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Hercules Is Locked Into SciFi’s Superb LOST ROOM!!
SPOILER ALERT !!
I am – Hercules!!
If you like “Lost” or “The 4400” or “Heroes” or “Twin Peaks” or “The Twilight Zone” or the first two seasons of “Alias,” I suspect you’ll find yourself thoroughly engrossed in “The Lost Room,” a new six-hour miniseries running on SciFi over the next three nights.
It’s an exceedingly well conceived, constructed and paced tale about a motel key that can somehow fit into any door’s keyhole, and turn that door into a portal to a room that was somehow sucked outside of time and space and our reality at 1:20 p.m. on May 4, 1961.
Once in the room, the keyholder can exit any door on the planet just by thinking about where he or she wants to go.
It gets better. It turns out the roughly 100 ordinary objects that once occupied the room take on strange properties when they’re taken back out into our reality. There’s a coat, for example, that makes one invulnerable to bullets. There’s a plastic ballpoint that can incinerate people. There’s a radio that makes you three inches taller if you tune it to the right station. There’s a comb that allows the combed to freeze time. There’s a bus ticket that can instantaneously transport anyone to just outside Gallup, N.M.
Sometimes, we’re told, when one combines some of these magical objects, they can do even more amazing things.
When a Pittsburgh police detective (Peter Krause of “Sports Night” and “Six Feet Under” fame) unexpectedly comes into possession of the Lost Room’s key, he discovers people have been collecting and coveting and fighting over these objects – some of which bring their users great wealth and power – for decades. When his daughter (Elle Fanning) accidentally becomes trapped by the room, his quest to get to the bottom of all the weirdness becomes that much more compelling.
The complex but highly accessible script, by someone named Laura Harkcom and veteran digital effects artist Christopher Leone (with somebody named Paul Workman contributing to the story but not the teleplay), is exceedingly clever in how it imagines these objects have affected people, events and the world over the past 45 years. And the writers have devised an interesting and weirdly logical set of rules for how the Lost Room works.
The cast is one of the best ever gathered by SciFi for one of its originals. Aside from Krause and Fanning, there are memorable turns contributed by Kevin Pollak (“A Few Good Men”) as a menacing millionaire, Dennis Christopher (“Breaking Away”) as a forensics investigator who allows himself to get sucked into the dark side of the Lost Room’s world, comedian Margaret Cho (“All-American Girl”) as a tracker of the lost room objects, Peter Jacobson (“In Justice”) as the bus-ticket holder, Ewen Bremner (“Trainspotting”) as Harold the very dizzy comb guy, Chris Bauer (“The Wire”) as Krause’s partner and Roger Bart (“The Stepford Wives”) as a mercenary object hunter dubbed “The Weasel.”
I don’t know how it happened (a better exercise regime? an effective hair straightener?), but Julianna Margulies – whose character is keen to rid our world of all the room’s objects - is somehow hotter now at 40 than she was as a twentysomething ER nurse 12 years ago.
I found the series’ first two nights brainy, exciting, scary, moving, full of incident and even quite funny at junctures. Its story is dense, but agreeably so if one pays attention, and I’m very much looking forward to the conclusion SciFi did not forward to the Ain't It Cool offices.
Four stars.
But what matters Herc’s opinion?
Variety says:
…Strange and clever, "The Lost Room" is full of winding corridors, peculiar twists and wry, oddball humor, set against a mystery that recalls TV's better Stephen King productions -- before, that is, they invariably fell apart in the last act. Building on Sci Fi's success with such fare as "The 4400" and "The Triangle," this well-cast project creates a dense world of "object hunters" that should tap directly into the basic cabler's geekazoid base, helping them to fill this relatively barren TV period by booking a three-night stay. … think of "The Lost Room" as a relatively low-key affair that should inspire most of the audience checking it out to stay checked in.
