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Quint reviews DEATH TO SMOOCHY and ONE HOUR PHOTO aka 'How Robin Williams Stopped Doing It By The Numbers And Ruled!'
Hey folks, Harry here... With these two films and the upcoming INSOMNIA we get Robin WIlliams back... We get glances of his potential from time to time in movies like WHAT DREAMS MAY COME and THE FISHER KING, but usually these moments pass to the mundane banality of 'harmless safe entertainment'. It pays the bills, but where is that dangerous comic that Robin Williams was? Well it seems he's back in Smoochy, and he's just plain scary in ONE HOUR PHOTO. Here's that crusty lovable hug-munch of a manly man... That's right the sailing satyr of the seven seas... QUINT...
Ahoy there, squirts. 'Tis I, the eggshell driving crusty ol' seaman, Quint, here with two big upcoming Robin Williams flicks, One Hour Photo and Death To Smoochy.
I saw One Hour Photo last week in Los Angeles while accompanying Harry on his book tour. You see, that redheaded ratbastard saw Episode 2, without inviting me... grumble... grumble... but because he saw the flick he spent most of his time in LA doing press. CNN, Entertainment Weekly, Access Hollywood... Don't get me wrong, I'm sure it was fun for him, but for me it was just him talking about how cool Episode 2 was... Well, honestly I was getting a bit jealous.
I ended up leaving Knowles to his interviews and spent a day out on the town. I can't tell you how I saw One Hour Photo, as I'd probably be getting someone in trouble, but I can say it came about due to a series of weird events that I could not have foreseen and I definitely wasn't expecting.
But I'm glad I saw the movie 'cause it kicked my ass pretty hard. The story is about a tragically lonely express photo employee named Sy, played with great restraint by Robin Williams, whose world is so void of love or even friendship that he starts to become obsessed with a regular customer and her family. There's a hole in his life that he's trying desperately to fill, so desperately that the line between fantasy and reality starts to blur. Through this family's photos, he starts setting up a fantasy life for himself, being part of the family, receiving the love that he so desperately needs. Of course to the family, he's just that kinda offbeat photo guy.
As the lines between reality and fantasy start to blur for Sy, it also blurs for us, the audience, as well. We start seeing Sy's daydreams, his nightmares and then get sucked back into reality with him as his boss (played by the best "Boss" actor around, Gary Cole who you may remember as Lumbergh from Office Space) interrupts his fantasy. We very much are dependent on this kinda creepy guy to get us through the film, which makes for a really great moviegoing experience because you don't know exactly what is next. I'm not going to ruin anything for you folks, but when you see the flick keep an eye out for Sy's nightmare... good jesus. Just thinking about it creeps me out.
Williams plays this role perfectly, striking the perfect balance between creepy and sympathetic. He doesn't once go over the top with his performance, yet you never get the sense that it's Robing Williams acting for the Academy. The subtlety of his creepiness is masterful. He plays the role perfectly giving what is undoubtedly one of the best performances of his life.
Connie Nelson (yeah, the cutie from Gladiator) is the unsuspecting customer and mother of the family Williams covets. She didn't blow me away with her performance, but she's not supposed to act circles around everyone in this film. She's supposed to be the average mother and wife and I never go the impression that she was anything else.
Director Mark Romanek impresses me to no end. I had only heard he was a music video director before seeing the film and I doubted the accuracy of that information after the film ended. There are no quick cuts, fancy strobe lighting effects, screwy camera angles or blaring music. The film has long, confident takes, terrifically orchestrated reveals and some great, focused framing. IMDB confirms his music video background, but you sure wouldn't think the film a product of someone who came from that school of storytelling.
I love films featuring deranged lead characters, like Hannibal Lecter, but flicks like Silence of the Lambs are grand, cinematic portrayals of the creepy and demented. One Hour Photo feels like real life. This is how I see someone like John Doe in Seven would come about in real life.
Now, to wrap up this review, the one question I was left with at the end of the film... Is Sy telling the truth or is he lying? You don't have any idea what I'm talking about now, but you'll be asking yourself the same thing when you do see the film. Romanek made a great move by leaving that question as the last thing in the film, ensuring discussion in the theater lobby or at a nearby restaurant as people for both sides debate endlessly. Great move.
