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AICN COMICS NEWS: SHOOT THE MESSENGER - @$$HOLES ABROAD at the 2006 WIZARDWORLD CHICAGO COMIC CON!!!

@@@@ WIZARDWORLD CHICAGO 2006 @$$holes Abroad Comic Con Report!!! @@@@


This just in…
(Click title to go directly to the article)

An Intro from Ambush Bug
13th ANNUAL WIZARDWORLD FAN AWARDS
Bug’s Schwag Bag
News from Marvel
Humphrey Lee’s Report
News from DC
Bug reviews the ULTIMATE AVENGERS 2 DVD
In other news…
Sleazy G’s Report
Final thoughts


Hey folks, Ambush Bug here. Sometimes the @$$holes shove themselves away from their computers, put on some clothes, and venture out into the bright sunlight to get a look see at what’s going on in the world of comics. Welcome, Faithful Talkbackers, to another edition of SHOOT THE MESSENGER: @$$HOLES ABROAD!

It’s comic book convention season again, when the publishing companies go into overdrive pimping out the next hot comic, the pros come out to hobnob with the fans, and the fans line up to meet the folks who bring their four colored (and sometimes B&W) heroes to life. @$$holes Sleazy G, Humphrey Lee, and myself were fortunate enough to attend the 10th Annual WIZARDWORLD CHICAGO COMIC BOOK CONVENTION in the Donald E. Stephens Convention Center in Rosemont, IL. We were present all three days, soaking in the sights, sounds, and smells that usually accompany these types of gatherings. Many a fanboy took iron to their best T-shirt to attend this mega-event. According to Wizard, this year’s con set a record attendance at 58,000 Wizardworlders. And some of them were chicks!!!

I wanted to start off with an apology. Due to some computer problems, this report was delayed. We know some of this stuff has already circulated on the internet. Hell, some of the shit was immediately broadcast as soon as it passed from the guests’ lips. In the past, the experience has always taken precedence over the news and this year is no different. Sleazy, Humphrey and I all had different experiences at the con and this report will not only sprinkle out the various bits of news that surfaced from the panels and the floor, but it will also serve as an experiential so you too can feel what the whole thing was like. Plenty of sites around that can parrot back bullet points and news bites, but as always, we like to do things a little different here at AICN Comics and we never have been very good at spoon-feeding, y’know?

The con also sported a nice roster of comic book pros as well as actors and actresses from various films and television shows from today and yesteryear. Writers like Keith Giffen, Paul Jenkins, Geoff Johns, and Jeph Loeb were there. Artists like Dave Dorman, John Romita Jr., Angel Medina, Geof Darrow, Jim Califore, Michael Turner were there as well. My arch-nemesis Lou Ferrigno (a tale best left told for that UNTOLD TALES OF THE @$$HOLES Column to surface one day) was there and gave me the evil eye as I walked past his booth. Roll call: Ray “Darth Maul” Park, Thomas “The Punisher” Jane (sporting a Mohawk), Wrestler Virgil, and Jaws from the Bond flicks (I saw him eating a big sammich and it made me both hungry and horrified at the same time).

I always get a bit giddy when I see all of these obscure and not-so-obscure stars gabbin’ it up with everyone and anyone. But nothing matches the unbridled exhilaration I experienced when I finally got to lay my eyes on comic book superstar Joyce DeWitt in the flesh. She was pretty tight lipped as to what her next blockbuster comic book project was going to be, no matter how hard I prodded. But I knew that Ms. DeWitt was carved from the craftiest of lumber and known to drop hints here and there to her scores of fans, so I decided to stick close—to keep my ears perked—to stay as frosty as Iceman’s taint and make it the goal for this year’s con to find out just what comic book superstar Joyce DeWitt had in store for us all.


On Friday night, the 13th Annual WIZARD WORLD FAN AWARDS were held.

