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No WAR AT HOME!! No WINNER!! SARAH CONNOR And JEZEBEL JAMES To Midseason!! Lots O’ Reality!! FOX’S FALL SLATE!!

Published at:  May 17, 2007 5:09:03 PM CDT

I am – Hercules!!


The Fox network announced its fall schedule Thursday. Some highlights:

* Both of Fox's "bubble" shows, Seth McFarlane's "The Winner" and the Michael Rapaport vehicle "The War At Home," are gone.

* The new Fox pilots from Robert Smigel (“TV Funhouse”), John McNamara (“Eyes”) and Joel Surnow & Robert Cochran (“24”) did not go to series.

* Fox’s two most anticipated shows, “The Sarah Connor Chronicles” (set between ("Terminator 2" and "Ternimator 3") and “The Return of Jezebel James” (Amy Sherman-Palladino's sitcom follow-up to "Gilmore Girls") are being held till mid-season.

* Since Saturday, Fox has picked up for midseason the Juliana Margulies vehicle “Canterbury’s Law,” an hourlong from writer Dave Erickson (the TV-movie “D.C. Sniper”) about a defense attorney haunted by the disappearance of her young son.

* Fox’s new reality shows include:

> “Kitchen Nightmares,” which puts chef Gordon Ramsay (“Hell’s Kitchen”) on the road in sort of a “Supernanny” for eateries.

> “The Next Great American Band,” from the producers of “American Idol,” is an “American Idol” for groups.

> “Nashville,” from the folks behind MTV’s “Laguna Beach: The Real Orange County,” about aspiring country music artists in Tennessee’s showbiz capital.

> “Anchorwoman,” about a small Texas TV station that hires as anchorwoman a gorgeous but inexperienced World Wrestling Enterprises vet.

* As reported Saturday, Fox is taking to series “New Amsterdam” (about a 400-year-old cop), “K-Ville” (about post-Katrina New Orleans cops), “The Rules For Starting Over” (the new romantic sitcom starring Rashida Jones and Craig Bierko) and “Back to You” (the new broadcast-news sitcom starring Kelsey Grammar and Patricia Heaton).



The autumn schedule:




Look! Press release!

FOX ANNOUNCES PRIMETIME SLATE FOR 2007-2008 SEASON

FOUR NEW DRAMAS, THREE NEW COMEDIES AND THREE UNSCRIPTED SERIES JOIN SCHEDULE

DRAMAS "K-VILLE" AND "NEW AMSTERDAM" AND COMEDY "BACK TO YOU" DEBUT IN FALL

NEW UNSCRIPTED SERIES "THE SEARCH FOR THE NEXT GREAT AMERICAN BAND" (working title), "KITCHEN NIGHTMARES" AND "NASHVILLE" (working title) ALSO SLATED FOR FALL LAUNCH

DRAMAS "THE SARAH CONNOR CHRONICLES" AND "CANTERBURY'S LAW" ALONG WITH COMEDIES "THE RETURN OF JEZEBEL JAMES" (working title) AND "THE RULES FOR STARTING OVER" (working title) TO PREMIERE MIDSEASON

New York (Thursday, May 17, 2007) Peter Liguori, President, Entertainment, Fox Broadcasting Company, today unveiled the FOX primetime schedule for the 2007-2008 television season.

"This is the most stable and most vibrant schedule ever presented by FOX one that is sure to help us secure our fourth consecutive season as the No. 1 network in key demos," Liguori said. "We'll have a balanced schedule across the week, and we expect a significantly stronger fourth quarter. And in early 2008, 24 and AMERICAN IDOL, along with unprecedented sporting events in primetime including the Super Bowl on Feb. 3 will allow us to launch additional series and position ourselves for another dominant season."

Liguori went on to say: "We'll have returning shows on six nights in the fall and every night of the week come January. We're introducing new series that are distinctive, compelling, and which have impressive auspices. New series will be paired with returning hits to create a balanced, competitive, solid schedule."

The new dramas premiering this fall are K-VILLE (20th Century Fox Television), starring Anthony Anderson and Cole Hauser as police officers in post-Katrina New Orleans; and NEW AMSTERDAM (Regency Television), the first American television project from Oscar-nominated director/producer Lasse Hallstrm, featuring newcomer Nikolaj Coster Waldau as a New York City homicide detective unlike any other.

The new comedy slated for fall is BACK TO YOU (20th Century Fox Television), from executive producers Steven Levitan and Christopher Lloyd. Set at a TV news station in Pittsburgh, it stars Emmy Award winners Patricia Heaton and Kelsey Grammer and is directed by James Burrows.

The new unscripted series that will premiere this fall on FOX include, from the producers of AMERICAN IDOL, THE SEARCH FOR THE NEXT GREAT AMERICAN BAND (working title), which will do for undiscovered groups what IDOL has done for singers. Also with a musical theme, NASHVILLE (working title), from the producers of "Laguna Beach: The Real Orange County," is an unscripted docu-soap chronicling a group of ambitious young people trying to make their mark on the music industry and Nashville society. And in KITCHEN NIGHTMARES, mercurial master chef Gordon Ramsay of HELL'S KITCHEN fame attempts to turn around floundering restaurants in less than a week.

Two additional dramas and two additional comedies will launch in midseason. Courtroom drama CANTERBURY'S LAW (Sony Pictures Television), from executive producers Denis Leary and Jim Serpico, writer Dave Erickson, and director Mike Figgis, stars Julianna Margulies as a rebellious female defense attorney who's willing to bend the law in order to protect the wrongfully accused. And THE SARAH CONNOR CHRONICLES (Warner Bros. Television) is an intense new drama based on the celebrated heroine of the "Terminator" movies, with Lena Headey in the title role. THE RETURN OF JEZEBEL JAMES (working title) (Regency Television) is a sister comedy starring Parker Posey and Lauren Ambrose, from "Gilmore Girls" creator Amy Sherman-Palladino. And a spring launch is planned for THE RULES FOR STARTING OVER (working title) (20th Century Fox Television), starring Craig Bierko and Rashida Jones in the Farrelly Brothers' comedic take on a group of 30-somethings trying to find true love the second time around.

