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Published on Thursday, July 13, 2006 - 7:18am |
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Moriarty Reviews Michael Mann's MIAMI VICE
Hi, everyone. "Moriarty" here with some Rumblings From The Lab...
There are many different reasons people fall in love with movies. Sometimes it’s because of a cleverly constructed story that draws you in. Sometimes it’s because you recognize something of yourself in the film, or in a character, and that recognition creates an attachment for you. Sometimes it’s a simple visceral reaction to action scenes or to a well-choreographed set piece or the soundtrack or a particular movie star. With Michael Mann films, I find that what typically nails me to my chair on the first viewing is mood, pure and simple, and MIAMI VICE holds to that pattern perfectly. This is a smart, adult, demanding motion picture that may well be the most artistically successful translation from a TV show to the bigscreen. Although you won’t hear the Jan Hammer theme, and you won’t see any of the same fashions or even the same sort of stylization, this film perfectly captures the broken heart of the series, that sense of slipping into a world that corrupts even the best intentions. And the fact that the film fairly drips with cool doesn’t hurt a bit.
I watched MIAMI VICE pretty faithfully during its first run in the ‘80s. My family had just moved to Florida when the film premiered, and I remember how much my dad flipped for it from the very first episode. I’ve watched the show on DVD, thanks to the recent releases by Universal, and I think it’s a fascinating record of a particular moment in television drama. HILL STREET BLUES was considered “gritty” at that point, a world before cable, and what VICE brought to the table was, as I said, mood. The way it used music that you’d hear on the radio at that exact moment, the way it distinguished itself visually from any other cop show in TV history, the way it made even its main characters into morally gray icons... it felt groundbreaking at the time. Looking at it now, it obviously can’t compete with the sort of authenticity of something like THE SHIELD or THE WIRE, but what remains great about it is that sadness that haunts every episode. Has there ever been a cop show that ended in disappointment so often?
There are no opening titles on this film. You see the Universal logo over silence, and then BAM! There’s a blast of sound, of pounding dance music, and you’re in a Miami nightclub and it’s sink or swim. Mann wrote the screenplay as well as directing this time out, and he has no interest in coddling you with a ton of exposition. This is the sort of film where you’re probably 20 minutes in before you’ve really got a handle on what’s going on or who’s doing what, and I loved it. I loved that feeling of being dropped into this undercover world. This isn’t a pilot for an ongoing series, worried more about setting things up than telling a story. This isn’t about following some crappy cookie-cutter three-act McKee-sanctioned screenplay structure. This is a movie that opens mid-stream. Things are what they are, and they have been for some time. Sonny Crockett (Colin Farrell) and Ricardo Tubbs (Jamie Foxx) are vice detectives, and they are absolutely part of the world that they cover. I don’t think Farrell has ever looked sleazier, with that crazy mullet of his and his perpetual face growth, and Foxx plays his part as a guy who wants desperately to seem like he’s chill, but who is really wound much too tight, ready to snap at the slightest provocation. As the film opens, they’re in the middle of a stake-out, something involving hookers and some abusive pimps, and every member of the vice team is in the club, circling like sharks, with cameras trained on the action. In addition to Crockett and Tubbs, we see Trudy (Naomie Harris) and Gina (Elizabeth Rodriguez) and Switek (Domenick Lombardozzi) and Zito (Justin Theroux), all of whom were regulars on the show. It’s obvious that Mann wasn’t trying to cast people to look like the actors from the series, and in the case of the guy in charge of the squad, Lt. Martin Castillo, he didn’t even cast the same race, instead opting to use Barry Shabaka Henley, who played the jazz club owner in one of the best scenes in COLLATERAL. The names are the same, but everyone seems free to reinvent these characters they’re playing.
Then in the middle of what’s happening, a call comes in from Alonzo (John Hawkes), a former confidential informant who the detectives turned over to the FBI. He’s in his car on the freeway, talking crazy, talking like a man who is sure he’s already dead. He says a few cryptic things, asks Crockett to take care of his girlfriend when he’s gone, then hangs up and speeds off into the night. That simple call kicks off everything else we see happen in the film, and it destroys the status quo once and for all.
