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Pyul MacTackle on DAWN OF THE DEAD & HELLBOY -- additional HELLBOY looks from NY!
Hey folks, Harry here with another selection of HELLBOY views -- this time from Pyul and then some from New York city. There was a screening in Miami last night that I hear went extremely well, but I've yet to get reviews from that screening.... Buuuuuut... It seems HELLBOY is kicking mass quantities of ass. Here ya go...
Caught several films this week that I’m dying to write about. Here’s the two everyone’s wondering about: Hellboy and Dawn of the Dead.
Hellboy
Holy fucking Christ on a cracker Gordo, this kicked ass. I loved this film with every fiber of my being. Hellboy achieves new levels of comic book cool thus far unattainable in other franchises…is that enough AICN fanboy gushing for you? Should I have added a reference to me washing my balls before the movie so no one would object to picking them up after they were blown out the back of my seat?
Now that I’ve gotten all that fanboy tweakage shaken out of my system, lets get down to the nitty gritty. You’ve read Quint’s take. You’ve read Moriarty’s pleadings for you to give this a chance. But is it really that good? Well, kind of.
You see, all the ribbing of AICN aside, the first paragraph is no lie. I LOVE THIS MOVIE. It hit me just right, washing over me in such a way that it seeped down into the cracks and crevasses of my fanboy soul and satiated the urge, the desire, nay, the ravenous hunger to see a REAL fucking comic book movie. Spider-Man, I loved Spider-man. X2 kicked all sorts of ass. Daredevil, I liked it but feel no need to own it. But these are MOVIES. They feel like movies, play like movies and really come across as Comic Book heroes set in a Hollywood universe. Hellboy’s different. Hellboy is actually a movie set in a Comic Book Universe. The framing, the colors, the shorthand between characters. It’s all straight out of a comic book. And this isn’t like the Hulk or Creepshow which were made to LOOK like comic books; rather this FEELS like a comic book brought to life.
It’s an odd thing: the trailers sell this movie just like they sold The League of Extraordinary Gentlemen. That’s been the talk since the first one showed up, and much like a night of heavy tequila drinking followed by furious puking, the mere thought of that taste in our mouths again make it water with disgust and wretch with anxiousness. But here’s the kicker. Hellboy is EXACTLY what the League PROMISED to be but completely failed to deliver. Hellboy is the film I wanted to see last summer but was sucker-punched instead. Hellboy is not simply an adaptation. It is a love letter to Mignola’s comic. And it’s a great one.
Ron Perlman is a modern day Roddy McDowall, bringing so much presence and charisma to characters weighed down by 20 some odd pounds of makeup. His Hellboy is the Wolverine I’ve always wanted but have yet to see on film. Don’t get me wrong, Hugh Jackman’s great, but he’s always struck me as a gruff pretty boy Hollywood version of Wolverine. Ron Perlman’s Hellboy IS Wolverine. When he chews a cigar, he fucking chews a cigar…he doesn’t pansy ass lip it. The way he spouts off lines like “Mmmm…Nachos,” and sells it with just the right amount of machismo and comedic timing is wonderful. Perlman is genuinely funny, knowing when to bring just the right amount of camp to sell the role.
And this film has plenty of camp, but just the right amount. It’s fun and funny, but never to the detriment of a scene. All of the seriousness, the angst and the pathos is woven just right between threads of the strange and the downright aloof.
But what this film comes down to is this: Is this what you’re looking for? For those in search of comic book bliss, yes, this very much is. It’s an amazingly fun ride. But if the idea of The League of Extrodinary Gentlemen done right flexes your sphincter tighter than a Backstreet Boy’s doin’ some time in the pokey, well, this ain’t your bag. And it’s not for everyone. There are segments of this movie that are just going to downright chafe those that are critical of this kind of movie. But for geeks, for those with a love of this type of material, this is utter cinematic joy.
Dawn of the Dead
Constant AICN whipping boy James Gunn wrote the script, a completely untested and brand spanking new director helmed it and it’s a remake of a film that is treated like the Citizen Kane of zombie movies by many hard core film geeks. So this films not only going to suck, it’s going to go down in AICN history as one of the worst films of all time, right?