The Hollywood Reporter says:
… two things happen that really shouldn't because the character is too smart. But if they don't, there is no miniseries. First, Miller gets the motel key and, rather than put it in an evidence room or somewhere else for safekeeping, takes it home with him. Second, he leaves the key out where his young daughter can play with it and, of course, vanish into the mystery motel room or somewhere. … Directing credits are shared by Craig R. Baxley (Nights 1 and 3) and Michael Watkins (Night 2). They maintain a consistent tone and pace, creating a world that is more puzzling and fascinating than scary.
Entertainment Weekly gives it a “B” and says:
… A large part of the fun is watching Miller learn to maneuver through this new, weird world, fathering clues that will bring back his daughter – it’s like Riven meets Lord of the Rings … Had the writers stayed true to their mythology, this miniseries would have been absolutely stunning. As it is, it’s still pretty great. …
TV Guide says:
… an especially silly descent into incoherence. Peter Krause keeps a straight face as the bland hero of this mystery/fantasy, in which a motel-room key opens onto a room that takes you anywhere (and that swallows his daughter). The key is one of many magical everyday objects being sought by members of cabals named the Order and the Legion. It's as ridiculously dense as latter-day Alias, but not as much fun. …
The New York Times says:
… beguiling … Why the phantoms of that era (with their Watergate comb-overs, heavy-framed glasses and perpetual highballs) scare us so much, and why now, is up to cultural historians to decide. For now, though, they make fine ghosts in a sci-fi series, and in Peter Krause they meet their modern-day match.
The Los Angeles Times says:
… a long ride to nowhere but with some nice scenery and exciting turns along the way. If ultimately frustrating and fickle as regards even its own invented rules of supernatural physics, taken simply as a thing to watch, it's pretty enjoyable. Indeed, that is almost the definition of a Sci-Fi Channel miniseries. … In the end, nothing — or nothing much — is revealed. Krause's particular story does resolve — that is, the question of whether he'll get his daughter back. (But I think you already know the answer to that one.) Ultimately, there is no more explanation of how the room got lost or why a comb should be able to stop time, for example, than how those beans Jack traded the cow for got to be magic. This feels like a bit of a cheat, given the investment of time, and yet there's something honest about it as well: Any explanation would be as arbitrary as the rest of it.
The Seattle Post-Intelligencer says:
…The tale's beyond complicated, to be sure. But it also may be the most watchable six hours of strangeness you'll see this season. "The Lost Room" deserves credit for its twisty and, at times, humorous take on classic American sci-fi storytelling, if nothing else. …
9 p.m. Monday, Tuesday & Wednesday. SciFi.
I was all excited when the entire extra-crammed Twilight Zone series set
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but it's got Dakota Fanning's even uglier little sister in it.
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I'm seeing promos for this on a lot of other channels. I hope they promote Battlestar Galactica like crazy during this so as to draw in the extra audience this thing might attract. I'm excited about this mini-series. Looks interesting.
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Yeah, I'll probably be watching this...
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Have you seen her in Season 4 of Scrubs!?
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I didn't plan on watching this, writing it off as more Sci-Fi Channel silliness, but these reviews sold me. They all seem to agree that it falls apart during the last act, but who cares? That's more than you can say about most of the crap this network airs (Galactica aside).
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Like that alien miniseries a few years ago?
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Dec 11, 2006 9:41:08 AM CST
"Get in the backseat of my car, and lay on the floor."
by billyeveryteen
Season 4 Scrubs Margulies, is indeed, way hot. Hope this doesn't suck.
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was a reference to King stories. I'll be watching this. Oh, and Apostle, I have the world's smallest violin here... Can you guess what song it's playing?
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I was part of the crew on this film here in New Mexico and I thought that the script was excellent, I'm glad Herc liked it.... they want it to turn into a series...
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I really liked her, look out for her stuff in the future, she's a good writer and very nice.
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Wasn't going to, but I will now. SciFi has been advertising it enough, can't watch BSG without seeing half a bajillion ads for it.
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I'll watch it.
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Let's hope this is just the first of more quality original product from the Sci-Fi channel. (BSG excepted, of course.) Every time I see previews for the inevitably crappy monster-of-the-week movie, I wonder how many Farscape episodes its budget could have paid for.