For the first forty minutes, I had one very odd thought run through my head, but it certainly wasn’t a deal-breaker. “Someone’s been watching a lot of HBO” is something I suspect many people will think, since you’ve got Hawkes and Pavel Lynchnikoff from DEADWOOD and Lombardozzi from THE WIRE and ENTOURAGE and Elizabeth Rodriguez from OZ and Ciarin Hinds from ROME, all of them memorable actors with fairly prominent roles in their various series. Seeing one right after another like that, it sort of felt like I was watching a $135 million HBO film, and I worried that the whole thing was going to feel sort of small-screen, especially given Mann’s decision to shoot everything on HD again, primarily using the Viper camera system that he used on COLLATERAL. During the scenes at the club and on the rooftop and in a few parking lots, there’s a definite grain to the image, and for some people, that won’t look like a “movie.” Personally, I think Dion Beebe deserves an Oscar nomination for his cinematography. I think it’s brave, visually extreme in even the quiet moments. There’s an immediacy to the way Mann uses his camera, putting you right in the middle of things, and it’s a perfect match for the way his script works. Even better, once the film breaks free of the nighttime and Mann plunges you into the brilliant Miami daytime, all that grain disappears, and suddenly, this is a film of stunning color and brightness. It’s beautiful. Mann’s showing off the full range of what that Viper camera can do, and this doesn’t look a thing like SUPERMAN RETURNS, shot on the Genesis camera. That has a sort of candy-colored artifical feeling that the Viper doesn’t. This camera, especially in bright light, seems to be capturing the world as it really is. There’s a depth of focus that captures the Florida sky in a way you’ve never seen before unless you lived in Florida. If you want to know who the star of the film is, there’s no doubt... it’s Mann. This film sums up so many of the things he’s done before, and by building this whisper of a narrative to hang all his interests and concerns on, Mann has set himself free as a filmmaker. He’s really working at the top of his game here, whether you’re a fan of THE INSIDER or MANHANTER, whether you prefer ALI or HEAT or LAST OF THE MOHICANS. Because he’s done this before, because MIAMI VICE plays on character dynamics that he’s comfortable with already, Mann is able to sketch by suggestion.
Take, for example, the relationship between Trudy and Rico. Naomie Harris and Jamie Foxx play a couple in love, and the intimacy in their scenes together sets the stakes pretty high for us as an audience. Because we believe in their relationship... because their attraction feels so real and recognizable... we are invested when and if anything happens to either one of them. They both know the risks that they take doing this work, and in some way, that’s what makes their moments of happiness so much riper. There’s a moment at the end of them making love that just seemed so right on, so small and well-observed, that I realized Mann is sneaking one by.
See, this is being sold like a big-budget action film, but it’s not. It’s a drama, a four-person character study about what this sort of work does to the human heart. Trudy and Rico start the film in love, and you can tell that all the other detectives envy them their connection. When Sonny and Rico go undercover to follow up on the death of Alonzo, they come into contact with Isabella (Gong Li), a mysterious associate of Arcangel de Jesus Montaya (Luis Tosar) and Jose Yero (John Ortiz). Sonny is smitten pretty much the moment he sees her, but as he makes his move and the two of them start to engage, it’s not clear how much of his connection to her is genuine and how much is part of the cover. Because it’s not clear to anyone, even Sonny, things get complicated. As good as Fox and Harris are together, Farrell and Li are exquisite. I’ve always thought Gong Li was a stunning woman, but there’s something really striking about the way she looks in HD, every freckle and imperfection visible. It makes her more real. When she cries during sex, seemingly from joy, it’s a surprising character touch, and it seems like we’re peeking in on something real. She’s never been this good in a western film before, and she forces Farrell to raise his game in return.