Nope. Not a bit of it. Dawn of the Dead rocks. Hard.
What? Did I just write those words? Did I just SERIOUSLY write those words? Yes, folks, I did. And I meant them. This movie is seriously one truckload of fun. But to elaborate, I have to go to the original material. You see, I’m not the worlds biggest fan of the original. Oh, I like it quite a bit, but I just don’t love it. I never really took issue with the idea of a remake because in my mind they desecrated that sacred ground over a decade ago with Tom Savini’s remake of Night of the Living Dead. Now, I really dig Savini’s remake, but Night of the Living Dead was always a film that I felt was so perfect it didn’t NEED to be remade. But it was, and once you’ve dug up the body, you might as well go to town. Dawn of the Dead never sat right with me. Like I said, I dug it quite a bit, but as with many well regarded horror films of the 70’s, I felt there were tonal inconsistencies. Dawn was such a great serious film riddled with moments of awkward camp like undead Hare Krishna’s and SWAT Team snipers that can readily perform abortions. It was just odd, and I always felt that without those few moments, the film would be truly great. So in my mind, it was somewhat ripe to be remade. Not that I was ready to accept the writer of Scooby Doo and The Specials as the man to do it.
But, man, did this work. And what made it work is that while this is a remake of a Romero film this ISN’T an attempt to make one. Instead, this is the John Carpenter film we all wish John Carpenter still made. Mixing in elements of The Thing, Assault on Precinct 13 and Escape from New York, this film becomes simply another segment of the Romeroverse, another story told in the ongoing saga of the end of the world. So why not call it something different as Harry suggested in his script review herehttp://www.aintitcool.com/display.cgi?id=13363 ? Well, quite simply, this movie borrows it’s premise straight from the original and calling it anything different would still get it tagged as a Dawn of the Dead ripoff. So why the hell not go full tilt and immediately draw the comparison from the get go? But while the premise is exactly the same, and there are a few minor, borrowed elements (albeit all of which are treated differently) like the fun in the mall, a pregnant women, and an escape attempt, the bulk of this movie is very different. For one, while this is survival horror, it is entirely laden with action that doesn’t just involve screaming and running. The action is tense and the zombies are fast (and occasionally creative). This film is less about the angst and woe of the last stand of humanity and more about fear and ass kicking.
And the kills in this range from the wonderfully painful to the downright cringe inducing. Sure, some of them look somewhat digital, but you realize that they have to. There are bits in this movie that you could never have stuntmen do, like a long shot of backing over zombies in a truck, bits that are just both cool and darkly humorous but also provide a genuine feeling of “HOLY FUCK! THEY’RE EVERYWHERE!” But it also has a soul. You feel for several of these characters. There’s a genuine feeling of loss and a lack of hope that guts those that are still alive.
Sarah Polley is wonderful, bringing the great solid strong leading lady with flaws charm that she has done many times before. Ving Rhames is fantastic, with Director Zack Snyder letting him be all the badass he can be. Here Ving exemplifies the John Carpenter quality I was talking about, proving to embody all the best that John Carpenter poured into his serious heroes. And Mekhi Phifer brings just the right amount of pathos and desperation to round things out.
This movie really caught me off guard. I wanted it to be good, but I just wasn’t convinced going in. Now I am. This movie’s going to clean up. While hardcore Romero fans may find themselves dissatisfied with this, most moviegoers are going to find this a fun, actiony, creepy zombie film that grabs you from the start and never lets go.
Pyul MactackleOk - that's Pyul's take -- we've had reviews from Texas and the West Coast.... How is it going on the East Coast? Well... here's Monkey Zunkle to fill you in....
Hey guys,
The good news is, I have another "Hellboy" write-up for you to add to the pile. The bad news is that I'm not saying anything that hasn't been said before.. This movie is FANTASTIC!
I got to attend a smaller screening in New York City hosted by Sony/Columbia, and Guillermo Del Toro and Mike Mingola were present. Guillermo made a great intro, recapping the negotiations for Ron Perlman ("They said 'How much you need' / I said '85' / They said '65' / I said "OK", and then they gave a Mexican 65 million dollars to make this movie with his ideal star with complete creative freedom").