And the winners were…

FAVORITE PUBLISHER: Marvel Comics
FAVORITE ON-GOING SERIES: Astonishing X-Men
FAVORITE ONE-SHOT: Countdown to Infinite Crisis
FAVORITE MINI-SERIES: Villains United
COMICS’ GREATEST MOMENT: “No more mutants” (House of M)
FAVORITE WRITER: Geoff Johns (Flash, Green Lantern: Rebirth)
FAVORITE PENCILLER: John Cassaday (Astonishing X-Men, Planetary)
FAVORITE INKER: Scott Williams (All-Star Batman and Robin)
FAVORITE PAINTER: Alex Ross (Justice)
FAVORITE COLORIST: Laura Martin (Astonishing X-Men)
FAVORITE LETTERER: Chris Eliopoulos (Ultimates 2)
FAVORITE EDITOR: Axel Alonso (Amazing Spider-Man)
FAVORITE BREAK-OUT TALENT: Allan Heinberg (Young Avengers)
FAVORITE COVER-ARTIST: James Jean (Fables)
FAVORITE HERO (MALE): Captain America (Marvel Comics)
FAVORITE HERO (FEMALE): Kitty Pryde (Marvel Comics)
FAVORITE VILLAIN: Winter Soldier (Marvel Comics)
FAVORITE SUPPORTING CHARACTER: Jessica Jones (Marvel Comics)
FAVORITE COMIC MERCHANDISE: Batman Black/White Mike Mignola Statue
FAVORITE ACTION FIGURE LINE: Marvel Legends (Toy Biz)
FAVORITE COMIC MOVIE PROJECT: Batman Begins (Warner Brothers and DC Comics)
FAVORITE TELEVISION SHOW: Lost (ABC)
FAVORITE DVD RELEASE: Batman Begins (Warner Brothers Home Video and DC Comics)
FAVORITE VIDEOGAME: X-Men Legends II (Activision)
Sadly and surprisingly,
comic book superstar Joyce DeWitt received no Wizard World Awards this year.

It’s time once again for…

BUG’S SCHWAG BAG!

Where I look through the bag of goodies that I picked up at this year’s con. The bag o’ schwag was a little light this year, but that doesn’t mean that I didn’t pick up anything cool. Haven’t been able to read much of the comics I got yet, but expect extended reviews of these books in upcoming columns. Here’s what I got.

One HUNTER-KILLER Scriptbook. Been searching for this since last year’s con. It’s Mark Waid’s how to break through into comics instructional manual. He pimped it at his writing seminar at last year’s con and I finally got a copy of it at the Top Cow booth this year.

The hottest chick at the con on Friday wasn’t even at the con at all. It was a tall businesswoman who walked past me and smiled on the walkway into the con. You could tell she had no interest in the con itself and was quite amused at all of the geekery. But who knows? Under that smart pants suit she was sporting, that svelte damsel could have been a secret she-devil with a sword.

I picked up RUNES OF RAGNAN #1 and DEATH COMES TO DILLINGER #1 & 2 from Silent Devil Productions.

I got a chance to chat with Buddy Scalera from After Hours Press about his recent 7 DAYS TO FAME miniseries. He seems like a great guy with a lot of enthusiasm about bringing unconventional and interesting stories to comics. I picked up MODEL OPERANDI and IMPOSSIBLE TALES there.

Picked up copies of the first two issues of a book called ARSINAL from Mighty Ink Comics.

The guy at the Yellow Nightmares Press booth sold me on the concept of WASTED MINUTE, a book about the day jobs super heroes have to endure while not fighting crime and saving the universe.

The folks at Ronin Studios signed my copy of CORRECTIVE MEASURES #1, which was mighty nice of them.

The hottest chick at the con on Saturday was a chunky but funky gal lurking about in the Artist’s Alley dressed as a devil. Although the porn stars were banned from the Alley this year, it was a welcome sight to see some sultry and sinful demoness representation.

Got a free issue of FINDER from Lightspeed Press. Indie Jones founder Lizzybeth used to pimp this book like it was her prize ho. I plan to dive into it and see what all the hubbub was about soon.

Always trying to look at things from an objective standpoint, I told the folks at Revelations Comics I’d gander at THE SAVED, a book they described as a look at religion from the religious left POV.

I bagged quite a few books from Moonstone books. Editor-in-chief Joe Gentile seemed like a great guy with a lot of great ideas for comic book properties both old and new. Expect an extended Moonstone look at THE PHANTOM in widevision, THE NIGHT DRIVER, PAT NOVAK FOR HIRE, CALL OF THE WILD, and LAI WAN: TALES OF THE DREAMWALKER soon.

Had a nice chat with Neil Cohn of Emaki Productions who is working on his PhD focusing on the psychology behind comics. Neil said that his EARLY WRITINGS ON VISUAL LANGUAGE book picks up where Scott McCloud’s UNDERSTANDING COMICS left off.