Now to completely change gears and dive headfirst into Death To Smoochy. Now, the site has been flooded with Death to Smoochy reviews, so I'll try not to go off on tangents. Here's a very quick recap: Robin Williams plays Rainbow Randolph Smiley, the host of a huge kids show who isn't the nicest guy in the world and ends up getting arrested. As a result his show is canceled and given to Sheldon Mopes (played by Ed Norton) who is a squeaky clean up and comer with his character of Smoochy, a Barney-esque Rhino. Williams loses his money, his place in life and his mind and decides the only way to regain his spot at the top of the kiddie programming mountain is to knock Smoochy off his perch.
I haven't liked Robin Williams this much in ages. Now that's not to say his performance in Smoochy is as complex or perfect as One Hour Photo or What Dreams May Come, but in terms of the simple childhood joy of seeing Williams do his thing, playing a great comic character... well, Rainbow Randolph is tops. It felt like a return to his early standup days. He's hilarious, raunchy and energetic. If nothing else worked in this movie, it'd still be worth the ticket price to see Williams at the top of his game once more.
But lucky for us a lot more of the film works than just Robin Williams. Ed Norton is perfect as Smoochy and proves to be a talented comic singer/songwriter. I dare any of you out there to not chuckle during his performance of "Your Stepdad's Not Mean (He's Just Adjusting)." Catherine Keener can play a great bitch and she proves it yet again in this film. Danny DeVito plays a good sleaze ball agent and Vincent Schiavelli (aka the creepiest man alive... You might remember him as the Subway Ghost that teaches Patrick Swayze how to affect the real world in GHOST) is fantastic as the substance abusing former kiddie show host/assassin.
The greatest thing the film has going for it is the way the satire is laid out for us. You have the blatant spoofing of the Sid and Marty Krofft style show and the obvious comedy of Robin Williams and Ed Norton used to get each of their agendas across to the kids. In Williams case it was to sell Rainbow Randolph merchandise and in Norton's case it was to teach about the evils of sugar and unhealthy foods... like meat and salty pretzels. But with all that, there's a smarter, more subtle satire. For instance, the bad guys in the movie are charities and the the good guys are the mob. I spoke to a few people after the screening that didn't make that connection. Plus there are a whole lot of midgets in the movie. As everyone knows, midgets = comedy gold. I still hold that if a midget or a monkey is in your film it automatically adds at least one and a half stars to it.
Now, this film isn't perfect. I think it struggles to find its pace in the first 15 minutes or so, but when the film gets its footing it takes off like a bat outta hell. I also think Jon Stewart was kinda wasted in his small role. I know he's funnier than what he does in the movie. It might not have been DeVito's intention as a director to make Stewart's character humorous, but why have him in your film if you're not going to use him?
Those are two minor complaints. Overall, I would definitely recommend this film. Keep in mind this is kind of a culty flick. I loved it. All of my group loved it, but we were almost the only people in the theater laughing during the film. It might have been that we were in the press theater, which was a bit cold and stuffy, because the "public screening" theater had people walking out laughing and smiling.
I think Death To Smoochy will be remembered as the film that brought Robin Williams back from the mediocre dramas (Patch Adams anyone?) and bad slapstick (can we say Father's Day?). Just think... Five years ago Robin Williams would have chosen to play the clean, goodguy character of Sheldon Mopes instead of the seedy Rainbow Randolph. Death to Smoochy marks his return to edgy comedy, One Hour Photo marks his change of roles to subtly creepy and the upcoming Insomnia remake breaks him into the not so subtle creepy role. Where will he go from here? I for one hope he keeps taking the edgier roles and keep us, the audience, on our toes and guessing "What's next?"
That's it for me, squirts. You'll soon be drowning in a sea of Quint reports as I'm set to write up everything I've fallen behind on in the last few weeks. So keep yer eye's open for set visits, script reviews and even a few more movie reviews. 'Til that day, this is Quint bidding you all a fond farewell and adieu.
-Quint
I think Robin Williams Should Do A Mrs Doubtfire Movie Where She Gives Birth!!! That Would Rule!!!!
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I was still first! It has left me unfulfilled. Why do people do this?
Robin Williams... I hope he makes some kind of comeback. There was once a time when I'd be the first in line to see one of his films. Please, Robin, stop the embarrasment! -
late update eh?
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Makes me not want to watch the movie.
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Williams can be really good as well as really bad... He can go over the top, but with a good director he can nail it. Just hope Danny DeVito can strain him...
