Published at: Sept. 6, 2000, 4:23 p.m. CST by staff
And on the Seventh day we did not rest... We
continued to watch as Quentin introduced from his
pulpit here at the cinematic chapel known as the
Alamo Drafthouse.
This days sermon would be upon SPAGHETTI
WESTERNS. That’s right, Italian six-shooter
flicks... The stomping grounds of Sergio Leone, Lee
Van Cleef and Clint Eastwood... But ya know what
folks... The Spaghetti Western was more than just
that.
There were more players. Heck, it wasn’t even the
sole domain of Ennio Morricone... though he did rule.
Beyond the Leone pasta pistolero flicks, you might be
familiar with the Terence Hill TRINITY movies.
Before the film began... before Quentin took the
stage, he told my father that this first movie was kinda
like Trinity... My father grimaced (he does this often),
and Quentin responded with... “well, it isn’t quite
Trinity either.”
When I next saw Dad he had the fear of subpar
Trinity in his noggin.
Quentin took the stage and didn’t really go on too
long this time out. He reminded us of Giuliano
Gemma, who was fantastic in THE MASTER’S
TOUCH earlier in the fest, and how Giuliano was one
of the players, one of the stars in the world of
Spaghetti Westerns. He said if we like this film, we
should definitely check out A PISTOL FOR RINGO
and I believe the other title was THE RETURN OF
RINGO. Though... I have to say, looking at
Giuliano’s filmography I was intrigued by a title...
KISS KISS...BANG BANG. I just like the title...
And after seeing Giuliano Gemma in two films... I
know damn well I’d give it a chance.
Before the film began ran a whole slew of Spaghetti
Western Trailers... and folks... the trailers for the
Sergio Leone films... they just get the blood boiling.
FOR A FEW DOLLARS MORE and THE GOOD,
THE BAD AND THE UGLY... I mean, Morricone’s
music... Leone’s utterly badass shot selection and the
sound of the guns... that sound just pierces right
through ya. By the end of the trailers... the audience
was already in a whooping and hollerin’ sort of mode.
They wanted a good Spaghetti Western, and Arizona
Colt was that Western.
First off, Guiliana Gemma is a damn STAR in the
film. He comes across with sooooo much charisma
that you just can’t believe it. He isn’t as gag driven
as say... Terrence Hill, but at the same time he isn’t
as stoic as Eastwood. Instead he falls right smack dab
in the middle.
It is known to us that he’s a crack shot through some
bullet ballet work he engages in, we also know that
he’s a god of card cheating. BUT what I love...
LOVE LOVE LOOOOOVE about his character of
Arizona Colt is the fact that he’s got the best hero
scam going in the biz.
You see, he stays completely hands off... let’s bad
shit happen to good people. He picks this girl that
likes to keep her legs crossed... targets her as his
conquest. He tries flirting with her... but those knees
are tied with hogwire, they are not coming apart.
Tragedy strikes... she’ll want revenge... he offers his
services for hire... the price? A ton of money... PLUS
a night in the sack with Ms Prude. And he does this
very publicly. EVERYONE IN TOWN KNOWS.
So as he is off on his mission, the town is buzzing
about the impending price tag for his deed. And how
he handles it at the end... PRICELESS. He’s just a
wonderful bastard of a man. I soooooooo could see
George Clooney pulling this type of role off. In a
way, OUT OF SIGHT had a tad of this kinda feel... in
terms of his lead character.
BUT then there was even more fun to be had. You
see there’s this one character called WHISKY, he’s
supposed to be the old drunk cook fella (aren’t all old
cooks... also drunks?) for a gang of ruffians and
bandits. He takes a liking to ol Arizona. BUT MY
FAVE DETAIL to his character is the fact he has like
30 canteens on him filled with a highly explosive
alcoholic beverage... with fuse corks in place just in
case he has to kick ass. He uses the strap to fling the
ignited canteens and... folks... It is just cool.
And then you have my favorite coincidence of the
entire festival. The bad guy in ARIZONA COLT
looks exactly like THE DUDE, Jeff Dowd...
legendary walker of the Earth.... El Gordo as played
by Fernando Sancho... just reminds me of The Dude
for some reason.
This is a very very entertaining Spaghetti Western.
Up next was THEY CALL ME HALLELUJAH, and
this is everything that WILD WILD WEST could
have been had their been one brain in that production.
I really don’t want to spoil to much about this film....
it is really something that you should just... track
down. But I will say this.... When you see the nun
straddling a telephone pole, pulling a telegraph
device out of her garter belt.... When you see the
Russian Imperial Guard on special mission in Mexico
do his tradition Russian Dance of Doom.... When
you see the coolest sewing machine in history.... and
lastly when you see 30 men with bowel problems...
You’ll realize this isn’t your typical film. This is
something entirely different and surreal and cool as
hell.
It plays like EL TOPO meeting up with DANGER
DIABOLIK meeting up with the television show of
WILD WILD WEST. VERY STRANGE. A must
see for lovers of bizarre cinema.
The next night was BIG PIMPIN FRIDAY... Oh
yeah baby...