Who is Tim Minear? Just a TV god, is all! Minear wrote and directed the best episodes of “Angel” series creator Joss Whedon didn’t write and direct. Remember the one that introduced The Groosalugg? The one that saw Team Angel move into Wolfram & Hart’s Los Angeles offices? So fabulous were installents like these that Whedon made Minear his co-showrunner on “Firefly.” So good was Minear’s work on “Firefly” that Fox hired Minear as showrunner on “Wonderfalls,” last season’s best new show.

2) Minear’s “Inside” is a different “Inside” than the one we've heard about.

It was reported in the trade press that Minear was “hired to write a new pilot script while keeping the premise.” The trade press lies, says Minear. “I agreed to do it if they let me dump the premise. ‘The Inside’ is totally retooled. It’s less ‘21 Jump Street’ and more ‘Silence of the Lambs’.”

Gone is the high school and any ongoing undercover operation.

The show is now about Rebecca Locke, a young special agent who joins the FBI’s Violent Crimes Unit (VCU) in Los Angeles. Having graduated from the FBI academy two years ago, she’s already made a name for herself at Homeland Security, where she demonstrated a knack for cracking Queda codes.

The man in charge of L.A.’s VCU, celebrated supervisory special agent Virgil “Web” Webster, recruited Rebecca, and she may be his biggest find yet. Quickly and unassumingly does she demonstrate that she’s better at what she does than the older, more experienced and highly skilled agents Webster recruited before her.

We also learn that a very dark chapter was written into Rebecca’s life long before she began training with the FBI.

“High school angle -- DEAD! This is not an undercover show,” emphasizes Minear. “When they asked me to do this I felt there were problems in the DNA.”

Rebecca’s new VCU teammates include irritable ex-marine Danny Coulter, big-brained psychologist Melody Sims, and young family-man Paul Fatorre, who comes to fear that VCU boss Webster could eventually devolve Rebecca into something as dark and hardened as Webster himself.

The old “Inside” concept, Minear says, was “really good for an episode of a show, not a whole series. A procedural needs to be specific but broad at the same time. ‘CSI’: it's specific, they do the science. It's broad: it can be applied to any kind of crime/story.

“You can have an ‘X-Files’ episode about repeating a day, but you don't want to see Mulder doing that every week. Hence the overburdened concept of ‘Tru Calling,’ for instance. Rebecca will go undercover when I need or want her to. Other than that, it's about the triangle of Web, Rebecca and Paul -- Web and Paul both in existential battle for Rebecca's soul.”

“It's ‘Silence Of The Lambs’ by way of ‘L.A. Confidential.’ Paul sees himself as the one thing standing between Rebecca and Web's corrupting influence. It is a battle for her soul. If in fact she has one.”

Though Rebecca is after a serial killer in Minear’s pilot, the series concept doesn’t necessitate a “serial killer of the week.”

“Violent crime, serial killers, rapists, some terrorism, adbudctions/kidnappings, arsonists, bombers,” is how Minear describes Rebecca’s workload. “We go to the sick, twisted and depraved place, but not always serial killers.”

Will there be a “big bad” to haunt “The Inside’s” first season? Or perhaps the entire series?

Minear doesn’t say no. “Was Rebecca's abductor ever caught?” Minear asks rhetorically. “Um, good question. Is Web Jack Crawford [the Scott Glenn mentor character in ‘Silence of the Lambs’] or Hannibal Lector? Another good question.”

So if it’s a totally different show now, why not retire the old title too? Word leaked recently that the series might change its name to “Southland” [media slang for “Greater Los Angeles”], but Minear is doubtful that one will stick.

“Probably not ‘Southland,’ though it was my idea and I like it,” he says. “Seemed James Ellroy-ish to me. Start the show with the sound of a car radio spinning on the dial and ‘today in the Southland...’ kinda thing. But we’re still looking for a title. Something probably procedural-sounding.”

3) Get a gander at Minear’s writing staff!