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My favorite Robin Williams movie is the one where he plays a non-conformist and attempts to buck the system from within. It doesn't work though and he gets dewy eyed at the end. I can't remember the title though. Can anyone help me out?
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Maybe, but praise for the overblown weepathon What Dreams May Come leaves me wondering.
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I could read this again in the morning and have a different opinion, because right now im stoned outta my gourd but Quint is the best writer AICN has ever seen. I almost want to write a raving review of his review. I hung on his every world and snickered when he made a humurous point.I nodded when I thought he had made a good point. All in all i think there is a wolf. That was easily the greatest review AICN has ever had. I mean, you look back, at say your average reviewer and then Quints stuff and what you got my friend is a mark of quality against the masses. A certainly doesnt brag though, Quint knows he has this skill over the masses but he doesnt tease us and taunt us in subtle undertones of the review. He never says "i am unattainable", no Quint, ever the elegant reviewer welcomes us. He shows us this skill over writing that seems somehow completly attainable. He instills passion and vigor to learn. in this case to learn the skill of writing but whatever. In closing Quints mastery over the written word stands alone, in this world of the blind Quint is the guy with one eye. And so, I thank you Quint.
-Yojimbo -
Midgets = comedy gold. Damn straight Mr Q, I couldn't have said it better myself.
Same with monkeys although films ABOUT monkeys are not usually funny. They are either scary (King Kong) or stupid (all of the others)
I still want a pet monkey. Not a pet midget, though, that's against basic human rights I think plus they would probably be able to kick my head in. -
So why should you expect us not to see through your blatant hucksterism this time?
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I hope that everything Quint said about the new Robin Williams flick is true. When given direction and a good role, there is nothing he can't do (think Awakenings, Dead Poets' Society and Good Will Hunting). I think The Fisher King wasn't that good because it was just R.W. doing his comical schtick without going much deeper. Robin Williams is a gifted man, and I hope he's done with his string of so-so movies and crap like Patch Adams.
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Mar 28, 2002 8:54:52 AM CST
BTW, what is with all these "uh, I can't reveal how I got to
by sanc_reunion
Please. Are the "people who might get in trouble" the AICN regular reviewers, who would get in trouble if everyone knew studios were feeding them films (and money, too, probably... and hot dogs in some cases)?
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Smoochy looks promising, if only for Edward Norton, who's presence alone warrants a look.
And as for all this AOTC mess. I don't think there was a "secret screening" of the film. The thing was so vague, which often times is excused since the reviewer is trying to 'not give away too much'. Maybe he saw it, maybe he didnt, but there was nothing in that AOTC article that hadn't be uttered by a few dozen star wars websites before.
I call shennanegans.
and Quint, you are one sexy bitch...
The Enemy -
News flash: Quint has the right to like Blade 2 even if you didn't. I like Blade 2. You don't. That's fine with me. There's no need to accuse someone of hucksterism when it's a question of taste. There's a fifty-fifty chance that I won't like Death to Smoochy or One Hour Photo. Whatever. If I don't like 'em, I don't like 'em. That's not Quint's fault.
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News flash: Quint has the right to like Blade 2 even if you didn't. I like Blade 2. You don't. That's fine with me. There's no need to accuse someone of hucksterism when it's a question of taste. There's a fifty-fifty chance that I won't like Death to Smoochy or One Hour Photo. Whatever. If I don't like 'em, I don't like 'em. That's not Quint's fault.
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News flash: Quint has the right to like Blade 2 even if you didn't. I like Blade 2. You don't. That's fine with me. There's no need to accuse someone of hucksterism when it's a question of taste. There's a fifty-fifty chance that I won't like Death to Smoochy or One Hour Photo. Whatever. If I don't like 'em, I don't like 'em. That's not Quint's fault.
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Is hucksterism even a word?
Anyway, this whole AICN kisses ass thing is a little blown out of proportion. I very much doubt Quint enjoyed Blade 2 because of an affinity for Del Toro. More than likely it was the blatant homosexual overtones that all vampire movies have.