The hottest chick at the con on Sunday was a chick dressed as Power Girl at the beginning of the Artist’s Alley. She…uhm… really filled out the costume which coincidentally made my pants fill out a bit too. It did make me wonder, though, how that costume smelled because I saw her wearing it three days in a row.

Finally, I met a great group of guys at Element X Studios. These guys are a team of talented artists all working on their own projects at the moment. I picked up their Atomic artbook and a book called RUNNING ON EMPTY. Expect coverage in an upcoming Indie Jones article on this and all of the contents of my schwag bag in the regular AICN COMICS reviews column.


@@@@ News from Marvel @@@@

@ Brubaker + Fraction + IMMORTAL IRON FIST =@$$kicking. Nuff said.

@ Peter David’s 1603 set to feature Doom kidnapping Shakespeare and FF trying to get him back…ugh.

@ Bendis will be writing a follow-up to DISASSEMBLED/HOUSE OF M in NEW AVENGERS #26 when he brings back Hawkeye and Scarlett Witch. Expect the internet to heal from slitting in half shortly thereafter.

@ Lenil Yu is going to be the new penciler on NEW AVENGERS.

@ Jeph Loeb and Michael Turner will be doing ULTIMATE WOLVERINE, and Loeb says the back story for this Logan will be significantly different than that of the 616 Logan.

@ Another handful of “What If?” books are already on the way, folks, including books based on “Disassembled”, “The Other” and “Deadly Genesis”.

@ Been wondering what Ultimate Thanos is gonna look like? Not to worry—he’s gonna turn up in Mike Carey’s ULTIMATE FF.

@ A lot of Marvel folks still think crossing over SUPREME POWER and THE ULTIMATES is a fantastic idea. This is considerably more mind-blowing than the actual series will be. After this miniseries, expect members of both teams to be left behind in the wrong universes.

@ ULTIMATES 3 and 4 are clearly gonna have a much different approach and mood than what we’re used to so far. Worse? Better? Hard to say, but it’s gonna have Ultimate Venom, so make of that what you will…

@ There’s a new ILLUMINATI miniseries on the way, featuring your favorite heroes sitting around a table and talking about big events from Marvel’s past. Five issue mini from Brian Michael you-know-who.

@ Grant Morrison’s Marvel Boy will be showing up in CIVIL WAR: YOUNG AVENGERS/RUNAWAYS #2.

@ BLADE will get another shot at trying to make it to issue 12 soon.

@ Kaare Andrews’ new Marvel Knights project is called SPIDER-MAN: REIGN, looking into Spidey’s future.

@ New X-23 and WHITE TIGER books on the way.

@ The SPIDER-WOMAN ongoing has been postponed until CIVIL WAR is over.

@ Peter David has a five issue mini series coming out called WONDER MAN: MY FAIR SUPERVILLAIN where Simon Williams tries to rehabilitate a young female super villain. Art by Andrew Currie. Expect to see the Beast and Ms. Marvel show up.

@ Awright, look, the single best piece of Marvel news all weekend? Hands down? RETURN OF THE NO-PRIZE! Hot damn! Sharpen those pencils, kiddies, and get to work! They’re gonna email you instead of mailing you the blank envelope like in the old days, but still…for those of us who never got a chance at one of these, a kickass development.

@ Quesada was tight-lipped regarding any upcoming projects from
comic book superstar Joyce DeWitt.

So another Wizard World has come and gone, this time in the Windy City of Chicago, and good old Humphrey Lee here had the benefit and privilege of attending it for the second time in as many years. And while one of the big appeals of the con is obviously the big "news" updates from the Big Two and yadda yadda, I'm actually here more to talk about the con itself. Y'know, stuff like what it's like to actually attend one, some advice for those of you who hope to one day go to one of these bigger events, and, y'know, just general ramblings about some of the shit that pisses me off about them.

First off, I really have to warn you, while it does seem exciting to go out and see all the huge panels Marvel and DC are holding and trying to catch some tidbits, honestly they're never really worth it. Most of the times they're just repeating stuff that they already talked about at another con and the question and answer bullshit they do after rarely bears any fruit either. It's just a bunch of "Wait and see" or "We can't get into that yet" or the ever friendly "We're sure you'll be pleasantly surprised". You know what? I don't give a shit about surprises. I just want some goddamn quality books. All these panels really do is build up more hype that really never lives up to anything in the end. If you want to see a good panel, go to writer’s panels. Go see Peter David, or that mad bastard Paul Jenkins, and just listen to great storytellers give their point of view on things. Or go out and check the Vertigo panel. That's always a blast and a great showcase for great books.

