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Published on Friday, December 18, 1998 - 6:02am |
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A Look At Albert Brooks' THE MUSE!!!
I have heard next to nothing on this film till now, and it sounds.... hmmmmm well, you tell me.
Hey Harry.... A little birdy told me you might be interested in hearing
about my escapades this last Saturday night... so here we go...
It all started Friday night when the boyfriend and I trekked out to
Century City to see A Simple Plan. A certain evil genius had invited me
to go see The Faculty and I would have been up for that... only it fell
through... but that's a whole different story. Boyfriend and I decide
to go early, seeing as A Simple Plan wasn't city wide yet. We get in
line and one of those friendly-pesky test screening hybrid people comes
up to us... "Wanna see a screening?" "What is it?" we ask. (Boyfriend
is still scared it will be that Beowulf disaster with Chris Lambert...
or whatever the smack it was.) "Well, it's the new Albert Brooks movie,
starring Mr. Brooks, Sharon Stone, Andie MacDowell and Jeff Bridges...
at the Warner Bros lot in Burbank." Oh, my little droogies, even if I
HADN'T been interested, boyfriend heard "Warner Bros lot" and all was
history. Cute little pecker didn't grow up here in L.A. Lots are
supremely cool to him. And okay, it was kinda neat for me too.
So, Saturday night... stayed up too late Friday night... didn't really
feel like driving to Burbank... off we go anyway. Get WAAAAY lost (I
can get lost in a casino) which wasn't improving my mood. We get there
a little over an hour early and the line has already begun to assemble.
We move into it and amongst the morons milling about going, "Who's Andie
MacDowell?", there was actually one guy who had been to a lot of
screenings and could hold an intelligent conversation about film. He'd
seen Boogie Nights in a screening and was telling us about cut scenes.
Cool.
Alright, so... finally, we're admitted into Screening Room 12. Rather
smallish, rather oldish. Still cool. The movie screening dude (do they
pay these guys to be as oafish as possible?) comes out to introduce the
film. Says what we'll be watching is nearly a completed print, it
simply doesn't have ending credits. And he doesn't ask us to stay
seated afterwards or anything. A screening with no survey afterwards.
Tres nifty.
Movie, which is called "The Muse" by the way, starts. Since there was
no description of the film on the screening pass, we were going in
blind. I've found that sometimes, that's the best way to see a film.
This was one of those times. I was delighted to find that the film was
about a screenwriter in Hollywood (Brooks) who hits a rough spot in his
career and struggles to make it again. The perfect opportunity for
charming and delightful (and in most cases, hilariously funny) cameos.
Jennifer Tilly, Martin Scorsese, James Cameron, Rob Reiner, Lorenzo
Lamas, Wolfgang Puck... these are the ones I'm remembering offhand.
Without giving too much away, Stone plays a modern day muse... (you
know, as in the daughters of Zeus)... who has been behind the scenes
helping Hollywood power players to make their best decisions for the
past few years. Brooks learns of her existence from his successful
writer friend Jack (Bridges) and decides that she is just what he needs
to help him get back on top.
Brooks delivers exactly what you want and expect him to deliver... he's
in top form here... as a writer, as a director and as a performer. His
timing is impeccable. Andie MacDowell, as his wife, is adequate. And
Bridges, in the supporting role, doesn't have a whole lot to do. But
he's Jeff Bridges, so you love him anyway. It's Stone here who is the
real marvel. I have never thought Stone was much of an actress. This
film doesn't really change that opinion, but it does make me like her
more. She's not a phenomenal actress in this film, she's just LOADS of
fun. With very few exceptions, Stone commands every scene she's in.
She's breezy, she's kooky, she's utterly likeable.
Having come into this film in a rather pissy mood, I left with an
enormous smile on my face. I found every aspect of it to be charming
and delightful. Those lil Hollywood jabs didn't hurt neither. And it
sent a very sly and memorable message across to boot. I found myself
constantly remembering why I liked Albert Brooks so much in the first
place. One scene in particular... involving Brooks and a man who wasn't
understanding English all that well... vintage Brooks... and one of the
funniest scenes I've seen on screen in a long long time. I wasn't told
when this was coming out, so be on the look out for it. Oh, and FYI...
boyfriend loved it too.
Call me Wendy Kroy.
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Reader Talkback
*Firsties by goober | Dec 18th, 1998 07:34:56 AM | Yes, but... by Pope Buck 1 | Dec 18th, 1998 07:58:11 AM | comedic stone by hjp8 | Dec 18th, 1998 10:23:12 AM | Elton's Score by Pennifer | Dec 18th, 1998 11:29:33 AM | DOGMA rip-off?!? by Angus | Dec 18th, 1998 12:05:38 PM | Why is Albert Brooks allowed
to make movies? by Joe Banks | Dec 18th, 1998 01:22:22 PM | Intellectual comedy! by domino | Dec 18th, 1998 01:48:33 PM | King Al by bswise | Dec 18th, 1998 02:57:55 PM | Retainer? No, money down! (or
Dogma rip-off, hell yes) by Janitor | Dec 18th, 1998 08:29:17 PM | Which came first? Albert!!! by HarryZ | Dec 18th, 1998 11:45:41 PM | ALBERT BRROKS IS A GENIUS by GLUTTONY | Dec 19th, 1998 06:22:03 AM | re:Brooks by Everett Robert | Dec 19th, 1998 07:03:57 AM | by Teleute | Dec 19th, 1998 12:30:09 PM | mighty aprodite. by keke | Dec 19th, 1998 12:53:05 PM | Sharon Stone = Box Office
Poison!!! by mooseman | Dec 20th, 1998 12:09:09 AM | sharon stone by NoIdiot | Dec 20th, 1998 09:14:22 PM | The Muse by Loki Trickster | Dec 21st, 1998 12:00:47 AM | by eepmatt | Dec 22nd, 1998 11:18:41 AM | dig the Last Seduction
reference by Sefster's Source | Aug 25th, 1999 03:56:15 PM | But......that scene in Sliver! by Wolfpack | Jun 22nd, 2006 07:15:25 AM | Shiner, full-bodied hair will
be with you.....always. by Wolfpack | Jun 22nd, 2006 06:51:59 PM |
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