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Elston Gunn's WEEKLY RECAP

Published at:  Sep 09, 2001 12:20:59 AM CDT

Ol' Father Geek here with one more of Elston's fantastic regular WEEKLY RECAP columns. As usual this ones chock full of the confirmed, essential news out of Hollywood during last week. Just perfect for your Sunday morning catchup reading while you sip that hot cup of Java and savor the taste of your favorite breakfast munchie, check it all out below...

Now here's Elston Gunn and...








TAKEN FROM HOLLYWOOD REPORTER AND VARIETY


CASTING

* Marc Blucas ("Buffy the Vampire Slayer") and Henry Thomas will star in I
CAPTURE THE CASTLE for director Tim Fywell. The period romance, based on a
1940s novel, follows two rich and dashing Americans who cause romantic
turmoil for the young daughters of a broke upper-crust English family living
in an old castle. Rose Byrne, Romola Garai and Bill Nighy also star.
Shooting begins Sept. 24. Tim Fywell will direct.

* Joaquin Phoenix will replace Mark Ruffalo, who was forced out of the
project due to an ear operation, in the SIGNS for director M. Night
Shyamalan. Mel Gibson stars in the pic which begins shooting in October.

* Kate Beckinsale ("Pearl Harbor") is in talks to join Frances McDormand and
Christian Bale in Lisa Cholodenko's LAUREL CANYON.

* Marisa Tomei, Ron Eldard, Kyra Sedgwick, Marley Shelton, Taye Diggs,
Sarita Choudhury, Zoe Caldwell and Patrick Breen star in JUST A KISS for
director Fisher Stevens and Paramount Classics. The live-action/animated
pic, written by actor Breen, follows a group of thirtysomethings having
problems with fidelity who get an opportunity to go back in time for a bit.

* Mike Myers will star in AUSTIN POWERS: GOLDMEMBER, the third installment
of New Line's popular spy comedy franchise, for director Jay Roach.
Shooting begins in November for a July 26 release date. Myers and Michael
McCullers wrote the script which will feature the actor in four roles:
Powers, Dr, Evil, Fat Bastard and new villain Goldmember. Verne Troyer is
in talks to return as Mini-Me and the studio is planning to have Seth Green,
Robert Wagner and Rob Lowe reprise their roles from the series. Heather
Graham's involvement is up in the air, but a new love interest will be
introduced.

* Julia Stiles will star opposite Jason Lee in the romantic comedy A GUY
THING for MGM and director Chris Koch (SNOW DAY). It's about a guy who
wakes up the morning after his bachelor party with an unknown woman in his
bed. Scared that he may have cheated on his would-be bride, he tries to
cover up his the incident. Shooting is slated to begin in mid-November.

* LL Cool J is in talks to star in the action/thriller MINDHUNTERS for
director Renny Harlin and Intermedia. Production begins in November in the
Netherlands.

* Meg Ryan will star in Paramount's AGAINST THE ROPES, a biopic on the life
of female boxing manager Jackie Kallen, for director Charles S. Dutton. The
project is expected to begin in mid-November. Cheryl Edwards (SAVE THE LAST
DANCE) wrote the screenplay centering on Kallen, who has guided the careers
of several boxers and is now the commissioner of the International Female
Boxers Assn.

* Greg Kinnear will play late "Hogan's Heroes" star Bob Crane in AUTOFOCUS,
a feature about the comic actor's murder, for director Paul Schrader and
Propaganda Films. Willem Dafoe will co-star in the project, which is based
on the book THE MURDER OF BOB CRANE by Robert Graysmith. Production begins
at the end of November.

* Chaney Kley and Emma Caulfield ("Buffy the Vampire Slayer") will star in
the horror pic DON'T PEEK, which starts shooting in November in Australia
with Jonathan Liebesman directing. It's about a young man believed to be
crazy by the townspeople, except for his childhood sweetheart and her little
brother. The man is the only thing standing between a legendary evil and
the young boy.

* Rhona Mitra ("Gideon's Crossing") is in negotiations to star in both THE
LIFE OF DAVID GALE for Universal/Intermedia as well as SWEET HOME ALABAMA,
starring Reese Witherspoon.


DIRECTOR/WRITER ATTACHMENTS

* David Mamet is currently writing a script for which he hopes Jude Law will
star with his wife Rebecca Pidgeon. He described the project as a "
turn-of-the-century melodramatic thriller."

* Writer John Grisham and director Hugh Wilson have completed the film
MICKEY and are preparing to develop SKIPPING CHRISTMAS, a holiday comedy.
Hopes are for that film to be released Christmas 2002. The two may also
work on THE BRETHREN.

