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Houston's World Fest: Nordling on AS FAR AS MY FEET WILL CARRY ME, FAREWELL TO HARRY and much more!
Hey folks, Harry here. There are beautiful people and then there is Nordling. Nordling is a glowing entity of pure cinematic love and affection bottled into a man of such over-powering brilliance that you can scarcely see the sun for his shine. This is the glory and the power of the Nord! Nordling has been unleashed upon WorldFest in Houston like a tsunami upon a small island community. Soon he will have covered it all and we will be held in awe by the force of nature you will all come to know as... the Nordling. btw... I'm dying to see AS FAR AS MY FEET WILL CARRY ME!!!!!!!
Nordling here.
It's easy to get excited about ATTACK OF THE CLONES or SPIDER-MAN, or any of
the other studio releases this year. Believe me, I am. The article that
Moriarty wrote a few days back got me incredibly buzzed about the upcoming
two years, which for film geeks like us (and if you're reading this, you're
a geek - don't even bother lying. Check your wallet. Right next to your
picture of you grinning next to the Chewbacca standup at THE MAGIC OF MYTH
Star Wars presentation, is your official Geek Membership Card) promises to
be great.
But what really excites me is hearing about and seeing films that for the
grace of the Internet you never would have known about otherwise. I'm
talking the BATTLE ROYALEs, the SESSION 9's, the DONNIE DARKOs, the Y TU
MAMA TAMBIENs. I first discovered the joys of RUN LOLA RUN here at AICN. I
had no idea about CROUCHING TIGER HIDDEN DRAGON until Harry started singing
its praises. So I am delighted to be the one on the giving end this time,
with the Houston International Film Festival.
The Worldfest Houston Film Festival, since 1968, has been offering fiercely
independent films, foreign language films, and shorts to the movie fan.
Currently run by uber-movie geek Hunter Todd, the Worldfest only takes films
without studio distribution. "You can only have a woman from some studio
shout the F word at you so many times," he said, when describing his
frustrations at dealing with the majors. (Hunter, wait until you see the
Talkbacks.) The festival has premiered such notable films as BLOOD SIMPLE
and LOVE AND BASKETBALL. It has handed out awards to such luminaries as
Steven Spielberg, Ang Lee, the Coen Brothers, and George Lucas. The festival
is also not overburdened with too many films. Normally 50 to 60 films
playat the festival every year, and it is actually possible to see most if
not all of the films featured. Every year the fest plays classic films as
well as independents - CITIZEN KANE played last year, and the festival has
featured a Kurosawa retrospective. This year WILLY WONKA AND THE CHOCOLATE
FACTORY, TOM JONES, EASY RIDER (a new restored print, which closes out the
festival) and the great CASABLANCA will be playing. The festival lasts from
April 5th through April 14th.
I'm a firm believer, as Cameron Crowe put it in the SAY ANYTHING commentary,
of "optimism as a revolutionary act." I don't believe popping off "That
sucks" is very trendy, or helpful, even. I don't particularly enjoy
reviewing bad films. I'm not the type to shout from the rooftops how much a
movie sucks, unless it sucks so monumentally that I feel it is my duty to
warn people about them. (TOMB RAIDER. RESIDENT EVIL.) And I've found that
some movies will have that one scene that can practically redeem an entire
film. I even give DUDE, WHERE'S MY CAR its cinematic due. So you probably
won't be reading about many bad films here. I'm going to try to write
exclusively about the good ones playing at the festival. The ones that you
need to keep a look out for. The ones to discover. And I'll also review
the classics as I see them. I hope you enjoy my coverage, and maybe you'll
be able to check out these films. And if you're in the Houston area, come
on down to the Meyerland. At least come see one of the classics. As movie
geeks, you have a duty to see one of these on the big screen. If you're
interested in the Worldfest, look online at www.worldfest.org. The schedule
and synopsis of the films is on that site.
SHORT FILMS
"Indefinitely" - This short film directed by Marc Pilvinsky is terrific. A
wedding videographer winds up falling in love with the bride-to-be. The
premise may sound simple, but this was very well acted and directed, and had
more laughs in its 20 minute running time than in the entire film of THE
WEDDING PLANNER. If this is a trailer for a future full length film, Mr.