As for tips on being on the con floor, my biggest piece of advice is simply "wait." If you're going to be there a couple days and have a nice list of purchases to make, just give it time. Get a layout of the floor, scout out whatever everyone has and what the price comparisons are, and just lay low for a bit. I mean, occasionally you'll hit gold right off the bat and find the perfect deal on what you're looking for, but most of the time it's a good bet to just wait for the con to get towards its end and see that the guy who had whatever trade or figure you were looking to get at 30% off on Friday has raised that to 50% off by Sunday because they just don't want to haul it back home (because inherently we're all lazy bastards).

When it comes to waiting in line, beware the asshole who decided he needed to bring three dozen or so books to get signed by the artist, writer, whoever. It's one thing to appreciate the writer and bring a handful of your favorite comics or trades up to get them signed out of sentimental value, but when you bring up an entire fucking run of ALIAS, while the party at hand might genuinely appreciate your love and enthusiasm for their work, their signing hand and the line of people behind them who have to wait an extra ten minutes while they sign all your shit do not appreciate it as much. Especially since 90% of the fucking time you're only doing it to turn around and Ebay them for some supposedly extra bank (which is bullshit, we all know comics stopped being worth anything when they stopped making holofoil-diecut covers).

And for you aspiring writers, publishers, and inkers (I guess, sure) just a little tip from me to you: Please don't fucking yell at me to come check out your book. Look, I know you mean well, I know you want to make it big and are enthusiastic about the little mini-comic you put together, but just let the book do the talking. Shouting at me from ten feet away to "Come check out this awesome book! Hey! Woo!! Look at me!!!" is just going to prompt me to raise the volume on my iPod. Make a nice display, organize your books and set up your booth nicely, maybe even throw up some interesting posters or backdrops to give me a hint as to what your book may be about or at least make me think you look professional enough to come speak with. And offer cheap (or free) sketches. That's a nice way to show that extra bit of dedication to your craft and give that extra bit of a professional vibe without coming off like that guy who stops by the local Denny's every night because he's practically stalking a waitress there. Trust me, that scenario always ends in tears.

And lastly, I have to say, I've seen a lot of books at these things, but NICKELPLATE is honestly the comic book equivalent of SNAKES OF A PLANE. No one reading this will have a clue of what I'm talking about, but for three dollars it was unintentionally the most entertaining comic I've bought all year. Expect more on this comic later.

Final piece of advice: Just have fun with it, you bastards.



@@@@ News from DC @@@@

@ Not much new in this year’s Vertigo panel. Mainly a catch-up of projects announced or delayed from last year.

@ The one big announcement is that LOCAL and DMZ writer Brian Wood will be doing a Viking book called NORTHLANDERS.

@ Another new ongoing, SCALPED by Jason Aaron, is a crime drama set on a Native American reservation.

@ There’s a possible ongoing with The Ten, the Chinese supergroup Grant Morrison developed for 52. Not sure on that one, but if it’s true, it could turn out to be quite interesting.

@ Morrison is also trying to work Bat-Mite into his run on BATMAN.

@ Around issue #30 of 52, we get to see just what Bruce Wayne, Dick Grayson, and Tim Drake did during their year off. Morrison is working on this section of the story.

@ Writer Geoff Johns revealed that former Batgirl Cassandra Cain will be joining Teen Titans East in an upcoming storyline.

@ Marv Wolfman and Dan Jurgens are going to be returning Dick Grayson to glory in NIGHTWING. The run has been extended from one arc to an as yet to be determined number of issues.

@ CONNOR HAWKE has a new miniseries coming up.

@ Howard Chaykin will be doing a GUY GARDNER miniseries.

@ Black Alice, the witchy teen from BIRDS OF PREY, will have her own one-shot in January.

@ Expect to see the return of Scott Free, Big Barda, Little Barda, the Suicide Squad, and Waverider in 52, but don’t expect to see
comic book superstar Joyce DeWitt in those pages.