* Top Cow has picked up the sci-fi action pitch FALLEN ANGEL by William
Zide. It's about an archangel who has been cast out of heaven for starting
a rebellion and tries to redeem himself with good works on earth.

* Playwright/screenwriter Doug Wright will adapt the Donald E. Westlake
comedic crime novel BAD NEWS for director Milos Forman. The novel focuses
on a professional thief facing a mid-life crisis who gets dragged into a
grave-robbing and reburial scam to gain control of a Native American casino.
Forman will direct the pic for Phoenix Pictures.

* Bruce Leddy ("Mad TV") will make direct an untitled action spoof written
by Tad Safran for Summit Entertainment.

* Michael Cimino will next year shoot MAN'S FATE, based on French author
Andrew Malraux's 1933 novel LA CONDITION HUMAINE (THE HUMAN CONDITION).a
drama set in Shanghai against the backdrop of the Chinese revolution. The
film, set against the backdrop of the Chinese revolution, will shoot
entirely on location in Shanghai.

* Reggie Rock Bythewood (GET ON THE BUS) is in talks to direct BIKER BOYZ,
based on a New Times article of the same name by Michael Gougis, about a
father and son relationship set in the California biker culture.

* Steve Carr (DR. DOLITTLE 2) is in talks to direct the comedy BALLS OF FURY
for Disney/Spyglass Entertainment. Tom Lennon and Ben Garant wrote the
script ping-pong comedy loosely inspired by the 1973 Bruce Lee pic ENTER THE
DRAGON.

* Fox Searchlight has picked up the feature comedy script NUMBER 1 WITH A
BULLET with Tracy Morgan ("Saturday Night Live") attached to star. Kevin
Heffernan, Steve Lemme and Paul Soter (part of the Broken Lizard comedy
troupe) wrote the script about a hip-hop artist who realizes that his 15
minutes of fame are almost up when his follow-up album doesn't sell. He
decides to fake his death in an effort to find posthumous success and stay
in the limelight but then must deal with an aftermath that he didn't forsee.

* Artists Production Group/Studio Canal grabbed writer Brian Carr's untitled
supernatural thriller spec script about a female New York investment banker
and media darling known for her knack at picking stocks. When she becomes
the target of a killer, the woman begins to experience visions of a badly
deformed apparition that may or may not be trying to tell her something.

* Montecito Picture Co. have picked up Casey McCabe's script RAISED ON
ROBBERY, described as ERIN BROCKOVICH meets THE STING.

* Oliver Stone is in negotiations to make a movie about the 1984 chemical
gas leak disaster in India which killed over 22,000 people, based on French
author Dominique Lapierre's book IT WAS FIVE PAST MIDNIGHT IN BHOPAL.

* Paramount has tapped Art Monterastelli to adapt Tom Clancy's novel RAINBOW
SIX, which focuses on John Clark, the mercenary who showed up in CLEAR AND
PRESENT DANGER.

* George Hickenlooper (THE MAN OF ELYSIAN FIELDS) will direct A WOMAN OF NO
IMPORTANCE, which fuses to Oscar Wilde short stories and his play; and
VULTURES, about a young photographer in a dillema, as part of a two-picture
deal with producers Donald Zuckerman and Andrew Pfeffer.

* William Friedkin will produce and direct a Howard Hughes project based on
Richard Hack's nonfiction book HUGHES: THE PRIVATE DIARIES, MEMOS AND
LETTERS: THE DEFINITIVE BIOGRAPHY OF THE FIRST AMERICAN BILLIONAIRE.

* Writer/director Nancy Meyers (WHAT WOMEN WANT) will direct an untitled
comedy she is scripting for Sony Pictures Entertainment. She describes the
project as "a multicharacter, multigenerational piece about falling in
love."

* Intermedia Films has purchased the buddy action comedy script CRACKERJACK
written by Ari Steinbeck and Jeff Gutheim. It's about a suave British card
sharp working the tables in Vegas who teams up with African American
security pro to pull off one of the biggest scams the city has ever seen.

* James Wong and Glen Morgan will to write, direct and produce a remake of
the 1973 TV movie "Don't Be Afraid of the Dark" for Dimension Films. Morgan
has also written a remake of the 1971 film
WILLARD for which he will make his directorial debut for New Line. It's
about a socially persecuted young man who exacts revenge on his co-workers
with a bloodthirsty rat. DARK will begin production after WILLARD.