Pilvinsky should have no problems making an engaging and funny romantic
comedy. This can be downloaded at www.chryslermdf.com.
"Thought Bubble" - This Claymation short, about a homeless man whos thought
bubbles effect the environment around him, was amazing. Sadly, the film's
director Billy Greene was tragically killed in September of 2001.
"Josh W Eats A Bug" - Self-explanatory. Also very very funny.
FEATURE FILMSFAREWELL TO HARRY
FAREWELL TO HARRY - This quiet little film charmed me. It's an ode to a
simpler, gentler time, and is very much a character piece. Nick Sennett
(Joe Flanigan), is a frustrated writer who decides to move back to his
hometown to reinvigorate his creative juices. While taking a drive he
almost runs over Harry Wyle (William Hall, Jr.) who owns the now closed town
hat factory, and is basically considered to be the town drunk. Taking an
interest in Harry, Nick becomes an unlikely friend and ally. However,
Harry's drinking threatens to derail his friendship and possibly Harry's
life.
I liked this film quite a bit. It is very well acted, especially by Hall,
and there's an intimacy to it that most films don't attempt anymore. It
reminded me of THE MAJESTIC quite a bit (Nick moonlights as a film
projectionist at the town theater), in its yearning for a gentler time.
The problem is that films like this are passed over by the public in favor
of bigger fare, and that's a shame. I hope this quiet film finds an
audience.AS FAR AS MY FEET WILL CARRY ME
AS FAR AS MY FEET WILL CARRY ME - This film, directed by Hardy Martins as if
possessed by David Lean, has been playing in Germany for several months now,
although it was denied entry into the Berlin Film Festival for reasons I'll
explain below. Although this year is short, I think it's the best film I've
seen this year, and will be hard to top this year at the festival. This is
based on the true story of Clemens Forell, a German soldier in World War II
who is captured by the Russians and sentenced to 25 years in a Siberian
labor camp. Supervised by Lieutenant Colonel Kamenev, he admires Forell's
spirit even as he consistently tries to break it. Forell has a family back
in Germany that he desperately wants to get back to, and when he gets his
chance, he escapes, beginning a three year journey across frozen Russia and
Asia, as he is chased by the Colonel.
Make no mistake, this film is EPIC. Shot on a $7 million budget, the film
looks like its at least $50 million. But it never shys away from
characterization, and the film is gripping in ways that most Hollywood films
have forgotten about. It's the best German film I've seen since DAS BOOT.
The problem? Well, look above. Basically, Forell is a Nazi. Although
that's not exactly fair to all him that- he's just a soldier in the German
army, just fighting so he can do his time and go home. However, this will
probably be misconstrued by simpler audiences. The subject of the Jews is
touched upon when Forell takes refuge in a Polish Jew's house. The scene is
realistic, neither making excuses for Forell or making him defiant.
How Hardy Martins managed to make a film so moving and so action packed on
such a limited budget is beyond me. The film, if I may reiterate, is HUGE.
It's almost 3 hours long, yet to me it never dragged. Right now it doesn't
have United States distribution, which is a shame. I hope that the holdup
isn't the reson I said above. Forell is a heroic character, he's easy to
sympathize with, and to me it doesn't shy away from the truth of the
situation. In the end the story becomes about a man trying to surpass
incredible odds, just to get home. It transcends the political. And the
end of the film is moving as all get out. I urge everyone to find and
cherish this film.
Next time, I hope to have reviews for WHEN HARRY BECAME A TREE, BRIAR PATCH,
and HOTEL. See you then.
Nordling, out.
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I think nordling makes some valid comments, but really so few of us are ever going to see many of these films. True, if it wasn't for the more fanaticasl fan media we wouldn't hear about truly astonishing films, but not all of us have access to decent cinemas that can show them and we are left trawling around the video store looking for them.