Those inside “The Inside” now include:

* Jane Espenson! The best and funniest “Buffy the Vampire Slayer” writer not named Joss Whedon! She wrote the one about Xander getting the funny syphilis, the one about Buffy getting the funny telepathy, the one about Xander getting Xeroxed, the one with the Aprilbot, the one that introduced the Buffybot, the one in which Buffy fought the mummy hand, the one in which Giles terrified the Chinese potential with flashcards. Jane Espenson rules.

* Richard Hatem! Screenwriter of “The Mothman Prophecies,” Hatem created ABC’s woefully short-lived supernatural drama “Miracles,” one of the best series of 2003. He also personally scripted its gripping and thought-provoking four-star pilot. Hatem’s brainchild caused legions to scrawl the words “God is nowhere” on paper napkins. Richard Hatem rules.

* David Fury! The author of more produced teleplays set in the Buffiverse than any other writer save Joss Whedon, Fury joined the writing staff at “Lost” for its first season, and promptly wrote most of its best episodes, including the five-star affair in which viewers learned of John Locke’s (now vanquished) disability. David Fury rules.

* Rob Pearlstein, Ahmed Lavalis, Mark Fish, and Karine Rosenthal! I’ve no idea who they are! But they must be super-extra-talented talented if they get to work with Minear, Espenson, Fury and Hatem, right?

4) Look at the cast!

* The only holdover from the old “Inside” is its lead actress, the alarmingly cute 25-year-old 5’10” former Guess? model Rachel Nichols. She was going to play faux high-school student Elizabeth Worth in the old “Inside”; now she’s FBI superprofiler Rebecca Locke.

* The big news for “Firefly” fans is “The Inside” reunites Minear with Adam Baldwin, who played violence-prone mercenary Jayne Cobb in the short-lived spaceship series (and in Joss Whedon’s upcoming bigscreen spinoff, “Serenity”). “The Inside” has Baldwin playing Rebecca’s impatient and amusingly rude colleage Danny Coulter.

* Peter Coyote, last seen playing supervising government operative Dennis Ryland in “The 4400,” plays Rebecca’s dark mentor, Virgil Webster.

* Katie Finneran, still memorable for her work as Jaye's lesbian sister on "Wonderfalls," plays Rebecca’s only female teammate.

* Jay Harrington, last seen recurring on the WB’s “Summerland,” plays Paul, the FBI man trying prevent Webster from driving Rebecca to the dark side.

5) The scripts for the series’ first two hours? They rock. Very hard.

I haven’t seen a frame of footage, but I can already tell from the first two teleplays that I love this show. Its scripts give us exactly what fans expect from Minear: compelling characters, monstrous twists, rocket pacing and resonant dark humor. Rebecca, especially, is a great central figure, gifted, haunted and driven but also heroic and hugely likeable. The victims are sad. You’ll crave grave punishment for their detestable tormentors. And you will thrill to realize Rebecca has the means to destroy them.

6) There’s “Inside” stuff Herc’s forbidden to discuss.

In an early Minear pilot script, a serial killer leads the FBI to a fictional and abandoned Los Angeles hotel named the Hyperion. Sad to say, the hotel, known to fans of the Buffiverse as the former worldwide headquarters of Angel Investigations, didn’t quite survive to the final shooting script. “But look for a very specific ‘Angel’ reference,” promises Minear.

If you think that particular promise is cool, Minear has privately spoken also of tentative plans you’ll find 1,000 times cooler. Minear, fearful of jinxing, forbids us to say more, but I’m not exaggerating about the “1,000 times” part. Makes me giddy.

Fox has ordered 13 hours of Minear’s “The Inside.” They start airing in less than a month. I. Can’t. Fucking. Wait.

I am – Hercules!!

The 10 best scripted hourlongs in production:
Battlestar Galactica
Deadwood
Gilmore Girls
The Inside (coming June 8!)
Lost
The OC
The Sopranos
24
Veronica Mars
The Wire

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