I wasn't too familiar with the comics, and this made the movie so enjoyable-- The whole thing is so original, especially after many franchise "popular" superhero movies. It reminded me of the feeling I had when I first saw "Dark City"... a very refreshing and new story with great characters. The effects are superb, especially Abe Sapien's fluttering wet eyes.. great blending of live action and CGI. A complex story that doesn't insult the audience's intelligence. And a GREAT score... I'll have to look into who did it, but it reminded me of, again, the underrated "Dark City" score as well as some of the music from "Attack of the Clones". I was worried that this would be just a movie for boys.. that girls wouldn't get much out of it, but after seeing Selma Blair's character as well as Hellboy's heart (what a great hero-- strong and giant on the outside, loving and young within), I think a lot of female audience members will relate somewhat. Li! ke the best superhero stories, these characters are searchers.. alone, conflicted, and passionate. Hellboy's problems seem somehow much more realistic and down-to-earth than even Batman and Spidey's.
This movie needs good word of mouth, so take friends and enjoy this fresh and fantastic movie with a truly unique universe. It was a fun screening-- Thanks to the Sony people... they gave out shirts and caps and also had cleverly themed snacks (red cupcakes, hot tamales (sp?) and Redbull, HB's drink of choice). And thanks to GDT..it was great seeing him so enthusiastic, he seemed to be really proud, and he should be (his dedication and passion about his vision reminds me of Peter Jackson). On that note, props to the studio for taking this gamble and trusting that Perlman was BORN to play this part.. let's hope he and the movie are embraced.. If not in explosive box office, then surely in DVD land...
Monkey Zunkle, over and outOk - also from New York is Gaspode...
Harry, I know you've had a ton of Hellboy reviews already, but thought you might like a review from del Toro's New York screening last night. -Gaspode
On this past Wednesday night, director Guillermo del Toro stood in front of a small group of maybe 50 people and said, What you are going to see is a Mexican given $60 million, the right star, and a shit-load of freedom!' Hellboy had come to New York.
Okay, at this point, you're already thinking to yourself, 'Another Hellboy review? Has AICN become hellboyreviews.com?' Maybe so, but I hope I can add a few bits of information to the discussion other than the obligatory 'Ron Perlman rules in this movie!' and 'Del Toro is a god!' type of comments that seem to dominate these reviews. The god in question was a bit nervous; even though his Texas and LA screenings had been enthusiastically received, it can be a bit daunting to show your new baby to a bunch of jaded press people, many of whom work in the genre. True, these guys can be effusive in their praise for something they like, but they're also more than happy to rip a film to shreds when they don't.
Let's get this out of the way right now. I loved this film. There will now be a short pause for the cries of 'Plant! Plant!' In my defense I can only say if I was a studio plant, I'd actually expect to paid for my work, instead of taking time out to write this for free. And if I really hated Hellboy, I'd happily be trashing it right now in order to save people eight bucks at their local multiplex.
By now, you all know the gist of the movie. If not, some spoilers will follow: Rasputin and his cronies team up with the Nazis during WWII to open a portal and bring some Lovecraftian demons to Earth. They're stopped by US army troops, accompanied by a young Professor Broom. Rasputin gets sucked into the portal, the good guys win, and Broom discovers a baby demon who looks an awful lot like Lil Hot Stuf but with a stone hand. Meet Hellboy.
Cut to the present day, and Rasputin has been resurrected, ready to pick up where he left off half a century ago. Broom (John Hurt) has teamed up with the government to form the BPRD (Bureau of Paranormal Research and Defense). Their star player is Hellboy (Perlman) a cigar-chomping, wise-cracking monster hunter with the mental age of a teenager. Other agents include Abe Sapien (Doug Jones) a clairvoyant fish-man, Liz Sherman (Selma Blair), a seriously fucked-up pyrokinetic now living in a New York mental institution, and John Myers (Rupert Everett), a fresh-faced FBI guy who's brought in to act as Hellboy's unofficial babysitter. When Rasputin resurrects an ancient demon called Sammael, it sets a series of events in motion that ends with the aforementioned portal getting opened again, and Hellboy discovering what his actual role in the universe is.