The love stories between these two couples form what spine there is for the film. Everything else just provides the forces that conspire to destroy what these couples are building with eath other. Somehow, Columbian drug lords, a federal-level leak, Aryan Brotherhood scumbags and a weakness for mojitos all seem to be the elements that add up to near-destruction. I find it hard to believe that John Ortiz, who plays the venal, animalistic Yero, is the same guy who played loveable Reuben on THE JOB a few years back. Amazing transformation, and great work.
I remember seeing Luis Tosar in HEART OF THE WARRIOR at the FanTasia Film Festival several years back, but he hasn’t done much that I’ve seen since. As a result, he really stands out as Montaya, with a stare that is deranged and serene at the same time. He’s a scary, scary figure, even when he’s being as polite as humanly possible, and he reminds me of how smart and subtle Mann played Hannibal in MANHUNTER versus the souped-up Hollywood version we’ve been watching ever since. Tosar creates a completely believable angel of death, hovering over the edges of everything, outside the reach of the law, made of smoke when the authorities finally move in. Mann gets that same level of work out of everyone, even when they’re only onscreen for a few scenes. John Hawkes made a fairly strong impression in ME & YOU & EVERYONE WE KNOW and he’s good on DEADWOOD each week. Here, he’s got a twitchy doomed energy that really works. Ciarin Hinds is good, but a bit underused, as is Justin Theroux. And although there’s no one action sequence that delivers the sustained adrenaline rush of the gunfight/bank robbery in HEAT, the film plays rough, and when there is a flurry of violence, it’s always shocking and upsetting. There’s a scene early on that actually elicited a “Holy fuck!” from me when I saw it. It surprised me, and it showed me that Mann knows that the line has been moved, the bar has been raised, and if he’s going to compete, he’s got to deliver the goods. He’s got to make this film hurt if it’s going to make any impression on you. And once he makes you understand just how dangerous the world is, he dares to show us just a few faint signs of hope underneath it all, just enough to break our hearts. It’s masterful filmmaking, deceptive in how simple it all seems. There’s nothing easy about MIAMI VICE, and it reaffirms Michael Mann as one of the most consistent filmmakers working today.
I’ve got to get up my Zack Snyder and STARDUST articles before ComicCon for you guys, but I also have to move into my family’s new house in the next seven days, so I’m going to be very busy. That doesn’t even account for the screening I’ll be at by mid-afternoon tomorrow, which has me so excited I’m dizzy. More on that soon, though. For now...

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Reader Talkback
tosar is good by talbuckin | Jul 13th, 2006 07:26:14 AM | oh by talbuckin | Jul 13th, 2006 07:26:32 AM | does Theroux do any breakdance
fighting? by tripp5 | Jul 13th, 2006 07:43:45 AM | Damnit by SuperSneaky | Jul 13th, 2006 07:44:00 AM | I Can't Wait by MRJONZ72 | Jul 13th, 2006 07:44:07 AM | I heard the dialogue was