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I'm sorry, but every time the ad comes on, and I hear that line, I have to laugh. I have no confidence that this show will be any good.
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this could become a series ala Battlestar Galactica?
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that was just what I was thinking, but this thing has a lot of relative star power that I don't think Sci Fi budget could handle.
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as well. In fact I thought it WAS a King story for awhile. But the "Falls apart in the last act" stuff pretty much confirms who the writers had in mind with this script.
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so far. I can't believe this came from the network that brought us Mansquito, but I guess Bill Gates $$$ buys a lot more talent than usual.
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First, the first part of the miniseries was awesome. Second, and just to inform y'all, Sci-Fi Channel doesn't actually produce about 90% of the so-called "Sci-Fi Channel Original" movies that they show. They just buy the American rights to foreign or very low budget movies which have already been made, and that is very inexpencive for them to do. So really, it wouldn't mean more episodes of Farscape if they didn't show the movies. It would just mean more repeats of Farscape, because there would be nothing else to show.
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while you're correct in one sense (scifi does that for their saturday night horror-shlock movies), their tent-pole films ie. The Triangle, Battlestar Galactica, Taken, and now The Lost Room, are almost entirely funded by Sci Fi. If you check out these titles in Blockbuster, they'll most likely have the sci fi/ universal logo on the boxes, not whatever Mansquito has. These once-a-year mini-series are very important for sci fi in that they press their other original shows during breaks rediculously hard in hopes of drawing more viewers.
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Although I wish they didn't go to the "I gotta save my kid" route. I know they need to get him emotionally involvevd to dive into this, but that's _always_ the drive for characters - sure it's universal, but come-on... someone has to have a better idea.
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I think all of us Scapers should use that line the next time Sci-fi pumps out a total piece of shit: I wonder how many episodes of Farscape could've been made with that money.
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Nice to get the return of Nate and a solid, well-made sci-fi story in one package. A little King-y (Buick 8, Room 114, whatever), but engaging and entertaining TV. If I had the key I would go to the Oval Office and touch W with the bus ticket. Every day.
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best "SciFi Original" movie/mini-series. I agree with Russman. The Lost Room is pretty low budget and isn't perfect by any means but it's entertaining enough to get me to watch the rest of the series.
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Let me lend you my pen . . .
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Pretty funny.
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too much attention is placed on him, so he probably has something to do with the room. Might be an "object" himself even.
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I thought it was pens, too, but I think it's actually pennies. The guy follows that up by saying "he made 500 bucks a day just tapping his pencil".
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I'll have to recheck that.
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Man, I didn't think much of it tuning in last night, thought I'd just give it a look at. Wow, I was surprised how good it is, sort of a blend of classic x-files and twilight zone.
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extended Twilight Zone episode. That's high praise. I especially like how the rules are set forth and (at least since last night) they aren't played around with too much. There's nothing worse than a screenwriter making something new up to get himself out of a jam. Good stuff.
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Please fucking die already you fucking retarded imbecile
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Man, you people must be hard up for entertainment because the first night of this show was abysmal. Sure, it's kind of an intriguing idea - to me it's sort of building off the philosophy in THE LANGOLIERS - but the writing is flat-out AWFUL. I think Peter Krause has been great in everything, but even he can't save Miller, who's so wooden he's growing bark. The dialogue sucks beyond reproach, the camerawork is docile at best, the set design is boring as all hell and the director has no idea how to work any kind of performance out of another Fanning kid.
The only part I enjoyed was the character who played the dude with the bus ticket, and that was only because the actor was great. I actually thought it sucked so badly that I'm not bothering to TiVo the next two nights. -
Finally got around to renting and watching that last night, now that I'm watching the first part of Lost Room, I wish I had started this last night instead. Yea, Superman was ok, but this "Lost Room" is veeerrrrrry interesting, and much more entertaining.
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The glasses thing with the spot welding around a trail of gasoline was stupid. You can't even make the argument that the glasses would have stopped combustion, because they didn't until Ruby grabbed them. And ten cop cars silently sneaking up on a house in the middle of nowhere. Sure they did.