I know, I've skipped over an awful lot of detail there, but there's no point in recapping the plot, which has already been spelled out elsewhere. Let's talk about some of the things that really make this film work. Number one has to be Perlman. Del Toro was willing to knock $25 million off Hellboy's price tag in order to get the actor, and it's the best money never spent. I can't possibly imagine Vin Diessel or The Rock in this role, or any of the other bone-headed studio suggestions made over the past five years. Perlman is Big Red; case closed. Not only is he physically perfect for the role, he brings the prosthetic makeup (created by Rick Baker's Cinovation Studios) to life in a way that many actors could never do. His dialogue is spare, making every word count, and del Toro has given him some great one-liners. But that aside, there's also a great emotional core to Hellboy as well. This is a guy who's basically indestructible and yet his great vulnerability is his love fo!
r Liz Sherman, around whom he can barely put two words together. In one terrific scene, a jealous Hellboy takes to the rooftops to spy on Liz and Myers, who he thinks is putting the moves on his girl. He meets a kid taking care of his pigeons, who eventually offers the big guy cookies and romantic advice. 'Just go down there and tell her how you feel!' the kid tells him, and Hellboy tries to explain (with a mouthful of cookie) why that won't work, suddenly realizing, 'Plus you're like, nine, you're not old enough to give me advice!' It's a great moment.
Equally well cast are John Hurt, in an all-too-small role as Broom, Jeffrey Tambor as obnoxious FBI big-shot Tom Manning, and Everett playing the naïve but well-meaning Myers. It took me a little while to get used to his presence in the film until I realized that Myers was actually the audience POV character, and that many of the major plot points were being seen through his eyes. But for my money, the two most pleasant surprises were Liz and Abe. Selma Blair does an excellent job as the mentally scarred pyrokinetic, who has virtually no control over her abilities. And Doug Jones is amazing as Abe Sapien. Visually, it's one of the most stunning-looking makeup-heavy characters ever put on film, but Jones, a veteran mime and suit performer brings him to life with ease. Ironically, the most impressive part of his performance may well go ignored, namely the sequences in which Abe is swimming, either underwater or in a tank. After the screening, del Toro confirmed that all of tho!
se scenes were shot 'dry for wet,' which meant there was no water involved, and Jones was in fact miming all the swimming motions.
As for the villains, Karel Roden is properly chilling as Rasputin, but it's Kroenen who steals just about every scene he's in. Kroenen is a nasty piece of work, a gas-masked blade-wielding monster whose blood has literally dried up in his veins, who sustains himself through pure hatred and an arcane system of clockwork engineering. He's chilling and awe-inspiring and beautiful to look at, in terms of design, costume and makeup. If Hellboy creator Mike Mignola has been paying attention to the response, he and del Toro should re-team and put some kind of spin-off project together.
In terms of the overall look, Hellboy is probably del Toro's most accessible work to date. Like his previous films, every frame is packed with cool little details that will take two or three sittings to absorb. But this time, he's abandoned the psycho-sexual imagery of Blade 2, returning instead to the clockwork theme of Cronos. Like the interior of that film's Cronos device, Hellboy is full of spinning gears and whirring devices, from Kroenen's vest, to a gargantuan set piece that sets up the final act. And let's not forget the Lovecraftian influences of Sammael and the monstrous Ogdru Jahad, the Great Old Ones of the Hellboy universe. If del Toro is indeed planning a Lovecraft project as his follow-up to this film, it's a tantalizing hint of things to come.
Del Toro has also done a masterful job of creating the color schemes of a Mignola comic. There are slate black shadows from which Rasputin emerges throughout the film, the dark reds of Hellboy, the Mignola blues of Abe Sapien (Hellboy and Abe also go by the code names of 'Red' and 'Blue' reinforcing the color themes even further)
By now, anybody reading this is saying, 'C'mon, it's obvious he's a plant; this is a damn love letter!' There are a couple of minor things that bugged me, and I'll mention them here for whatever it's worth. While most of the soundtrack flows beautifully, there is the occasional intrusion of contemporary music, almost as though it had to be included in order to sell some extra soundtracks. I kept thinking of that voice-over after Smallville, saying, 'This showing of Hellboy featured songs by
'
My other complaint is David Hyde-Pierce, or his voice anyway. The actor was brought in during post-production to re-loop Abe Sapien's voice, and personally, I think it was a mistake. Abe is a wonderful, mysterious character, and when you hear the voice of Niles Crane coming out of his mouth, it makes you feel like you're watching a Pixar film. I'm not sure if this was a studio decision to sell some extra tickets on Hyde-Pierce's name, or if del Toro had that specific voice in his head, but I would have preferred a less distracting personality instead.