FOX series returning in 2007-2008 include: 24, AMERICAN DAD, AMERICAN IDOL, AMERICA'S MOST WANTED: AMERICA FIGHTS BACK, ARE YOU SMARTER THAN A 5th GRADER?, BONES, COPS, FAMILY GUY, HOUSE, KING OF THE HILL, MADtv, PRISON BREAK, THE SIMPSONS, TALKSHOW WITH SPIKE FERESTEN and TIL DEATH.

The summer 2007 schedule features established summer hits SO YOU THINK YOU CAN DANCE and HELL'S KITCHEN, along with new series ON THE LOT, the moviemaking competition from Mark Burnett and Steven Spielberg, and ANCHORWOMAN (Fox 21), an unscripted reality comedy series about a big-city model who goes to work at a small-town news station and tries to succeed as an anchorwoman to help the station's ratings.

Following are the FOX primetime schedule for 2007-2008 and synopses of the new series:

FOX PRIMETIME SCHEDULE: FALL 2007 (All Times ET/PT)

MONDAY
8:00-9:00 PM PRISON BREAK
9:00-10:00 PM K-VILLE

TUESDAY
8:00-9:00 PM NEW AMSTERDAM
9:00-10:00 PM HOUSE

WEDNESDAY
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM 'TIL DEATH
9:00-10:00 PM BONES

THURSDAY
8:00-9:00 PM ARE YOU SMARTER THAN A 5th GRADER?
9:00-10:00 PM KITCHEN NIGHTMARES

FRIDAY
8:00-9:00 PM THE SEARCH FOR THE NEXT GREAT AMERICAN
BAND (working title)
9:00-10:00 PM NASHVILLE (working title)

SATURDAY 8:00-8:30 PM COPS
8:30-9:00 PM COPS
9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA FIGHTS BACK
11:00 PM-MIDNIGHT MADtv
MIDNIGHT-12:30 AM TALK SHOW WITH SPIKE FERESTEN

SUNDAY
7:00-8:00 PM THE OT (NFL post-game)
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM KING OF THE HILL
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM AMERICAN DAD

FOX PRIMETIME SCHEDULE: BEGINNING JANUARY 2008 (All Times ET/PT)

MONDAY
8:00-9:00 PM K-VILLE (January)/PRISON BREAK (Spring)
9:00-10:00 PM 24

TUESDAY
8:00-9:00 PM AMERICAN IDOL
9:00-10:00 PM HOUSE

WEDNESDAY (January)
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM 'TIL DEATH
9:00-10:00 PM AMERICAN IDOL

WEDNESDAY (Spring)
8:00-8:30 PM BACK TO YOU
8:30-9:00 PM THE RETURN OF JEZEBEL JAMES (working title)
9:00-9:30 PM AMERICAN IDOL Results Show
9:30-10:00 PM 'TIL DEATH

THURSDAY
8:00-9:00 PM ARE YOU SMARTER THAN A 5th GRADER?
9:00-10:00 PM CANTERBURY'S LAW

FRIDAY (Spring)
8:00-9:00 PM BONES
9:00-10:00 PM NEW AMSTERDAM

SATURDAY
8:00-8:30 PM COPS
8:30-9:00 PM COPS
9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA FIGHTS BACK
11:00 PM-MIDNIGHT MADtv
MIDNIGHT-12:30 AM TALKSHOW WITH SPIKE FERESTEN

SUNDAY (Spring)
7:00-7:30 PM KING OF THE HILL
7:30-8:00 PM AMERICAN DAD
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM FAMILY GUY
9:00-10:00 PM THE SARAH CONNOR CHRONICLES

2007-2008 FOX PRIMETIME SCHEDULE NEW SERIES SYNOPSES

The following new dramas will premiere this fall on FOX:

K-VILLE (Mondays, 9:00-10:00 PM ET/PT): From writer and executive producer Jonathan Lisco ("NYPD Blue," "The District") comes a heroic police drama set in New Orleans. Two years after Katrina, the city is still in chaos. Many cops have quit, and the jails, police stations and crime labs still haven't been properly rebuilt. But the cops who remain have courage to burn and a passion to reclaim and rebuild their city. MARLIN BOULET (Anthony Anderson, "The Departed," "The Shield") is a brash, funny, in-your-face veteran of the NOPD's Felony Action Squad, the specialized unit that targets the most-wanted criminals. Even when his partner deserted him during the storm, Boulet held his post, spending days in the water saving lives and keeping order. Now he's unapologetic about bending the rules when it comes to collaring bad guys. Boulet's new partner, TREVOR COBB (Cole Hauser, "The Break-Up," "ER"), was a soldier in Afghanistan before joining the NOPD. He's tough and committed, but if he's less than comfortable with Boulet's methods, it's because he's harboring a dark secret. Cobb has come to New Orleans seeking redemption, but redemption can be dangerous. Will Boulet be able to trust him? Will Cobb's past endanger them both? Rounding out the crew of cops are hotheaded BILLY "K-9" FAUST (Maximiliano Hernndez, "Law & Order," "Shark"), who often speaks before thinking; wisecracking JEFF "GLUE BOY" GOODEN (Blake Shields, "Sleeper Cell," "Veronica Mars"), the team's comic relief; tough-as-nails GINGER "LOVE TAP" LeBEAU (Tawny Cypress, "Heroes"), the only female on the squad, who gives as good as she gets; and CAPTAIN JAMES EMBRY (John Carroll Lynch, "Zodiac," "The Drew Carey Show"), who wrangles the eclectic personalities of his squad with equal parts humor and tenacity.