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It's a really fun show.
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Compared to most of the other crap available, this show is interesting and fun. I watched the first night and expected it to be another Mansquito but was pleasantly suprised to find it was not too bad. I liked the concept but agree that some of the acting is not great but I don't agree about the guy playing the lead. I can easily see them making this into a weekly series and putting it on Friday nights. The only thing that bothers me is that I'm sure tonight it will suck since most agree the last act is weak. I will see. By the way, we are split in my house. My wife and son hate it and opted to watch the crap that is King Kong last night while my daughter and I watched it in the other room. Nuff said about their tastes.
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Finally watched the first episode last night and just couldn't get past that "this concept has been done before" vibe. I mean, the lost room itself is pretty novel and I wish they'd do more with the lore of the room itself, but that first episode seemed to be all about the objects...and the objects were largely just dumb. My brother kept coming up with different ideas for objects they could use, and it was really distracting. "So what's the French Tickler do?" "It instantly impregnates anyone it touches." "Bummer." "What about the garden gnome?" "It enforces the Travelocity guarantee." "What does that mean?" "Nothing, really. But it can't stop talking about it." Funny, but ultimately did nothing for my appreciation of the show. I'll ride it out, though, if only on the off chance they do more with the room itself.
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I'm surprised how most people here hate it. I think the show is extremely inventive and far better than what Sci-Fi usually does. Loved last night's episode.
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..fucking Hell, Herc, how can we trust you now? You said Jericho was good and that was a piece of shit.
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But why did they have sex?
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It's one part of a three-part miniseries. You can't tell me you're that anal ("oh my god, the set design was *horrible*, has anybody ever actually seen a motel room before???"). It's a very intriguing concept and involving story. You talk big but 10 bucks says you watched the second one already and you'll be watching the finale tonight as well.
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I was worried that by only being a 3-part miniseries, this would try to resolve so much of its mythology regarding the objects and the history of the room, give us a quick answer and leave so much untouched ... but I actually see the reviews stating the last act doesn't answer a whole lot as a good sign, that they really are planning on taking this to become a regular Sci-Fi series. I could really get into it.
And it's great because it doesn't even have to be Peter Krause or his character as the focal point of the series, if he decides not to do it (though I would assume they probably discussed this already with him so he may go along). It could be any other character, with the focus of the story falling on collecting all 100-plus objects to be re-inserted into the room in their exact places to finally get an answer as to what the room is all about.
Any way you put it though, 4 stars on Sci-Fi's effort here. -
You do realize the glasses have to be looking at the area in order to work, right? Not like they just have a "radius" in which combusion can't occur around them. That's why he put them on, and as he walked around the fire, bits of it went out at a time -- the parts he was looking at. It's why the gun didn't go off that the Order put to his head, because he could see it through the glasses.
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...it looks like you owe me $10. I didn't watch. Of course I have no evidence to show you to back this up, so I'm sure you'll just come back with, "Yes you did and you're lying about it," but what more do you want from me?
It IS an intriguing idea and I made sure to admit as much. So was VANISHED, which I stopped watching because the writing was terrible. So were half the episodes of THE OUTER LIMITS, which I stopped watching because the production values sucked. If you want to call it "Anal", go right ahead. I call it "Disliking Bad Writing, Wooden Acting and Shitty Direction". If you're willing to settle that's just fine; I'm not. -
Not as good as HEROES, but better than a lot of the vaste wasteland.
It reminds me more of the 69 episode FRIDAY THE 13TH TV series. This couple inherited a pawn shop wherein many antiques were cursed and had special powers that also hurt/helped the one wielding it. It was their mission to track down the sales and retreive as many items as possible.... For some reason I keep thinking if they could only exit the LOST ROOM window back in '61, they could buy IBM at $11. Then it came to me that Hiro on HEROES already can do this. Build a stake from casinos or the track and then buy and sell stocks with good to cancel limit orders and make hundreds of millions question free. -
...I still see potential in the premise. I was just a bit blindsided by how much of the plot seems to be driven by the "gotta catch 'em all" aspect of the object hunt and the way that relates to the daughter's fate. I can't help that it immediately made me think of Friday the 13th: The Series when they introduced the pawn shop owner and the secret society that is devoted to collecting these objects. I maintain that the idea of a room out of time and space is very cool and I'd love to see more exploration of its history, the theoretical physics or metaphysics surrounding it. But I realize it's too early to completely and fairly judge the seires after just watching the first eppy. I'll get around to the rest eventually. I'm just not as hot to do that now as I was before I saw the first.