And yeah what is the deal with the order of postings, true the "frist"-ers are getting moved but you just can't maintain a thread. And honestly printing you're first is urely "OFF-TOPIC BS" - just delete them and be done with it. Cor it's quiet in here - let's start a revolution... -
as far as my feet will carry me is a great movie and it's based on an older tv mini-series! other great german movies are: Stalingrad (the best WW2 movie ever!), Das Boot (most realistic Submarine movie!)......
i hope it gets US distribution!
i personally (i am german, live in germany) am disappointed how bad the german movie business is but sometimes there are really good movies among all them and that's cool isn't it?
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Is this anything like Masaki Kobayashi's Human Condition (Ningen no Joken). Although that's an almost 10 hour epic from 1959. Part 3 has the main character, who's a Japanese soldier, captured by the Russians and put in a siberrian labour camp. He also has a wife who he's desperate to get back home to. Similar? Influenced? Not-at-all aknowledged? Has anyone seen both???
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I see from the IMDB that the mini-series is from 1959 also. Possibly no connection then since I don't think part 3 was released until 1960. Was there a sudden surge in popularity of films about Siberian Labour Camps at the time??
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I don't think the German mini-series from 1959 was influenced by the Kobayashi film (which I haven't seen). It's based on a book by Josef Martin Bauer (allegedly a true stroy about the real Clemens Forell) which was a bestseller at the time. The last German POWs had returned from Russian camps just a few years before, in 1955, after a visit of chancellor Adenauer in Moscow. So the subject matter was still fresh in the minds of many German families when the mini-series was aired, which is probably why it became the first huge success in the German TV-history. (TV still was in its infant stages here in the late fifties). That kind of success was soon coined with the term "road-sweeper", because the ratings were something like 80 to 90 percent, so that the streets were literally empty when the show was on.
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This site used to have dozens of stories a day now there are only a handful. I think that darkhorizons is the better site now. But I still like the opinions and reviews of the AICN staff. Just please less AICN comics(truthfully I've never read a comics story so I shouldn't bash them) and more movie news and reviews.
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My apologies to Marc and the crew of "Indefinitely." I misspelled your website where your short is located. It's www.chryslermdff.com - I think. Please post and corrct if I got it wrong. Thanks.
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i hope that the reviewer joked when he mentioned that hardy martins handles the material like david lean would have done. hahaha!! the truth is that he is not a very good director, just watch his first movie, cascadeur, and you will know what i mean, and this movie is no exception. why some people think that this is a good movie or even call it a masterpiece is beyond me. yes, it has high production values, but thats it. the main problem is not the director (because even bad directors can make good movies, like franz antel, an austrian director of trash movies, who did the excellent austrian ww2 film "der bockerer"), but the script. perhaps its unfair to compare the movie to the book, written by josef martin bauer, but they changed so many things for the film that, when i saw it, i wondered if the movie was really based on the book that i read. the relationships between the germans in the russian prisoner camp are not nearly as developed as in the book, we see people dying a quick dead in the movie, people that play important parts in clemens forells life in the camp in the book, but are not developed at all in the movie. the book also doesnt focus on a private revenge story between forell and the russian officer, as shown in the movie. there is an "action scene" on a raft in the movie that is not part of the book at all. on the other hand, many important things are left out, for example, how the gold destroys the community of the refugees. the dialogues were also flat. the movie doesnt hold a candle to other excellent german ww2 movies like "stalingrad", "das boot" or the underrated "der unhold" by volker schl
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Hi Guys,
Thanks very much for the kind words about *Indefinitely.* It means a lot that something I worked so hard on is being seen and connecting with people. If anybody wants to see it, it's viewable online now (as part of the Chrysler Million Dollar Film Festival), at www.chryslermdff.com. And if you want to vote for it there, it may help us go to Cannes in May. It will also be at the Aspen Shortsfest this Wednesday. The AICN review will certainly help us on our road to financing the feature. Again, many thanks!
Marc Pilvinsky -
i am not going to name names, but a good friend of mine (and producer/editor of one of the films in worldfest) attended worldfest this week and was treated awful by the festival director. he spend a lot of money to get there and was basically ignored and overlooked by the festival. his film also won an award there and he was still treated rudely. they wouldn't even give him a pass to see other films! from now on, let the truth be known that worldfest is nothing but a shabby wannabe sham festival.
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