PRODUCTION COMPANY: 20th Century Fox Television

EXECUTIVE PRODUCER/WRITER: Jonathan Lisco

DIRECTOR: Deran Sarafian

CAST: Anthony Anderson as Marlin Boulet, Cole Hauser as Trevor Cobb, Maximiliano Hernndez as Billy "K-9" Faust, Blake Shields as Jeff "Glue Boy" Gooden, Tawny Cypress as Ginger "Love Tap" LeBeau, John Carroll Lynch as Captain James Embry

NEW AMSTERDAM (Wednesdays, 9:00-10:00 PM ET/PT): Directed and executive-produced by visionary Lasse Hallstrm ("My Life As a Dog," "The Cider House Rules," "Chocolat," "The Hoax") and written by Allan Loeb ("Things We Lost in the Fire," "21") and Christian Taylor ("Showboy," "Six Feet Under"), NEW AMSTERDAM is the story of a New York homicide detective unlike any other. He is brilliant, mysterious, reckless, magnetic, unknowable. And he has a profound secret he is immortal. In 1642, JOHN AMSTERDAM (Nikolaj Coster Waldau, "Kingdom of Heaven"), then a Dutch solider in the colony of New Amsterdam later to become New York City stepped in front of a sword to save the life of a Native Indian girl during a massacre of her indigenous tribe. The girl in turn rescued Amsterdam, weaving an ancient spell that conferred immortality upon him. Amsterdam will not age, she told him, until he finds his one true love. Only then will he become whole and ready for mortality. But Amsterdam has found this to be a mixed blessing. Over the course of three centuries, he's experienced endless adventure and honed his many talents. But everyone Amsterdam meets must leave him in time; lovers and children die while he remains young. His sole confidant and current lifelong friend is the sage jazz club owner OMAR (Stephen Henderson, "Law & Order: SVU"), the keeper of Amsterdam's secret, as well as a few of his own. As the exhilaration of eternal life has given way to emotional isolation and bitter loneliness, Amsterdam discovers the blessing has become a curse. Bringing to bear the unorthodox techniques and unique knowledge gained from his vast life experience, Amsterdam today is one of the NYPD's best homicide detectives, sparring with his vibrant, strong-willed partner EVA MARQUEZ (Zuleikha Robinson, "Rome," "The Lone Gunmen") as they solve difficult murder cases. But when Amsterdam suffers and then recovers from what appears to be a massive heart attack while chasing a suspect, and DR. SARA DILLANE (Alexie Gilmore, "Find Love") pronounces him dead in the ER, he realizes that the Indian girl's prophesy may have come true he felt the pain in his heart that she had foretold so long ago. His soul mate must have been nearby. As he works to find a killer on the streets of New York, Amsterdam understands that his own life and possibly his death have changed forever.

PRODUCTION COMPANIES: Regency Television, Scarlet Fire Films

EXECUTIVE PRODUCERS: Allan Loeb, David Manson, Lasse Hallstrm, Leslie Holleran, Steven Pearl

WRITERS: Allan Loeb & Christian Taylor

DIRECTOR: Lasse Hallstrm

CAST: Nikolaj Coster Waldau as John Amsterdam, Zuleikha Robinson as Eva Marquez, Alexie Gilmore as Dr. Sara Dillane, Stephen Henderson as Omar

The new comedy premiering this fall on FOX is:

BACK TO YOU (Tuesdays, 8:00-8:30 PM ET/PT): In the 90s, the local TV news scene in Pittsburgh was dominated by one team: CHUCK DARLING (Kelsey Grammer, "Frasier," "Cheers") and KELLY CARR (Patricia Heaton, "Everybody Loves Raymond"). They had that elusive quality all news teams need: chemistry ... at least on-screen. Off-screen, Chuck was a bit of a self-centered womanizer, Kelly a bit of an uptight know-it-all. So when Chuck got the call to move up to a larger market, no tears were shed. But after an embarrassing on-air tirade ended up on the Internet, Chuck found himself on the downswing career-wise. He even questioned whether his lifestyle of chasing women and living in hotels was as exciting as it used to be. So when he got the call to return to Pittsburgh, to reunite with Kelly and try to take the newscast back to No. 1, it was an offer he couldn't refuse. Back in Pittsburgh, Chuck has a new coworker in RYAN CHURCH (Josh Gad, "Mary and Joe"), the overstressed news director. There are also familiar faces like MARSH McGINLEY (Fred Willard, "Anchorman: The Legend of Ron Burgundy," "Best in Show"), the affable, endlessly inappropriate sports anchor, and GARY CREZYZEWSKI, pronounced Kre-shoov-ski (Ty Burrell, "In Good Company," "Out of Practice"), the perennially put-upon field reporter who always seems to get left out in the snow. But, mostly, there's Kelly, now a single mom to 10-year-old GRACIE (Laura Marano, "Without a Trace"). There was magic between them once. Can they find it again?

PRODUCTION COMPANIES: 20th Century Fox Television, Levitan/Lloyd Productions

EXECUTIVE PRODUCERS/CREATORS: Steven Levitan, Christopher Lloyd

DIRECTOR: James Burrows

CAST: Kelsey Grammer as Chuck, Patricia Heaton as Kelly, Fred Willard as Marsh, Josh Gad as Ryan, Ty Burrell as Gary, Laura Marano as Gracie

New unscripted series joining the FOX schedule this fall include:

KITCHEN NIGHTMARES (Thursdays, 9:00-10:00 PM ET/PT): Hell hath no fury like an angry chef, and no chef has a sharper temper than Gordon Ramsay when things go wrong in the kitchen. The star of the highly rated culinary boot camp "Hell's Kitchen" returns to FOX with another sizzling unscripted series. This time, Chef Ramsay hits the road in each episode, tackling a restaurant in crisis and exposing the stressful realities of trying to run a successful food business. Inspired by one of the UK's biggest hits, KITCHEN NIGHTMARES is seen in more than 50 territories around the globe, and the series reveals a whole new side to Ramsay. He's still prone to the explosive outbursts and spectacular confrontations familiar to fans of "Hell's Kitchen," but he also shows his sensitive and nurturing side a unique blend of fury, passion, inspirational leadership and tough love that can coax a small spark of talent into a roaring flame. There's no time for polite small talk as Ramsay embarks on his mission to turn things around. If the wine waiter's service isn't up to par, he'll be out the door before he can say "merlot." If the head chef doesn't match up to Ramsay's expectations, Ramsay will hammer him into shape, and if he can't stand the heat, he may quit the kitchen. Ramsay's reputation is on the line, so there's bound to be high blood pressure, raised voices and serious clashes as he attempts to do the impossible: turn a deserted dining room into the most sought-after venue in town in just a week.

PRODUCTION COMPANIES: Granada America, Optomen Television, A. Smith & Co.