awful, but I still can't
wait by The Wrong Guy | Jul 13th, 2006 07:49:13 AM | Genesis/Viper cameras by DMark | Jul 13th, 2006 07:50:25 AM | What? No chessy Don Johnson
Cameo? by Superneal | Jul 13th, 2006 07:51:03 AM | by al aero | Jul 13th, 2006 07:51:06 AM | I know, this question has been
asked before... by DerLanghaarige | Jul 13th, 2006 07:54:56 AM | SO NOT LOOKING FORWARD TO THIS by andyny29 | Jul 13th, 2006 07:59:12 AM | Soundtrack by Bono Luthor | Jul 13th, 2006 08:04:51 AM | Now I'm conflicted, the
early reviews said: by brycemonkey | Jul 13th, 2006 08:08:41 AM | Off topic again, but funny:
uber-coked Brian Singer... by JackPumpkinhead | Jul 13th, 2006 08:18:23 AM | Brycemonkey by IrishJoe | Jul 13th, 2006 08:18:32 AM | Souped-up hollywood versions
of lecter... by Call-me-Ismael | Jul 13th, 2006 08:19:58 AM | And transcript... by JackPumpkinhead | Jul 13th, 2006 08:21:45 AM | And as for Miami Vice, answer
me this. by JackPumpkinhead | Jul 13th, 2006 08:24:11 AM | Don Johnson cameo? by JackPumpkinhead | Jul 13th, 2006 08:26:20 AM | But how's the soundtrack? by savagexp | Jul 13th, 2006 08:27:25 AM | i for one cant wait to see
this by JeanLuc Dickhard | Jul 13th, 2006 08:32:06 AM | no Jan Hammer theme? by BizarroJerry | Jul 13th, 2006 08:39:51 AM | If IN THE AIR TONIGHT
isn't in this... by G'ster | Jul 13th, 2006 08:43:06 AM | Yeah true IrishJoe... by brycemonkey | Jul 13th, 2006 08:47:12 AM | In the air tonight is in the
film... by bluelou_boyle | Jul 13th, 2006 08:48:03 AM | goddamn, thank you Mori by Strabo | Jul 13th, 2006 09:08:16 AM | Jackpumpkinhead by moondoggy2u | Jul 13th, 2006 09:11:38 AM | Miami Vice was a product of
its time. by Uncapie | Jul 13th, 2006 09:12:27 AM | Miami Vice : The Movie = Looks
Like Shit People by TheDohDoh | Jul 13th, 2006 09:21:14 AM | Quiet You by Saluki | Jul 13th, 2006 09:21:27 AM | Not a fan of the TV show
but... by JohnGalt06 | Jul 13th, 2006 09:23:15 AM | Thanks for the review Mori. by Mr Nice Gaius | Jul 13th, 2006 09:26:01 AM | YESYESYESYESYESYESYESYESYESYES
YES by jackinitraw | Jul 13th, 2006 09:28:39 AM | HEAT: GREAT, The Insider:
GREAT, Collateral: GREAT by digital8 | Jul 13th, 2006 09:37:04 AM | Mori by lofe101 | Jul 13th, 2006 09:43:24 AM | never seen the tv show by mikey mike | Jul 13th, 2006 09:48:24 AM | Echoing the thought others
have stated... by veritasses | Jul 13th, 2006 09:49:04 AM | this is easily my most
anticipated flick of the
summer by reckni | Jul 13th, 2006 09:51:08 AM | oh, and i hope castillo's
desk is clean! by reckni | Jul 13th, 2006 09:51:42 AM | Really confused... by DanielKurland | Jul 13th, 2006 09:55:49 AM | A walking carnival of
STD's and cross-eyed
Sha-nay-nay by CreasyBear | Jul 13th, 2006 10:01:09 AM | Michael Mann is the best
action director working today. by Mr. Waturi | Jul 13th, 2006 10:01:30 AM | This'll be much better
than Supes Returns and Pirates
2 by slone13 | Jul 13th, 2006 10:07:03 AM | this review offended me... by blackthought | Jul 13th, 2006 10:07:58 AM | Don't take it personally,
blackthought. by CreasyBear | Jul 13th, 2006 10:16:16 AM | I had a feeling that this