On Saturday, the ‘Holes split up and I found myself attending the premiere of ULTIMATE AVENGERS 2. I’m not a big fan of Marvel’s ULTIMATE Universe. I always found the concept to be pretty one note. Basically, the whole thing is Marvel heaping its top talent together to hip up stories that were told before for the kiddies. Name an Ultimate story and I’ll tell you where to find it in its original and, most of the time, more entertaining form. Sure there are details that these “creators” have added to the mix, but the basics are always there and the most notable stories and characters have all been done before. To me, it’s pointless. It’s a PSYCHO remake. It’s Christina Aguilera singing an Aretha Franklin song. It’s an America version of Japanese Horror. All the work has already been done, now it’s just put together in a prettier and hipper package. Thanks, but no thanks.

But a free movie is a free movie. Now, I haven’t read ULTIMATES since the first series and I don’t know how accurate it is to the comic (word around the con was that it wasn’t accurate at all). I know that the first ULTIMATES series had some pretty dark stuff with a rapist Hulk, an abusive Giant Man, an alcoholic Iron Man, and a brutal Captain America. These aren’t the best themes to transfer into a cartoon that (let’s face it) more than likely fall into the collective brain pans of children (the fact that there were a few sitting at the screening proves it). Watered down variations of these themes were present in ULTIMATE AVENGERS 2. Iron Man enjoys the sauce, but is never pictured as drunk. Cap is hardcore, but not as brutal as he is in the comic. Hulk’s not a rapist, but he does represent Banner’s repression. And Giant Man’s abusive tendencies have been minimalized to an inferiority complex. These are not the squeaky cleaners that tool around the “real” Marvel U. They’re somewhere in between that and the Ultimate U., which in the end makes it all the more frustrating that this is categorized as an ULTIMATE cartoon and not just a regular one.

The story is set mostly in Wakanda as the aliens that the Ultimates thought they took care of last time return. The Black Panther is introduced. The whole scenario where the heroes fight then team up is utilized for the millionth time. The best parts of this movie happen in the beginning and the end. The beginning does a nice job of introducing the threat and the main players. Nice action sequences and some pretty sharp lines help make the characters memorable and immediately clued me in to whose problems and conflicts are whose. The end resolves that threat effectively enough with some thrilling and heroic moments by the entire cast. The middle, though, is the cartoon equivalent of a snail riding a turtle.

The look of ULTIMATE AVENGERS 2 was surprisingly lacking in vitality. There were a few cool designs of Wakanda, but the aliens and their WAR OF THE WORLDS rip-off spaceships were less than enthralling or imaginative. I guess I’ve been spoiled with the amazing stylization from the BATMAN and even the JUSTICE LEAGUE cartoons. It’s too bad the people behind this film couldn’t have come up with a new animation style. Instead, we get cells that aren’t much better than past X-MEN or SPIDER-MAN & HIS AMAZING FRIENDS cartoons. In the end, I found myself disappointed that I wasted two hours of my con experience watching a cartoon movie that lacked originality, style, and substance. A few cool action scenes and a couple of cool lines does not a movie save.

To top it all off, comic book superstar Joyce DeWitt had nothing to do with the making of this film. And that’s too bad…because if she did, it would have been the tits.


@@@@ In other news… @@@@

@ Great news for all of you who have made the DARKNESS/PITT crossover announced four years ago “long-anticipated”: Dale Keown is almost done with the second issue! Not to worry, though—Top Cow promises not to solicit until it’s completed, so expect that book some time in 2011.

@ I admit I scoffed a little when I heard ONI was gonna put out a MY NAME IS EARL comic book—I’m not convinced turning TV shows into comics will work successfully. But then I heard about ONI’s other new title, and found myself rethinking things. STEPHEN COLBERT’S ALPHA SQUAD 7: LADY NOCTURNE: A TEK JANSEN ADVENTURE? Solar Plexus! Sounds like a great idea, and since Colbert is actually a huge comics,, fantasy and gaming geek I’m hoping this one turns out well.

@ Paul Dini has a new book coming in March from Top Cow called MADAME MIRAGE with art by newcomer Kenneth Rocafort.

Sleazy G here. Like Bug said, Wizard reported record numbers for attendance this year, which is pretty cool. I mean, the more people exposed to comics the better, because hopefully that means an uptick in readers, right? So how great was it that the minute they walked in to the convention center they walked face-first into the huge displays for Marvel and DC, with Image and Dark Horse’s displays right behind them, completely immersing everybody in content from the biggest names in comics?

