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Capone Runs PAN'S LABYRINTH!!


Hey, everyone. Capone in Chicago here. I think I may be the only member of the AICN family that does not have a relationship with Mexican filmmaker Guillermo del Toro. I’ve never met the man (although that may change before year’s end), never spoken to him. Hell, I barely know what the guy looks like. But that has never stopped me from adoring nearly everything the man has created. I became borderline obsessed with him after seeing Cronos and Mimic. There was a gooey, rustic quality to his films that that made you want to deny your eyes the ability to blink for fear of missing some rich aspect to his visuals. While he went on to direct the more straight-forward, mainstream comic book films Blade II (which I love and is the only one of the series I own) and Hellboy (which I appreciate with due respect but was never able to recommend to people), my absolute, hands-down favorite Del Toro film Del Toro is 2001’s The Devil’s Backbone. This stunningly effectively work braids the ghost story genre with a dark period in Spanish history, and the results are devastating, darkly beautiful, and absolutely terrifying. With his latest, Pan’s Labyrinth, Del Toro returns to life in Spain just a few years after the timeframe of The Devil’s Backbone in the early years after Franco’s victory. The first thing you must understand about this film is that Del Toro cares as much about the historical drama of fascist military men and the rebels who defied and fought them as he does about the fantastical horror elements. The reasons for the film’s R rating have to do more with the violence carried out in the very real world, and not the grotesque creatures that inhabit the world of the young girl named Ofelia (Ivana Baquero), who is forced to move with her pregnant, ill, and recently remarried mother (Ariadna Gil) to live with her new husband, the brutal Captain Vidal (Sergi Lopez of With A Friend Like Harry). Del Toro always leaves the option available that most of the other-worldly creatures and places Ofelia sees and visits are strictly figments of her wild and troubled imagination. She is absolutely miserable living under what is essentially military rule with a man who cares nothing for her or her mother, and only about the unborn child (which he assumes--demands--is a son). The only part of the grounds where they live that interests her is an elaborate, rundown labyrinth. One night while she is sleeping, an insect-like creature visits her, turns into a creepy looking fairy, and leads her into the maze of bushes and trees. Deep in the labyrinth, she means a faun named Pan (Doug Jones, Hellboy’s Abe Sapien), a gigantic half man-half buck creature with ornamental horns and coverings that appear to be made of trees, dirt, and all things of nature. He tells Ofelia that she is the reincarnation of a long-dead Princess, but to prove this to him she must engage in three dangerous tasks. Ofelia is so intent on not simply being a part of what’s going on in her new home, she gladly accepts her new identity and the tasks with little question. But Ofelia has more to deal with than just these tasks. She discovers that her stepfather’s head servant, Mercedes (Maribel Verdu from Y Tu Mama Tambien), is actually the sister of the leader of the rebellion, and she has been stealing supplies from the Captain’s household to fortify the rebels. Also teaming with her is the Captain’s personal physician (Alex Angulo), who sneaks Mercedes medical supplies whenever possible. Ofelia hates the Captain so much, there is never any danger of her turning in these two conspirators, but the added tension fuels her adventures to become a princess. Some may find Del Toro’s emphasis on the more conventional portions of his story to be aggravating, since he’s not spending every precious moment with hideous creatures scaring the little girl, but that’s not what he has ever been about. Even in his comic book films, he always took the time to let the camera linger and the pace to slow down just enough to make the action that much more intense and explosive. Having said that, when he does enter the alternate universe of Pan’s making, he creates visions that are deeply frightening, visually awe-inspiring, and imaginative beyond belief. I will never forget the image of an Ofelia coming face to face with an enormous toad with an equally enormous (and sticky) tongue. The Pale Man (also played by Jones) at the banquet table sequence will in all likelihood give you nightmares. By setting the monstrous in the real-world, Del Toro shows us what it is he does best. While he is regarded as a great director of horror and fantasy, what he is never given enough credit for are his abilities as a master storyteller and writer. But the writer-director’s subtext about the places children’s imaginations take them when fear and anxiety dominate their world is what makes Pan’s Labyrinth so powerful. And the lovely Ivana Baquero absolutely owns every scene she’s in. There is absolutely no hint of her playing to the camera or falling into any of the trappings that so many young actors do. I was also impressed with Lopez as the Captain. You can see him trying to be accepting of his new family, but his life is so totally dominated by killing and aggression that his emotions tend to carry over into his personal life. He is most definitely the villain of this peace, but he’s not without his qualities. Pan’s Labyrinth is both sensitive and shocking, as all the great fairy tales are; and let’s face it, that’s what this film is. There are few characters whose lives Del Toro believes are precious enough to have to survive until the end, and that’s all I’m saying about that. More than a collection of memorable visuals and far more than a simple historical drama, Pan’s Labyrinth transcends the genres it wholly embraces by giving us some of the most undeniably gruesome, startling, and sometimes magical images in recent memory. It’s a film I’m desperate to see again with a less anticipatory mind and just enjoy the beauty and terror of this remarkable film.