Seriously thought, Blade 2 was not a bad film. Obviously audiences ate up its frantic, over the top, production values. I enjoyed myself but was hardly bowled over. See, as a writer, there's this thing caled a "story" and "dialogue" which I really enjoy. Now, were there a category for "best stoic mannerisms" in next year's Academy Awards, Blade 2 would be the blear winner, but i swear to Christ that the Blade 2 script must been have been 8 pages long (if a script even existed at all). All this praise being ushered to screenwriter David Goyer for writing a script that mirrors the best and worst of the quickly produced HK screenplays. How hard was it to write
FIGHT SCENE, FIGHT SCENE, Blade Talks, Whistler Talks, FIGHT SCENE, hot chick, FIGHT SCENE FIGHT SCENE...
Two words Goyer: "Character development"
One word for Del Toro: "Ritalin" -
These reviews are solid. More often then not I'm inclined to agree with Quint's judgement (which is not bad for a a kid a few years my junior). But Robin Williams? *sigh* Does it have to be Robin Williams? Suppose I'll die of curiousity unless I go see what all the fuss is about.
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What is this sudden praise of the shmaltz that is What Dreams May Come? Suddenly this is one of William's "good, non-cheese" movies? Um, no. I'm on board with Smoochy and One Hour Photo (I also love deranged lead characters), but RW hasn't really shown all that much as an actor. Sure, he's good in GWHunting, but not incredibly so; he's good in Moscow on the Hudson; he's offensively bad in Patch Adams, Jakob the Liar (who in their right mind chooses these films?), Bicentennial Man...He gets a bit more credit as an actor than he really deserves, if you ask me. He's good in Dead Again but his two big 80's flicks, that basically launched both his "serious actor" and "sentimental ass" careers, Dead Poets Society and Good Morning Vietnam, are both SEVERELY overrated. SEVERELY. I'm all for the guy being good in good movies, but he has yet to be truly great in anything, except MAYBE The Fisher King (probably, actually), and pretending that What Dreams May Come is a good example of his better work is a joke.
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Finally a website that appreciates the merits of the two essential M's in any movie. Midgets and monkeys, baby! Midgets and monkeys. Not Dwarfs and Monkeys..Midgets and monkeys. The only thing that would make a midget/monkey movie better is a midget rocking the Almighty MULLET. Better yet...the Midget AND Monkey are rocking mullets!!!
Oh, by the way, Robin Williams kicked all manner of ass in The Fisher King, Good Will Hunting, Good Morning Vietnam ,The World According to Garp, Awakenings, Dead Poet Society.....are you detecting a theme, the guys a killer actor. Long Live The Fisher King. Out. -
...for the monkey/midget observation. I couldn't agree more. I also think that creatures resembling midgets fit in this category (ie. the baby zombie in Dead Alive, Gremlins, Ghoulies, Munchie, etc.).
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Sweet Lord Jesus... the solid acting of What Dreams May Come? That was one of the worst acting performances I've ever seen in my life. He scrunches up his face like a little girl on the verge of tears for the ENTIRE movie. I've never hated Robin Williams more than after seeing that. Melodramatic, non-emotional CRAP! That cheesy music in the background, that god damn dog, Cuba Gooding Jr. on the verge of Chill Factor... need I say more? Anyone, ANYONE who has any respect for this movie loses my interest in what they have to say about cinema. The Fisher King, sure, that's good. But come on, man... tighten up.
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Bet you'd love that Quint.
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Mar 28, 2002 1:29:23 PM CST
"We get glances of his potential from time to time in movies lik
by iamlegolas
WTF??? Terry Gilliam's THE FISHER KING is 'harmless safe entertainment'? How dare you! That was Robin's best performance, by the way. A perfect blend of his dramatic acting with his maniac comedy side as well. May I ask what movie you thought Robin was better in? I'd really like to know.
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Mar 28, 2002 2:12:14 PM CST
Let's Not Forget The Midget's Patron Saint In Hollywood:
by buzz maverik
George is down with the little people, as the kids would say ten or 15 years ago when kids said shit like that. Look for AMERICAN GRAFFITI SPECIAL EDITION in which George has inserted CGI midgets running on treadmills under the hood of Harrison Fords and Paul Le Mat's cars. George never met a midget he didn't cast. When George read the screenplay for HOWARD THE DUCK and realized how bad it was, he scrapped the fairly lifelike animatronic duck they had and stuck in a midget in a duck suit.