EXECUTIVE PRODUCERS: Arthur Smith, Pat Llewellyn, Kent Weed, Gerry McKean, Curt Northrup

CAST: Gordon Ramsay

THE SEARCH FOR THE NEXT GREAT AMERICAN BAND (working title) (Fridays, 8:00-9:00 PM ET/PT): What "American Idol" did for individuals, THE SEARCH FOR THE NEXT GREAT AMERICAN BAND is going to do for musical groups. The producers of "American Idol" will conduct the ultimate search for an undiscovered band. THE SEARCH FOR THE NEXT GREAT AMERICAN BAND is scouring the country, seeking groups from all musical genres who think they have what it takes to make it big. Judges will narrow down bands from all walks of life musicians of different ages, family acts, garage bands, etc. to 10 semi-finalists, who will perform in front of a live studio audience. Viewers then will have the opportunity to vote for their favorite bands. The final three acts will compete for a major recording contract and the chance to become music superstars.

PRODUCTION COMPANIES: FremantleMedia North America, 19 TV LTD.

EXECUTIVE PRODUCERS: Simon Fuller, Nigel Lythgoe, Ken Warwick, Cecile Frot-Coutaz

NASHVILLE (working title) (Fridays, 9:00-10:00 PM ET/PT): From the creative minds behind the hit series "Laguna Beach: The Real Orange County" comes NASHVILLE, a high-stakes, high-drama docu-soap set in "the biggest small town in America." The show focuses on the dreamers and dream-makers in the music industry, as well as those trying to make their mark on Nashville's big business and high society. The series features a diverse, vibrant young cast perched on the cusp of achieving their greatest successes in a town that can make you or break you. Talent, power, drive, love and hope are the fuel that makes Nashville burn bright and makes this unique place the true embodiment of the American Dream. Behind every song there's a story waiting to be told, and there are many such stories in NASHVILLE.

PRODUCTION COMPANY: Go Go Luckey Productions

EXECUTIVE PRODUCERS: Gary Auerbach, Julie Auerbach

The following new dramas are slated for January launches:

CANTERBURY'S LAW (Thursdays, 9:00-10:00 PM ET/PT): From executive producers Denis Leary and Jim Serpico ("Rescue Me," "The Job") and writer Dave Erickson ("Murder in Greenwich") comes CANTERBURY'S LAW, a courtroom drama about a rebellious female defense attorney who's willing to bend the law in order to protect the wrongfully accused. ELIZABETH CANTERBURY (Julianna Margulies, "ER") is a force of nature. An attorney on the rise, she puts her career on the line to take on risky and unpopular cases, even when they take a toll on her personal life. Elizabeth and her law professor husband MATTHEW CANTERBURY (Linus Roache, "Batman Begins," "The Chronicles of Riddick"), haunted by the disappearance of their young son, have settled in Providence, Rhode Island, in an attempt to distance themselves from the tragedy and put their relationship back together. But those goals become elusive whenever Elizabeth's work provides a stark reminder of the justice absent in their own lives. At the office, Canterbury has surrounded herself with a brilliant but motley crew of attorneys. RUSSELL CROSS (Ben Shenkman, "Pi," "Angels in America") was forced out of the Providence District Attorney's Office when he went toe-to-toe with his morally bankrupt boss, D.A. Zach Williams. His reputation tarnished, Russell turned to Canterbury, the only attorney willing to take him in. Now Russell provides a much-needed voice of reason for Canterbury even when she doesn't want to hear it, his position of influence well-earned by their years of friendship. CHESTER FIELDS (Jocko Sims, "Dreamgirls," "CSI: Crime Scene Investigation") and MOLLY McCONNELL (Trieste Dunn, "United 93") are the associates rounding out Canterbury's legal crew. Chester is a blue-blooded congressman's son who is embarrassed by his privileged upbringing and has turned his back on politics. Molly, in contrast, is headstrong, passionate and quick to take sides even if she finds herself in the opposite corner from Canterbury.

PRODUCTION COMPANIES: Sony Pictures Television, Apostle

EXECUTIVE PRODUCERS: Denis Leary, Jim Serpico, Mike Figgis

WRITER: Dave Erickson

DIRECTOR: Mike Figgis

CAST: Julianna Margulies as Elizabeth Canterbury, Linus Roache as Matthew Canterbury, Ben Shenkman as Russell Cross, Trieste Dunn as Molly McConnell, Jocko Sims as Chester Fields

THE SARAH CONNOR CHRONICLES (Sundays, 9:00-10:00 PM ET/PT): Executive producers Josh Friedman ("War of the Worlds"), David Nutter ("Supernatural," "Smallville") and C-2 Pictures ("Terminator 3: Rise of the Machines") bring to television an intense new drama based on the celebrated heroine of the "Terminator" movies: Sarah Connor. At the end of "Terminator 2: Judgment Day," Sarah vanquished the liquid metal Terminator sent from the future to kill her teenage son, John. Sarah and John now find themselves alone in a very dangerous, complicated world. Fugitives from the law, they are confronted with the reality that still more enemies from the future, and the present, could attack at any moment. THE SARAH CONNOR CHRONICLES reveals what happens when SARAH (Lena Headey, "The Brothers Grimm," "300") stops running and goes on the offensive against an ever-evolving technological enemy bent on destroying her life, and perhaps the world. Her son, 15-year-old JOHN CONNOR (Thomas Dekker, "Heroes"), knows that he may be the future savior of mankind, but is not yet ready to take on the mantle of leadership that he's told is his destiny. John finds himself inextricably drawn to CAMERON (Summer Glau, "Serenity," "The Unit"), an enigmatic and otherworldly student at his high school, who soon proves to be much more than his confidante she assumes the role of Sarah and John's fearless protector. On their trail are not only threats from the future, but an intelligent and tough FBI agent, JAMES ELLISON (Richard T. Jones, "Judging Amy"), who soon becomes a powerful ally. Directed by David Nutter and produced by Warner Bros. Television and C-2 Pictures, THE SARAH CONNOR CHRONICLES represents an exciting reinvention of the "Terminator" franchise, in which the strong and intrepid Sarah discovers that protecting her son and stopping the rise of the machines is more difficult than she had ever imagined.