Oh, wait…that didn’t happen. Instead they walked into a two-story clubhouse from Spike TV with a DJ on the upper level blaring music at them at levels better suited for a nightclub. Now don’t get me wrong—I love Roni Size’s “Brown Paper Bag” as much as the next guy who was into jungle in 1997. Does it have anything to do with comics, though? Not so much. Fortunately, right next to them we cut straight to the comic book chase with…well…not so much a quarter pipe as an eighth pipe, with a skateboard you could borrow. I still couldn’t tell you what the fuck that was about. Things got better, though, when you got to the middle of the floor and found…an ATV sitting there next to a giant fucking wrestling ring taking up more goddamned real estate than any other booth or table or installation at the entire fucking con.

WHAT. THE. FUCK.

This is a FUCKING COMIC BOOK CONVENTION, PEOPLE. COMIC. BOOKS. Loud music, fake wrestling announcers yelling at you and skateboarding? Nobody comes to the annual comic book convention for that shit. We come for the announcements (of which there were far, far less than years past), for the guest writers and artists (of which there were far less) and for the panels and comic booky goodness (of which…well, you get the idea).

The panels had become a favorite activity of mine over the last few years, as there was usually a lot of news announced, a lot of star power, and a lot of fun. This year, though, they felt like a chore. Almost everything discussed was either an ongoing series like CIVIL WAR or 52 or had already been announced elsewhere. The big publishers also had a lot less of their talent running around, a fact which can be chalked up to too many cons added in too many cities, meaning every city is much less of a destination event and creators can’t possibly hit them all. Does this approach garner profits short-term? Perhaps. It also, however, dilutes the brand significantly, and the cons will continue to suffer unless the number of these things annually is scaled back.

All of that said, there was at least one event deserving of high praise over the weekend. Sadly, I was hoping it would be the firebombing of the room full of Kevin Smith fans, but it didn’t work out that way. No, this year the single best event goes to the fundraiser for the foundation Jeph Loeb started in memory of his son, Sam. The lovely Erica Durance paid to fly to WWC out of pocket, with no appearance fee, so she could cohost the event. That’s an amazing thing to do, and it paid off in spades because the auctioning off of the original art from BATMAN/SUPERMAN #26 generated a phenomenal amount of money. Bravo to Erica and Jeph for pulling off the most important event of WWC.

Something a lot of people who attend WWC aren’t aware of is the number of events that people here from the con take part in away from the convention center and hotel bar. Any of you who are planning on attending next year? I highly recommend keeping an eye on artists’ and writers’ websites for get-togethers. This year several indie artists, including Jim Mahfood, descended on a little bar in Ukrainian Village on Saturday night. Guest DJs spun hiphop while a handful of artists stood in the corner creating new works of art on the spot, having drinks, chatting with fans and selling the spontaneous works they had just created. Despite blowing a fuse a handful of times cuz of the bass, it turned out to be a really chill, enjoyable event with a cool, supportive vibe. Events like this one give you a distinctly different flavor from that of the convention center and can really add a lot to the con experience, so next year you might wanna keep your ear to the ground and get a hit of the indie coolness that exists outside the standard WWC schedule.

Of the cons in Chicago I’ve attended, I have to say this was the least interesting and enjoyable by far—there just wasn’t enough substance. Does that mean I won’t be back next year, though? Hardly. Everybody has an off year, and I’m sure I’ll be back. I’m just hoping that next year they take the numbers from this year into account and take advantage of the opportunity to bring comics to their rightful place in the forefront.


Hey folks, it’s Bug again. Lack of big news, corporate sponsorship, and the usual comic con peccadilloes aside, this con also had something I seem to find at every con—the enthusiasm of the fans. There’s something to be said about a genre that unites so many different walks of life. Comic books are one of the few genres around that have a little bit of something for everyone. That twinkle in the eyes of the geeks and freaks, the fanboys and the patient girlfriends, the pros and yes, even the kids has been present at every WIZARDWORLD Con I’ve attended and it was present this year as well. Not the best con, but not the worst, and although I didn’t end up finding out what comic book superstar Joyce DeWitt’s next big project was, I walked away from this year’s WIZARDWORLD Chicago Con as I always do—with enthusiasm for the genre and excitement about the year to come in comics.

So thanks for being patient regarding our computer issues. Again, sorry it took so long to get this report up and running. Look for more AICN Comics: SHOOT THE MESENGER news reports coming soon.

Disclaimer: Comic book superstar Joyce DeWitt was not harmed in the making of this column.
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