…Strange and clever, "The Lost Room" is full of winding corridors, peculiar twists and wry, oddball humor, set against a mystery that recalls TV's better Stephen King productions -- before, that is, they invariably fell apart in the last act. Building on Sci Fi's success with such fare as "The 4400" and "The Triangle," this well-cast project creates a dense world of "object hunters" that should tap directly into the basic cabler's geekazoid base, helping them to fill this relatively barren TV period by booking a three-night stay. … think of "The Lost Room" as a relatively low-key affair that should inspire most of the audience checking it out to stay checked in.The Hollywood Reporter says:
… two things happen that really shouldn't because the character is too smart. But if they don't, there is no miniseries. First, Miller gets the motel key and, rather than put it in an evidence room or somewhere else for safekeeping, takes it home with him. Second, he leaves the key out where his young daughter can play with it and, of course, vanish into the mystery motel room or somewhere. … Directing credits are shared by Craig R. Baxley (Nights 1 and 3) and Michael Watkins (Night 2). They maintain a consistent tone and pace, creating a world that is more puzzling and fascinating than scary.Entertainment Weekly gives it a “B” and says:
… A large part of the fun is watching Miller learn to maneuver through this new, weird world, fathering clues that will bring back his daughter – it’s like Riven meets Lord of the Rings … Had the writers stayed true to their mythology, this miniseries would have been absolutely stunning. As it is, it’s still pretty great. …TV Guide says:
… an especially silly descent into incoherence. Peter Krause keeps a straight face as the bland hero of this mystery/fantasy, in which a motel-room key opens onto a room that takes you anywhere (and that swallows his daughter). The key is one of many magical everyday objects being sought by members of cabals named the Order and the Legion. It's as ridiculously dense as latter-day Alias, but not as much fun. …The New York Times says:
… beguiling … Why the phantoms of that era (with their Watergate comb-overs, heavy-framed glasses and perpetual highballs) scare us so much, and why now, is up to cultural historians to decide. For now, though, they make fine ghosts in a sci-fi series, and in Peter Krause they meet their modern-day match.The Los Angeles Times says:
… a long ride to nowhere but with some nice scenery and exciting turns along the way. If ultimately frustrating and fickle as regards even its own invented rules of supernatural physics, taken simply as a thing to watch, it's pretty enjoyable. Indeed, that is almost the definition of a Sci-Fi Channel miniseries. … In the end, nothing — or nothing much — is revealed. Krause's particular story does resolve — that is, the question of whether he'll get his daughter back. (But I think you already know the answer to that one.) Ultimately, there is no more explanation of how the room got lost or why a comb should be able to stop time, for example, than how those beans Jack traded the cow for got to be magic. This feels like a bit of a cheat, given the investment of time, and yet there's something honest about it as well: Any explanation would be as arbitrary as the rest of it.The Seattle Post-Intelligencer says:
…The tale's beyond complicated, to be sure. But it also may be the most watchable six hours of strangeness you'll see this season. "The Lost Room" deserves credit for its twisty and, at times, humorous take on classic American sci-fi storytelling, if nothing else. …9 p.m. Monday, Tuesday & Wednesday. SciFi.