The final verdict? If you're a fan of the comic book, Hellboy will not disappoint. If you've never picked up the comics, it may take you a little time to get with the program, but I think you'll still find it's worth your time. And if you like a good action-adventure film, this is the one for you. Stay in the governor's mansion, Arnie; Big Red is the king now!
Oh, and make sure you sit through the closing credits, or you'll miss a final little tidbit. It's worth the wait.
-Gaspode-
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Sounds like (from a character POV) dead-fucking-on. Can't wait!
As for Abe's voice, I've been watching Frasier recently (for my sins) and then reading the 'Hollow earth' comics, playing Abe's dialogue with Hyde-Pierce's voice. It seems to work in an abstract way. I'm guessing he was used to contrast with Perlman, the whole 'unlikely friendship' angle I guess. I can't see myself being dissapointed though. Ps First! -
Mar 19, 2004 9:03:50 AM CST
I've Been here a lot of positive shyt about Hellboy, but sadly t
by the founder
I just don't see this movie working as a box office success. From what I've heard it's pretty good, and entertaining, but as I've said before this is just too obscure for the mainstream to flock to it. All the fanbys will go of course, and some mainstream people will go either because they know a fanboy or some who like this genre. It also doesn't help that Sony isn't marketing this movie right. The trailers look like crap in terms of story, you get no sense of what's going on. All studios seem to make the mistake of showing flash over substance. This movie doesn't have a name star, so the movie is going to have to sell itself, and sense Hellboy isn't known by anyone outside of comics, then is going to be tuff for it to succedd. You do get a vague feeling of MIB whne watching the trailer, and I think Sony should have played on that more, but they didn't and this film just will not make a lot of money, and thus it'll hurt future comic properties. As much as I love Pearlman, he doesn't have star power despite being a good actor. This movie is about Hellboy, but they tell you nothing of Hellboy, like who or what he is, so what I would ask, is who is Hellboy?? Sony marketing really dropped the ball on this one. I hate to be negative, but i just do not see this movie making over 40 million domestically, and that's if the studio is lucky.
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Sequels would be nice, sure, but i'd be satisfied with a mediocre BO and a classy-as-after 8 DVD release, which, knowing GDT, will happen. Also, Founder, because (for all your protests) you appear to want to squash my boyish hopes, posting in English helps us read!
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It has the first-weekend-of-April-audience-tired-of-Oscar-bait-and-wants-mindless-entertainment-should-break-even-at-least-didn't-cost-that-much-to-begin-with-and-has-endless-goofy-TV-trailers-and-good-word-of-mouth-look-at-Blade-and-Matrix thing going for it.
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Seriously,
I'm a literate, fan-boy with some writing chops. Do you need to be an industry insider? -
This may be old news,but I ran across this interview excerpt from Bryan Fuller who created Dead Like Me & co-creator of Herc's fav Wonderfalls: What else are you working on?
I’m writing an animated pilot for the sci-fi channel based on a Mike Mignola comic called The Amazing Screw-On Head. I’m really enjoying working with the Sci Fi channel--but I’m also really looking forward to coming back for a second season of Wonderfalls. -
Dude hasnt had a hit in a long ass time. And with 50 cent filling the tough black guy rapper role theres not much chance DMX will have another anytime soon. He should go by his real name, or any real name, like Harold Jones for example. The same suggestions apply to Ja Rule. Except he should probably go with a different name than Harold Jones, cause DMX will have already taken it.