would be the movie... by Lost Skeleton | Jul 13th, 2006 10:30:54 AM | Colombia, columber, its all a
bunch of mexicans to me;) by moondoggy2u | Jul 13th, 2006 10:46:16 AM | MORI: THE FOUNTAIN REVIEW by muerte_a_chavez | Jul 13th, 2006 10:52:22 AM | hey Columbia, stop sending me
CDs by durhay | Jul 13th, 2006 10:55:44 AM | When she cries during sex,
seemingly from joy..... by AARONIUS | Jul 13th, 2006 11:02:43 AM | I'm sure this will be a
good film by Engineer_at_peac | Jul 13th, 2006 11:09:11 AM | good review, mori by newc0253 | Jul 13th, 2006 11:10:33 AM | This will be a great film,
period. by Chief Redcock | Jul 13th, 2006 11:24:00 AM | indeed by blackthought | Jul 13th, 2006 11:26:47 AM | Engineer_at_peac by Mr Nice Gaius | Jul 13th, 2006 11:40:03 AM | VICE VICE BABY!!! Can't
wait! by R.C. the "Wise" | Jul 13th, 2006 11:40:35 AM | The reason it's called
"Miami Vice": by oceansized | Jul 13th, 2006 11:46:11 AM | This Movie is BAD... by Jered-Syn City | Jul 13th, 2006 11:47:58 AM | I think thats the 1st Vanilla
Ice reference of '06, RC by oceansized | Jul 13th, 2006 11:51:01 AM | This show was good... by Kid Z | Jul 13th, 2006 11:51:38 AM | mann's best film is: by mocky_puppet | Jul 13th, 2006 11:53:24 AM | Sounds good to me by moviemaniac-7 | Jul 13th, 2006 11:54:55 AM | Nahh--far and away, his best
film was "HEAT." by moondoggy2u | Jul 13th, 2006 11:56:03 AM | How about a remake of Benson? by Engineer_at_peac | Jul 13th, 2006 11:57:25 AM | Mann has no best film... all
great, but probably "Heat" by modlight | Jul 13th, 2006 12:13:14 PM | Mann's the man... no one
has ever used that!! by RainJacket | Jul 13th, 2006 12:14:57 PM | RainJacket.. that is awesome by modlight | Jul 13th, 2006 12:18:32 PM | I'm with you mocky! by brycemonkey | Jul 13th, 2006 12:29:19 PM | wow-you guys really feel that
strongly about your films by moondoggy2u | Jul 13th, 2006 12:30:14 PM | Why? by Crash Crator | Jul 13th, 2006 12:37:35 PM | moondoggy, I think you're
a closet democrat... by modlight | Jul 13th, 2006 12:41:03 PM | crash crator by mocky_puppet | Jul 13th, 2006 12:41:31 PM | "God Moving Over the Face Of
the Waters"... by Mr Nice Gaius | Jul 13th, 2006 12:44:40 PM | one time by rubensreviews | Jul 13th, 2006 12:47:16 PM | Who cares about this when the
BEERFEST trailer is up?! by Darth Bauer | Jul 13th, 2006 12:56:03 PM | Moriarty's right......it
kicks ass by earl of sandwich | Jul 13th, 2006 01:03:51 PM | So stoked Mori liked this... by Tony Mike Hall | Jul 13th, 2006 01:05:42 PM | It could be good by Vern | Jul 13th, 2006 01:06:53 PM | Mann's commentary tracks
are hilarious by Vern | Jul 13th, 2006 01:10:05 PM | Mann's high opinion of
himself is deserved by Tony Mike Hall | Jul 13th, 2006 01:13:19 PM | Mann's a hell of a
director by Brock Samson | Jul 13th, 2006 01:15:36 PM | Vern by Mr Nice Gaius | Jul 13th, 2006 01:19:13 PM | I'd like to remind
everyone of Theif in case
anyone by modlight | Jul 13th, 2006 01:23:24 PM | Was there a review in that
long rambling article? by StudioPlant69 | Jul 13th, 2006 01:27:46 PM | One thing I will always love