PRODUCTION COMPANIES: Warner Bros. Television, C-2 Pictures

EXECUTIVE PRODUCERS: Josh Friedman, David Nutter, James Middleton, Mario Kassar, Andrew Vajna, Joel Michaels

WRITER: Josh Friedman

DIRECTOR: David Nutter

CAST: Lena Headey as Sarah Connor, Thomas Dekker as John Connor, Richard T. Jones as James Ellison, Summer Glau as Cameron

The new comedy scheduled to premiere in January is:

THE RETURN OF JEZEBEL JAMES (working title) (Wednesdays, 8:30-9:00 PM ET/PT): Can two estranged sisters, polar opposites, live together when one agrees to carry the other's baby? SARAH THOMKINS (Parker Posey, "For Your Consideration," "Best in Show") is a bright, optimistic, determined woman who seems to have it all a great job as a children's book editor, an eager-to-please assistant, BUDDY (Michael Arden), who helps keep her life together, and a no-strings-attached personal relationship with successful businessman MARCUS SONTI (Scott Cohen, "Kissing Jessica Stein"). Nevertheless, as her father, RONALD (Ron McLarty, "Law & Order"), is constantly pointing out, something is missing from Sarah's life. Her hard work may garner accolades, but when she goes home at night, she is very much alone. All too aware that she isn't getting any younger, Sarah decides to have a baby on her own and gets the shock of her life when the doctor tells her she can't get pregnant. Having no concept of the term "can't," Sarah wills herself to execute a plan. With nowhere else to turn, Sarah sets up a meeting with her quirky younger sister, COCO (Lauren Ambrose, "Six Feet Under"), and proposes a plan for Coco to carry her baby. They haven't seen each other in a while, and Coco refuses to go along with such a huge favor. But something happens when Sarah mentions that she's turned Coco's imaginary childhood friend, Jezebel James, into a children's book. Even though she doesn't say so out loud, Coco is clearly touched, and, realizing that her current living situation sharing a couch with her friend's sick dog isn't working out, Coco decides that this just might be worth a try.

PRODUCTION COMPANY: Regency Television

EXECUTIVE PRODUCERS: Amy Sherman-Palladino, Dan Palladino

DIRECTOR: Amy Sherman-Palladino

CAST: Parker Posey as Sarah, Lauren Ambrose as Coco, Scott Cohen as Marcus, Michael Arden as Buddy, Ron McLarty as Ronald

The comedy slated for a spring debut is:

THE RULES FOR STARTING OVER (working title) (Date and Time TBA): From the creatively fruitful minds of the Farrelly Brothers comes a single camera comedy, set in Boston, about a group of newly single friends learning the painful lessons of starting over in their 30s. They'd all love to get remarried, if they could just find their true loves. JACK "GATOR" GATELY (Craig Bierko, "Cinderella Man," "Boston Legal") is a charismatic, optimistic leader who never expected to be single again. But now that he is, he's determined to make the best of it. He's going to sift through all the bruised, damaged, occasionally psychotic fruit until he finds "the one." Joining Gator in bachelorhood redux is his thrice-divorced best friend TOMMY (Johnny Sneed, "The Guardian," "Fever Pitch"). The founder and brewmaster of an upstart microbrewery, Tommy has a voracious appetite for food, beer and women. He falls in love easily and always disastrously, yet truly hopes his fourth starter marriage will be "the one." DR. FREDDY SAHGAL (Shaun Majumder, "24," "Harold & Kumar Go to White Castle") has seen some pretty strange stuff during his years as a successful surgeon, but he's never seen any of it through the eyes of a single man. Probably the least equipped of the group to handle this unexpected life change is Dr. Freddy, who can execute a triple bypass in his sleep, but is all thumbs when it comes to the opposite sex. Rounding out the group is KATE (Rashida Jones, "The Office"), a smart, successful attorney who handled all three of the boys' divorces. Having just turned 30, Kate finds herself dumped after a seven-year engagement. She reluctantly joins the guys in negotiating the treacherous waters of dating. Kate owns the brownstone next to Gator's. Over time, this pair may find that "the one" is just a brick wall away.

PRODUCTION COMPANIES: 20th Century Fox Television, Conundrum Entertainment, Watson Pond Productions

EXECUTIVE PRODUCERS: Bobby Farrelly, Peter Farrelly, Bradley Thomas, Brad Johnson

WRITERS: Chris Pappas, Michael Bernier, Kevin Barnett

DIRECTORS: Bobby Farrelly and Peter Farrelly

CAST: Craig Bierko as Gator, Rashida Jones as Kate, Johnny Sneed as Tommy, Shaun Majumder as Freddy

The new unscripted series scheduled to premiere this summer is:

ANCHORWOMAN (Date and Time TBA): PHIL HURLEY is the owner of a tiny Texas news station, KYTX Channel 19, and he is desperate to turn the tide of his mediocre ratings, or even just compete with a rival channel. Phil has shocked the station and town of Tyler, Texas, by bringing in a gorgeous model and ex-WWE diva with no previous news experience to be his next ANCHORWOMAN all in hopes of reinventing the look of Channel 19 and overhauling its below-average 6 share to a number more like his competitor's dominating 36. Former Miss New York and ber-vixen LAUREN JONES packs up her Versace dresses and heads to the middle of nowhere to start a new career. Can this bombshell cut it as a serious reporter? Will she save KYTX, or make it the laughingstock of the Lone Star State? Lauren wants to show everyone she's no airhead, and this is her big chance to prove she's more than just a pretty face. The entire newsroom thinks the boss has made a giant mistake. Reigning anchor ANNALISA PETRAGLIA is not about to lose her Queen Bee status to some L.A. hottie. News Director DAN DELGADO is fit to be tied as his beloved journalistic standards go out the window. MICHELLE REESE, a hard-nosed reporter bound for CNN, will take no prisoners. Lauren will struggle not only with the news team and an unfamiliar town, but also with the not-so-Hollywood news stories covering bake sales, cowpie-tossing contests and county fairs like they were Watergate. News anchor or dead weight? Only the ratings will tell, so stay tuned for the next ANCHORWOMAN: Lauren Jones.