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Mar 19, 2004 6:00:42 PM CST
I ain't gettin' my hopes up till some who didn't like X2 says it
by the boy voorhees
X2 is so over rated. I wanna love Hellboy just like all u freaks but I ain't buying this bitch dinner till she tells me she'll fuck me later, I've been stung before
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What do you have against this movie? It ROCKS!!! What's with the Schleprock routine man? Every review so far has praised this thing like no other set of reviews I can remember and you, along with your chronic mispellings, keep shitting all over it. You are a total tool for some rival studio. Have you even seen it? For your information, Yahoo has it listed as one of the top 5 most watched trailers for the last 3 weeks. The Hellboy toys can't seem to stay on the store shelves long enough for losers like you to stain them with your slimy little fingers. Get a clue wankerhole, This movie is going to RULE!!
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-I posted this on the last Hellbooy Hotsheet, and it was pushed to archive the next day, but I thought you should know...-I haven't read the comic book, so I can't compare that. The overall look of the movie was good - but face it, the story was very run-of-the-mill. The final two reels had a very video game vibe - go to this room, stop those bad guys, cross this bridge before it collapses, face more bad guys in the next room...*YAWN.* Again it LOOKED good - but the story was really lacking, and so I give a NOT RECOMMENDED overall. -my (rebroadcast)first talkback. Whee.
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did anybody else feel that daredevil might have been vastly improved if there hadn't been music that will make the film seem dated 2 years from now. i personally don't know who dmx is, nor do i care. at least in the context of seeing movies.
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...I won't work with a blaspheme. Especially after all the time I spent cracking heads to get into "Passion" on your recommendation. Jesus Of Nazareth, then "Hellboy"...do you lesser believers see a contradiction here? Yer all gonna burnnnn...
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Mar 20, 2004 1:17:13 PM CST
While most of the soundtrack flows beautifully, there is the occ
by iamlegolas
This is the sort of shit that kills, yes, kills movies for me. Especially if the bands are shit. (re: Daredevil) ... Just imagine Lord Of The Rings if Blink 182 started blasting from the speakers as Gandalf and the Rohirrim came in to save the day on Helm's Deep?
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Contemporary songs on the soundtrack can work depending on what KIND of movie you're doing. If it's not a serious-minded movie, more one that you want people to have fun watching, then you can get away with putting in random songs. But if it's SUPPOSED to be some big important masterpiece then obviously the songs are just not going to work.
That said, I'm not exactly sure what Hellboy is going for, so I can't really judge on whether it's ok or not.
But I do agree that all the stupid songs in Daredevil made me go "bleh!"
And I also wanted to say that I actually want to see Hellboy, even though I've never read one of the comics. It looks...interesting. Then again, I may be the minority in feeling this way... -
Read this carefully: THE MOVIE IS GOOD; THE MARKETING SUCKS. How is this hard to understand? Fucking fanboys, I swear.... Anyway, I hope this doesn't flop. It sucks to see all these good reviews for this movie when the marketing for this is gonna keep a lot of people out of the theaters. I hope I'm wrong and it has a $40M+ opening weekend.
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"I can't buying this bitch dinner until she promises to fuck me later on."
Dude, thats the best fucking analogy I've ever fucking heard! And it works extremely well when applied to the topic of movies.
oh, and hellboy looks pretty cool, its got a metal-gearish cyborg ninja that looks fucking badass. That right there was enough to sell me. -
Sorry guys. I guess I'm too protective of this movie and I hope it does really well at the box office. In any event, I don't necessarily think the trailers are as bad as you guys do. I know several non-fan boy types who like the trailers a lot. Let's post again after April 2nd shall we?
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Mar 21, 2004 8:20:11 PM CST
I cAn HaRdLY WAIT tO sEE tHiS mOViE "HELLBOY" ... and how NICE i
by jdanielp
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i hope this blows splatterchrist out of the fucking box office..trailers and screen caps are all ive really seen so far but holy fuck does this look hella BAD ASS!!!!!!! HELLBOY FOREVER!!!!!!!!
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The only instance I can think of where contemporary music actually added to a movie would be the first Crow movie. There was a lot of good music that helped set the tone for some of the scenes...Rage Against the Machine, Nine Inch Nails, Stone Temple Pilots, and The Cure. So, contemporary music CAN work, it just has to actually fit the scene, not the marketing scheme that the studio is going for.
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