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neeeeeed you to kinda come in on Sunday, yeeeeeah that'd be greaaat." Bill Lombard!!! Yes! I totally agree, never been a better "boss type". He's about as good as that as William Atherton is at being a sniveling cocksucker (think Real Genius, Die Hard). But Quint, I'm real sorry, but your praise for Robin lost some steam when you equated his performance in One Hour Photo with the COMPLETELY BANAL "What Dreams May Come". My opinion, but that movie Sizzucked and so did Williams.
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I got to see a screening of this movie last nite and enjoyed the hell out of it! My only beef is that some of the gags rolled in too close together at times, and the audience hadn't recovered sufficiently to appreciate the next punchline. This film was good subversive fun, and Quint's review is spot on. Do yourself a favor and give it a chance. I was skeptical because of RW, and was interested because of Norton. Norton was excellent as always, but Quint has it right-- the old RW is back. Maybe he's back on the pipe, or maybe he put himself through a Mork and Mindy marathon, but he is back! AD out
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I was talking about DEATH TO SMOOCHY. I've still got the giggles 16 hours later. AD out
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WOW!!! So good to read such a great OHP review on AICN. Good job
Quint. I just saw OHP for the second time last night, and am still in awe of this film! What more can I say about Robin Williams's most brilliant performance since Toys? A guy who philosophizes over episodes of the Simpsons and collects Neon Genesis Evangelion action figures...and who has a malankey bit of a Francis Dollarhyde complex. Between Mark Romanek's visual style, William's performance, and Trent Reznor's score...OHP is my lock on best film of the year. And while some might not say it on here, a neat tool has been created to hype this movie up the way it deserves...the magical world of newsgroup advanced vcd postings.
All I gotta say is, with shades of Kubrick, Korine, and a pinch of Red Dragon... Mark Romanek has crafted one of the most important
and bravest films in recent times.
And luckily for us, theres not one but 3 Robin Williams psycho films this year!
:: rivetbadtz ::/c0d3 1989 :: -
Mar 28, 2002 3:49:51 PM CST
I think we all WANT to love Williams, its just he's been doi
by tall_boy
I can't wait to see Death to Smoochy (more for Ed Norton than Robin Williams: but basically, I think the plot just sounds really cool), so I hope this is a return to form for him
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Get the FREAKING Internet User Survey off your site. STOP taking their money. You know the one I mean. It appears on your screen, moves slowly to the top, and, if you're not fast enough to close it before it gets there, installs itself with the close box hidden and always focused. Yes I know it's easy to get rid of through other means. That's not the POINT. The POINT is, I want to be in control of my own computer. Stop taking such offensive, obtrusive, privacy-invading ads. PLEASE.
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Does anyone else find it amusing that Quint questions music video directors and then praises Seven?
Fincher was a music video director, once upon a time, even for *gasp* Paula Abdul. And he makes a pretty good Hollywood director despite this... -
Mar 28, 2002 5:50:57 PM CST
Sorry, but I was not impressed with "Smoochy". I saw a free scre
by munchinsonton
....I'm glad it was free. Very basic, poor storyline. Watching Robin Williams 'go off' and curse up a storm is funny, if you are 9. Here....here are the funniest two lines in the movie. Number One: "It's a cock and balls! Are you blind?!". Number Two: "Ow! My balls!". There. Now you don't have to see it. Munch!
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That's all I have to say about Smoochy. The Simpsons covered ground like this quite a few years ago. One Hour Photo sounds interesting, though I fail to see how the fine as hell Connie Nielsen could ever be an "average" American mom.
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Mar 28, 2002 7:01:11 PM CST
BLADE 2 WAS COOL!!!! Go See It Again, If You Haven't Already
by the founder
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nice review and all, but anytime phrases like '"Patch Adams", anyone?' or 'Can we say "Fathers Day"?' are used, it makes me cringe. Its like fingernails down a blackboard, a dentist drill in your ear, rubbing your knuckles on a cheese grater, the phrase 'don't go there'. A chilling, blood freezing cringe. Please refrain from using it. PEACE
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When it was called "Manhunter." Does the Robin Williams character in "1 Hour Photo" remind anyone of Frances Dolarhyde? I wonder if Thomas Harris is getting a royalty.
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mindy - my man is not gay. End of story. John - he hates Friends and most actors associated with it.