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Excellent work by Sci FI channel , im loving every second of it.
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You didn't watch, but it's nice to see you make it a point to come back the following day of not watching the show to catch up on the talkback for the show you're not watching.
Look, I can see even-handed constructive criticism dished out for something you don't particularly take to; you think the writing is lacking or acting is wooden ... but you said that the first episode was "ABYSMAL" and the writing was flat-out "AWFUL". Those are comments reserved for something like "Frankenfish" which was on at 2:00AM following all 3 showings of the second Lost Room episode. And yes, commenting on something like "docile camera-work" is anal. Trying to rip on a mini-series for boring set design (do they need to spruce up the houses they use and Gallup, NM? Is the motel room too lackluster in color?) is anal. So I must surmise that you are either a film student or associated with the industry in some way, or just very, very anal.
But hey, to each their own. You don't like it, sorry to hear that. I think Sci-Fi's got a winner in their hands and I'm glad I stopped in to check it out. I find it entertaining enough (despite the set design and camerawork drawbacks) to devote myself to watching a weekly series if they end up going that route, and I certainly hope they do. -
It is enjoyable, but no series is needed. It'll be Object Pokemon meets Friday the 13th The Series.
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I'd watch a series.
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For being "indestructable" those polaroids looked beat to shit.
Not sure the flare can ignite tranny fluid. I've never heard of it happening. Then again.....
Great series though. Even suggests that objects are addictive. Anyone recognize the ending theme from somewhere? -
they were taken by the collectors. the only photo that's an object was the one that has "Gallup" on it.
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This miniseries is fucking awesome. Im just starting part 3 now. However, something terribly important and possibly life altering came up during one of the Sci Fi Channel promos. They were talking about their upcoming slate of shows for next year and said "FLASH GORDON"!!! Why haven't we heard anything about this? I can't find anything on it. Does anyone know what this is all about? Also, whats the difference between the new Painkiller Jane coming out and the one that came out last year (never saw, but should I?)?
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but one thing Sci Fi has been good at is keeping a lid on their upcoming programming. Usually you can't find anything about it until they premiere it. Regarding Painkiller Jane, I don't know. I saw the movie they did before and was nothing special. Hopefully they made it better, cause Emanuelle Vaugier is much hotter than Kristana Loken in my opinion. I'll need something more than her to keep my attention.
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They either just guaranteed us a series or they are the laziest writers in recent memory. I'm thinking the first one. They opened so many things up in the last 15 minutes that they HAVE to be planning to continue this. I say good shit... I'm intruiged and I think there's enough mythology/villains/good characters that this doesn't have to become a "pokemon" esque show. I enjoyed the miniseries. It got better as the nights went on.
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However they looked when the room popped out of existance is how they look for eternity. beat up before, beat up after. Still, only the "Gallup" one was an object. Also, I did notice something that bugged me. They found the fingerprint on the mirror, which was part of the motel's original state, and reset when they reset the room. The fingerprint leads to the old man, who said that he and his wife owned the motel AFTER room 10 had already blinked out of existance... Why, then, is his frozen fingerprint on the mirror, if he wasn't there until AFTER the room became frozen? Did I miss something?