PRODUCTION COMPANIES: Fox 21, The G Group

EXECUTIVE PRODUCER: Brian Gadinsky

SUPERVISING PRODUCERS/WRITERS: Chad Damiani, JP Lavin

CAST: Lauren Jones as herself, Phil Hurley as himself, Annalisa Petraglia as herself, Dan Delgado as himself, Michelle Reese as herself












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    Readers Talkback

  • May 17, 2007 5:02:59 PM CDT

    And the networks wonder why

    by skitch

    We watch less and less programming when offered 90% crap

    Reply to Talkback

  • May 17, 2007 5:03:49 PM CDT

    at least they still have 24

    by white goodman

    That's all I care about. Even if it sucks right now.

    Reply to Talkback

  • May 17, 2007 5:04:31 PM CDT

    Wait, that doesn't come back on until Jan.

    by white goodman

    I guess I won't have to watch Fox until next year. I'm okay with that.

    Reply to Talkback

  • May 17, 2007 5:04:58 PM CDT

    War at Home & The Winner...

    by frank black

    Will be missed! I know, I know, they were not great shows but I found them to be perfect guilty pleasures.

    Reply to Talkback

  • May 17, 2007 5:17:46 PM CDT

    So they have like three mid-season replacements?...

    by danielkurland

    if the network didn't have American Idol, 24, and to a lesser extent, House, they'd be in serious trouble.

    Reply to Talkback

  • May 17, 2007 5:26:14 PM CDT

    Lesser extent?

    by david lazarus long

    House is rocking the ratings, man. It's like the highest rated show on television next to the aforementioned Idol and like... CSI Vegas? House kicks ass. Unfortunatly, the rest of this line up LOOKS like ass. What's the deal with Conner Chronicles? They've been talking that one up for MONTHS and now it's a midseason, who-gives-a-shit, we'll-cancel-it-after-3-episodes replacement fucktwat?! Bah humbug. TV next year is gonna be teh suck. Thankfully, Japan continues to pump out wildly exciting, visually stimulating, well written anime series by the dozen, soo... I'm cool with that. And I told them they should have killed off Jack last season. I love Kiefer, and 24 was one of the best of the bunch for 5 long years, but it's time to hang up them spurs, Jack. Just... just don't let what's-his-face take over. You know... that GUY... the one sitting in the corner preening and waiting for Jack to take one in the chest. Fuck, why'd they have to kill off anyone I would care about to continue the Bauer legacy? Tony, Curtis.... Tony? Heh. Yea, I think 24 should have died along with the Soul Patch. Too late now, fawckers.

    Reply to Talkback

  • May 17, 2007 5:26:22 PM CDT

    The only thing worth watching...

    by jimmy rabbitte

    anytime soon (apart from the LOST finale) is the rest of The Shield and then Rescue Me. Besides that there won't be anything to watch until after next Christmas.

    Reply to Talkback

  • May 17, 2007 5:28:48 PM CDT

    Thast grid layout graphic you have there should be a...

    by spikey

    gif not a jpg, half the size and lossless.

    Reply to Talkback

  • May 17, 2007 5:29:56 PM CDT

    If they didn't have AI, House and 24...

    by pennsy

    Fox would struggle with MyNetwork TV for 6th place in the ratings.

    Riddle me this, AICN'ers: why does House need AI as a lead-in? They could move it to Monday, Wednesday or Thursday at 8 therefore giving other shows a chance at the coveted Idol lead-in. TEST PATTERNS can get good ratings in the post Idol slot. WHY waste it on your network's #2 show?

    Reply to Talkback

  • May 17, 2007 5:31:23 PM CDT

    HOUSE

    by optimus122

    Had better ratings last week then Idol did in the most important age group.

    Reply to Talkback

  • May 17, 2007 5:34:44 PM CDT

    that american idol for bands thing...

    by keysersoze

    is the most obvious idea for a show in history. i've been saying since the first time american idol came on that it'd be so much more legit if they had actual bands...you know, people with musical talent as opposed to people trying to be a pop star and making me throw up.

    Reply to Talkback

  • May 17, 2007 5:44:22 PM CDT

    SMALLVILLE TB, SMALLVILLE TB, SMALLVILLE TB!!!

    by mike_d

    DAMMIT! BIZARRO! MAJOR CHARACTER DEATH!! "BEST FINALE EVER" (according to the news).

    Reply to Talkback

  • May 17, 2007 5:56:25 PM CDT

    What a schedule

    by supertoyslast

    Looking at the complete network schedule for the autumn I must say that, in terms of new shows at least, this looks like the worst line-up for almost a decade. Bizarrely, the only two new shows to catch my interest are on Fox. New Amsterdam and Jezebel James.Curse you ABC for not picking up The Thick Of It. The only new show which had the potential to be great rather than good and you drop it. Can't a cable channel make it instead and do it the way a show about backroom politics is meant to be done? Just like the original UK version - with copious amounts of the most incredibly imaginative swearing.

    Reply to Talkback

  • May 17, 2007 6:04:15 PM CDT

    Fuck fox

    by ravex

    that's all.

    Reply to Talkback

  • May 17, 2007 6:13:36 PM CDT

    The British Kitchen Nightmares is great...

    by alonzo mosely

    I am not a reality man, but it was great seeing him go to real struggling restaurants and absolutely tell them why they sucked, and showed them how to have a fighting chance of not going bankrupt, and watching most of them ignore him and go back to doing whatever they wanted, and then crying when they went out of business. Be interesting in the world of PCness, whether this show will fly, or whether Americans will not like a guy outright telling people they are stupid...

    Reply to Talkback

  • May 17, 2007 6:46:03 PM CDT

    Good to see King of the Hill carrying on...

    by flim springfield

    Still one of the most underrated shows on TV.

    Reply to Talkback

  • May 17, 2007 6:46:19 PM CDT

    Actually, "The Winner" isn't dead yet.

    by nonstoppop

    The official comment that was made during today's upfront was that "it is not on the schedule." It's a subtle difference, but it's still not the same as official cancellation. (That's probably just semantics to keep Seth MacFarlane from throwing a fit, though.)