about this site... by Traumnovelle | Jul 13th, 2006 01:41:03 PM | GONG LI by topaz4206 | Jul 13th, 2006 01:44:10 PM | Vern: Best commentary track
I've heard... by brycemonkey | Jul 13th, 2006 01:44:59 PM | hey Earl of Sandwich by Ray Garraty #47 | Jul 13th, 2006 01:47:26 PM | frg10: Yeah man. That scene
it HEAT rocked. by R.C. the "Wise" | Jul 13th, 2006 01:53:17 PM | Moondoggy, I'm a democrat
and my advice is by R.C. the "Wise" | Jul 13th, 2006 01:55:37 PM | You shouldn't talk that
way about Bob. by BrandLoyalist | Jul 13th, 2006 01:56:50 PM | Thanks Ray by earl of sandwich | Jul 13th, 2006 02:00:00 PM | Moondoggy! by Traumnovelle | Jul 13th, 2006 02:14:32 PM | BrandLoyalist - "Pacino's
bizarre awkward outbursts" by Mr Nice Gaius | Jul 13th, 2006 02:18:22 PM | awesome review by Toe Jam | Jul 13th, 2006 02:19:59 PM | edward james olmos ... by Toe Jam | Jul 13th, 2006 02:27:40 PM | YEEESSS! by CurryIce | Jul 13th, 2006 02:32:26 PM | CANNOT FUCKIN WAIT FOR THIS
MOTHER FUCKER. by alucardvsdracula | Jul 13th, 2006 02:36:37 PM | "god moving over the face of
the waters" ... by Toe Jam | Jul 13th, 2006 02:37:40 PM | more Pacino Heat improv
outbursts by Julius Dithers | Jul 13th, 2006 02:47:32 PM | Toe Jam by Mr Nice Gaius | Jul 13th, 2006 02:50:17 PM | Toe Jam, Julius Dithers... by Strabo | Jul 13th, 2006 02:53:32 PM | Heat was a remake of L.A.
Takedown by Uncapie | Jul 13th, 2006 03:03:07 PM | God moving over the face of
the waters... by earl of sandwich | Jul 13th, 2006 03:22:49 PM | Manhanter was pretty good by WolfmanNards | Jul 13th, 2006 03:36:22 PM | an u.n.k.l.e. remix? by Toe Jam | Jul 13th, 2006 03:40:19 PM | manhanter had atmosphere. by mocky_puppet | Jul 13th, 2006 03:46:42 PM | Excellent review. by monorail77 | Jul 13th, 2006 04:02:44 PM | RIP Red Buttons by ExcaliburFfolkes | Jul 13th, 2006 04:31:26 PM | Bring it on by Stollentroll | Jul 13th, 2006 04:34:21 PM | I remember some review posted
awhile back.. by Cotton McKnight | Jul 13th, 2006 04:52:21 PM | where's the news on AICN
about no sequel to Superman? by lynxpro | Jul 13th, 2006 05:03:34 PM | OVERRATED by LeFlambeur | Jul 13th, 2006 05:23:54 PM | Crockett was morally gray, in
spite of the pastel suits by SalvatoreGravano | Jul 13th, 2006 05:46:16 PM | by AyebKraken | Jul 13th, 2006 06:11:44 PM | Miami Vice before Lady in the
water? by AyebKraken | Jul 13th, 2006 06:15:03 PM | Where is the report on the
Super Returns sequel? by spectrebeeyatch | Jul 13th, 2006 06:20:08 PM | Moriarty has seen The
Fountain. by Cameron1 | Jul 13th, 2006 06:42:49 PM | Loved the TV series until... by Agent sith | Jul 13th, 2006 06:56:16 PM | When I saw 'King Kong'
in the theatres... by Bobo_Vision | Jul 13th, 2006 07:39:02 PM | Wow Mori. That was a good
review. I trust you on this by Samuel Steamer | Jul 13th, 2006 08:13:25 PM | Finally, a movie worth getting
excited about. by Nate Champion | Jul 13th, 2006 08:19:43 PM | Love Mann movies by tompbeast | Jul 13th, 2006 08:37:02 PM | Jan Hammer themes are in the
movie........ by jegoing74 | Jul 13th, 2006 09:00:31 PM | This movie has a character