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Wow, there is so much to go with here. This has definetely got to be a series, or a bunch of miniseries. They've set up so much cool mythology. I mean, every object has 45 years of history....that could fill a whole series. One character mentioned the Kabal Wars...imagine the glass eye and the scissors fighting the pen and letter opener and who knows what else....theres a kick ass mini. The jacket stopped bullets, but thats because all objects are indestructible...what is the jackets other power? The TV was still in the room...does that have a story, what would its power be? What about the furniture? The original 5 years of the collectors could make a great series/mini series. The origins haven't really been fully explained. Kevin Pollack...what happened to him and the glass eye? Does the key still exist/is it accesible at all? If not, do the objects have powers anymore? Peter Krause is an object now...what happens from here? Im geeking out right now. I want more. Sci Fi would be crazy not to expand on this. Do a series of movies/minis/series. This could be the next Stargate of Farscape with all different franchises. Ahhhh....brain overloading....must stop typing.
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As far as teh fingerprint...while it is a bit of a plot hole, it could easily be explained away. Remember the wife who didn't remember being married at all. Apparently reality was ripped apart and rearranged and left things missing. Maybe history was different pre-event and the couple in fact already owned the motel. Or, with all the experimenting they were doing, he could have somehow manipulated it. Remember he saw her for a few seconds at one point...maybe he altered it then. For some strange reason, Im totally creeped our right now and not comfortable going to sleep.
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I was thrown by this too on the second night, but the third night tidy'd it up nicely. There was always a room 10 at the Sunshine Motel (who builds a motel with only nine rooms?). When the Event happened, ripping the room, the Objects, and the Occupant out of time and space, everyone forgot about them ever being there. The poor dude's wife forgot about him, and the motel owners forgot about having a room 10. That's when he noticed a spare room 10 key hanging on his board and got confused because they did not have 10 rooms (and it is not the Key, but just the spare key that motels always have. The Key was in the room when It happened). The fingerprint always returns when Room 10 is reset because the motel owner had left it there before the Event, presumably while cleaning it for the Occupant.
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That's the one thing I kept wanting them to try, but they never did. If you exit the Room through the Window instead of the Door, are you stuck in some sort of displaced analog of Gallup? Hell? And what about thinking of a door to the past? is that allowed, you think?
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...you are immediately reborn as a cesarian baby. I watched the second eppy last night, and enjoyed it more than the first. The hotel itself was a neat touch and the idea of the man from the room being an object is intriguing (even if I still dislike the whole object thing). I'll be watching the rest of the mini, for sure.
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I'm in agreement with most people here. I liked it, even it's conclusion. What I think made "The Lost Room" work was Peter Krause's poise. I wasn't expecting much from him as a police detective, since I've only seen him as an aging hippie on "Six Feet Under," but I liked his cool, calm onscreen presence. Also, Margulies indeed looked yummy, and I was glad Krause kissed her (more than kissed, actually... but they couldn't show the in-bed stuff) in the last segment. Every actor strove to take their role in the miniseries seriously, rather than laugh at themselves as actors in most Sci-Fi movies do. It was a new approach.
The Object thing was weird for me at first, I admit. I'm not entirely sold on its mythology, since I think they could've actually gone science fiction with it and come up with quantum physics explanations for what was happening -- or something -- but then I think about the fact they're going to turn it into a show, and leaving such explanations open makes sense.
The miniseries entertained me, and I'd be inclined to check out a show if they make one. -
half the viewership of the substantially worse The Triange and the putrid Earthsea. Here's to quality!
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Absolute shite. If I hadn't been on holiday and/or stoned I'd have wanted to kill stuff. Wooden acting hitched to a balsa wood plot.
And the glass eye? Please. It's like "we can't afford many special effects, so let's make our main weap a glass eye and have that bloke who issues the permits in Wayne's World 2, who incidentally, is famous for having different coloured eyes, as one of our principals". Yay! A million bucks saved for the plot!
Dogcock. -
excellent, hope they make it into a series.
And really i just can't believe how anal some of you geeks are. seriously get out of your moms basement, get a girlfriend.. do something more constructive then analysing to death a fricking tv show. jeez -
excellent, hope they make it into a series.
And really i just can't believe how anal some of you geeks are. seriously get out of your moms basement, get a girlfriend.. do something more constructive then analysing to death a fricking tv show. jeez
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