    Meanwhile, though, "Drive" has little or no chance for return. I asked Peter Liguori, Fox’s President of Entertainment, point blank as to whether the show might yet be saved if it somehow sets ratings records when its last two episodes air on July 4th. His response: “As near and dear to my heart as that show is, I would say that that’s definitely a long shot.”

    Reply to Talkback

  • May 17, 2007 7:51:58 PM CDT

    Robert Smigel's show

    by jimmy_009

    Of course it didn't make the grade. It's a freaking Rober Smigel show. Isn't the silence during his SNL bits enough fair warning that it will suck? Also glad Seth McFarland didn't get yet another POS show on the air.

    Reply to Talkback

  • May 17, 2007 7:55:53 PM CDT

    Let me guess

    by jimmy_009

    "The Winner" was about an all american Dad, his strange and eclectic family, and their ironic adventures, peppered with one-liners and pop culture recyclables.

    Reply to Talkback

  • May 17, 2007 7:59:39 PM CDT

    WAR AT HOME FUCKING ROCKED!

    by proman1984

    Bring back that show? You hear me FOX, bring it back, bitches!

    Reply to Talkback

  • May 17, 2007 8:11:24 PM CDT

    No way Fox, not falling for it

    by unnatural

    Yes, the Chronicles of Sarra Connor looks like it has potential. So did Firefly. So did Drive. Screw you Fox. I won't watch until season 2 and rent the DVDs of season 1. Screw you.

    Reply to Talkback

  • May 17, 2007 8:27:40 PM CDT

    Hello Netflix, Goodbye most of TV

    by larry of arabia

    Yeah, Netflix is a gosdend.

    Reply to Talkback

  • May 17, 2007 8:28:46 PM CDT

    Ummmmm...

    by tmw

    New Amsterdam = HIGHLANDER Obvious, I know.

    God, does Fox suck. It's only Sunday's animation block for me!

    Reply to Talkback

  • May 17, 2007 8:33:25 PM CDT

    another network I won't be watching next year

    by inwosuxred

    sweet. I look forward to having more time on my hands to not do anything productive with. Thank you for sucking, FOX. You're only interesting shows didn't make it past pilot, and that makes me glad.

    Reply to Talkback

  • May 17, 2007 9:19:55 PM CDT

    What a FUCKING LAME LINEUP!!!

    by tristeele

    The only show on this shit network I would watch is The Terminator and its been moved to mid-season. What assfucks. Network TV is DYING. WOW

    Reply to Talkback

  • May 17, 2007 9:25:38 PM CDT

    "...an “American Idol” for groups."

    by big jim

    You mean like O-Town?"The Winner"? Wasn't that cancelled after the first episode? I remember the pilot airing like 6 times in a week then never seeing it again. Or were they different episodes?Still pissed about "Drive". I fear "Sarah Connors Chronicles" will suffer the same fate - Thrown into that ghost-town of television viewing between February Sweeps and May Sweeps, and expected to pull in AI numbers.

    Reply to Talkback

  • May 17, 2007 9:27:24 PM CDT

    How does Bones keep returning?

    by evilwizardglick

    Bones is so far from the original and better first season I'm baffled how it gets picked up. They have weakened the "Bones" character. They have compromised her job as a consultant making her now Angels partner.
    Fuck c'mon how is a Forensic Anthropologist who consults for the FBI allowed to interrogate people? Why is she allowed to make arrests? Those cases would be thrown out of court.
    Nice to see them bring back the holotank.
    Still the show plods along.
    FOX should just do a lap dancer private investigator show, then when it sucks at least you have the grinding eye candy to watch.

    Reply to Talkback

  • May 17, 2007 9:32:39 PM CDT

    Bones on friday night? not a good sign!!

    by jojo-pimp

    remember what happened to Fastlane?

    Reply to Talkback

  • May 17, 2007 9:32:39 PM CDT

    Mike_D, Who died?

    by evilwizardglick

    Do you really think Mrs. Luthor bought the farm?
    Nice to see
    FUCKING SPOILER
    Bizzaro.
    And who is fucking with Lex's mind? Who faked the baby and why? I thought it may be a remnant of General Zod, but guess not.
    And why did we never see lana in her hot tight tiny undies after season 1?

    Reply to Talkback

  • May 17, 2007 9:36:43 PM CDT

    All that FOX money is being well spent on FX

    by evilwizardglick

    and wasted on their reality channel.
    FX has the best most adult orient programming outside of the movie channels.
    Everything they threw out, even the stuff that ran only a season ( except the propaganda piece Over There) was excellent.

    Reply to Talkback

  • May 17, 2007 9:40:45 PM CDT

    okay im REALLY looking forward to kitchen nightmares.

    by cotton mcknight

    Gordon Ramsey kicks ass. I am actually serious here. Hell's Kitchen is a fun summer show and I look forward to watching him take a bunch of bumpkins to school.

    Reply to Talkback

  • May 17, 2007 9:41:08 PM CDT

    Mr Spork, Larry the Cable Guy isn't a stereotype.

    by evilwizardglick

    "follow the time honored Hollywood tradition of stereotyping Southerners and making us look bad."
    It's your own damn fault for accepting the Blue Collar Comedy tour. It has nothing to do with Hollywood and everything with revelling in being rednecks, having gun racks in your cars and listening to shitty modern C&W.
    I cut a break on the Southern flag because it really does represent rebellion in a Skynardesque manner.

    Reply to Talkback

  • May 17, 2007 9:47:26 PM CDT

    EvilWizardGlick - Lana and Chloe

    by mike_d

    presumably. its a cliffhanger.

    Reply to Talkback

  • May 17, 2007 10:16:28 PM CDT

    Say The Sarah Connor Chronicles 5 times fast.

    by digitalcos

    Saw the Fox upfront. The Sarah Connor Chronicles looks like it has potential, but try to have a conversation about it. I guarantee you won't be able to say the title more than three times before your tongue trips over it.
    I've got a big problem with the look of all the sitcoms. Don't know how they'll be airing, but they all look like they've been shot with both 4x3 and 16x9 framing in mind. Just a whole lotta dead frame on both sides. Makes for a very dull composition.
    The show I was most impressed with? K-ville. Never thought I'd say this, but Anthony Anderson really impressed me.