Capone





Readers Talkback
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  • Sept. 23, 2006, 7:20 p.m. CST

    Fucking Fags

    by YellowHare

    Thanks, AICN, for starting the queer habit of posting Firsts, that has gone on to plague the entire internet.

  • Sept. 23, 2006, 7:31 p.m. CST

    What is in the water at AICN with this Del Toro stuff??

    by IndustryKiller!

    Now don;t get me wrong I cannot wait to see pans Labyrinth and I think it's gonna be great but the Del Toro insanity is just a little...well....insane. Blade 2 and Hellboy were kinda sorta neat as entertainment pieces but literally the only thing that distinguishes them from anything else in their field is the colors are brilliantly lush. Other than that it's not as if they particularly rise above in characterization, action, or writing. In fact it could be said from an action standpoint these films are very mediocre with Del Toro often taking the easy way out and resorting to unnecessary CG. I've never seen Cronos but I've heard good things. And The Devils Backbone, it's good but I highly doubt anyone outside of the 10 or so editors of various film websites would ever deign to call it a masterpiece. I remember seeing it a couple of years ago and it being interesting but at the end I got the feeling that the ghost story aspect wasn't even all that necessary. I admit I haven't seen it in a few years so I'm probably missing some sort of point but evenr eally giving it the benefit of the doubt, masterpiece? Many Kubrick Films are masterpieces, Apocalypse Now is a masterpiece, the original Star Wars Trilogy, Taxi Driver is a Masterpiece, Fight Club is a masterpiece, but The Devils Backbone? Methinks you overstate.

  • Sept. 23, 2006, 8:21 p.m. CST

    Masterpiece!!

    by Hellmistress

    The thing is, it's not just you guys at AICN that are calling the film a masterpiece - EVERY DAMN REVIEW I've read on the film, from fans to film festivals to influential critics, is calling it a masterpiece. And having seen it at FrightFest here in the UK a few weeks ago, I must concur. This is a remarkable, brutal, beautiful, magical film. GO SEE IT.

  • Sept. 24, 2006, 1:34 a.m. CST

    Posting first RULES

    by damagedinc

    and here's why: because the internet is stupid. I'm looking at a National Lampoon's DVD of the Month ad that was designed for the sole purpose of burning it into my subconscience so I might look the offer up if I was thinking "maybe I want some comedy DVD's". It's absurd. I tip my hat to anything that serves to remind me that the internet should not be taken too seriously. Posting first is punk rock.

  • Sept. 24, 2006, 3:56 a.m. CST

    Blade 2 was awful.

    by iamnicksaicnsn

    I mean, what the fuck. It was so bad, it made me save my money on Blade: Trinity, thank god.

  • Sept. 24, 2006, 9:24 a.m. CST

    I love AICN

    by performingmonkey

    Simply for the subject of the first TB here. You can't beat that for class.

  • Sept. 24, 2006, 11:09 a.m. CST

    What "masterpiece" means nowadays

    by alienindisguise

    In the past, movies truly earned this title for being the great works of art they are but today it's a term thrown around way too loosely and used on movies that you like for a month or 2 then they fade away. Oh, how times have changed.

  • Sept. 24, 2006, 4:01 p.m. CST

    del toro is the most overrated director in history.

    by JackLint

    ..on this site and nowhere else, i might add. Outside of AICN, he gets exactly as much respect as he deserves. I completely mirror the sentiments of industrykiller. Aside from the technical aspects, blade 2 and hellboy were very mediocre. especially Hellboy, becuase the make up/costume and art direction were sooo fucking good, it threw the lack of story and character in to sharp relief. That being said, I am looking forward to this alot because of what it is. I think it looks and sounds very good. My anticipation has nothing to do with del toro. Niel Marshall may not have the flashy productions that del toro has, but If I was going off the name alone, I'd see his next movie before del toro. Ive been more impressed by dog soldiers and decent than ANYTHING del toro has done. Devils Backbone included (which was good not great).

  • Sept. 24, 2006, 9:59 p.m. CST

    Yellowhare - Whuh?

    by half vader

    AICN wasn't even the first movie-based site to have Firsties. You're a young pup, aren't you?

  • Sept. 25, 2006, 8:40 a.m. CST

    Fucking Fags: Part Deux.

    by YellowHare

    No, not a young pup. Read the site for many years but I loathe the TalkBack portions (so God knows why I bothered to get caught up and actually make even this one - now two - post). If there was another site guilty of the same thing then screw them, too. But I still blame AICN for refusing to let it go and catapulting it across the mainstream internet. It's practically impossible to go to any message board now without dealing with morons wanting to continue the trend.

  • Sept. 25, 2006, 9:12 a.m. CST

    And just wait till it doesnt win all those awards

    by godzillasushi

    because some stupid boring indy flick will win everything everywhere shunning a better movie.