite soundtrack from the 3 films. Although I still get chills everytime I hear the part of the truck chase from Raiders where the guy is climbing over the top and loses his hat, right before he jumps in the cab to throw Indy out. That and the circus train chase and the boat chase from the third film. Hell, they need to give it the Star Wars/LOTR treatment and release them top to bottom.
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The soundtracks to Superman III and IV. My iPod's complete.
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The soundtracks to Superman III and IV. My iPod's complete.
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I posted this in a talkback last week. It was targeted at plant reviews for movies, but let’s see if we can apply the same principles to this review:
http://www.geocities.com/samtaholo/plant.htm
1. ‘I've never written to Aintitcool before’. Check.
2. Overly elaborate explanation of how he got his hands on it. Check.
3. ‘I’m a big fan of John Williams’ score’ (just like the rest of you, presumably). Check.
4. ‘I was never really a big fan of Ken Thorne’s score…’ Check.
5. But… ‘This changed yesterday.’ Check.
6. Turn negatives into positives. ‘I now think Thorne did an excellent job given the fact that he had an extremely downsized orchestra in comparison to what Williams had in Superman I, and I feel he does the best with what he was given to work with.’ Check.
7. Try not to criticise the material directly. Criticise other things instead. ‘I can't say the score was as fun to listen to as Superman II, but that's only because Superman III, as a film, is a pretty big disaster.’ Check.
8. Compare the material to other popular material. ‘But the score is very reminiscent of Henry Mancini, and maybe that's intentional. Either way, it was still a fun listen.’ Check.
9. ‘If you use this, please call me ________.’ Big old check. And how dare you sully Al’s good name!
What I don’t get is why ScoreKeeper felt the need to include this planty review to supplement his own opinion, the press release material and the upcoming Matessino/Kendall interview, which sounds like it actually *will* be fascinating. It feels like FSM is trying to make a big deal of the Ken Thorne material, to pique the interest of fans who might otherwise shrug and say, “well, I’ve already got the Williams score for the first movie, so why do I need all this other crap?”
Of course, that just begs the question of why AICN’s staff aren’t more discerning about what they do and don’t publish. But that’s a whole other can of worms, I’m sure. -
Starting this month with Raiders. It would be a great build up to Crystal Skull.
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Johnny Williams can be mentioned in the same breath as any of the great composers from the past...Bach, Beethoven,etc. ....A Musical Genuis.
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He's fast emmerging as a gifted composer. Atonement was a superb score derserving of an Oscar, but Vendetta and the Brave One are equally distinctive and IMO well craffted scores. Any plans to interview the man?
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There IS a two-disc cd of Phantom Menace's score which is about as complete and expanded as you could possibly want. Bought it in 1999 and it almost makes up for the the lines 'Sandstorms are very, very dangerous' 'let's try spinning, that's a good trick' 'my bones are aching Annie' and 'Yippeeee!'...i said almost, right?
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- Yet are ignorant of film music. Go back to your hippty hop and thrash metal. This is a huge release for film score fans & Superman fans.
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That's about how hard-hitting this "interview" was. Still, congrats to Lukas Kendall for making this project happen. Too bad it's so expensive and there's no way in hell I'd pay that kind of money for something that's really only half (if that) of what I really want. Now, let's see an Indiana Jones set of this scope and then we'll talk.
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such a rousing score.. makes me feel heroic listening to it.
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