    Reply to Talkback

  • May 17, 2007 10:30:53 PM CDT

    The grid was good. As for the shows: ha ha ha ha.

    by kabong

    Are the suits being satirical? Are these "series" for real?

    Amsterdam and Canterbury could have the requisite "I see dead people."

    Somebody stick the proverbial fork in TV's ass because it is d-o-n-e.

    Reply to Talkback

  • May 17, 2007 10:44:00 PM CDT

    I'm pulling for K-ville

    by imfixingtodie

    Hopefully Cole Hauser will finally break out. He was hysterical in The Break-Up "I'm going to wrap you in Seran-wrap and cut little holes in it..." Also, digitalcos, if Anthony Anderson surprised you, clearly you have not seen The Shield.

    Reply to Talkback

  • May 17, 2007 11:08:17 PM CDT

    You're right ImFixingtoDie

    by digitalcos

    One of those shows my buddy's been trying to get me to watch. I'll have to give it another shot.

    Reply to Talkback

  • May 17, 2007 11:49:21 PM CDT

    RE: Lana & Chloe cliffhanger

    by rsanta74

    I wouldn't worry about either of them being dead. According to various sites, both actresses are confirmed as still being in the primary cast next season. Only Annette O'Toole has been removed from the roster. She'll be replaced by Aaron Ashmore (Jimmy Olsen).


    I'm betting that Lana was miraculously and conveniently whisked away as that truck passed her car. Martian Manhunter? Flash? Or maybe somebody just wanted to fake her death. I wouldn't be surprised if Lana did it herself to escape Lex.



    As far as Chloe goes... She's a meteor freak now. Totally new rules.

    Reply to Talkback

  • May 17, 2007 11:52:41 PM CDT

    Shame to see...

    by rsanta74

    ... the War at Home get the axe. The show pulled their final trump card when they outed Larry's best friend though. Half of the fun was seeing his awkward gay inner monologues. The rest of the cast, especially the daughter and younger son, were super weak.

    Reply to Talkback

  • May 18, 2007 2:10:51 AM CDT

    Kitchen Nightmares is AWESOME.

    by silentp

    God, I love Ramsay. So are they showing the original, or are they making like a totally new version in the States or something? Anyone know? Either way, the lack of swearing will kind of suck, but I guess not much can be done about that.

    Also, unrelated note, but what the heck is going on with The Loop already? It was pretty funny, but the main reason I've been waiting for it to come back is that blonde chick. She was so hot. And she dressed really slutty in like every episode. It was sweet.

    Reply to Talkback

  • May 18, 2007 3:43:48 AM CDT

    COme Back Drive

    by mr_x

    all is forgiven

    Reply to Talkback

  • May 18, 2007 7:00:37 AM CDT

    Mid-Season is not BAD....

    by abin sur

    Especially when you consider that 24, Lost and BSG are not coming back until 2008, which technically is "mid-season." In fact, I'm looking forward to mid-season, because we're gonna be SLAMMED with good stuff to watch. And at least we'll have Heroes and Bionic Woman this fall.

    Reply to Talkback

  • May 18, 2007 7:56:20 AM CDT

    They will not be missed.

    by dokkalvar

    Explain to me, in some kind of intelligent way, why in the hell The Winner aired much less made it as far as it did? I saw two episodes of it and it was the weakest, dumbest, most annoying form of sitcom comedy I've ever seen. It was like a trail of endurance where the producers are curious to see how much I'll take before I change the channel. The War at Home too spent all it's undeserved time slinging tired zinger after tired zinger. Remember Newlyweds? I'm glad they're dead. GOOD. Seriously, what the fuck are you doing Fox? Just go back to showing two episodes of The Simpsons, at least they know how to make me laugh.

    Reply to Talkback

  • May 18, 2007 8:47:40 AM CDT

    It looks like another lame television season

    by mr incredible

    Everyone will watch their own favorites until the shows start jumping the shark and then television will be nothing but an amalgam of reality shows. DVD sales of old showswill skyrocket because people will wax nostalgia. Wait and see.

    Reply to Talkback

  • May 18, 2007 10:59:21 AM CDT

    From the people who

    by automaton overlord

    From the people who cancelled Arrested Developement,comes........Crap!

    Reply to Talkback

  • May 18, 2007 7:24:17 PM CDT

    Say The Sarah Connor Chronicles 5 times fast.?

    by napoleon park

    The Sarah Connor Chronicles
    The Sarak Honor Chronic Els
    The Sirrocan Air Can Nickels
    The Say Rock On Her Crow Naceles
    Sahara Cane Her Ear Canals

    See, easy.

    Tesseract Con Air Rickles.

    Reply to Talkback

  • May 18, 2007 11:15:57 PM CDT

    Summer Glau is doing the "Good Terminator" role ala T2?

    by tallboy66

    Just reading that press release has her as a "fearless protector", which, since its been said she's playing a Terminator and the term "fearless protector" doesn't lend much to the imagination, she's the good fairy killing machine who hits the road with Sarah and John. Didn't she do the killing machine on the run on Firefly already? Ah well, she was good at it, anyway. The real question remains how long will this show last on a Sunday night TV slot vs. Desperate Housewives? Nice counter-programing for the geeks, but doesn't quite mesh with the animation domination block. Well, if its canned after 5 epsiodes we can say, "Sarah Connor, You Are Terminated".

    Reply to Talkback

  • May 19, 2007 1:30:37 AM CDT

    So, SCC got the midseason kiss of death

    by cornstalkwalker

    If it were on any other network, perhaps it would have a chance, but Fox scifi midseason show? Dead. Why even air it and perk our interest.

    Reply to Talkback

  • May 19, 2007 2:20:53 AM CDT

    war at ....nobody's home

    by dork741974

    It sucked !

    Reply to Talkback

  • May 19, 2007 2:24:47 AM CDT

    The winner

    by dork741974

    Reminded me of the Chris Elliott show "Get a life" but without killing the main character in every show . And the fact that whenever I find DVD's of the show It nets me 40 dollars on ebay !

    Reply to Talkback

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