* Joel Schumacher is in talks to direct Intermedia Films' SLEEPWALKER, an
English-language remake of the Swedish/Norwegian thriller about a man whose
wife and children disappear in the middle of the night. The man's normal
day-to-day existence is called into question as clues start to appear that
he may be sleepwalking and leading a double life and might have committed a
horrible crime. Nicholas Kazan penned the English version. Production is
planned for a spring start.


MISCELLANEOUS PRODUCTION TIDBITS

* James Cameron's Lightstorm Entertainment will develop a live-action
feature of FATHOM, based on the bestselling comic book from Top Cow Prods
and creator/illustrator Michael Turner. It centers on a beautiful young
girl who is found on an abandoned yacht with no memory of her past. As she
matures, she becomes an Olympic swimmer and a marine biologist. She later
discovers not only a mysterious underwater race but her own water-based
powers.

* DreamWorks has picked up the remake rights to the 1956 science-fiction
film FORBIDDEN PLANET about space travelers in 2020 who find that all is not
well as they happen upon a doctor and his daughter, who are the sole
survivors of a previous attempt to colonize a planet.

* Chorion has nabbed the worldwide rights to the works of French author
George Simenon, which includes 75 novels featuring the character Inspector
Maigret.


Not much to add. Quick GUNN SHOT, however, I received an email a few days
ago from a chap who said you can find an interesting Victor Salva interview
here: www.jigsawlounge.co.uk/film/salvaview.html Enjoy.


Until next week...

Elston Gunn

elstongunn@hotmail.com



    + Expand All

    Readers Talkback

  • Sep 09, 2001 1:37:01 AM CDT

    LL Cool J "a multicharacter, multigenerational piece about falli

    by regis travolta

    Memo to Nancy Meyers: You must put LL Cool J in your new movie. He's the coolest! You need cool my dear. LL Cool J knows what's cool and he also knows what women really want. Here's a hint: Size does matter. Also if I were 13 I'd be dating your gorgeous daughter. She's got her mother's great looks. Give 'em hell Nancy!

    Reply to Talkback

  • Sep 09, 2001 2:24:17 AM CDT

    Top Cow pimping themselves out it seems...

    by rant_man

    I just hope they do better than the fucking "Witchblade" tv series. But nothing else really grabbed my attention...Fallen Angel sounds about the coolest. And another thing, I'm fucking tired of Tom Clancy! I thought "Patriot Games", and "Clear, and Present Danger" were fucking boring. "The Hunt for Red October" was decent. Why don't the studios do things more in vein of the classic spy movies?!! And Biker Boyz? I hate putting Z's in the titles where they don't belong (Boyz in the Hood aside).

    Reply to Talkback

  • Sep 09, 2001 8:31:46 AM CDT

    Thank goodness. Jason Lee in a starting role. BTW, Fathom bett

    by silentbob x

    You don't think anyone will watch
    Fathom for its plot, do you?? That's like watching the Pam video
    for the production value. And I'm glad that Jason Lee is finally
    getting some work outside the ViewAskewniverse. I like him and
    hope the best for him. Snoogans.

    Reply to Talkback

  • Sep 09, 2001 8:36:39 AM CDT

    Mike Myers.

    by bearison ford

    isnt austin powers a little too overexposed to do another sequel to? i thought the first one was very clever and funny at times, but anything i liked about it was immediately trashed when i saw the sequel, which took everything way over the top and resorted to cliched awful dick/fart jokes. this is normally fine, but i just didnt think it was funny and lost all the charm of the original. anyway if he's doing another sequel, why not throw something more fresh into the mix? i dont want to see minime or fat bastard again. i'm really surprised mike myers hasnt moved past this shit and gone on to make some real classic comedies, him being a big fan of peter sellers, et al.