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Damn right... it's just the boy's opinions. You can make your own opinions on the films based on the general reaction to them, plus what regular information is available out there. Who knows... maybe he and the others he was with were the only people in the whole audience of both screenings enjoying the movies at all. You run that risk by depending on one man's opinion and figuring whether or not you'll see a film based on that alone. I find, more often than not, that Quint's opinion is honest and straightforward, which I appreciate more than anything. He doesn't go on 7-paragraph long rants about his philosophy of film... just a few sentences, maybe a paragraph, and that's all. He tells how he enjoyed or didn't enjoy. Fuck grammer or using a spectrum of vocabulary or any of that bullshit that you were told in school by your conformist-rearing teacher makes a "good" writer. He's honest and sincere and not full of himself, and that's the best kind of reviewer I can ask for. Keep up the great work, Q.
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I'm a damn huge Gilliam whore, and even I have to admit that Fisher King wasn't that great. I usually skip over it and go back to the Dreamer's Life Trilogy or Fear & Loathing and 12 Monkeys (see! Monkeys!) or the Python stuff. But, nonetheless, the man is a god among directors. I just count Fisher King as a misstep in material. P.S. - way to go Gimli
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Mar 29, 2002 1:04:38 AM CST
I got a handjob from Connie Nielson in the back seat of her Jagu
by tv`snick
Well, either me or Max Fischer.
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Saw "Death to Smoochy" on Monday and although I was quite excited to see it. I left me flat. The main problems were with the script which just didn't hit the right notes. There were so many missed opportunities and so many scenes that were a mess. Sure, there are some good ideas and a few laughs, but overall, it's a mess. The performances are all fine (especially Michael Rispoli as Spinner), but the movie just runs out of steam, loses its edge and falls apart less than halfway in. I wanna compare this movie with "Showtime" which is a more enjoyable movie because it's structured nicely and hits all the right notes. A lot of the dialogue may not work but it feels like a "real" movie. notes. "Smoochy" wanders around aimlessly and is very uneven. I'm very excited to see "One Hour Photo" though. Does anyone know when it's coming out? BTW, I also saw "Panic Room". Hate to tell you guys this, but it, too, is disappointing. "Panic Room" has some serious problems with the screenplay. One particular scene features two cops asking Jodie Foster if everything's okay in the house. The scene is completely ridiculous and totally unbelievable. The screenplay is frustrating in that the story keeps going places where you don't want it to go. The best ideas are left unexplored. The ending is weak too. I expected more from David Fincher, a truly groundbreaking filmmaker. This movie breaks no new ground and feels familiar like we've seen it before. This movie feels more like it was made by the writer David Koepp, who directed "The Trigger Effect" and "Stir of Echoes" both of which, I think, are on the same level as "Panic Room" in terms of story, direction and style.
BTW, "Blade 2" was great, but not quite as good as the original in terms of look, style and opening scene. Maybe a bit too much CGI. Is it just me or was the CGI much better 6 years ago in, say, "Starship Troopers" (best CGI effects ever, in my opinion)? "Blade 2" script had more problems (i.e. UV grenades, bone covering heart of reapers) but the action scenes are much better. Missed that techno music though. Also, "E.T" is crap, "Resident Evil" was pretty good and "Memento" was the best film of 2001!!! And remember...when life gives you potatoes, make potato salad. When life gives you shit, make shit salad.
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Yeah What's up with this quint dude anyways, first he likes Young John Connor'z cock now this crap. Wwaz up with him anywaysz?
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Oh yeah, I forgot the reason I wanted to talk back in the first place. Robin Williams is a fine actor capable of so much. His best work was in "Awakenings", "Good Will Hunting", "Good Morning Vietnam", "World According to Garp" "The Fisher King" and, yes, "Mrs. Doubtfire". He's best when he's not trying too hard. His most embarrassing performances (as well as really bad movies) include "Patch Adams", "Bicentennial Man", "Flubber", "Father's Day", "Jack", "Popeye", "Hook", "Toys", "Popeye", "Jumanji" and, yes, the overrated "Dead Poets Society". Personally, I'm extremely glad that he's beginning to play more serious and unlikeable characters. Although I was disappointed with "Death to Smoochy", I'm pretty sure Williams will make up for it with "One Hour Photo" and "Insomnia".
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What the hell? Popeye bad? When I was a kid my brothers and I rented this movie and watched like 10 times in a day. It was the greatest movie ever made! Come to think of it, though, I used to like Scooby Doo cartoons, too. Man, those suck. Love those big balloon arms on RW, though.
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