called Alonzo and he dies... by Alonzo Mosely | Jul 13th, 2006 09:42:27 PM | I used to think Mann was great by FluffyUnbound | Jul 13th, 2006 09:57:18 PM | SPOILER ALERT: Tubbs is
actually a vampire. by masticators | Jul 13th, 2006 10:20:41 PM | Bah... by MarkoOhNo | Jul 13th, 2006 10:26:12 PM | This film was well received
from the earliest by Robert Trevelyan | Jul 13th, 2006 10:40:42 PM | Do we at least get Colin
Farrell in a peach blazer? by GreatWhiteNoise | Jul 13th, 2006 10:58:15 PM | It's called "Miami Vice"
to keep the trademark in use. by Flim Springfield | Jul 13th, 2006 11:16:08 PM | Can you feel the HEAT? by AlwaysThere | Jul 13th, 2006 11:37:14 PM | Its called Miami Vice because by jamz666 | Jul 14th, 2006 03:06:56 AM | Why are you concerned with the by Unaju | Jul 14th, 2006 03:51:14 AM | My favourite Mann film is.,.. by Bobo_Vision | Jul 14th, 2006 04:10:39 AM | So what do they drive? by The Selecter | Jul 14th, 2006 04:24:06 AM | I Have A Complaint About Miami
Vice!!! by MetalWater | Jul 14th, 2006 05:44:09 AM | SNAKES IN MIAMI! by JackPumpkinhead | Jul 14th, 2006 05:53:18 AM | MetalWater : I agree on bad ad
campaign! by CurryIce | Jul 14th, 2006 07:27:26 AM | READ THIS AWESOME "THE
FOUNTAIN"-review by Devin! by CurryIce | Jul 14th, 2006 08:50:57 AM | Beautifully written review
Mori, cant fuckin wait by Winkleboy | Jul 14th, 2006 10:06:58 AM | Mann is going to get sued by
the makers of that old TV by brycemonkey | Jul 14th, 2006 10:08:45 AM | The Selector = cars by earl of sandwich | Jul 14th, 2006 11:30:55 AM | "She's never been this
good in a western film
before." by la_sith | Jul 14th, 2006 12:23:25 PM | I'm not saying this is
gonna... by Harysuxafat1 | Jul 14th, 2006 01:16:26 PM | Can't wait... by decfx | Jul 14th, 2006 01:37:28 PM | Can't wait... by decfx | Jul 14th, 2006 01:37:39 PM | Flim_'s field guide for
film and video by Flim_ | Jul 14th, 2006 01:54:00 PM | Brycemonkey!!! by MetalWater | Jul 14th, 2006 07:29:37 PM | hey Earl of Sandwich and Ray
Garraty by Chet Desmond | Jul 14th, 2006 07:38:06 PM | So utterly dissappointed... by Damer1 | Jul 15th, 2006 12:12:22 AM | Wasn't going to see this,.
until I read this review. by hallmitchell | Jul 15th, 2006 12:45:28 AM | Combining intense drama and
action by NoHubris | Jul 15th, 2006 01:17:08 PM | What about the love scene... by mrfan | Jul 15th, 2006 09:52:17 PM | Finally, a proper Miami
action/cop thriller movie? by ArkadyRenko | Jul 16th, 2006 05:13:39 AM | Well said ArkadyRenko by kwisatzhaderach | Jul 16th, 2006 07:14:17 AM | by Lenonn | Jul 16th, 2006 03:56:22 PM | About that link to
Singer's interview about
POTC2 by ArkadyRenko | Jul 16th, 2006 03:59:38 PM | Some "Review" by Pato | Jul 16th, 2006 08:02:01 PM | Tom Rothman by glodene | Jul 17th, 2006 01:13:32 AM | I think what singer will do
next is by emeraldboy | Jul 17th, 2006 09:00:56 AM | emeraldboy: Are the fish and
chips still good... by brycemonkey | Jul 17th, 2006 09:27:08 AM | I wanna see a big fucking sci
fi outerspace kick ass ma by skiff | Jul 18th, 2006 03:44:37 AM | by MRJONZ72 | Jul 18th, 2006 11:47:32 AM | Great review, Moriarty. by Gilkuliehe | Sep 16th, 2006 12:28:10 PM |
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