    Reply to Talkback

  • Sep 09, 2001 8:45:21 AM CDT

    Bug on Willard and the state of horror today

    by ambush bug

    When will Hollywood quit remaking classic horror movies and try to make something new for a change. Look at the last couple of remakes. House on Haunted Hill...dogshit. The Haunting....muleshit. Psycho...giant mutant elephant shit. 13 Ghosts looks like much of the same. Now they are going to try to remake one of my favorite films from childhood. Willard. I remember watching that on TV when I was 7. It was a haunting, tragic tale about a shy boy who could talk to rats. They'll probably snag Freddie Prinze Jr. for the role and the whole thing will be cheesier than rat shit. Final Destination had its moments. At least it was an original story. But c'mon. Enough with the remakes. The best horror in the last few years have been original, well thoought out fright fests. The Sixth Sense, Blair WItch Project, The Others. These films may have swiped elements from other movies, but they aren't remakes. Why not put the money going to Willard into cleaning up the original movie and putting it into a great DVD? The horror industry is hurting when sub-par films like Jeepers Creepers are getting accolades and praise. I went to that flick after hearing all of the hype expecting a Chainsaw Massacre like experience and came out cursing hollywood for sucking horror dry of all originality and energy. Sure the film had some tense moments, but it suffered like most monster movies suffer, once the monster was shown it was a big letdown. And I am all for ambiguity in films, but things happened through the entire film that were not explained at all. Why 23 years? Why was the monster after the boy? Why didn't the psychic lady take a few acting classes? Horror classics like Texas Chainsaw Massacre and Nightmare of Elm Street kept us guessing, but there was a little backstory and reason thrown in there for the audience to follow. And the future of horror doesn't look too great. I just saw the Bones preview before Ghosts of Mars last night and could barely hold back my laughter. We need Barker to stop tooling around with fantasy cartoons and books and write a balls out scary grue fest. We need Raimi and Peter JAckson to bring us an over the top good ol blood and guts romp. We need Wes Craven to quit pandering to the teeny bopper generation and make adult horror like when he started out. Hell, I'll even take a serious horror flick from Cunningham or Carpenter (by the way, Carpenter is the only horror director I have the least respect for. Say what you will about his films, but at least he is still chucking out his own type of horror and not sold out with a story about a violin or something.) The horror renaissance of the 80's is long dead. There needs to be a new crop of classics, not just a shiny diamond every now and then like the Others in a pile of shit year including 13 Ghosts and Jeepers.

    Reply to Talkback

  • Sep 09, 2001 9:36:17 AM CDT

    REMAKE REMAKE REMAKE! Get your remakes here!

    by iamlegolas

    *weeps softly*

    Reply to Talkback

  • Sep 09, 2001 12:05:59 PM CDT

    Calling all hot seductresses!!!!

    by chthonico

    Your mission, if you choose to accept it, is to seduce David Mamet so he will finally ditch that annoying, grating wife of his, Rebecca Pidgeon. If she was in any way talented you would probably see her in films directed by other people, but she seems to be making a career out of ruining her husband's films. Not since Theresa Russell has someone so effectively milked a marriage for work despite such an obvious lack of charm, screen presence, acting skill, ect. I did drama competitions in high school and Pidgeon always struck me as being like that snotty girl from English class who has a rep as a good actress, but when you see her perform, she overplays everything with a cloying smugness suggesting that she really must have a distorted opinion of her obvious (non)talent.

    Reply to Talkback

  • Sep 09, 2001 12:31:37 PM CDT

    Gee whiz, y'all...

    by huneybee

    I thought I would find eveyone having fun with the Balls of Fury concept. You disappoint me. I would do it but I'm still on my first cup of coffee and there are easier targets. (Note: check back later)____I tuned out on the whole David Mamet is writing a script thing when I reached the word "wife". Bright red lights began flashing and the sirens seem to have left me partially deaf in one ear. If my hearing isn't restored soon I may have to go to the emergency room.____Bee

    Reply to Talkback

  • And, for the love of God, Forbidden Planet doesn't NEED to be remade! May those who are plotting this travesty be devoured by the Monsters from the Id.

    Reply to Talkback

  • Sep 09, 2001 2:11:22 PM CDT

    Odd title choice

    by shake djibouti

    Will DISNEY actually release a
    flick with the title 'BALLS of Fury"? Sounds like the porno version of 'Fists of Fury".

    Reply to Talkback

  • Sep 09, 2001 4:55:47 PM CDT

    Fathom...

    by snyd

    IF this movie gets made I hope they have the good sense to cast Denise Richards. I thought she had the perfect look for Lara Croft, but she will due fine for Fathom. As it was pointed out the focus would be T & A and she looks awefully good wet...

    Reply to Talkback

  • Sep 10, 2001 12:51:12 PM CDT

    From Elston Gunn: CORRECTION

    by elston gunn

    Just got word that Oliver Stone is NOT in negotiations to direct a film based on the novel by Lapierre. His camp has nary a clue why that rumor was started and why it hit the trades.

    Reply to Talkback

  • Sep 10, 2001 2:11:55 PM CDT

    Give Morgan and Wong a chance

    by holidill

  • Sep 10, 2001 2:14:15 PM CDT

    Give Morgan And Wong a chance

    by holidill

    These two guys are responsible for the best season of Millenium ever, some of the whack-ass episodes of the X-Files, the upcoming awesome sounding The One and the underrated Space: Above and Beyond. I admit remakes suck ass, but these two guys are smart and worth the chance!

    Reply to Talkback

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